Math, Music and Memory Fall 2014 Handout for Sections 2.2 and 2.3: Scales and Intervals
|
|
- Dennis Garrett
- 6 years ago
- Views:
Transcription
1 Math, Music and Memory all 01 andout for Sections. and.: Scales and Intervals Scale # of Notes - Sequence hromatic 1 ll half steps hone Tone ll whole steps Major Natural Minor armonic Minor igure 1: The five types of scales discussed in Section. and their defining sequences of half () and whole () steps. xamples igure : n ascending chromatic scale beginning on. The scale has twelve notes, with consecutive notes always separated by a half step. igure : The two different whole tone scales, one beginning on and the other on. In each case, the interval between consecutive notes is always equal to a whole step (two half steps).
2 1 igure : The major scale. Notice the pattern of whole () and half () steps between consecutive notes. This same pattern holds for any major scale. 1 1 igure : The major scale in the treble clef igure : The natural minor scale. Notice the pattern of whole () and half () steps between consecutive notes. This same pattern holds for any natural minor scale igure : The harmonic minor scale. The only difference from the natural minor scale is that the seventh scale degree has been raised up a half step.
3 Intervals efinition: Two notes are an nth interval apart if they are n steps from each other on the musical staff. hen counting the number of steps, be sure to include the location of both the starting and ending note. rom a mathematical perspective, the definition of a musical interval is counter-intuitive because it over-counts the actual distance by one unit. The notes and are next to each other on the piano, so that should really be considered one step, not two. The notes and are two steps away on the piano keyboard, so that interval should really be a second, not a third. The musical version of measuring distance causes problems when combining intervals. or instance, we would expect that a second and a third combine to produce a fifth, but this is false! The interval from to (a second) plus the interval from to (a third) is equal to the interval from to (a fourth). ccording to music theory, the equation + = is valid! m second third fourth fifth sixth seventh octave ninth tenth igure 8: Some basic musical intervals. hen counting the number of steps between two notes, always include the line or space of both the starting and ending note. In addition to the number of steps in a musical interval, there is also the designation of perfect, major or minor, as well as augmented or diminished. The terms perfect and major are assigned to intervals corresponding m to those found in the major scale. More specifically, if the major scale beginning on the bottom note contains the upper note as part of its scale, then the interval is perfect (in the case of the fourth or fifth) or it is major. The abbreviation for a major interval with n steps is Mn. Thus, M represents a major third and M meansa major sixth. euse P and P to denote a perfect fourth and fifth, respectively. second M third fourth fifth m M P P sixth M seventh M octave Oct. ninth M9 igure 9: Some major (M) and perfect (P) intervals. In each case, the top note is a part of the major scale. second third fourth fifth sixth seventh octave ninth tenth If an interval is not perfect or major, we will consider it to be minor. The one exception is the interval that divides the octave in half, that is, an interval of six half steps, called a tritone. Some important minor intervals are shown in igure 10, using middle asthe bottom note. Minor intervals are notated with a lower case m. M M P P M M Oct. M9 M10 m m m igure 10: Some minor (m) intervals and the tritone (). m m9 m10 tenth M10
4 Scale eg. Interval alf Steps Name Musical xample(s) 1 Uni. 0 Tonic M Supertonic rère Jacques appy irthday to You M Mediant Oh, hen the Saints Kumbaya P Subdominant ere omes the ride Oh hristmas Tree P ominant Twinkle Twinkle Little Star My avorite Things M 9 Submediant My onnie Lies over the Ocean It ame upon a Midnight lear M 11 Leading tone Take on Me 8 = 1 Oct. 1 Octave Somewhere over the Rainbow Table 1: The major (M) and perfect (P) intervals within the octave, including the number of half steps in each interval, and some sample musical examples. Notes Interval alf Steps Musical xample(s) m 1 Theme from Jaws m ir-ball! (the heckle interval) reensleeves Maria Theme from The Simpsons m 8 Theme from Love Story o own Moses m 10 There s a Place for Us Table : The tritone () and the minor (m) intervals within the octave, including the number of half steps in each interval, and some sample musical examples.
