Index to Volume

Transcription

1 Index to Volume 67 Allegorical Architecture in Scivias: Hildegard s Setting for the Ordo Virtutum, by MARGOT E. FASSLER, 2: ALTSTATT, ALISON, review of Cantus Planus Regensburg; of Corpus Antiphonalium Officii-Ecclesiae Centralis Europae; of Cantus: A Database for Latin Ecclesiastical Chant; of Global Chant Database; and of The CANTUS Index, 1: Arnold Schönberg Center, reviewed by JOSEPH AUNER, 3: AUNER, JOSEPH, review of Arnold Schönberg Center, of Britten Thematic Catalog, and of John Cage Unbound: A Living Archive, 3: Bach s Feet: The Organ Pedals in European Culture, by David Yearsley, reviewed by ERNEST D. MAY, 2: Becoming the Black Swan in Mid-Nineteenth-Century America: Elizabeth Taylor Greenfield s Early Life and Debut Concert Tour, by JULIA J. CHYBOWSKI, 1: Beethoven à la moujik: Russianness and Learned Style in the Razumovsky String Quartets, by MARK FERRAGUTO, 1: Bernardino de Sahagún s Psalmodia Christiana: A Catholic Songbook from Sixteenth-Century New Spain, by LORENZO CANDELARIA, 3: BINDER, BENJAMIN, The Lied from the Inside Out, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: BLASIUS, LESLIE DAVID, review of The Psychophysical Ear: Music Experiments, Experimental Sounds, , by Alexandra Hui; and of Helmholtz and the Modern Listener, by Benjamin Steege, 1: Bodleian Library Broadside Ballads, reviewed by AMANDA EUBANKS WINKLER, 3: BOHLMAN, PHILIP, review of Work and Pray: Living the Psalms with the Nuns of Regina Laudis, of Performing the Passion: J. S. Bach and the Gospel According to John; and of You Can t Sing It for Them: Continuity, Change, and a Church Musician, 1: Britten Thematic Catalog, reviewed by JOSEPH AUNER, 3: CANDELARIA, LORENZO, Bernardino de Sahagún s Psalmodia Christiana: A Catholic Songbook from Sixteenth-Century New Spain, 3: Cantus: A Database for Latin Ecclesiastical Chant, reviewed by ALISON ALTSTATT, 1:267 85

2 Index to Volume The CANTUS Index, reviewed by ALISON ALTSTATT, 1: Cantus Planus Regensburg, reviewed by ALISON ALTSTATT, 1: CARTER, TIM, review of Show Boat: Performing Race in an American Musical, by Todd Decker, 2:602 7 Charlton, David, Opera in the Age of Rousseau: Music, Confrontation, Realism, reviewed by GEORGIA J. COWART, 2: CHENG, WILLIAM, review of The Oxford Handbook of Sound Studies, edited by Trevor Pinch and Karin Bijsterveld, and of The Sound Studies Reader, edited by Jonathan Sterne, 1: Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany, by Ryan Minor, reviewed by DONNA M. DI GRAZIA, 1: CHYBOWSKI, JULIA J., Becoming the Black Swan in Mid-Nineteenth-Century America: Elizabeth Taylor Greenfield s Early Life and Debut Concert Tour, 1: Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, JENNIFER RONYAK, Convenor; BENJAMIN BINDER, JONATHAN DUNSBY, WAYNE HEISLER JR, KIRA THURMAN, LAURA TUNBRIDGE, 2: Corpus Antiphonalium Officii-Ecclesiae Centralis Europae, reviewed by ALISON ALTSTATT, 1: COWART, GEORGIA J., Review of Opera in the Age of Rousseau: Music, Confrontation, Realism, by David Charlton, 2: CUMMING, JULIE E., Review of Josquin s Rome: Hearing and Composing in the Sistine Chapel by Jesse Rodin, 2: Currie, James R., Music and the Politics of Negation, reviewed by NICHOLAS MATHEW, 3: Dancing Lieder Singing, by WAYNE HEISLER JR., in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: DE SOUZA, JONATHAN, review of The Orchestral Revolution: Haydn and the Technologies of Timbre, by Emily I. Dolan, 1: Decker, Todd, Show Boat: Performing Race in an American Musical, reviewed by TIM CARTER, 2:602 7 DI GRAZIA, DONNA M., review of Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany, by Ryan Minor, 1: Dolan, Emily I., The Orchestral Revolution: Haydn and the Technologies of Timbre, reviewed by JONATHAN DE SOUZA, 1: DUNSBY, JONATHAN, The Lied Itself, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: English Broadside Ballad Archive, reviewed by AMANDA EUBANKS WINKLER, 3: EVERIST, MARK, The Music of Power: Parisian Opera and the Politics of Genre, , 3: Evolutionary Categories and Musical Style from Adler to America, by RACHEL MUNDY, 3: FASSLER, MARGOT E., Allegorical Architecture in Scivias: Hildegard s Setting for the Ordo Virtutum, 2: FERRAGUTO, MARK, Beethoven à la moujik: Russianness and Learned Style in the Razumovsky String Quartets, 1:77 123

