HANSHAN TANG BOOKS LIST 163 NEW PUBLICATIONS OFFPRINTS LATEST ACQUISITIONS

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1 HANSHAN TANG BOOKS LIST 163 NEW PUBLICATIONS OFFPRINTS LATEST ACQUISITIONS H A N S H A N TA N G B O O K S LT D Unit 3, Ashburton Centre Cortis Road London SW15 3AY UK Tel (020) Fax (020) Int l (+44 20) hst@hanshan.com

2 CONTENTS N EW & R E C E N T P U B L I C AT I O N S / 3 O F F P R I N TS / 14 F RO M O U R S TO C K / 37 S U B J E C T I N D E X / 63 T E R M S The books advertised in this list are antiquarian, second-hand or new publications. All books listed are in mint or good condition unless otherwise stated. If an out-of-print book listed here has already been sold, we will keep a record of your order and, when we acquire another copy, we will offer it to you. If a book is in print but not immediately available, it will be sent when new stock arrives. We will inform you when a book is not available. Prices take account of condition; they are net and exclude postage. Please note that we have occasional problems with publishers increasing the prices of books on the actual date of publication or supply. For secondhand items, we set the prices in this list. However, for new books we must reluctantly reserve the right to alter our advertised prices in line with any suppliers increases. P O S TA L C H A RG E S & D I S PATC H United Kingdom: For books weighing over 700 grams, minimum postage within the UK is GB If books are lighter and we are able to charge less for delivery, we will do so. Dispatch is usually by a trackable three working day courier service. Rest of the World: Dispatch is by the speediest and most economical method, currently Royal Mail International (not trackable). We try to use services which are as inexpensive as surface postage, but are air-lifted wherever possible. Valuable shipments will be registered. Larger bulk shipments are dispatched by bag mail. Small consignments are sent by surface mail unless otherwise directed. Should you require a different service, such as air-mail or courier, please let us know your requirements. Please Note: If you enclose payment with your order, please add at least 15% to cover postage, observing the above minimum of GB Any excess will be refunded or credited. If you pay by credit card, exact postage will be charged. All books are dispatched at the consignee s risk and they remain the property of Hanshan Tang Books Ltd until full payment has been received. PAYM ENT Payments may be made by Visa, Mastercard, American Express and Switch. Other means of payment are as follows (Please note: Charges for direct transfers must be borne by the sender We can only credit your account with the Net amount received.): United Kingdom: by personal cheque or by direct transfer to our bank. (Please, as already noted: Charges for direct transfers must be borne by the sender We can only credit your account with the Net amount received.) United States: by personal US$ cheque, by transfer to our bank in New York, or by a cheque in Sterling or Euros drawn on an EU-based bank. Any other form of payment must be accompanied by an extra GB to cover bank charges. Europe: by banker s draft drawn on a UK bank, or by a cheque in Sterling or Euros drawn on an EU-based bank. Any other form of payment should be accompanied by an extra GB to cover bank charges. If making a direct transfers, please contact us for iban and swiftbic numbers. Rest of the World: by banker s draft drawn on a UK bank. Other forms of payment should be accompanied by an extra GB to cover bank charges. Logo kindly written for us by the artist in Xu Bing s Square Word Calligraphy. Cover images from item number 696.

3 LIST NEW & RECENT PUBLICATIONS NEW & RECENT PUBLICATIONS ANTIQUES: CHINESE ARTS AUCTION RECORDS : CERAMICS Gudong Paimai Nianjian: Ciqi 拍賣年鑒 : 瓷器. Changsha, pp. Colour plates throughout. 26x18 cm. Paper Coverage of auction prices for Chinese ceramics sold in auction in China in Colour illustrations throughout. Hundreds of fine examples shown with prices realised. Text in Chinese ANTIQUES: CHINESE ARTS AUCTION RECORDS : JADE Gudong Paimai Nianjian: Yuqi 拍賣年鑒 : 玉器. Changsha, pp. Colour plates throughout. 26x18 cm. Paper Coverage of auction prices for Chinese jade sold in auction in China in Colour illustrations throughout. Hundreds of fine examples shown with prices realised. Text in Chinese ANTIQUES: CHINESE ARTS AUCTION RECORDS : PAINTING AND CALLIGRAPHY Gudong Paimai Nianjian: Shuhua 拍賣年鑒 : 書畫. Changsha, pp. Colour plates throughout. 26x18 cm. Paper Coverage of auction prices for Chinese paintings and calligraphy sold at auction in China in Colour illustrations throughout. Hundreds of fine examples shown with prices realised. Text in Chinese ANTIQUES: CHINESE ARTS AUCTION RECORDS : WORKS OF ART Gudong Paimai Nianjian: Zaxiang 拍賣年鑒 : 雜項. Changsha, pp. Colour plates throughout. 23x17 cm. Wrappers Coverage of auction prices for Chinese bronzes, sculpture, bamboo, wood, furniture, textiles and numerous other fine works of art in various media sold in auction in China in Colour illustrations throughout. Hundreds of fine examples shown with prices realised. Text in Chinese. 5 Arthur M. Sackler Museum of Art and Archaeology, Beijing University: MINGHE QINGSHANG: MINGHE YAJI HUIYUAN CANGZHEN. (The Pure Appreciation of the Calls of Cranes: Treasures Held by Members of the Ming He Ya Ji Society). 鳴鶴清賞 : 鳴鶴雅集會員藏珍. Beijing, pp. Full page colour plates throughout. 31x24 cm. Cloth Catalogue of an exhibition held at the Sackler Museum in Beijing showing very fine Chinese works of art from the collections of members of the Ming He Ya Ji Society, a Beijing-based society of collectors. The large majority of exhibits are Chinese ceramics from the Song to the Qing dynasties, plus a number of bronzes from various periods. Full page colour plates throughout. Preface, introduction, introductory essays and captions in English. Main text in Chinese. 6 Beijing Municipal Institute of Cultural Relics: MIYUN DATANGZHUANG. Excavation Report on the Sites of Datangzhuang in the Miyun Excavation Report on the Sites from Tang to Qing in the Bai River. 密雲大唐庄. Shanghai, pp. plus 36 pp. colour plates and 32 pp. b/w plates. Numerous b/w text drawings. 29x22 cm. Boards Finds included a good quantity of fine white-glazed wares from the Tang and Song plus small items of jewellery. In Chinese. 7 BEIJING WEN SHI ZILIAO JINGXUAN. (A Choice Selection of Material on the Culture and History of Beijing). 北京文史資料精選. Beijing, c.300 pp. per volume. Each volume with a few b/w photographic illustrations. 18 vols. 24x17 cm. Wrappers A very detailed 18 volume reference on the history and culture of Beijing. Each volume on an area of Beijing or its surrounding areas as follows (in no particular order): Dong Cheng, Xi Cheng, Chaoyang, Chongwen, Xuanwu, Haidian, Fengtai, Mentougou, Shijingshan, Yanqing, Daxing, Tongzhou, Miyun, Pinggu, Shunyi, Changping, Huairou, Fangshan. A valuable study resource. In Chinese. 8 Beijing Yishu Bowuguan ed: ZHONGGUO DANGYANGYU YAO. Dangyangyu Kiln of China. 中國當陽峪窯 北京藝術博物館編. Beijing, pp. Colour plates throughout. 30x25 cm. Cloth Located in China s Hebei province, the Dangyangyu kilns are famous for producing the best Cizhou ceramics. This well-produced work shows the kilns output during the Song dynasty and is illustrated throughout in colour showing numerous examples of various wares produced, and excavated, at the site. Includes many reconstructed pieces. Three page introduction in English. Main text in Chinese. 9 Brook, Timothy: THE TROUBLED EMPIRE. China in the Yuan and Ming Dynasties. History of Imperial China 5. Cambridge, , 329 pp. 23x15 cm. Cloth A well-written and broad overview of Chinese history from the 13th to the 17th centuries. Explores the growth of autocracy, social complexity and commerce, paying particular attention to China s incorporation into the larger South China Sea economy. 10 Chai Zejun & Chai Yu Hai: SHANXI GUDAI CAI SU. Ancient Painted Statues in Shanxi Province. 山西古代彩塑 柴澤俊柴玉海著. Beijing, pp. Over 274 colour plates. 36x27 cm. Boards This book details painted stucco and wooden statues in nearly 70 temples in China s Shanxi province. The statues date from the Tang to the Qing dynasties with a good amount of earlier examples from the Song through to the Yuan. Many Ming dynasty examples. Little from the Qing dynasty. All illustrated in fine full page colour plates. Introductory essays accompany. An excellent addition to the material on the subject. Text in Chinese. 11 Changsha Museum ed: CHU FENG HAN YUN: CHANGSHA SHI BOWUGUAN CANG JING. (Bronze Mirrors in the Collection of the Changsha Museum). 楚風漢韻 : 長沙市博物館藏鏡. Beijing, pp. Colour plates throughout. Numerous b/w illustrations of rubbings. 29x22 cm. Cloth A good and well-illustrated work on the little-published and very fine collection of bronze mirrors held in the Changsha Museum in China s Hunan province. The mirrors come from archaeological sites throughout Hunan. All illustrated in colour and accompanied by illustrations of rubbings showing the mirrors designs. Preface and captions in English. Main text in Chinese.

