Technical Rider. GöteborgsOperans Danskompani. Untitled Black. Tour to.. Table of Contents: 2. Stage. 3. Lighting. 4. Sound. 5. Medical. 6.
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1 GöteborgsOperan Christina Nilssons Gata Göteborg Sweden Fredrik Engler Tel: Updated: ANNEX 2 Technical Rider GöteborgsOperans Danskompani Untitled Black Tour to.. Table of Contents: 1. General Information 2. Stage 3. Lighting 4. Sound 5. Medical 6. Parking 7. Contact
2 1. General Information 3 Name of Piece: Untitled Black (Sharon Eyal/Gai Behar) Duration: Approx 40 minutes. Touring Staff: Artistic Director: Adolphe Binder Touring Project Manager: Eva Lindberg Technical Touring Manager: Thomas Johansson Technical Stage Manager: Fredrik Engler = Lighting Supervisor Niklas Ankarhem= Lighting Manager/LD op David Stokholm Sound Engineer: Jari Laakso = Dresser: Camilla Börjesson Makeup artist: Helena Jonsdottir, Frida Jarl = Rehearsal Director: Mattias Suneson, Pedro Gomes Dancers: 18 persons Physiotherapist: KristerNorrgårds Driver: Berndt Stenholm The touring staff is English speaking. Set Black dance floor, 5 pair of legs and 4 borders and 15 legs for 2 backdrops (for 7 entrances) in black velvet. The backdrops moves at the same time as the curtain. Set up We need 15 hours to set up and focus, 1 hour for unload and 3 hours for strike down. We need 3 hours for rehearsal on the 1 st performance day. Blackout The Presenter should be able to provide a perfect blackout in the venue. Rehearsal Studio The Company requires one suitable rehearsal studio for warm up and rehearsals with a studio sized sound system for CD/Computer playback. The floor in the studio should be regular hardwood dance floor, covered with professional dance carpet. This area should either be connected to or as close as possible, to the venue and available to The Company during the whole period. The temperature must be minimum 23 degrees C. Dressing Rooms The Company requires dressing rooms for 18 dancers, 1 dressing room for the Ballet Master, 1 dressing room for the Artistic Director, 1 room for the Touring Project Manager, 1 room with a table for the Dresser, 1 room with mirrors and water for Make up, 1 room for the Physiotherapist and 1 room for the technical staff. Technical Office The Company requires the use of a lockable office, as close to the stage as possible. We need a Wi-Fi internet connection.
3 Intercom The Presenter is to provide a wireless intercom system connecting all stage personnel as well as the control room. We will need 8 units, full duplex (5 for party and 3 for house). Internal TV The Presenter is to provide an internal TV system with two TV monitors, one on each side of the stage behind the backdrop monitoring the stage. Wardrobe Facilities The Company requires the service of a person with access to a clothes washing machine, a dryer, a washstand for hand wash, an ironing board and an iron. Security The Presenter is to take necessary precautions to ensure that no part of the performance is recorded either visually or aurally without the written consent of the Artistic Director. Photography is not allowed during the performance. The Presenter shall protect and secure all company equipment and belongings, while The Company has access to the facility. Catering The Company requires bottled still water for dancers and crew on stage and in the studio. If there is no cafeteria or canteen facilities open in the house the presenter is to provide coffee, tea, sandwiches and fruit during set up/strike down. Transport If the walking distance is more than 10 minutes between the hotel and the theatre the Promoter is responsible for transportation and for payment of transportation. 2. Stage Stage Area The temperature must be minimum 23 degrees C. The stage manager booth needs to be with full view of the stage and with a video monitor. Stage Floor The floor must have a sprung floor construction, with a loading capacity of 150 kg/m², and horizontal. The Presenter is to provide a black dance carpet for the whole stage including the apron stage (orchestra pit), the dance floor is 15 x 18 m (w/d). The Presenter must see to that the floor is properly cleaned before rehearsal and performance. Curtain We use fly curtain / guillotine Set Up Equipment The Presenter is to provide a stage lift, Genie or equivalent, with a working height of at least 10m. Fire We do not use fire on stage.