5 xercises (blank piano keyboard provided below for assistance) 1. rite an ascending whole tone scale (one octave) using only flats in the bass clef beginning on. Use whole notes and write the letter name below each note.. rite an ascending major scale (one octave) in the treble clef. Use whole notes and write the letter name below each note. Music engraving by LilyPond.1. rite an ascending natural minor scale (one octave) in the treble clef. Use whole notes and write the letter name below each note. Music engraving by LilyPond.1. rite an ascending harmonic minor scale (one octave) in the bass clef. Use whole notes and write the letter name below each note. Music engraving by LilyPond.1. Notate each of the following musical intervals, including major, minor and perfect designations. P m Music engraving by LilyPond.1. M m Oct. m m m P m9 m10 m
Math, Music and Memory: Fall 2014 Section 2.4: Key Signatures and the Circle of Fifths
Math, Music and Memory: all 201 Section 2.: Key Signatures and the ircle of ifths The ircle of ifths The ircle of ifths is a special musical clock with located at the top. Moving clockwise, each ensuing
More information. Music Theory Level 5
. Music Theory Level 5 Name Period Table of Contents ntervals Page 1 Harmonic and Melodic ntervals Page 23 Perfect and Major ntervals Page 45 Ear Training #9 Page 6 Minor ntervals Page 7 nterval Review
More informationAP Music Theory Westhampton Beach High School Summer 2017 Review Sheet and Exercises
AP Music Theory esthampton Beach High School Summer 2017 Review Sheet and Exercises elcome to AP Music Theory! Our 2017-18 class is relatively small (only 8 students at this time), but you come from a
More informationMusic Theory. Level 3. Printable Music Theory Books. A Fun Way to Learn Music Theory. Student s Name: Class:
A Fun Way to Learn Music Theory Printable Music Theory Books Music Theory Level 3 Student s Name: Class: American Language Version Printable Music Theory Books Level Three Published by The Fun Music Company
More informationAP Theory Overview:
AP Theory Overvie: 1. When you miss class, keep up ith assignments on our ebsite: http://saamusictheory.eebly.com/ 2. Take notes using our 'Note-taking paper', or buy: https://scoreclefnotes.com/buy/ 3.
More information11.1 Identify notes with scale degree numbers
In this chapter you will: 1. Identify notes with scale degree numbers 5. Identify triads in order by Roman numerals: major keys 2. Draw notes given their scale degree numbers 6. Identify triads in order
More informationCredo Theory of Music training programme GRADE 4 By S. J. Cloete
- 56 - Credo Theory of Music training programme GRADE 4 By S. J. Cloete Sc.4 INDEX PAGE 1. Key signatures in the alto clef... 57 2. Major scales... 60 3. Harmonic minor scales... 61 4. Melodic minor scales...
More informationKeys Supplementary Sheet 11. Modes Dorian
Keys Supplementary Sheet 11. Modes Dorian Keys Question 1 Write the dorian mode, ascending and descending, beginning on D. Do not use a key signature. Keys Question 2 Write the dorian mode that is begins
More informationNotes for Instructors Using MacGAMUT with Listen and Sing
1 Notes for Instructors Using MacGAMUT with Listen and Sing Listen and Sing: Lessons in Ear-Training and Sight Singing by David Damschroder Published by Schirmer / Cengage Learning For more information
More informationLESSON ONE. New Terms. a key change within a composition. Key Signature Review
LESSON ONE New Terms deceptive cadence meno piu modulation V vi (VI), or V7 vi (VI) less more a key change within a composition Key Signature Review 1. Study the order of sharps and flats as they are written
More informationStudy Guide. Solutions to Selected Exercises. Foundations of Music and Musicianship with CD-ROM. 2nd Edition. David Damschroder
Study Guide Solutions to Selected Exercises Foundations of Music and Musicianship with CD-ROM 2nd Edition by David Damschroder Solutions to Selected Exercises 1 CHAPTER 1 P1-4 Do exercises a-c. Remember
More informationCurriculum Development In the Fairfield Public Schools FAIRFIELD PUBLIC SCHOOLS FAIRFIELD, CONNECTICUT MUSIC THEORY I
Curriculum Development In the Fairfield Public Schools FAIRFIELD PUBLIC SCHOOLS FAIRFIELD, CONNECTICUT MUSIC THEORY I Board of Education Approved 04/24/2007 MUSIC THEORY I Statement of Purpose Music is
More informationMusic Solo Performance
Music Solo Performance Aural and written examination October/November Introduction The Music Solo performance Aural and written examination (GA 3) will present a series of questions based on Unit 3 Outcome
More informationMMTA Written Theory Exam Requirements Level 3 and Below. b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B).