4 NEW & RECENT PUBLICATIONS 4 HANSHAN TANG BOOKS 12 China Institute of America: ALONG THE YANGZI RIVER. Regional Cultures of the Bronze Age from Hunan. New York, pp. Numerous colour plates. 28x22 cm. Paper Catalogue of an exhibition held at the China Institute in New York in conjunction with the Hunan Provincial Museum. Explores the regional bronze culture that flourished during the Shang, Zhou and Warring States periods centred around the waterways of Hunan province in China, in particular, the Xiang river which flows into the Yangzi. Shows numerous fine bronzes from the Hunan Museum collection. Accompanying essays include recent archaeological research and findings. 13 CHINESE ARTS AUCTION RECORDS Chinese Modern and Asian Contemporary: Chinese Painting and Calligraphy. 西畫書畫 : 拍賣年鑒 Taibei, pp. Colour plates throughout. 23x17 cm. Paper Copiously-illustrated auction records of sales in the above categories at auctions in China and elsewhere in Estimates and prices realised given in currencies of place of sale. Text in Chinese. 14 Choi Won-Oh: AN ILLUSTRATED GUIDE TO KOREAN MYTHOLOGY. Leiden, pp. Numerous colour and b/w text illustrations and plates. 25x18 cm. Cloth Containing thirty traditional stories, this book provides an introduction to centuries-old beliefs, myths and folk tales relating to: Cosmology and Flood, Birth and Agriculture, Messengers of the Underworld, Shamans, Disease, Good Fortune, Gods of Village Shrines, and Heroes. Historical background and significance is given to all the myths as well as details of each of the Korean gods and their roles. 15 Dan Shiyuan: DAN SHIYUAN JI: MING BEIJING GONGYUAN TUKAO. (Writings of Dan Shiyuan: Palaces and Gardens of Ming Dynasty Beijing). 單士元集 : 明北京宮苑圖考 單士元著. Beijing, pp. Plus 41 pp. colour plates. 21x14 cm. Wrappers A study and listing of the palace and gardens of Ming dynasty Beijing written by a little-known but erudite architectural historian, Dan Shiyuan, who worked in the Gugong Museum in Beijing from its founding onwards. Text in Chinese. 16 Dan Shiyuan and Wang Biwen ed: DAN SHIYUAN JI: MINGDAI JIANZHU DASHI NIANBIAO. (Writings of Dan Shiyuan: A Chronology of Important Events in Ming Dynasty Architecture). 單士元集 : 明北建築大事年表 單士元王璧文編. Beijing, pp. 2 vols. 21x14 cm. Wrappers A detailed chronology of Ming dynasty architecture by this little-known but erudite architectural historian. Text in Chinese. 17 Dan Shiyuan ed: DAN SHIYUAN JI: QINGDAI JIANZHU NIANBIAO. (Writings of Dan Shiyuan: A Chronology of Important Events in Qing Dynasty Architecture). 單士元集 : 清代建築大事年表 單士元編. Beijing, pp. 6 vols. 21x14 cm. Wrappers An extensive and very detailed six volume chronology of Qing dynasty architecture. Text in Chinese. 18 Davids, Roy & Jellinek, Dominic: PROVENANCE. Collectors, Dealers and Scholars in the Field of Chinese Ceramics in Britain and America. Great Haseley, pp. Over 150 illustrations. 28x22 cm. Cloth A major resource for the provenance of Chinese ceramics from collections in Britain and America. Contains 1064 biographies of collectors, dealers and scholars from the 17th century collector, Queen Mary II, onwards to the 20th century. A 40 page introduction traces ceramic contacts between China and Britain and America from the 16th to the 21st centuries. Also includes sections on fakes, the psychology of collecting, a dissertation on export versus domestic wares and much more. Numerous appendices including one on collectors labels. Compiled from a wide range of sources. Promises to be an invaluable reference. Pre publication offer of 150 plus postage, open until 25 June 2011, 200 thereafter. 19 DONGPING HOUTUN HANDAI BIHUA MU. Painted Tombs of Han Times from Houtun. 東平后屯漢代璧畫墓. Beijing, pp. text. plus 94 pp. colour plates. Numerous b/w text drawings. 27x19 cm. Cloth Details the results and artefacts found following the excavation of 18 Han tombs at Houtun village in Shandong province in China. Of most importance and interest were the painted murals in a number of the tombs, a good selection of which are here illustrated. Two page abstract in English. Main text in Chinese. 20 Edwards, Eiluned: TEXTILES AND DRESS OF GUJARAT. London, pp. Colour plates throughout and 18 b/w text drawings. 28x24 cm. Cloth, dustjacket A good and well-illustrated survey of Gujarat s textiles, tracing the historical journey of cloth and dress shaping the visual identity of Gujarat and it s people. Based on the collection in the V&A in London. 21 Edwards, Richard: THE HEART OF MA YUAN. The Search for a Southern Song Aesthetic. Hong Kong, xxxiii, 340 pp. 312 colour and b/w text illustrations. 2 foldouts. 25x18 cm. Cloth Ma Yuan, one of China s best-known artists, was a key figure in the period widely celebrated as the golden era of Chinese landscape painting. This is a detailed and well-illustrated discussion of Ma Yuan s painting as it emerged within the sophisticated artistic environment of Hangzhou in the late 12th and early 13th centuries. 22 Fan Bangdian et al. comp: TIANYIGE SHU MU TIANYIGE BEI MU. (A Catalogue of Books and Steles in the Tianyige Library). 天一閣書目天一閣碑目 范邦甸等. Shanghai, pp. 2 vols. 20x14 cm. Wrappers Reprint of a work first compiled in the Qing dynasty detailing the collections of books and steles in the Tianyige library. Text in Chinese.