4 Stage Crew 1 stage/ technical manager and 6 stage hands for unloading, set up/strike down and loading of truck. 1 stage/ technical manager and 2 stage hands including 1 fly man during performance and pre and post performance technical work. No working crews are to be replaced between rehearsal and performance. A schedule for local crew will be given to the presenter before our arrival. The Venue must adjust the amount of fly men according to the numbers of bars that is operated at the same time and to the specified weight of the set. 3. Light Lighting Equipment The Presenter is to provide and pre-hang the following equipment: 10 well-disposed profiles for front light Dimmers for front light controlled through our lighting board by DMX. 2 power sockets 400/230V 63A. We bring our own lighting board, and need to connect this to The Presenter s dimmer system. Please inform us as soon as possible if The Presenter s dimmer system is not DMX controlled or if you foresee any problems in this regard. 36 pcs of Par 64 cp 62 n/c 48 pcs of Par 64 cp 62 L200 Front Specials 5 pcs Profiles 1.2/2.5kW low position FoH Sidelight shins 12 pcs Etc source four 50 Cracker Haze generator MDG Atmosphere Lighting Crew 2 lighting technicians for set up/strike down/focusing /performance. 1 lighting technician with good knowledge of patch, dimmers etc, stationed at the control room for set up and performance. No working crews are to be replaced between rehearsal and performance. A schedule for local crew will be given to the presenter before our arrival. 4. Sound The sound requirement specification applies to performance without DJ. For performance with DJ please contact tour manager. PA-System A high quality PA-system is required. The system must be capable of delivering a clean and undistorted sound, with a uniform coverage of the venue, including balconies or similar seating. It must have an effective frequency response from 25 Hz to 20 khz at sound levels reaching approx. 100 db A. The system must be totally free of hum and noise. Preferred system: D&B, L-Acoustics, Meyer. The system must be a 3 or 4 way active system, including high quality crossovers and amps. The PA-system should be set up and tested before the dance company arrives. All mic lines and monitors should be laid out and tested. Monitor 4 speakers in each corner of the stage, 4 separate auxiliary send. Preferred system: same brand as PAsystem
5 Front of House A minimum 24 channel desk with 4 band fully parametric eq. Phantom power must be available and switchable on each input channel and at least 6 auxiliary sends. Preferred brands: Yamaha PM1D/PM4000/PM3500/Midas XL3/XL4 Heritage. FX 31 band graphic eq. inserted on all outputs e.g. LR, Center cluster, Frontfills Monitor, etc. 9 Channels compression. 2 CD-players with auto cue and very good quality (Spare). The Company Sound Engineer runs the show from hard disc or own CD players. 1 Talkback microphone. Line-box for connecting computer audio interface with at least two channels. Microphone 3 Wireless handheld microphones with windscreen and clip. Sennheiser/Shure/Wisycom with a dynamic capsule. Sound Crew 1 Sound technician that is familiar with the system, for set up/sound check/performance. 5. Medical The Company will require the names and telephone numbers of nearby hospitals. The Company requires ice for injuries. 6. Parking The Presenter is to provide a safe and guarded parking space for the truck within a reasonable distance of the venue. The truck is 11m long, 4m high and weighs approx. 17 tons. 7. Contact Production Tech Manager Fredrik Engler fredrik.engler@opera.se Lighting Supervisor Niklas Ankarhem niklas.ankarhem@opera.se Lighting Manager/LD op David Stokholm david.stokholm@opera.se Sound Engineer Jari Laakso jari.laakso@opera.se= = Project Manager Eva Lindberg eva.elisabeth.lindberg@opera.se Venue, date Göteborg, date XX MR RONNIE HALLGREN XX Managing Director
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GöteborgsOperan Christina Nilssons Gata 411 04 Göteborg Sweden Fredrik Engler Tel: +46 79 178011 E-mail: fredrik.engler@opera.se ANNEX 2 Technical Rider GöteborgsOperans Danskompani Spirit Tour to XX DATE
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