MMTA Exam Requirements Level 3 and Below b. Notes on grand staff from Low F to High G, including inner ledger lines (D,C,B). c. Staff and grand staff stem placement. d. Accidentals: e. Intervals: 2 nd
More informationUMT - COMPLETE MUSIC THEORY COURSE FINAL EXAM - ADVANCED RUDIMENTS
Total Score: _ 0 Name: _ UMTS Number: 1. a) Name the following intervals. _ b) Invert the above intervals in the Treble Clef. Use whole notes. Name the inversions. _ c) Write the following harmonic intervals
More informationCHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER 9...
Contents Acknowledgements...ii Preface... iii CHAPTER 1... 1 Clefs, pitches and note values... 1 CHAPTER 2... 8 Time signatures... 8 CHAPTER 3... 15 Grouping... 15 CHAPTER 4... 28 Keys and key signatures...
More informationBIBLIOGRAPHY APPENDIX...
Contents Acknowledgements...ii Preface... iii CHAPTER 1... 1 Pitch and rhythm... 1 CHAPTER 2... 10 Time signatures and grouping... 10 CHAPTER 3... 22 Keys... 22 CHAPTER... 31 Scales... 31 CHAPTER 5...
More informationNUMBER OF TIMES COURSE MAY BE TAKEN FOR CREDIT: One
I. COURSE DESCRIPTION Division: Humanities Department: Speech and Performing Arts Course ID: MUS 202 Course Title: Music Theory IV: Harmony Units: 3 Lecture: 3 Hours Laboratory: None Prerequisite: Music
More informationAlleghany County Schools Curriculum Guide
Alleghany County Schools Curriculum Guide Grade/Course: Piano Class, 9-12 Grading Period: 1 st six Weeks Time Fra me 1 st six weeks Unit/SOLs of the elements of the grand staff by identifying the elements
More informationIntroduction to Music Theory. Collection Editor: Catherine Schmidt-Jones
Introduction to Music Theory Collection Editor: Catherine Schmidt-Jones Introduction to Music Theory Collection Editor: Catherine Schmidt-Jones Authors: Russell Jones Catherine Schmidt-Jones Online:
More informationMusic Department Columbia University Ear Training Curriculum, Fall 2012 Sing and Play at the Piano Face the Music
Music Department Columbia University Ear Training Curriculum, Fall 2012 and at the Piano Face the Music Students are required to perform at the keyboard simultaneously singing and playing exercises in
More informationCHAPTER I BASIC CONCEPTS
CHAPTER I BASIC CONCEPTS Sets and Numbers. We assume familiarity with the basic notions of set theory, such as the concepts of element of a set, subset of a set, union and intersection of sets, and function
More informationUnderstanding basic tonic chord structure and how the singer can find her note from the pitch blown
Understanding basic tonic chord structure and how the singer can find her note from the pitch blown The goal of the class is to help you find your starting note when the pitch is blown. There will be a
More informationPartimenti Pedagogy at the European American Musical Alliance, Derek Remeš
Partimenti Pedagogy at the European American Musical Alliance, 2009-2010 Derek Remeš The following document summarizes the method of teaching partimenti (basses et chants donnés) at the European American
More informationIntroduction to Music Theory. Collection Editor: Catherine Schmidt-Jones
Introduction to Music Theory Collection Editor: Catherine Schmidt-Jones Introduction to Music Theory Collection Editor: Catherine Schmidt-Jones Authors: Russell Jones Catherine Schmidt-Jones Online:
More informationThe high C that ends the major scale in Example 1 can also act as the beginning of its own major scale. The following example demonstrates:
Lesson UUU: The Major Scale Introduction: The major scale is a cornerstone of pitch organization and structure in tonal music. It consists of an ordered collection of seven pitch classes. (A pitch class
More informationContents FOREWORD... 5
Contents FOREWORD... 5 2 Unit 1 Lesson 1: The Staff, Notes, and Pitches... 6 Lesson 2: Treble Clef and Staff... 8 Lesson 3: Bass Clef and Staff... 10 Lesson 4: The Grand Staff and Ledger Lines (The Middle
More informationLesson Two...6 Eighth notes, beam, flag, add notes F# an E, questions and answer phrases
Table of Contents Introduction Lesson One...1 Time and key signatures, staff, measures, bar lines, metrical rhythm, 4/4 meter, quarter, half and whole notes, musical alphabet, sharps, flats, and naturals,
More informationCircle Progressions and the Power of the Half Step
ircle Progressions and the Power of the Half Step arol VanRandwyk Fundamental harmonic motion by descending Þfth or ascending fourth is likely the most recognizable feature in common practice period musical
More informationThe Perception of Music
Presentation by Joanne mmanuel The Perception of Music y H.. Longuet-Higgins, RS The problem considered in this lecture is that of describing the conceptual structures by which we represent Western classical
More informationThe Composer s Materials
The Composer s Materials Module 1 of Music: Under the Hood John Hooker Carnegie Mellon University Osher Course September 2018 1 Outline Basic elements of music Musical notation Harmonic partials Intervals
More informationCelebrate Theory. Level 8 Worksheets
Celebrate Theory Level 8 Worksheets Contents Chords and Harmony... Pg. 3 Form and Analysis... Pg. 11 Intervals... Pg. 14 Keys and Scales... Pg. 20 Melody Writing and Composition... Pg. 23 Pitch and Notation...