5 LIST NEW & RECENT PUBLICATIONS 23 French, Paul: THE OLD SHANGHAI A-Z. Hong Kong, pp. 200 colour illustrations. 20x14 cm. Paper An anecdotal guide to the early 20th century streets of Shanghai, detailing many landmarks and stories associated with its best-known avenues. An interesting read accompanied by much old photography and illustration. 24 Gao Zhenyu: ZHONGGUO GONGYI MEISHU DA SHI: GU JING ZHOU. Masters of Chinese Arts and Crafts: Gu Jingzhou: Purple Clay Pot. 中國工藝美術大師 : 顧景舟 高振宇等著. Nanjing, pp. Colour plates throughout. 28x21 cm. Wrappers The life and work of China s most famous modern Yixing potter. Introductions in English. Main text in Chinese. 25 Gesterkamp, Lennert: THE HEAVENLY COURT. Daoist Temple Painting in China Leiden, pp. text plus 31 pp. colour plates, 1 fold out and 52 pp. b/w plates and illustrations. 25x17 cm. Cloth Drawing on comparative study of four complete sets of Daoist wall paintings dating back to the 13th and 14th centuries, this work offers the first comprehensive study of the historical development, iconography, ritual context, methods of mural design, and the patrons of the four Heavenly Court paintings. 26 Green, Alexandra & Johansen, Jens: ECLECTIC COLLECTING. Art from Burma in the Denison Museum. Singapore, xii, 237 pp. Colour illustrations throughout. 2 maps. 28x23 cm. Cloth Illustrates and describes the highlights of the extensive collection of Burmese art held by the Denison Museum in Granville, Ohio. The collection is particularly strong on textiles from minority groups but also has good holdings in other areas, Buddhist images, lacquer, bronze, ivory etc. 27 GU YUE CI YUN: ZHEJIANG CHUTU SHANG ZHOU YUANSHI CI JICUI. (Fine Proto-Ceramics of the Shang and Zhou Dynasties Excavated in Zhejiiang Province). 古越瓷韻 : 浙江出土商周原始瓷集粹. Beijing, pp. Colour plates throughout. 29x22 cm. Boards A very fine selection of Shang and Zhou ceramics excavated at sites in China s Zhejiang province and held at various museums in the area. A large number of the ceramics are intact. Illustrated throughout. Text in Chinese. 28 GUANGXI ZHUANGZU ZIZHIQU BOWUGUAN GUAN CANG SHUHUA JINGPIN XUAN JI. (Masterpieces of Calligraphy and Painting from the Guangxi Museum). 廣西壮族自治區博物館館藏書畫精品選集. Beijing, pp. Colour plates throughout. 29x22 cm. Cloth, dustjacket A survey of the finest painting and calligraphy in the little-known and little-published collection of the Guangxi Museum in Nanning in China. Shows a superb Southern Song handscroll and then the rest of the paintings are Ming and Qing dynasty, including a couple of albums and a number of fan paintings. A very fine selection, all illustrated in colour. All text in Chinese. 29 Guo Daiheng ed: YUANSHI DE HUIHUANG: YUANMINGYUAN JIANZHU YUANLIN YANJIU YU BAOHU. (Past Glories: Research and Conservation of the Architecture and Gardens of the Yuanming Yuan). 遠逝的輝煌 : 圓明園建築園林研究與保護 郭黛姮主編. Shanghai, pp. B/w and colour illustrations throughout. Numerous architectural plans and drawings. 31x24 cm. Boards A very detailed study of the architecture and gardens of this long-destroyed imperial residence. Copiously illustrated. Text in Chinese. 30 Guo Dashun and Hong Dianxu ed: HONGSHAN WENHUA YUQI JIANSHANG. A Study of Hongshan Culture Jades. 紅山文華玉器鑒賞 郭大順洪殿旭編著. Beijing, pp. Colour plates throughout. 29x22 cm. Cloth Illustrates and discusses nearly 200 pieces of Hongshan jade discovered mostly at locations in Liaoning province and Inner Mongolia and held in local museums and cultural institutions. Illustrated throughout in colour. Contents, preface and captions (including site of excavation and museum collection) in English. Main text in Chinese. 31 Guojia Wenwuju Guojia Wenwu Jianding Weiyuanhui: WENWU CANGPIN DINGJI BIAOZHUN TULI: ZAOXIANG JUAN. Illustrated Important Chinese Cultural Relics Ranking Standard: Sculpture. 文物藏品定級標準圖例 : 造像卷. Beijing, pp. Full page colour plates throughout. 29x22 cm. Boards Shows 220 superb examples of Chinese sculpture deemed culturally important by the State Cultural Relics Committee in China. The statues are in the collection of museums throughout China, including much in the Gugong Museum in Beijing. All illustrated in colour. List of plates in English, otherwise Chinese text. 32 He Boying: JIU RI YINGXIANG: XIFANG ZAOQI SHEYING YU MINGXINPIAN SHANG DE ZHONGGUO. Picturing the Chinese: Early Western Photographs and Postcards of China. 舊日影像 : 西方早期攝影與明信片上的中國 何伯英著. Shanghai, pp. Numerous b/w photographic illustrations. 21x14 cm. Wrappers A study accompanied by a good number of illustrations of photographs and postcards from the time. Text in Chinese. 33 He Lin ed: GUGONG CANG JING. The Palace Museum s Collections of Bronze Mirrors. 故宮藏鏡 何林主編. Beijing, pp. Colour plates throughout. 28x22 cm. Wrappers Illustrates, in full page colour plates, 150 superb examples of bronze mirrors from the collection of the Forbidden City in Beijing. A large number of the mirrors have an accompanying illustration of a rubbing showing the design on the mirror. The large majority of the mirrors come from archaeological sites but a number of Qing dynasty mirrors are presumably from the Qing Court Collection. Text in Chinese.

6 NEW & RECENT PUBLICATIONS 6 HANSHAN TANG BOOKS 34 He Zhongyi & Zeng Zhaofen: YUANMINGYUAN YUANLIN YISHU. (The Art of the Gardens of Yuanmingyuan). 圓明園園林藝術 何重義曾昭奮著. Beijing, pp. Colour and b/w illustrations throughout. B/w text drawings. Colour map. 29x22 cm. Boards Highly-detailed and interesting historical study of the gardens of Yuanmingyuan (the destroyed Old Summer Palace) outside Beijing. Copiously illustrated. 111 pages of English text. Main text in Chinese. 35 Hiebert, Fredrik & Cambon, Pierre: AFGHANISTAN. Crossroads of the Ancient World. London, pp. 317 colour and 31 b/w illustrations. 25x25 cm. Wrappers Catalogue of an exhibition at the British Museum. Comprises 230 artefacts from four archaeological sites in Afghanistan ranging in date from 2200 BC to 200 AD. A well-illustrated exploration of the history and arts of ancient Afghanistan. Accompanying essays. 36 Hua Mei: CHINESE CLOTHING. Cambridge, pp. Colour illustrations, 1 map. 23x16 cm. Paper Takes the reader through traditional Chinese clothing, ornamentation and ceremonial wear, discusses the importance of silk and the diverse costumes of China s ethnic groups before considering modern trends and China s place in the fashion world today. 37 Huang Hui: ZHONGGUO LIDAI FUZHI FUSHI. (Types of Chinese Clothing). 中國曆代服制服式 黃輝著. Nanchang, pp. Illustrations throughout, 43 in colour. 29x21 cm. Wrappers Illustrated throughout with illustrations of full-length figures dressed in numerous different types of Chinese clothing. Of particular interest is the detailed description of every part of the garb worn. In Chinese. 38 Jia Jun: BEIJING SIJIA YUANLIN ZHI. Record of Private Garden in Beijing. 北京私家園林志 賈珺著. Beijing, pp. B/w photographs throughout. A number of architectural drawings and plans. 30x23 cm. Wrappers Large and detailed survey of traditional private gardens in Beijing, many contained within siheyuan and many no longer extant. Wellillustrated. Text in Chinese. 39 Jiangxi Provincial Museum ed: HUAFENG OUYUN: JINGDEZHEN QINGDAI WAIXIAO CI JINGPIN ZHAN. (Exhibition of Masterpieces of Qing Dynasty Export Ceramics from Jingdezhen). 華風歐韻 : 景德鎮清代外銷瓷精品展. Shanghai, pp. Colour illustrations throughout. 28x21 cm. Wrappers Catalogue of an exhibition at the Jiangxi Provincial Museum in Nanchang showing 130 examples of Qing dynasty export porcelain. The large majority previously unpublished. All items illustrated in colour. Text in Chinese. 40 Jiangxi Provincial Museum ed: QIANNIAN LEIFENGTA: LEIFENGTA JI ZHEJIANG WUYUE FOJIAO YIZHEN TEZHAN. (A Millennium of the Leifeng Pagoda: A Special Exhibition of Relics from Leifeng Pagoda and Buddhist Relics from the Wuyue Kingdom in Zhejiang Province). 