MLA Style: Quick Citation Guide

Transcription

1 MLA Style: Quick Citation Guide The MLA citation style was established by the Modern Language Association of America (MLA), and is most commonly used in the liberal arts and humanities, especially in the fields of language and literature. The examples below show you how to cite the most commonly used sources. For additional examples and further detail, please refer to the MLA Handbook, 8 th Edition (2016). Copies of the handbook are available in Smith Library, Wanek Center Learning Commons and the SOE Resource Center. The new edition of MLA Handbook was published in April 2016, and this quick guide reflects the updates introduced in the 8th edition. For a more detailed explanation of the updates, please see MLA: What s New in the Eighth Edition. MLA FORMATTING GUIDELINES Set one inch margins on all four sides of your document. Double-space your paper throughout, using a legible 12pt. font, such as Times New Roman. Use the tab key to indent the first line of each paragraph to one-half inch (5 spaces) from the left margin. Use only a single space after periods and other punctuation marks. Usually, there is no need for a title page (check with your instructor). Instead, include on four separate lines: your name, your instructor s name, course number and date. Start one inch from the top of the first page, flush with the left margin, double-spaced. All pages (including the first) are numbered consecutively throughout the paper. Set up a header (one half-inch from the top of the page, flush with the right margin), with your last name and the page number in the upper, right-hand corner. Do not use the abbreviation p. for page or add a period, a hyphen, or any other symbol. e.g. Jones 1 Center the title do not underline, italicize, use all upper case, or quotation marks (unless you have included a quotation in your title). Do not use a period after the title or after any headings in your paper. See the sample MLA paper at the end of this guide for an example of how to format your paper. MLA QUICK GUIDE CONTENTS The next four pages of this quick guide present examples of the following types of references (in this order): 1. BOOK (Single Author) 10. MAGAZINE ARTICLE 2. BOOK (Two Authors) 11. NEWSPAPER ARTICLE 3. BOOK (Three or More Authors) 12. WEB PAGE (with Named Author) 4. EDITED BOOK 13. WEB PAGE (No Author) 5. CHAPTER or PART OF AN EDITED BOOK 14. WEB PAGE (Group or Corporate Author) 6. E-BOOK 15. ONLINE VIDEO 7. DICTIONARY or ENCYCLOPEDIA ENTRY 16. ONLINE IMAGE 8. SCHOLARLY JOURNAL ARTICLE (with DOI) 17. LECTURE NOTES 9. SCHOLARLY JOURNAL ARTICLE (no DOI) 18. PERSONAL COMMUNICATIONS MLA Quick Citation Guide 1 Updated October 2016

2 1. BOOK (Single Author) Lee, Christopher. This Sceptred Isle: Twentieth Century. Penguin Books, In text: (Lee 85) 2. BOOK (Two Authors) Smith, George A., and J. G. Bartholomew. Atlas of the Historical Geography of the Holy Land. Hodder and Stoughton, In text: (Smith and Bartholomew 227) 3. BOOK (Three or More Authors) For a book (or any source), with three or more authors, use only the name of the first author listed (see Single Author above), follow with a comma, and add et al. (Latin for and others ): e.g.: Becomes: Constantine, Stephen, M. W. Kirby, and Mary B. Rose. Constantine, Stephen, et al. In text: (Constantine et al. 88) 4. EDITED BOOK Keeble, Richard, and Sharon Wheeler, editors. The Journalistic Imagination: Literary Journalists from Defoe to Capote and Carter. Routledge, In text: (Keeble and Wheeler 54) Note: For a Single Editor, or Three or More Editors, follow for Book, as above. 5. CHAPTER or PART OF AN EDITED BOOK Oppenheimer, J. Robert. On the Atomic Bomb. A Patriot's Handbook: Songs, Poems, Stories, and Speeches Celebrating the Land We Love, edited by Caroline Kennedy, Hyperion, 2003, p In text: (Oppenheimer 446) MLA Quick Citation Guide 2 Updated October 2016