More informationTheory and Sightreading for Singers LEVEL 2. The EM Music Voice Method Series. Written by. Elizabeth Irene Hames and Michelle Anne Blumsack
Theory and Sightreading for Singers LEVEL 2 The EM Music Voice Method Series Written by Elizabeth Irene Hames and Michelle Anne Blumsack Distributed by: EM Music Publishing 2920 Yoakum St. Fort Worth,
More information2) Is it a Sharp or a Flat key? a. Flat key Go one Flat Further (use Blanket Explodes) b. Sharp key Go Down a Semitone (use Father Christmas)
SCALES Key Signatures 1) Is it Major or Minor? a. Minor find the relative major 2) Is it a Sharp or a Flat key? a. Flat key Go one Flat Further (use Blanket Explodes) b. Sharp key Go Down a Semitone (use
More informationTheory of Music. Clefs and Notes. Major and Minor scales. A# Db C D E F G A B. Treble Clef. Bass Clef
Theory of Music Clefs and Notes Treble Clef Bass Clef Major and Minor scales Smallest interval between two notes is a semitone. Two semitones make a tone. C# D# F# G# A# Db Eb Gb Ab Bb C D E F G A B Major
More informationThe Pythagorean Scale and Just Intonation
The Pythagorean Scale and Just Intonation Gareth E. Roberts Department of Mathematics and Computer Science College of the Holy Cross Worcester, MA Topics in Mathematics: Math and Music MATH 110 Spring
More information2011 MUSICIANSHIP ATTACH SACE REGISTRATION NUMBER LABEL TO THIS BOX. Part 1: Theory, Aural Recognition, and Musical Techniques
External Examination 2011 2011 MUSICIANSHIP FOR OFFICE USE ONLY SUPERVISOR CHECK ATTACH SACE REGISTRATION NUMBER LABEL TO THIS BOX QUESTION BOOKLET 1 19 pages, 21 questions RE-MARKED Wednesday 16 November:
More informationMusic Theory. Fine Arts Curriculum Framework. Revised 2008
Music Theory Fine Arts Curriculum Framework Revised 2008 Course Title: Music Theory Course/Unit Credit: 1 Course Number: Teacher Licensure: Grades: 9-12 Music Theory Music Theory is a two-semester course
More informationHS/XII/A. Sc. Com.V/Mu/18 MUSIC
Total No. of Printed Pages 9 HS/XII/A. Sc. Com.V/Mu/18 2 0 1 8 MUSIC ( Western ) Full Marks : 70 Time : 3 hours The figures in the margin indicate full marks for the questions General Instructions : Write
More informationLESSON 1 PITCH NOTATION AND INTERVALS
FUNDAMENTALS I 1 Fundamentals I UNIT-I LESSON 1 PITCH NOTATION AND INTERVALS Sounds that we perceive as being musical have four basic elements; pitch, loudness, timbre, and duration. Pitch is the relative
More informationBasic Music Theory Resource Book and Worksheets, by Rodolfo Gonzalez, Ed. D., Basic Music Theory Resource Book And Worksheets PREVIEW
Basic Music Theory Resource Book And Worksheets By Rodolfo Gonzalez, Ed. D. 2017 1 Table of Contents I. Basic Music Theory Resource Book 1. Staff p. 4 2. Treble Clef p. 4 3. Bass Clef p. 4 4. The Grand
More informationNew Zealand Music Examinations Board
Available Marks 100 Total Marks Gained Entrant Name New Zealand Music Examinations Board T H E O R Y - F O U R T H G R A D E Time: 9.30am- 12.30pm Saturday 31st October 2015 Time Allowed: 3 Hours Write
More informationA Review of Fundamentals
Chapter 1 A Review of Fundamentals This chapter summarizes the most important principles of music fundamentals as presented in Finding The Right Pitch: A Guide To The Study Of Music Fundamentals. The creation
More informationNew Zealand Music Examinations Board
Available Marks 100 Total Marks Gained Entrant Name New Zealand Music Examinations Board T H E O R Y - F O U R T H G R A D E Time: 9.30am- 12.30pm Saturday 31 st October 2009 Time Allowed: 3 Hours Write
More informationDOWNLOAD PDF FILE
www.migu-music.com DOWNLOAD PDF FILE Table of Contents Explanation of Contents...6 Melody Interpretation Part 1...8 Altering the Melodic Rhythm... 8 Harmony Part 1... 11 Chord Expansion, Dominants... 11
More informationMusic Theory Courses - Piano Program