千年雷峰塔 : 雷峰塔暨浙江吳越佛教遺珍特展. Shanghai, pp. Colour plates throughout. 28x21 cm. Wrappers Catalogue of an exhibition at the Jiangxi Provincial Museum in Nanchang, China, showing superb and rare artefacts dating from the Five Dynasties period when the Wuyue Kingdom existed in the area of modern day Zhejiang province. This is also the time when the Leifeng Pagoda in Hangzhou was built and relics from the pagoda and some superb treasures form the pagoda s crypt are also exhibited. Illustrated throughout in colour. Text in Chinese. 41 Jilin Provincial Museum: JILIN SHENG BOWUYUAN CANG ZHONGGUO JINXIANDAI SHUHUA XUANJI. The Collection of Chinese Calligraphy and Paintings of The Jilin Province Museum. 吉林省博物館藏中國近現代書畫選集. Beijing, pp. Colour plates throughout. 28x21 cm. Boards Shows early and mid-20th century paintings held in the collection of the Jilin Provincial Museum in Changchun. A fine selection, all illustrated in colour. Text in Chinese. 42 Kong Deping et al: JI KONG LIYUE YANJIU. (Research into the Musical Rituals of Confucianism). 祭孔禮樂研究 孔德平等著. Beijing, pp. B/w text drawings throughout, 1 fold out. 24x17 cm. Wrappers A study drawing on woodblock illustration of Confucian musical rituals in old Chinese books. Text in Chinese. 43 KONG MEN QISHIER XIAN XIANGCHUAN. Confucius and his 72 Famous Disciples. 孔門七十貳賢像傳. Beijing, pp. text. 103 pp. Colour illustrations. 27x19 cm. Boards Illustrations from modern paintings of the 72 disciples of Confucius. Each illustration is accompanied by a description of the disciple and his work. Five page introductory essay. Near dual texts in Chinese and English. 44 Lacoste, Anne: FELICE BEATO. A Photographer on the Eastern Road. Los Angeles, vii, 202 pp. Photographic illustrations throughout, many full page. 1 foldout. 29x23 cm. Cloth The first work to offer a comprehensive survey of the life and career of the photographer, Felice Beato ( ). Includes Beato s important photographic documentation of the Second Opium War in China in 1860 and also his work in Japan, Korea and Burma. An excellent reference. 45 Larsen, Kirk: TRADITION, TREATIES AND TRADE. Qing Imperialism and Choson Korea Harvard, xi, 328 pp. 23x15 cm. Paper

7 LIST NEW & RECENT PUBLICATIONS 46 Lei Hongzhi: ZHONGGUO LIDAI ZUIMEI QINGHUACI: QINGHUA. The Most Beautiful Blue-and-White Porcelains in Chinese History. 中國曆代最美青花瓷 : 青花 雷鴻智著. Chongqing, pp. Colour plates throughout. 28x21 cm. Wrappers Illustrated throughout with examples of Chinese blue-and-white pottery and ceramics dating from the Tang through to the Qing, this work shows blue-and-white ranging from the truly superb through to folk pieces. Of most use as an illustrated guide to blue-and-white and the huge variety of designs used. Six page introduction in English, otherwise Chinese text. 47 Leidy, Denise Pantry and Strahan, Donna: WISDOM EMBODIED. Chinese Buddhist and Daoist Sculpture in the Metropolitan Museum of Art. New Haven, pp. Colour plates and b/w illustrations throughout. 23x21 cm. Cloth A comprehensive volume surveying the largest collection of Chinese Buddhist and Daoist sculptures in the Western world. 120 works are shown. All illustrated and described and with interesting accompanying text and essays. 48 Li Enjia et al. ed: HEBEI TAOCI. (Ceramics from Hebei Province). 河北陶瓷 李恩佳等主編. Beijing, pp. Colour plates throughout. 26x19 cm. Wrappers A survey of the kilns and ceramics produced in China s Hebei province. Includes illustration of a good selection of early white-glazed wares and Cizhou ceramics. Text in Chinese. 49 Li Gang: QINGCI FENGYUN. The Charm of Celadon. 青瓷風韻 李剛著. Beijing, pp. Colour plates throughout. 29x22 cm. Cloth, dustjacket Illustrated throughout in colour, and showing pieces of the highest quality held in museums throughout China, this is an excellent survey of Chinese celadon from the Eastern Han and the Three Kingdoms and Western Jin through the Song and Yuan dynasties. All text in Chinese. 50 Li Song: CHINESE BRONZE WARE. Cambridge, pp. 120 colour illustrations, 1 map. 23x16 cm. Paper Introduces the reader to China s magnificent bronze culture with thorough discussion of the context and significance of bronze production. 51 Li Xhenqi and Zhao Zhefu: HAIQU HUAFENG: BOHAI SHANGJING CHENG WENWU JINGHUA. (Masterpieces of Cultural Relics from the Upper Capital City of the Bohai Kingdom). 海曲華風 : 渤海上京城文物精華 李陳奇趙哲夫著. Beijing, pp. Full page colour plates throughout. 29x22 cm. Boards A well-illustrated work showing the finest relics excavated from the site of the upper capital (Shangjing) city of the Bohai kingdom which flourished in the Liaoning area of China from the Tang dynasty onwards. The artefacts are divided into sections including masonry and architectural decoration, bronzes (mostly small and including some small examples of gold jewellery), ceramics and small giltbronze statuary. The objects are held in museums in Liaoning Province. All text in Chinese. 52 Li Xiaoshan & Zou Yuejin ed: CHUN HUA QIU SHI: XIN ZHONGGUO BANHUA JI. (A Collection of Woodblock Prints of New China ). 春華秋 : 新中國版畫集 李小山鄒躍進主編. Changsha, ; 410 pp. Full page colour plates throughout. 2 vols. 34x29 cm. Cloth Volume One covers ; Volume Two A total of some 580 colour and black-and-white prints are illustrated in full page colour plates. Of particular note for the earlier material. Introductory essays and brief biographies of artists accompany. An excellent addition to the subject. Text in Chinese. 53 Li Yongzhong photographer: JIU FANG. Wine Plants. 酒坊 李永忠攝影. Chengdu, pp. 87 b/w full to double page photographs 30x31 cm. Boards A fascinating work produced to a high standard with excellent full page black-and-white photography by Li Yongzhong showing traditional factories where, and the traditional processes by which, wine is made in China. Dual texts in Chinese and English. 54 Li Zhengping: CHINESE WINE. Cambridge, pp. 83 colour illustrations, 1 map. 23x16 cm. Paper This illustrated introduction to Chinese wine explores the history of wine production in China, the legends and customs that surround it and its place in China today. 55 Liu Jinglong ed: BINYANG DONG: LONGMEN SHIKU DI 104, 140, 159 KU. Binyang Caves: Cave 104, 140, 159 of Longmen Grottoes. 賓陽洞 : 龍門石窟第 104, 140, 159 窟 劉景龍編著. Beijing, pp. 189 colour plates, 41 b/w rubbings, 16 b/w drawings. 36x27 cm. Cloth A fine and detailed survey of the Buddhist statuary in the above three caves at Longmen which date from the Northern Wei to the Tang. Useful and detailed ten page preface in English. Main text in Chinese. 56 Liu Wei: DIWANG YU GONGTING CIQI. (The Emperor and Ceramics for the Court). 帝王與宮廷瓷器 劉偉. Beijing, pp. Colour plates throughout. 2 vols. 24x18 cm. Wrappers A two-volume study of the role that Chinese emperors played in the commissioning and production of ceramics for the imperial court. Illustrated throughout. All text in Chinese. 57 Lu Peng: MEISHU DE GUSHI: CONG WANQING DAO JINTIAN. The Story of Art in China From Late Qing Dynasty to Present. 美術的故事 : 從晚清到今天 呂澎著. Beijing, pp. text plus over 450 pp. colour plates. A number of b/w text illustrations. 18x11 cm. Wrappers A detailed survey of Chinese art through the course of the 20th century. Includes the Cultural Revolution. Text in Chinese. 58 Lu Yu and Lu Tingcan: CHAJING, XU CHAJING. The Classic of Tea: The Sequel to the Classic of Tea. 茶經續茶經 陸羽陸廷燦著. Changsha, pp. 2 vols. 24x16 cm. Cloth, dustjacket The Classic of Tea was written in the Tang dynasty by the tea sage, Lu Yan. The Sequel to the Classic of Tea was written in the Qing dynasty by the scholar, Lu Tingcan. Both works regarded as extremely important for the understanding and connoisseurship of tea in China. Dual texts in Chinese and English.

