GENERAL TECHNICAL GUIDELINES FOR THE PARTICIPATING GROUPS

Transcription

1 GENERAL TECHNICAL GUIDELINES FOR THE PARTICIPATING GROUPS For those selected to participate in the Choreography Contest (We enclose the theatre technical rider, please download this information and print it)* Taking into account the number of participants in 13MASDANZA and given the little time available to prepare the stage and the lighting for the performances, we kindly ask you to read very carefully the following instructions: 1.- Each group will have 50 MINUTES to prepare the lights and to make the first contact with the stage. During that time all the lighting effects must be recorded on the lighting desk, and the light and sound must be checked. We require punctuality, the timetable will be strictly followed. 2.- Light orientation as well as colours cannot be modified (except side lights: channels 31 to 38). If you would like to light the channels with a specific colour you should provide us with the colour filters. This is a contest and all the groups must have the same opportunities. Because of this and given the technical limitations of the theatre, special lights which are not on our technical plan (rider) will not be assignated. Groups that include more lighting effects in their choreography or that have a specific design (even if sent in the participation video) must adapt to these conditions. As soon as you arrive, the lighting technician will show you the orientation and coverage area of each light. There is no back curtain. The back of the theatre is a curved black wall. The only way to move from one side to another side of the stage is by going underneath it. The stage will be empty with no side curtains (legs). A screen could be installed at the back for those pieces which require a projection, but it cannot be used as a cyclorama. 3.- The lightboard records and reproduces exactly all the effects previously rehearsed. Please fill in the effects page we enclose next and make copies for the theatre technician. 4.- All the groups must be accompanied by a stage manager or technician who will be in the control room and will give instructions to the lighting and sound theatre technician. Therefore the stage manager or technician must know the performance throughout, as well as when and where the lighting and sound changes must take place. 5.- The maximum number of effects (changes in lighting) permitted per group is We remind you that the elements of the set must be of easy and quick installation, as specified in the participation bases of the Contest. No extra elements must be added to the performances we have already seen in the participation videos you sent us. You must also take into account that the installation and removal of the stage material should be done within the rehearsal time assignated to each group. The theatre technical team will be at your disposal at all times in case you should have any queries or needs. You can contact us via to info@masdanza.com Kindest regards and best of luck! 1

2 EXAMPLE OF HOW TO FILL IN THE LIGHTING INDEX EFFECT MEMORY CUE CHANNELS / INTENSITY TIME (T ) REMARKS 1 12 BLACK OUT 24/50, ( )/ WHEN SHE/HE TOUCHES HER/HIS LEG BLACK OUT WITH THE FADE IN OF MUSIC 23/40,(10+11)/30 10 EFFECT: Sequencial number of each of the lighting changes (should not be higher than 10). MEMORY: It is the number assignated by the technician (given by the memory numbers of the lighting desk). CUE: Music reference, movement reference, etc. The cue indicates the moment when the lights start changing. CHANNELS / INTENSITY: There are two ways to fill this in: 1) White front lights, blue and amber back lights 2) Each channel with its intensities: 23/40 : channel 23 to 40% ( ) / 100 : channels 12, 13, 14 to 100% TIME: It refers to the time that goes from the beginning of the light change until this change is completed. It can be specified in seconds, or else as slow, fast... 2

3 TITLE: xiii festival internacional de danza contemporánea de canarias EFECT MEM CUE CHANNELS / INTENSITIES T REMARKS

4 10 metros / metres xiii festival internacional de danza contemporánea de canarias PLANO TÉCNICO DEL TEATRO THEATRE TECHNICAL RIDER CANALES /CHANNELS: Sin filtro / no gels: 1,4,7,10,13,16,19,22,25,28, 31,32,33,34,35,36,37,38 Ambar / amber: (rosco #22) 2,5,8,11,14,17,20,23,26,29 Azul / blue: (rosco #365) 3,6,9,12,15,18,21,24,27,30, 12 metros /metres Escena / stage Telón / front curtain Proscenio / proscenium Patio de butacas / audience 4

5 LUCES ALTAS (1ª,2ª VARA) TOP LIGHTS (1st, 2nd PIPE) 6 PC s 1 kw sin filtro / no gels canales / channels: 7,10,13,16,19,

6 LUCES ALTAS (1ª,2ª VARA) TOP LIGHTS (1st, 2nd PIPE) 6 PC s / 1 kw Ambar/ amber: rosco # canales / channels: 8,11,14,17,20,

7 LUCES ALTAS (1ª,2ª VARA) TOP LIGHTS (1st, 2nd PIPE) 6 PC s / 1 kw Azul / blue : rosco # canales / channels: 9,12,15,18,21,

8 10 m. xiii festival internacional de danza contemporánea de canarias LUCES DE CONTRA BACK LIGHTS PAR 64 / Nº 5 / 1 KW canales / channels: sin filtro/no gel:25,28 ambar/amber: 26,29 azul/blue: 27,30 12 m. Proscenio / proscenium Patio de butacas / audience 8

9 10 m. xiii festival internacional de danza contemporánea de canarias LUCES FRONTALES FRONT LIGHTS 12 PC s / 1 KW canales / channels: sin filtro/no gel: 1,4 ambar/amber: 2,5 azul/blue: 3,6 12 m. Proscenio Patio de butacas / audience 9

10 CALLES RASANTES FLAT SIDE LIGHTS 8 RECORTES / PROFILES 22/40. 1 Kw sin filtro / no gels

11 CALLES ALTAS TOP SIDE LIGHTS 8 PC s / 1 kw altura / height: 1 5 mts canales/channels: 37,38,39, Patio de butacas /audience 11