Music Theory Courses - Piano Program I was first introduced to the concept of flipped classroom learning when my son was in 5th grade. His math teacher, instead of assigning typical math worksheets as
More informationNortheast High School AP Music Theory Summer Work Answer Sheet
Chapter 1 - Musical Symbols Name: Northeast High School AP Music Theory Summer Work Answer Sheet http://john.steffa.net/intrototheory/introduction/chapterindex.html Page 11 1. From the list below, select
More informationLesson Week: August 17-19, 2016 Grade Level: 11 th & 12 th Subject: Advanced Placement Music Theory Prepared by: Aaron Williams Overview & Purpose:
Pre-Week 1 Lesson Week: August 17-19, 2016 Overview of AP Music Theory Course AP Music Theory Pre-Assessment (Aural & Non-Aural) Overview of AP Music Theory Course, overview of scope and sequence of AP
More informationKeyboard Foundation Level 1
Keyboard Foundation Level 1 Set a voice, style and tempo from instructions given. Read a range of notes over a fifth (C to G) without accidentals using semibreves, dotted minims, minims and crotchets.
More informationIntermediate Piano Syllabus and Course Outline
Intermediate Piano Syllabus and Course Outline Instructor: David Joseph Email: djoseph@ggusd.us Phone #: 714 767 4516 Room: 403 Period: 0 Textbook: Palmer, Manus, and Amanda Vick Lethco. Adult All In One
More informationTheory Bowl. Round 3: Harmony, Voice Leading and Analysis
Theory Bowl Round 3: Harmony, Voice Leading and Analysis 1) Which of the following answers would be an example of the Mixolydian mode? 6) Which Roman numeral analysis below correctly identifies the progression
More informationStudent Performance Q&A:
Student Performance Q&A: 2004 AP Music Theory Free-Response Questions The following comments on the 2004 free-response questions for AP Music Theory were written by the Chief Reader, Jo Anne F. Caputo
More informationAN ANALYSIS OF PIANO VARIATIONS
AN ANALYSIS OF PIANO VARIATIONS Composed by Richard Anatone A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF MUSIC BY RICHARD ANATONE
More informationModule # 4 Musical analysis and contemporary music Designer : Anthony Girard
Module # 4 Musical analysis and contemporary music Designer : Anthony Girard 1. Learning Unit 3: Expanded tonality - Added notes, unresolved appoggiaturas 1.1. Generalities 1.1.1. Expanded tonality The
More informationAP Music Theory Summer Assignment
2017-18 AP Music Theory Summer Assignment Welcome to AP Music Theory! This course is designed to develop your understanding of the fundamentals of music, its structures, forms and the countless other moving
More informationAP MUSIC THEORY 2011 SCORING GUIDELINES
2011 SCORING GUIDELINES Question 7 SCORING: 9 points A. ARRIVING AT A SCORE FOR THE ENTIRE QUESTION 1. Score each phrase separately and then add these phrase scores together to arrive at a preliminary
More informationMusic Fundamentals 1: Pitch and Major Scales and Keys. Collection Editor: Terry B. Ewell
Music Fundamentals 1: Pitch and Major Scales and Keys Collection Editor: Terry B. Ewell Music Fundamentals 1: Pitch and Major Scales and Keys Collection Editor: Terry B. Ewell Authors: Terry B. Ewell
More information1a.51 Harmonic Seconds and Fifths WB2 1A_51ABCDEFGHIJ.WAV 1a.52 Identifying and Notating Seconds and All WB2 1A_52ABCDEFGHIJ.WAV
Example # Audio file 1a.2 Echoing Pitch Patterns WB2 1A_2ABC.WAV 1a.14 Half Versus Whole Steps (I) WB2 1A_14ABCDEFGHIJ.WAV 1a.15 Half Versus Whole Steps (II) WB2 1A_15ABCDEFGHIJ.WAV 1a.16 Aural and Visual
More informationThe Composer s Materials
The Composer s Materials Module 1 of Music: Under the Hood John Hooker Carnegie Mellon University Osher Course July 2017 1 Outline Basic elements of music Musical notation Harmonic partials Intervals and
More informationCHAPTER ONE TWO-PART COUNTERPOINT IN FIRST SPECIES (1:1)
HANDBOOK OF TONAL COUNTERPOINT G. HEUSSENSTAMM Page 1 CHAPTER ONE TWO-PART COUNTERPOINT IN FIRST SPECIES (1:1) What is counterpoint? Counterpoint is the art of combining melodies; each part has its own