8 NEW & RECENT PUBLICATIONS 8 HANSHAN TANG BOOKS 59 LUCHENG LAO JIE FANG. (Sights and Scenes of Old Wenzhou). 鹿城老街坊. Hangzhou, pp. B/w photographs throughout. 29x26 cm. Cloth, dustjacket Wenzhou (also known as Lucheng) is located in China s Zhejiang province. This is a photographic history of the town with black-andwhite photographs from the late 19th and early part of the 20th centuries. In Chinese. 60 Macau Museum of Art: HAI QIAO RU ZONG: LI MADOU SHISHI SIBAI ZHOU NIAN WENWU TEJI. The Master from the West: Commemorating the 400th Anniversary of the Passing of Matteo Ricci. 海嶠儒宗 : 李瑪竇逝世四百周年文物特集. Macau, ; 193 pp. Colour plates throughout. 2 vols. 36x27 cm. Boards & Paper Two-volume catalogue of an exhibition at the Museum of Art in Macau examining the life, work and legacy of this important and influential figure with a focus on the period he spent in China. Includes loans from public and private collections in Italy, Macau and elsewhere. Of particular note is the Chinese printed religious material and Chinese artefacts. Illustrated throughout. Texts in Chinese, Portuguese and English. Hard to obtain. 61 Macau Museum of Art: JIUJIU GUI YI: QINGZHU AOMEN HUIGUI ZUGUO SHI ZHOU NIAN: GUGONG ZHENBAO TEJI. The Season of Return: Treasures from the Palace Museum. 九九歸一 : 慶祝澳門回歸祖國十周年 : 故宮珍寶特集. Macau, ; 94 pp. Full page colour plates throughout. 7 foldouts. B/w text illustrations. 2 vols. 36x27 cm. Boards Catalogue of a loan exhibition at the Macau Museum of Art showing 100 superb objects from the Gugong Museum in Beijing in various media ranging from ancient bronzes to paintings and ceramics. Prefaces, list of contents, introductions to each category of objects exhibited and captions to plates in English. Main text in Chinese. 62 Macau Museum of Art: MOLING YANYUE: NANJING BOWUYUAN CANG MING MO QING CHU JINLING HUAPAI SHUHUA. Clouded Moonlight: Jinling School Paintings of Late Ming & Early Qing Dynasties from Nanjing Museum Collection. 秣陵煙月 : 南京博物院藏明末清初金陵畫派書畫. Macau, ; 59 pp. Full page colour plates throughout, 4 colour foldouts. B/w text illustrations. 3 vols. 36x27 cm. Boards Large three-volume catalogue of a loan exhibition at the Macau Museum of Art showing 85 very fine late Ming and early Qing paintings from the Jinling school (i.e. painters from the Nanjing area) held in the collection of the Nanjing Museum. All paintings illustrated in full colour, some illustrations showing close-up detail. Introductions and captions in English. Also Portuguese text. Main text in Chinese. 63 Macau Museum of Art: QIANKUN QINGQI: QING TENG BAI YANG SHUHUA XUESHU YANTAOHUI LUNWEN JI. Breath of the Universe: Theses on Qing Teng and Bai Yang s Calligraphy and Painting. 乾坤清氣 : 青藤白陽書畫學術研討會論文集. Macau, pp. 26x20 cm. Boards Proceedings of a symposium held at the Macau Museum of Art on the work of two master painters of the mid and late Ming dynasty, Chen Chun and Xu Wei, also known as Bai Yang and Qing Teng. Twenty eight papers were given, all reproduced here. Two page foreword, list of contents and 35 pages of abstracts of essays in English. Main text in Chinese. 64 Macau Museum of Art: XIANGYING SHENQUAN: MING QING RENWU XIAOXIANG HUA TEJI. Spirits Alive: Figures and Portraits from the Ming and Qing Dynasties. 像應神全 : 明清人物肖像畫特集. Macau, ; 57 pp. Full page colour plates throughout, 17 foldouts. B/w text illustrations. 3 vols. 36x27 cm. Boards Large three-volume catalogue of a loan exhibition at the Macau Museum of Art showing over 100 very fine examples of Ming and Qing dynasty portrait paintings held on the collections of the Nanjing Museum and the Zhejiang Provincial Museum. All paintings illustrated in their entirety in large colour plates and many showing close-up detail. Introductions and captions in English. Portuguese text also. Main text in Chinese. 65 Maxwell, Robyn: LIFE DEATH AND MAGIC Years of Southeast Asian Ancestral Art. Canberra, pp. Over 200 colour illustrations. 30x25 cm. Cloth Provides an evocative overview of Southeast Asia s ancestral arts and culture, from prehistoric times to the 21st century. The illustrations show objects from the National Gallery of Australia s exceptional collection of Southeast Asian art. 66 Menegon, Eugenio: ANCESTORS, VIRGINS AND FRIARS. Christianity as a Local Religion in Late Imperial China. Harvard, pp. 8 b/w illustrations, 3 b/w maps. 24x16 cm. Cloth Focussing on the still-active Catholic communities of Fuan in China s Fujian province, this study examines the impact and importance of Christianity in Ming and Qing dynasty China. 67 Meng Shaolian: ZHONGGUO HULUQI. (Chinese Gourds). 中國葫蘆器 孟昭連著. Tianjin, pp. text and 144 pp. colour plates. 26x18 cm. Wrappers Well-illustrated work showing a large variety of gourds and the vessels shaped and crafted from them to house singing crickets. In Chinese. 68 Min Jie ed: WANQING QIBAI MINGREN TUJIAN. (Illustrations of 700 Famous People from the Late Qing Dynasty). 晚清七百名人圖鑒 閔杰編著. Shanghai, pp. B/w photographic illustrations throughout. 22x15 cm. Cloth Arranged alphabetically A-Z by character of surname. Each person s illustration accompanied by biographical text. An interesting visual reference. Text in Chinese.

9 LIST NEW & RECENT PUBLICATIONS 69 MING JIA SHAN JI. (A Collection of Fans by Famous Artists). 名家扇集. Beijing, pp. Full page colour plates throughout. 27x26 cm. Cloth, dustjacket A very pleasing selection of beautiful Chinese fans painted with traditional style scenes by famous Chinese artists of the early 20th century onwards. Both sides of the fan are shown, many of the fans also being painted on the reverse, the remainder bearing calligraphic inscriptions. All text in Chinese. Recommended. 70 Mueller, Laura: COMPETITION AND COLLABORATION. Japanese Prints of the Utagawa School. Leiden, pp. Over 220 colour illustrations. Cloth, dustjacket The diverse works of Utagawa Kunisada, Utagawa Kuniyoshi, Utagawa Hiroshige and others reflected the changing social, economic, and political conditions present during the closing century of the Edo period and the early years of the Meiji period. This groundbreaking book includes explicated entries for each work, artist biographies, and five scholarly essays about Japanese print culture and the Utagawa school. 71 NANYANG CHUTU TONG JING. (Bronze Mirrors Excavated at Nanyang). 南陽出土銅鏡. Beijing, pp. text plus 116 pp. colour plates. Numerous b/w text drawings. 27x19 cm. Boards Very detailed work on bronze mirrors excavated at sites in and around the city of Nanyang in Henan province in China. Numerous mirrors are illustrated in fine colour plates. Text in Chinese. 72 Newland, Amy Reigle and Peree, Jan: CROWS, CRANES AND CAMELLIAS. The Natural World of Ôhara Koson Leiden, pp. 770 colour plates. 30x25 cm. Cloth, dustjacket First publication on the little-known print artist Ôhara Kuson ( ) which presents ninetenths of his entire oeuvre of prints and paintings, based on a private Dutch collection. Includes a wealth of authoritative information on the artist s life and work reprint. 73 Nylan, M. & Loewe, M. ed: CHINA S EARLY EMPIRES. A Re-appraisal. xxii, 630 pp. 20 colour & 123 b/w illustrations. 9 maps. 27x17 cm. Cloth Recent archaeological discoveries in China have shed new light on the history of China. This book, with a focus on the Qin and Han dynasties and with contributions by a number of scholars, re-evaluates the history of China in the light of these finds. It thus provides an effective supplement to Volume 1 of the Cambridge History of China which focuses on this period. 74 The Palace Museum ed: GUGONG JINGDIAN: MING QING DIHOU BAO XI. Classics of the Forbidden City: Imperial Seals of the Ming & Qing Dynasties. 故宮經典 : 明清帝后寶璽. Beijing, c.300 pp. Colour plates throughout. 29x29 cm. Boards A fine visual and study reference on these fascinating and important objects, primarily made from jade and soapstone. Illustrated throughout. Text in Chinese. 75 Pan Minggao ed: CIHAI SHIBEI: SHIBEI ZHAI CANG CI. (A Sea of Ceramics: Chinese Ceramics in the Shibei Zhai Collection). 瓷海拾貝 : 拾貝齋藏瓷 潘鳴皋主編. Shanghai, pp. 176 colour plates. 