3 6. ebook Cohen, Josh. The Private Life: Our Everyday Self in an Age of Intrusion. Counterpoint, ProQuest ebrary, site.ebrary.com/lib/highpoint/detail.action?docid= In text: (Cohen 76) 7. DICTIONARY or ENCYCLOPEDIA ENTRY Eswarin, Rudy. Glass Painting. The Dictionary of Art, edited by Jane Turner, vol. 12, Grove, 1996, pp In Text: (Eswarin 798) 8. SCHOLARLY JOURNAL ARTICLE (with DOI) DOI stands for Digital Object Identifier (written as: doi), a unique number assigned to an article to make it easier to locate on the web. If available, always add the DOI to the end of the entry. Hart, Gordon, et al. Effects of Video Games on Adolescents and Adults. Cyber Psychology and Behavior, vol. 12, no. 1, 2009, pp Mary Ann Liebert, doi: /cpb In Text: (Hart et al. 64) 9. SCHOLARLY JOURNAL ARTICLE (with no DOI) If your source does not have a DOI, don t panic! In place of the DOI supply the URL, but omit or (If in doubt, check with your instructor). Baader, Meika S. "Froebel and the Rise of Educational Theory in the United States." Studies in Philosophy and Education, vol. 23, no. 5, 2004, pp ERIC, eric.ed.gov/?id=ej In Text: (Baader 429) 10. MAGAZINE ARTICLE Blum, Andrew. Speed Trap: We Built the Internet. Now We re Stuck With It. Newsweek, vol. 160, no. 13, 24 Sept. 2012, p ProQuest, search.proquest.com/docview/ ?accountid= In Text: (Blum 160) MLA Quick Citation Guide 3 Updated October 2016

4 11. NEWSPAPER ARTICLE Chu, Ben. "Will Brexit Improve or Damage Living Standards?" The Independent [London], 13 June 2016, p. 9. LexisNexis Academic, getdoccui?lni=5k0n-c821-jcs0-d39x&csi=8411&hl=t&hv=t&hnsd=f&hns=t&hgn= t&oc=00240&perma=true. In Text: (Chu 9) Note: Full dates of publication are included for magazine and newspaper articles, whenever available. Use: Day Month Year e.g. 21 May WEB PAGE (with NAMED AUTHOR) Graber, Cynthia. Michael Pollan Explains What s Wrong With the Paleo Diet. Mother Jones, 17 Jan. 2014, 7.00 a.m., Accessed 11 July In Text: (Graber) Note: Always provide the name of the author listed on a website, if available. If included in the source, add the time that the site was updated. Include the date accessed only if the information on the website is likely to change. If no personal author is listed, look for a corporate author or named organization/agency. 13. WEB PAGE (No Author) If no named author is listed, begin the citation with the title of the web page. About Zika: What we Know. Centers for Disease Control and Prevention, 3 June 2016, about/index.html. Accessed 3 Aug In Text: ( About Zika ) 14. WEB PAGE (GROUP AUTHOR or CORPORATE AUTHOR or GOVERNMENT AGENCY as Author) United States Geological Survey. USGS FAQs: What is Hydraulic Fracturing? USA.gov, 15 June 2016, In Text: (USGS) www2.usgs.gov/faq/categories/10132/3814. Accessed 11 July Note: The names of groups that serve as authors are usually spelled out each time they appear in an in-text citation. However, some are spelled out in the first citation and abbreviated thereafter. If the name is long and cumbersome and if the abbreviation is familiar or readily understandable, you may abbreviate. If the name is short or if the abbreviation would not be easily identified in the reference list, write out the name each time. MLA Quick Citation Guide 4 Updated October 2016

5 Sometimes a corporate author/government agency/organization is both the author and the publisher. In that case, start with the title of the work and list the organization as publisher: Sustainability: Good Food. McDonalds Corporation, sustainability/food.html. Accessed 11 July In Text: ( Sustainability ) 15. ONLINE VIDEO Sykes, Eric, writer and director. The Plank (1967) - Eric Sykes - Tommy Cooper. YouTube, uploaded 16 June Accessed 24 Jan In Text: (Sykes) 16. ONLINE IMAGE Gamble, Sidney D. Jade Belt Bridge and Boat: Summer Palace Sidney D. Gamble Photographs, Duke University Libraries: Digital Collections, library.duke.edu/digitalcollections/gamble_ /. Accessed 11 Oct In Text: (Gamble) 17. LECTURE NOTES Allwood, Margaret. Relativity. 24 Jan. 2016, Notes from an ENG 1234 class, High Point University, High Point, NC. In Text: (Allwood) 18. PERSONAL COMMUNICATIONS Note: When you cite an message, use the subject line as the title of the work. Smith, Arthur. Re: Lens Calibration for Prime Lenses. , received by John T. Kemp, 10 Oct In Text: (Smith) Bennett, William G. Telephone Conversation with William G. Bennett: Conducted by Jay Smith. 27 Oct In Text: (Bennett) MLA Quick Citation Guide 5 Updated October 2016