More informationAeolian (noun) one of the modes; equivalent to natural minor or a white key scale from A to A; first identified in the Renaissance period
CHAPTER SUPPLEMENT Glossary SUPPLEMENTARY MATERIAL accent (noun) a beat that is stressed or played louder than the surrounding beats; (verb) to stress a beat by playing it louder than the surrounding beats
More informationChapter 5. Parallel Keys: Shared Tonic. Compare the two examples below and their pentachords (first five notes of the scale).
Chapter 5 Minor Keys and the Diatonic Modes Parallel Keys: Shared Tonic Compare the two examples below and their pentachords (first five notes of the scale). The two passages are written in parallel keys
More informationE Lesson Plan Day #1 Choir-Crowther
E Lesson Plan Day #1 Choir-Crowther Objective: To understand and learn about key signatures. Goals: You will learn how to find and identify various key signatures and be able to apply this knowledge to
More informationAP MUSIC THEORY 2010 SCORING GUIDELINES
2010 SCORING GUIDELINES Definitions of Common Voice-Leading Errors (DCVLE) (Use for Questions 5 and 6) 1. Parallel fifths and octaves (immediately consecutive) unacceptable (award 0 points) 2. Beat-to-beat
More informationAP Music Theory. Sample Student Responses and Scoring Commentary. Inside: Free Response Question 7. Scoring Guideline.
2018 AP Music Theory Sample Student Responses and Scoring Commentary Inside: Free Response Question 7 RR Scoring Guideline RR Student Samples RR Scoring Commentary College Board, Advanced Placement Program,
More informationExample 1 (W.A. Mozart, Piano Trio, K. 542/iii, mm ):
Lesson MMM: The Neapolitan Chord Introduction: In the lesson on mixture (Lesson LLL) we introduced the Neapolitan chord: a type of chromatic chord that is notated as a major triad built on the lowered
More informationAnalysis of Brahms Intermezzo in Bb minor Op. 117 No. 2. Seth Horvitz
Analysis of Brahms Intermezzo in Bb minor Op. 117 No. 2 Seth Horvitz shorvitz@mills.edu Mills College Tonal Analysis - Music 25 Professor David Bernstein December 30, 2008 BRAHMS INTERMEZZO / Op. 117 No.
More informationMUSC 133 Practice Materials Version 1.2
MUSC 133 Practice Materials Version 1.2 2010 Terry B. Ewell; www.terryewell.com Creative Commons Attribution License: http://creativecommons.org/licenses/by/3.0/ Identify the notes in these examples: Practice
More informationStudent Performance Q&A:
Student Performance Q&A: 2010 AP Music Theory Free-Response Questions The following comments on the 2010 free-response questions for AP Music Theory were written by the Chief Reader, Teresa Reed of the
More informationStudent Performance Q&A:
Student Performance Q&A: 2012 AP Music Theory Free-Response Questions The following comments on the 2012 free-response questions for AP Music Theory were written by the Chief Reader, Teresa Reed of the
More informationPast papers. for graded examinations in music theory Grade 4
Past papers for graded examinations in music theory 2011 Grade 4 Theory of Music Grade 4 November 2011 Your full name (as on appointment slip). Please use BLOCK CAPITALS. Your signature Registration number
More informationMusic Theory Courses - Piano Program
Music Theory Courses - Piano Program I was first introduced to the concept of flipped classroom learning when my son was in 5th grade. His math teacher, instead of assigning typical math worksheets as
More informationMusicianship III: A Foundation of Vital Skills and Knowledge
Musicianship III: A Foundation of Vital Skills and Knowledge By Mr. Jeff Hart, Instructor 610.853.5900 X2112 jhart@havsd.net 2 nd Edition, 2017 Foreword Thank you for choosing to broaden your education
More informationThe following are Guidelines good places to start when working through a part-writing exercise.