31x23 cm. Boards Illustrates the finest pieces in the privately-held Shibei Zhai collection of ceramics, predominantly dating from the late Ming and early Qing dynasties. Includes much Kangxi material. Illustrated throughout. Text in Chinese. 76 Peng Weiguo and Hu Jianqiang: MINGUO KEBEN JINGYAN LU. (A Record of Republican Period Books). 民國刻本經眼彔 彭衛國胡建強著. Shanghai, pp. B/w illustrations throughout. 24x17 cm. Wrappers A discussion of Republic period Chinese books. Text in Chinese. 77 Phunisok Namgyal ed: ZASHILUNBU SI. Bkra-sis-Ihum-po Monastery. 什倫布寺. Beijing, pp. Colour plates throughout. 24x18 cm. Paper Illustrated throughout, this is a good survey of the history, Buddhist art and architecture of this famous Tibetan monastery, located near the city of Xigatze. Dual texts in Chinese and English. 78 Phuntsok Namgual ed: BUDALA GONG. Potala Palace. 布達拉宮. Beijing, pp. Colour plates throughout. 24x18 cm. Paper The history, architecture and Buddhist art contained within Tibet s most famous building. Dual texts in Chinese and English. 79 Phuntsok Namgyal: TUOLIN SI. Ntho-ling Monastery. 托林寺. Beijing, pp. Colour plates throughout. 25x18 cm. Paper A well-illustrated survey of the history, architecture and Buddhist art in this famous Tibetan monastery. Dual texts in Chinese and English. 80 Qinfeng Lao Zhaopian Guan ed: SHANGHAI ZHIZAO NIANDAI. (Made in Shanghai in the 1950s and 1960s). 上海製造 年代 秦風老照片館編. Guilin, pp. Full page b/w photographs throughout. 20x21 cm. Wrappers A photographic survey of industrial and agricultural activity and production in and around Shanghai in the new China of the 1950s and 1960s. Full page black-and-white photographs throughout. In Chinese. 81 Quette, Beatrice: CLOISONNE: CHINESE ENAMELS FROM THE YUAN, MING AND QING DYNASTIES. New Haven, xxxviii, 337 pp. Colour text plates throughout. 30x23 cm. Cloth Catalogue of an exhibition at the Bard Graduate Centre in New York of 161 very choice examples of Chinese cloisonné, primarily from the Ming and Qing dynasties. Many of the exhibits are from the collection of the Musée des Arts Decoratifs in Paris bequeathed by David David-Weill. Other pieces in the exhibition from museum collections in America. All illustrated in colour and well-described. An extensive number of essays accompany. An excellent contribution to the subject. Recommended.

10 NEW & RECENT PUBLICATIONS 10 HANSHAN TANG BOOKS 82 Rong Hongjun: WANG SHIXIANG ZHENCANG WENWU JUSAN SHILU. (A Record of Various Treasures in the Collection of Wang Shixiang). 王世襄珍藏文物聚散實彔 榮宏君著. Shanghai, pp. Text drawings throughout. 1 foldout. 21x21 cm. Wrappers A record of the collection of Wang Shixiang. Comprises illustration and transcription of Wang s hand-written lists. Discussion of the collection and its importance. An insight into the lifelong formulation of the collection of an important connoisseur. Text in Chinese. 83 Rosenfield, John M: PORTRAITS OF CHOGEN. The Transformation of Buddhist Art in Early Medieval Japan. Brill Japanese Visual Culture Series. Leiden, pp. Colour illustrations throughout. 25x20 cm. Cloth, dustjacket A vivid description of the efforts of the Japanese monk, Shunjobo Chogen, to restore major buildings and works of art lost in a brutal conflict in This publication includes an annotated translation of Chogen s memoir and is the first book-length study of the monk who recast the Great Buddha (Daibutsu). 84 Schaap, Robert and Rimer, J. Thomas: THE BEAUTY OF SILENCE. Japanese No and Nature Prints by Tsukioka Kogyo ( ). Leiden, pp. Colour plates throughout. 30x25 cm. Cloth, dustjacket The first book in English on Tsukioka Kogyo, one of the lessser-known exponents of Japanese woodblock printing during the Meiji and Taisho periods. Discusses the life and work of the artist with particular attention paid to his depiction of theatrical productions. 85 Schlombs, Adele and Clarissa von Spee: THE PERFECT BRUSH: CHINESE PAINTING Der Perfekte Pinsel: Chinesische Malerei Cologne, pp. Colour plates throughout. 30x24 cm. Wrappers Catalogue of an exhibition at the Museum of East Asian Art in Cologne showing 30 fine examples of Chinese painting from the Museum s collection and focusing on painters who produced works in ink and colours on silk. All paintings illustrated in colour and described in detail. 86 Shanghai Library ed: SHANGHAI TUSHUGUAN CANG SONG BEN TULU. An Illustrated Catalog of Song Block-printed Editions in the Shanghai Library Collection. 上海圖書館藏宋本圖錄 上海圖書館編. Shanghai, pp. Full page colour plates throughout. 31x24 cm. Boards A finely-produced work showing an extensive selection of rare Song dynasty books held in the collection of the Shanghai Library. Well-illustrated and with detailed descriptions. Text in Chinese. 87 Shanghai Museum: LIU RU YI MO: TANG YIN SHUHUA JINGPIN JI. (Masterpieces of Painting and Calligraphy by Tang Yin). 六如遺墨 : 唐寅書畫精品集. Shenyang, pp. Colour plates throughout, many full page. 38x27 cm. Boards Catalogue of an exhibition held at the Shanghai Museum of the fine painting and calligraphy of the famous Ming dynasty artist, Tang Yin, held in the collections of the Gugong Museum, Shanghai Museum and Liaoning Provincial Museum. Illustrated throughout in colour. Text in Chinese. A fine addition to the somewhat limited material on this artist. 88 SHANXI JINCHENG GU CUNZHEN. (The Ancient Towns and Villages of Shanxi Province). 山西晉城古村鎮. Beijing, pp. Colour plates throughout. 29x22 cm. Boards A photographic survey of the fine traditional architecture of China s Shanxi province. Numerous places are shown. All text in Chinese. 89 Shao Xiaofeng: ZHONGGUO SONGDAI JIAJU YANJIU YU TUXIANG JICHENG. Chinese Song Dynasty Furniture Study and the Integration of Images. 中國宋代家具研究與圖像集成 邵曉峰著. Nanjing, pp. B/w text illustrations and numerous b/w text drawings. 29x22 cm. Boards A detailed study of Chinese furniture dating from the Song dynasty based on the study of Chinese paintings, tomb murals and artefacts dating from the period. Copiously illustrated. A welcome addition to the sparse literature on the subject. In Chinese. 90 Shen Qionghua ed: 2007 ZHONGGUO YUEYAO GAOFENG LUNTAN LUNWEN JI. (Proceedings of the 2007 Symposium at Gaofeng on the Yue Kilns) 中國越窯高峰論壇論文集 沈琼華主編. Beijing, pp. B/w illustrations throughout. 28x21 cm. Wrappers Proceedings of a symposium comprising 22 papers on various detailed aspects of research into the Yue kilns (located in China s Zhejiang province) and the ceramics produced there. In Chinese. 91 Shenzhen Museum ed: SANQIN GUIBAO: SHAANXI CHUTU ZHOU QIN HAN TANG WENWU ZHAN. Gems of Sanqin: Cultural Relics from Shaanxi. 三秦瑰寶 : 陝西出土周秦漢唐文物展. Beijing, pp. Colour plates throughout. 28x22 cm. Wrappers Catalogue of a loan exhibition at Shenzhen Museum of cultural relics from China s Shaanxi province dating from the Zhou through to the Tang dynasties. Nearly all the exhibits are held in museums in Shaanxi province, with many from museums in and around Xi an. Includes terracotta warriors, marvellous bronzes, tomb figurines, gold and silver, ceramics and jade. Foreword, list of contents, brief introductions to each section and brief captions in English. Main text in Chinese. 92 SHIKU SI YANJIU: DI YI JI. Study on the Cave Temples: No. 1. 石窟寺研究 : 第一輯. Beijing, pp. B/w text drawings throughout. 28x21 cm. Wrappers List of contents and brief abstracts in English to each of the 21 detailed papers. Covers a wide range of detailed topics pertaining to the study and protection of Buddhist caves and grottoes throughout China. Main text in Chinese. 93 Stadtner, Donald: SACRED SITES OF BURMA. Myths and Folklore in an Evolving Spiritual Realm. Bangkok, pp. Colour illustrations throughout. 25x23 cm. Wrappers Explores the myths and legends surrounding many of Burma s beautiful and spectacular sites and holy places. Illustrated throughout. 94 State Cultural Relics Bureau ed: ZHONGGUO WENWU DITU JI XIZANG ZIZHIQU FENCE. (Maps of China s Cultural Artefacts Tibet). 中國文物地圖集 : 西藏自治區分冊. Beijing, pp. Numerous colour plates, 12 colour maps. B/w text drawings. 27x19 cm. Cloth, dustjacket A detailed survey and description of the cultural artefacts of Tibet and their location. A useful research and reference tool. Preface, introductory notes and four page list of contents in English. Main text in Chinese.