6 Alex Doe Doe 1 ENG 1234 Professor English 12 July 2016 What Makes a Great First Sentence? The opening sentence of a great work of fiction is arguably the most important. It has to hook us in to the story, by saying: Listen. Come in here. You want to know about this (Parham). The first sentence has to do so much more than simply start the story: Opening lines of fictional art are the thresholds that take us into different worlds (Weaver 1). George Orwell, with the very first words of Nineteen Eighty-Four, takes us over just such a threshold: It was a bright cold day in April, and the clocks were striking thirteen (3). Stanley Fish writes that first sentences should have an angle of lean (102). He suggests that successful first sentences must lean forward and point to future, if presently inchoate, vistas; they draw readers in and equip them with quite specific expectations (102). Orwell s sentence is so powerful, because it leans forward into the story, hinting at an unsettling world, set in the future, that the reader slowly comes to realize is truly nightmarish. William Gibson, the acclaimed science fiction author, describes in an interview the painstaking process of writing great first sentences. It is a fascinating insight into the mind of an author. Gibson describes that a reader must feel a click from the first moment they read the first words of one of his novels (Fassler). The first sentence offers the handshake, on either side of the writer-reader divide. The reader shakes hands with the writer. The writer has already had to shake hands with the unknown. Assuming both have heard the click, we ve got it going on (Fassler). MLA Quick Citation Guide 6 Updated October 2016

7 Doe 2 Call me Ishmael (Melville 1). At a mere three words long, the famous first line of Moby-Dick, is one of the shortest (and most famous), in English literature. For Stanley Fish, one of the things that distinguishes great first sentences, is that they should be short; Even the simplest first sentence is on its toes, beckoning us to the next sentence and the next, promising us insights, complications, crises, and, sometimes, resolutions (100). Great first sentences can sometimes trail unintended consequences. Many people mistakenly think that "I am born", was the first three word sentence of Charles Dickens David Copperfield (Beatty). Instead, it is actually the title of the first chapter: The [actual] first sentence Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show is not nearly so memorable. It seems, though, to have furnished the inspiration for this great first sentence by another writer: If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. The writer is, of course, J. D. Salinger, and that is the beginning of The Catcher in the Rye (Beatty). Jason Parham s The Fifty Best First Sentences in Fiction, celebrates wonderfully the range and sheer inventiveness of a wide variety of authors. It is hard to resist the hook of a work that begins with: It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not (Parham). MLA Quick Citation Guide 7 Updated October 2016

8 Doe 3 Works Cited Beatty, Jack. "In the Beginning: Famous First Words." The Atlantic, vol. 265, no. 4, Literature Resource Center. Fassler, Joe. The First Sentence is a Handshake. The Atlantic, 29 Oct The Atlantic Monthly Group, Accessed 14 July Fish, Stanley. How to Write a Sentence and How to Read One. Harper Collins, Melville, Herman. Moby-Dick; or, the Whale. Harper and Brothers, Hathi Digital Trust, hdl.handle.net/2027/dul1.ark:/13960/t3kw6ns1s. Orwell, George. Nineteen Eighty-Four. Alfred A. Knopf, Parham, Jason. The Fifty Best First Sentences in Fiction. Gawker Review of Books, 28 Jan. 2015, a.m., review.gawker.com/the-50-best-first-sentences-in-fiction Accessed 14 July Weaver, Bruce L. Novel Openers: First Sentences of Eleven Thousand Fictional Works, Topically Arranged with Subject, Keyword, Author, and Title Indexing. McFarland, MLA Quick Citation Guide 8 Updated October 2016