The following are Guidelines good places to start when working through a part-writing exercise. I V I Generally double the root of root-position triads. The 3 rd or 5 th can also be doubled. DO NOT double
More informationWritten Piano Music and Rhythm
Written Piano Music and Rhythm Rhythm is something that you can improvise or change easily if you know the piano well. Think about singing: You can sing by holding some notes longer and cutting other notes
More informationHS Music Theory Music
Course theory is the field of study that deals with how music works. It examines the language and notation of music. It identifies patterns that govern composers' techniques. theory analyzes the elements
More informationIntroduction to Set Theory by Stephen Taylor
Introduction to Set Theory by Stephen Taylor http://composertools.com/tools/pcsets/setfinder.html 1. Pitch Class The 12 notes of the chromatic scale, independent of octaves. C is the same pitch class,
More informationVirginia Commonwealth University MHIS 146 Outline Notes. Open and Closed Positions of Triads Never more than an octave between the upper three voices
Virginia Commonwealth University MHIS 146 Outline Notes Unit 1 Review Harmony: Diatonic Triads and Seventh Chords Root Position and Inversions Chapter 11: Voicing and Doublings Open and Closed Positions
More informationDeveloping Your Musicianship Lesson 1 Study Guide
Terms 1. Harmony - The study of chords, scales, and melodies. Harmony study includes the analysis of chord progressions to show important relationships between chords and the key a song is in. 2. Ear Training
More informationFREEHOLD REGIONAL HIGH SCHOOL DISTRICT OFFICE OF CURRICULUM AND INSTRUCTION MUSIC DEPARTMENT MUSIC THEORY 1. Grade Level: 9-12.
FREEHOLD REGIONAL HIGH SCHOOL DISTRICT OFFICE OF CURRICULUM AND INSTRUCTION MUSIC DEPARTMENT MUSIC THEORY 1 Grade Level: 9-12 Credits: 5 BOARD OF EDUCATION ADOPTION DATE: AUGUST 30, 2010 SUPPORTING RESOURCES
More informationCLASS SYLLABUS. END DATE: August 14, 2015
Please Note: This Class Syllabus is an important step in updating the format of our distance courses. If for any reason the Class Syllabus does not match the print Course Guide or online course information,
More informationAP MUSIC THEORY 2016 SCORING GUIDELINES
2016 SCORING GUIDELINES Question 7 0---9 points A. ARRIVING AT A SCORE FOR THE ENTIRE QUESTION 1. Score each phrase separately and then add the phrase scores together to arrive at a preliminary tally for
More informationMUS100: Introduction to Music Theory. Hamilton High School
MUS100: Introduction to Music Theory Hamilton High School 2016-2017 Instructor: Julie Trent Email: Trent.Julie@cusd80.com Website: http://mychandlerschools.org/domain/8212 Office: H124A (classroom: H124)
More informationMUS305: AP Music Theory. Hamilton High School
MUS305: AP Music Theory Hamilton High School 2016-2017 Instructor: Julie Trent Email: Trent.Julie@cusd80.com Website: http://mychandlerschools.org/domain/8212 Office: H124A (classroom: H124) Course description:
More informationLESSON ONE. New Terms. sopra above
LESSON ONE sempre senza NewTerms always without sopra above Scales 1. Write each scale using whole notes. Hint: Remember that half steps are located between scale degrees 3 4 and 7 8. Gb Major Cb Major
More informationUltimate Music Theory Basic Rudiments
Ultimate Music Theory Basic Rudiments Basic Workbook and Basic Answer Book GPK-BWA $47 Basic Student Pack SPK-SPBR $69.99 SHOP NOW and Use the One Time Coupon Code: LessonPlans SAVE 25% OFF your Entire
More informationSCALES AND KEYS. major scale, 2, 3, 5 minor scale, 2, 3, 7 mode, 20 parallel, 7. Major and minor scales
Terms defined: chromatic alteration, 8 degree, 2 key, 11 key signature, 12 leading tone, 9 SCALES AND KEYS major scale, 2, 3, 5 minor scale, 2, 3, 7 mode, 20 parallel, 7 Major and minor scales relative
More informationB b. E b. A b. B/C b. C # /D b. F # /G b. The Circle of Fifths. Tony R. Kuphaldt. The Circle. Why Theory? Purpose. Assumptions. Intervals.