11 LIST NEW & RECENT PUBLICATIONS 95 State Cultural Relics Bureau ed: ZHONGGUO WENWU DITU JI: NINGXIA HUIZU ZIZHIQU FENCE. (Maps of China s Cultural Artefacts Ningxia Autonomous Region). 中國文物地圖集 : 寧夏回族自治區分冊. Beijing, pp. Numerous colour plates and maps. B/w text drawings. 27x19 cm. Cloth, dustjacket Shows the Ningxia Autonomous Region in maps with locations of cultural sites temples, excavations etc. Contains illustrations of places and artefacts. Index of place names and sites. An excellent and detailed reference on the region. Preface, introductory notes and contents in English, otherwise Chinese only. Main text in Chinese. 96 Stokes, Edward: HONG KONG AS IT WAS. Hedda Morrison s Photographs Hong Kong, pp. B/w\ photographs throughout. 26x29 cm. Cloth, dustjacket This is a unique record of a now vanished Hong Kong the most complete pictorial account of how the colony looked during the decades from the early 1930s to the 1950s. Morrison s telling images are complemented by Edwards Stokes essays portraying the postwar years. 97 Sun Yue: SI ZHI JIANGNAN. Silk in Jiang Nan. 絲之江南 孫悅著. Shanghai, pp. Colour plates throughout. 21x15 cm. Paper Interesting little work detailing the history and production of silk through to the present day in China south of the Yangtze river. Dual texts in Chinese and English. 98 SUZHOU DAOJIAO YISHU JI. (Writings on Daoist Art in Suzhou). 蘇州道教藝術集. Shanghai, pp. B/w text drawings and illustrations, 1 folding. 29x22 cm. Cloth A facsimile of a hand-written manuscript reproducing the text of a work first published in 1957 in a very limited edition comprising a study of Daoist art in the town of Suzhou in China. Includes illustration of temple statues and folk artefacts. All text in Chinese. 99 Suzhou Museum ed: SUZHOU BOWUGUAN CANG CIQI. Porcelain Collected by Suzhou Museum. 蘇州博物館藏瓷器. Beijing, pp. Colour plates throughout. 29x22 cm. Boards A very fine selection of Chinese porcelain held in the collection of the Suzhou Museum in China. Primarily Ming and Qing ceramics with a number of earlier pieces. Much previously unpublished material. List of contents, preface, introduction and captions in English. Main text in Chinese. 100 TAOHUAWU MUKE NIANHUA. Suzhou Taohuawu Woodcut New Year Prints. 桃花塢木刻年畫. Shanghai, pp. Colour illustrations throughout, 7 foldouts. 20x23 cm. Paper A good visual survey of Taohuawu woodblock printing from the Qing dynasty onwards. Illustrated throughout showing many varied examples. Insert sheet in English. Main text in Chinese. 101 Tianjin Museum ed: YISHI LANGRUN: MINGUO CIQI TEZHAN. (Special Exhibition of Republic Period Ceramics). 一世朗潤 : 民國瓷器特展 天津博物館編. Beijing, pp. Colour plates throughout. 28x21 cm. Wrappers Catalogue of an exhibition held at the Tianjin Museum showing a large selection of Republic period ceramics, many with artist s signatures and including work by the Eight Friends of Zhushan. Also many unsigned pieces including work imitating earlier Qing dynasty ceramics. Illustrated throughout in colour. Text in Chinese. 102 Uhlenbeck, Chris and Jansen, Marije: HIROSHIGE. Shaping of the Image of Japan. Leiden, pp. Over 140 colour illustrations. Paper This publication includes a general introduction, sketching the cultural and economic environment of the artist Hiroshige, the development of his oeuvre, and the rise of his artistic reputation in Japan and the West. 103 Van Ham, Peter: HEAVENLY HIMALAYAS. The Murals of Mangyu and other Discoveries in Ladakh. Munich, pp. Colour photographs throughout, 14 line drawings, 1 map. 24x30 cm. Cloth Explores the exquisitely-preserved Buddhist archaeological and artistic treasures in the remote Himalayan kingdom of Ladkah, focusing especially on the amazing temple complex of Mangyu. 104 Wang Guangyao: MINGDAI GONGTING TAOCI SHI. (A History of Ming Dynasty Ceramics Made for the Court). 明代宮廷陶瓷史 王光堯著. Beijing, pp. B/w illustrations. 26x16 cm. Wrappers A detailed study of the relationship between the Ming dynasty court and the manufacture of ceramics for court use at Jingdezhen and elsewhere. In Chinese. 105 Wang Jianhua ed: GUGONG BOWUYUAN CANG YIXING ZISHA. Yixing Zisha Wares in the Palace Museum. 故宮博物院藏宜興紫砂 王健華主編. Beijing, pp. Over 200 colour plates. 29x22 cm. Wrappers Shows 200 superb examples of Yixing wares in the collection of the Forbidden City Museum in Beijing which were used by the imperial court. Appears to be the catalogue of an exhibition. Illustrated throughout in full page colour and basemarks shown. Prefaces, introductions and captions in English. Main text in Chinese. 106 Wang Jintao: ZHONGGUO HUANGJIA YUANLIN DIESHAN LILUN YU JIFA. (The Theory and Practice of the Use of Piled Rocks in Imperial Gardens in China). 中國皇家園林疊山理論與技法 王勁滔著. Beijing, pp. Numerous b/w illustrations. 26x18 cm. Wrappers A detailed study with black-and-white illustration of such rockscapes at imperial sites. Text in Chinese. 107 Wang Zhenhui et al. ed: JIANGE JUEYUAN SI MINGDAI BIHUA. A Collection of the Ming Dynasty Murals of Jueyuan Temple, Jiange. 劍閣覺苑寺明代璧畫 王振會等主編. Beijing, pp. Colour plates throughout. 42x29 cm. Cloth An excellent visual survey of the spectacular and important Ming dynasty murals in the Jueyuan temple located in northern Sichuan province. Fine and detailed colour plates throughout, a good number full page. Prefaces, introduction, notes and captions in English. Main text in Chinese.