3 892 Journal of the American Musicological Society The German Lied and the Songs of Black Volk, by KIRA THURMAN, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: GIVAN, BENJAMIN, Gunther Schuller and the Challenge of Sonny Rollins: Stylistic Content, Intentionality, and Jazz Analysis, 1: Global Chant Database, reviewed by ALISON ALTSTATT, 1: Gunther Schuller and the Challenge of Sonny Rollins: Stylistic Content, Intentionality, and Jazz Analysis, by BENJAMIN GIVAN, 1: HEISLER, WAYNE, JR, Dancing Lieder Singing, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: Helmholtz and the Modern Listener, by Benjamin Steege, reviewed by LESLIE DAVID BLASIUS, 1: Hidden Structure: Music Analysis Using Computers, reviewed by IAN QUINN, 1: Hui, Alexandra, The Psychophysical Ear: Music Experiments, Experimental Sounds, , reviewed by LESLIE DAVID BLASIUS, 1: In the Church and in the Chapel : Music and Devotional Spaces in the Florentine Church of Santissima Annunziata, by GIOVANNI ZANOVELLO, 2: Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, , by BENJAMIN PIEKUT, 3: Introduction, by JENNIFER RONYAK, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: J. S. Bach at His Royal Instrument: Essays on His Organ Works, by Russell Stinson, Johannes Tinctoris: Complete Theoretical Works, Tinctoris/, reviewed by STEFANO MENGOZZI, 3: John Cage Unbound: A Living Archive, reviewed by JOSEPH AUNER, 3: Josquin s Rome: Hearing and Composing in the Sistine Chapel by Jesse Rodin, reviewed by JULIE E. CUMMING, 2: The Lied from the Inside Out, by BENJAMIN BINDER, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: The Lied Itself, by JONATHAN DUNSBY, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: MALOY, REBECCA, Old Hispanic Chant and the Early History of Plainsong, 1:1 76 MATHEW, NICHOLAS, review of Music and the Politics of Negation, by James R. Currie, 3: MAY, ERNEST D., Review of The Organs of J. S. Bach: A Handbook, by Christoph Wolff and Markus Zepf; of J. S. Bach at His Royal Instrument: Essays on His Organ Works, by Russell Stinson; and of Bach s Feet: The Organ Pedals in European Culture, by David Yearsley, 2: MENGOZZI, STEFANO, review of Johannes Tinctoris: Complete Theoretical Works, 3: Minor, Ryan, Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany, reviewed by DONNA M. DI GRAZIA, 1: MUNDY, RACHEL, Evolutionary Categories and Musical Style from Adler to America, 3:735 67