ssumptions b b b b b # # b b b b b b # # # # of b b b b b b b b # / b b b b b b b b b b # # # # # # # # # # # # / b # # # # # # # # # # b b b b b b b b b b b / b # # # # # # # # b b b b b b b b b b b b
More informationœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
2015-2016 GMTA Theory Test Level I (Treble Clef) Name: PART I: EAR TRAINING Each example ill be played tice. Date: (2 points ill be given for each correct anser.) Section A: Are the sounds you hear high
More informationJOINT UNIVERSITIES PRELIMINARY EXAMINATIONS BOARD 2015 EXAMINATIONS MUSIC: ART J127
JOINT UNIVERSITIES PRELIMINARY EXAMINATIONS BOARD 2015 EXAMINATIONS MUSIC: ART J127 MULTIPLE CHOICE QUESTIONS 1. The term Cresendo means A. Gradually becoming softer. B. Gradually becoming louder C. Gradually
More informationCHAPTER 8 MODAL SCALES
CHAPTER 8 MODAL SCALES Scales of eight tones containing half steps and whole steps in specified positions are called modes or modal scales. Historically, the modes have been used in many periods and styles
More informationStudent Performance Q&A:
Student Performance Q&A: 2002 AP Music Theory Free-Response Questions The following comments are provided by the Chief Reader about the 2002 free-response questions for AP Music Theory. They are intended
More informationWeek. Intervals Major, Minor, Augmented, Diminished 4 Articulation, Dynamics, and Accidentals 14 Triads Major & Minor. 17 Triad Inversions
Week Marking Period 1 Week Marking Period 3 1 Intro.,, Theory 11 Intervals Major & Minor 2 Intro.,, Theory 12 Intervals Major, Minor, & Augmented 3 Music Theory meter, dots, mapping, etc. 13 Intervals
More informationMusic (JUN ) WMP/Jun13/ General Certificate of Secondary Education June Listening to and Appraising Music
Centre Number Surname Candidate Number For Examiner s Use Other Names Candidate Signature Examiner s Initials Question Mark You will need no other materials. Time allowed l 1 hour General Certificate of
More informationMUSIC PROGRESSIONS. Curriculum Guide
MUSIC PROGRESSIONS A Comprehensive Musicianship Program Curriculum Guide Fifth edition 2006 2009 Corrections Kansas Music Teachers Association Kansas Music Teachers Association s MUSIC PROGRESSIONS A Comprehensive
More informationAP MUSIC THEORY 2015 SCORING GUIDELINES
2015 SCORING GUIDELINES Question 7 0 9 points A. ARRIVING AT A SCORE FOR THE ENTIRE QUESTION 1. Score each phrase separately and then add the phrase scores together to arrive at a preliminary tally for
More informationAP MUSIC THEORY 2013 SCORING GUIDELINES
2013 SCORING GUIDELINES Question 7 SCORING: 9 points A. ARRIVING AT A SCORE FOR THE ENTIRE QUESTION 1. Score each phrase separately and then add these phrase scores together to arrive at a preliminary
More informationMusic Theory I (MUSI 1310), Fall 2006 Professor: Andrew Davis ( )
Page 1 of 11 Music Theory I (MUSI 1310), Fall 2006 Professor: Andrew Davis (email) Home page and syllabus Daily schedule Daily schedule Shortcut to the current week (assuming I remember to keep the link
More informationAP MUSIC THEORY 2014 SCORING GUIDELINES
AP MUSIC THEORY 2014 SCORING GUIDELINES Question 5 SCORING: 25 points I. Roman Numerals (7 points, 1 point per numeral) Award 1 point for each correct Roman numeral. 1. Accept the correct Roman numeral
More informationAdvanced Placement Music Theory Course Syllabus Joli Brooks, Jacksonville High School,
Joli Brooks, Jacksonville High School, joli.brooks@onslow.k12.nc.us Primary Text Spencer, Peter. 2012. The Practice of Harmony, 6 th ed. Upper Saddle River, NJ: Prentice Hall Course Overview AP Music Theory
More information