4 Index to Volume Music and the Politics of Negation, by James R. Currie, reviewed by NICHOLAS MATHEW, 3: The Music of Power: Parisian Opera and the Politics of Genre, , by MARK EVERIST, 3: Music21: A Toolkit for Computer-Aided Musicology, reviewed by IAN QUINN, 1: The Musical Sounds of Medieval French Cities: Players, Patrons, and Politics, by Gretchen Peters, reviewed by CAROL SYMES, 3: Old Hispanic Chant and the Early History of Plainsong, by REBECCA MALOY, 1:1 76 Opera in the Age of Rousseau: Music, Confrontation, Realism, by David Charlton, reviewed by GEORGIA J. COWART, 2: The Orchestral Revolution: Haydn and the Technologies of Timbre, by Emily I. Dolan, reviewed by JONATHAN DE SOUZA, 1: The Organs of J. S. Bach: A Handbook, by Christoph Wolff and Markus Zepf, The Oxford Handbook of Sound Studies, edited by Trevor Pinch and Karin Bijsterveld, reviewed by WILLIAM CHENG, 1: Performing the Passion: J. S. Bach and the Gospel According to John, reviewed by PHILIP BOHLMAN, 1: Peters, Gretchen, The Musical Sounds of Medieval French Cities: Players, Patrons, and Politics, reviewed by CAROL SYMES, 3: PIEKUT, BENJAMN, Indeterminacy, Free Improvisation, and the Mixed Avant- Garde: Experimental Music in London, , 3: Pinch, Trevor, and Karin Bijsterveld, eds., The Oxford Handbook of Sound Studies, reviewed by WILLIAM CHENG, 1: POLZONETTI, PIERPAOLO, Tartini and the Tongue of Saint Anthony, 2: The Psychophysical Ear: Music Experiments, Experimental Sounds, , by Alexandra Hui, reviewed by LESLIE DAVID BLASIUS, 1: QUILLEN, WILLIAM, Winning and Losing in Russian New Music Today, 2: QUINN, IAN, review of Hidden Structure: Music Analysis Using Computers, and of Music21: A Toolkit for Computer-Aided Musicology, 1: Reading Lieder Recordings, by LAURA TUNBRIDGE, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: Rodin, Jesse, Josquin s Rome: Hearing and Composing in the Sistine Chapel, reviewed by JULIE E. CUMMING, 2: RONYAK, JENNIFER, Introduction, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: SCHNEIDER, DAVID E., Review of Sounding Authentic: The Rural Miniature and Musical Modernism, by Joshua S. Walden, 3: Show Boat: Performing Race in an American Musical, by Todd Decker, reviewed by TIM CARTER, 2:602 7 The Sound Studies Reader, edited by Jonathan Sterne, reviewed by WILLIAM CHENG, 1: Sounding Authentic: The Rural Miniature and Musical Modernism, by Joshua S. Walden, reviewed by DAVID E. SCHNEIDER, 3: Steege, Benjamin, Helmholtz and the Modern Listener, reviewed by LESLIE DAVID BLASIUS, 1:250 57

5 894 Journal of the American Musicological Society Sterne, Jonathan, ed., The Sound Studies Reader, reviewed by WILLIAM CHENG, 1: Stinson, Russell, J. S. Bach at His Royal Instrument: Essays on His Organ Works, SYMES, CAROL, review of The Musical Sounds of Medieval French Cities: Players, Patrons, and Politics, by Gretchen Peters, 3: Tartini and the Tongue of Saint Anthony, by PIERPAOLO POLZONETTI, 2: THURMAN, KIRA, The German Lied and the Songs of Black Volk, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: TUNBRIDGE, LAURA, Reading Lieder Recordings, in Colloquy: Studying the Lied: Hermeneutic Traditions and the Challenge of Performance, 2: Walden, Joshua S. Sounding Authentic: The Rural Miniature and Musical Modernism, reviewed by DAVID E. SCHNEIDER, 3: WINKLER, AMANDA EUBANKS, review of Bodleian Library Broadside Ballads, and of English Broadside Ballad Archive, 3: Winning and Losing in Russian New Music Today, by WILLIAM QUILLEN, 2: Wolff, Christoph, and Markus Zepf, The Organs of J. S. Bach: A Handbook, reviewed by ERNEST D. MAY, 2: Work and Pray: Living the Psalms with the Nuns of Regina Laudis, reviewed by PHILIP BOHLMAN, 1: Yearsley, David, Bach s Feet: The Organ Pedals in European Culture, reviewed by ERNEST D. MAY, 2: You Can t Sing It for Them: Continuity, Change, and a Church Musician, reviewed by PHILIP BOHLMAN, 1: ZANOVELLO, GIOVANNI, In the Church and in the Chapel : Music and Devotional Spaces in the Florentine Church of Santissima Annunziata, 2: Zepf, Markus, and Christoph Wolff, The Organs of J. S. Bach: A Handbook, reviewed by ERNEST D. MAY, 2:589 98