12 NEW & RECENT PUBLICATIONS 12 HANSHAN TANG BOOKS 108 Weisberg, Gabriel P: THE ORIENT EXPRESSED. Japan s Influence on Western Art, Seattle, pp. Numerous colour plates. 23x30 cm. Cloth A team of distinguished scholars shed new light on aspects of Japonisme, trace its chronological development, and assess its enduring implications. Essays consider the nature of cultural exchange and cultural appropriation, the role of gendering, the Netherlands singular relationship with Japan, and the phenomenon s influence in Scandinavia. A good and well-illustrated contribution. 109 Wu Hung ed: REINVENTING THE PAST. Archaism and Antiquarianism in Chinese Art and Visual Culture. Chicago, pp. B/w text illustrations. 27x19 cm. Cloth Comprises papers given by a number of academics at two scholarly gatherings at the University of Chicago exploring this theme in detail. Much attention has been given to the importance of the emulation of the past in Chinese history and its importance is now recognised in the shaping of cultural identity in China. These papers offer new insights and interpretations of this subject and is a welcome contribution. 110 Xi an Beilin Museum ed: XI AN BEILIN FOJIAO ZAOXIANG YISHU. Buddhist Sculpture in the Xi an Beilin Museum. 西安碑林佛教造像藝術 西安碑林博物館編. Xi an, pp. Colour plates throughout. 28x21 cm. Wrappers A survey of the extremely fine collection of Chinese sculpture held in the Xi an Beilin (the Forest of Steles) Museum in Xi an. The objects come from sites in and around the city of Xi an and elsewhere in Shaanxi province. Illustrated throughout. Introduction and captions in English. Main text in Chinese. 111 XIZANG GONGDIAN SIMIAO SHI HUA. History of Tibetan Palaces and Temples. 西藏宮殿寺庙史話. Beijing, pp. Colour and b/w illustrations throughout. 21x11 cm. Paper Interesting survey of the history and architecture of palaces and temples throughout Tibet. Dual texts in Chinese and English. 112 Xu Sihai ed: WU HU SIHAI: SIHAI HUJU BOWUGUAN CANG QING MO MINGUO YIXING ZISHA HU BAI JIAN. Wonderful Red Porcelain ware; 100 Exquisite Teapots from Xu Sihai s Collection. 吾壺四海 : 四海壺具博物館藏清末民國宜興紫砂壺百件 許四海主編. Shanghai, pp. Full page colour plates throughout. 29x22 cm. Boards Shows a fine selection of 100 Qing dynasty and Republic period teapots from the collection of Xu Sihai. Basemarks shown. All text in Chinese. 113 Yang Baolin: XIN ZHONGGUO LAO HUIZHANG (Medals and Insignia of New China ). 新中國老徽章 楊寶林著. Shanghai, pp. Colour plates throughout. 25x20 cm. Cloth, dustjacket Illustrated throughout with hundreds of Chinese medal and insignia from the founding of Communist China through to the beginning of the Cultural Revolution. In Chinese. 114 Yang Hi Choe-Wall: THE JEHOL DIARY. Yorha ilgi of Pak Chiwon ( ). Leiden, pp. 22x14 cm. Cloth The first English version of the Yorha Ilgi (The Jehol Diary) by Pak Chiwon. Details Chiwon s journey on horseback from the northern border region of Korea to the Qing dynasty imperial summer residence in Jehol, China nowadays Chengde. Pak accompanied envoys from the King of Korea in 1780 on a tributary visit to the Emperor Qianlong who was celebrating his 70th birthday. 115 Yang Zhenghong et al. ed: ZHENJIANG CHUTU TAO CIQI. (Pottery and Ceramics Excavated in Zhenjiang). 鎮江出土陶瓷器 楊正宏等主編. Beijing, pp. Colour plates throughout. 29x22 cm. Boards Shows a very fine selection of pottery and ceramics arranged chronologically from the Neolithic to the Qing. All excavated or from sites in and around the city of Zhenjiang in China. Includes a very good selection of Northern Song and other Song ceramics, many reconstructed. The large majority of the pieces are held in the collection of the Zhenjiang Museum. In Chinese. 116 Yanxin Cai: CHINESE ARCHITECTURE. Cambridge, pp. 155 colour illustrations, 1 map. 23x16 cm. Paper An accessible, illustrated introduction to an essential part of China s cultural heritage. 117 Yao Lixuan: MEIHAO CHENGSHI DE BAINIAN BIANQIAN: MINGXINPIAN SHANG KAN SHANGHAI. The Centennial Changes of the Dynamic City: Seeing Shanghai From the Postcards. 美好城市的百年變遷 : 明信片上看上海 姚麗旋編著. Shanghai, pp. Colour illustrations throughout. 2 vols. 29x22 cm. Cloth, dustjacket A good two-volume work showing the development of Shanghai through postcards dating from the past one hundred years. Postcards collected by the author from home and abroad are categorised into ten chapters reflecting the development of different regions in Shanghai. Illustrated throughout. Dual texts in Chinese and English. 118 YI MUBAN WEI ZHICHENG TI DE GUDAI BIHUA BAOHU YANJIU. (Research into the Use of Wooden Boards as Supports for the Protection of Ancient Murals). 以木板為支撑体的古代璧畫保護研究. Beijing, pp. Colour illustrations throughout. 29x22 cm. Boards Detailed and focussed study on the use of wooden boards as mounting supports to assist in the protection and conservation of ancient Chinese murals in tombs and temples. Copiously-illustrated. Text in Chinese. 119 YONGCHENG HUANGTUSHAN YU CUOCHENG HAN MU. Han Period Tombs on Huangtu Hill and at Cuocheng in Yongcheng. 永城黃土山與酇城漢墓. Zhengzhou, pp. text plus 80 pp. colour and 66 pp. b/w plates. Numerous b/w text drawings. 27x19 cm. Cloth Detailed excavation report of a group of Han dynasty tombs located near the town of Yongcheng in China s Henan province. The bronzes and jade items excavated are of interest, in particular, an extensive group of fine inlaid bronze chariot fittings. Also wooden

13 LIST NEW & RECENT PUBLICATIONS tomb figurines and a most unusual and large selection of small animal and human figures made of gold foil. One page abstract in English. Main text in Chinese. 120 You Jinglin ed: XISHI ZHENJIN: QINGGONG YUYONG YUNJIN CANGZHEN. (Brocade Used by the Qing Imperial Court). 稀世珍錦 : 清宮御用雲錦藏珍 尤景林著. Suzhou, pp. Colour plates throughout. 29x22 cm. Cloth Illustrated throughout with numerous and varied multicoloured examples of brocade produced for the Qing court. A good visual survey. It is unclear where the examples are held. Text in Chinese. 121 YU WENHUA LUNCONG 2. Treatises On Jade Vol. 2. 玉文化論叢 2. Beijing, pp. B/w illustrations throughout. 26x18 cm. Wrappers Twelve detailed essays on various aspects of Chinese jades from throughout the dynasties. In Chinese. 122 YU WENHUA LUNCONG 3. Treatises On Jade Vol. 3. 玉文化論叢 3. Beijing, pp. B/w illustrations throughout. 26x18 cm. Wrappers Eleven detailed essays on various aspects of Chinese jades from throughout the dynasties. In Chinese. 123 YUANMINGYUAN BAI JING TUZHI. (One Hundred Illustrations and Views of the Yuanmingyuan). 圓明園百景圖志. Beijing, pp. Colour illustrations and photographs throughout. 29x21 cm. Boards A detailed study of historical paintings showing the gardens and architecture of the destroyed Yuanmingyuan, the Old Summer Palace, outside Beijing. Well-illustrated. Prologues and introductory essay (all of decent length) in English. Main text in Chinese. 124 Zhai Rui: ZHONGGUO QIN HAN SHIQI SHINEI KONGJIAN YINGZAO YANJIU. (Research into the Architecture of Internal Spaces in the Qin and Han Periods in China). 中國秦漢時期室內空間營造研究 翟睿著. Beijing, pp. B/w illustrations throughout. 24x18 cm. Wrappers A detailed study with a focus on the internal structure and layout of tombs. Text in Chinese. 125 Zhang Xiaoming: CHINESE FURNITURE. Third Edition. Cambridge, pp. Numerous colour illustrations. 23x16 cm. Paper An illustrated introduction to the history, production techniques and rich variety of Chinese furniture. 126 Zhang Yongfu & Xia Yuwen: HUANGSHAN HUIHUA SUCAI: SONGSHI BIAN: FENGHAI BIAN. (Source Material for Paintings of Huangshan: Pines and Stones: A Sea of Peaks). 黃山繪畫素材 松石編峰海編 張永富夏玉文攝影. Beijing, pp; 223 pp. B/w photographs throughout. 2 vols. 21x28 cm. Paper Filled with many black-and-white photographs of the Huangshan mountains that have provided immense inspiration to Chinese artists. In two volumes: Pines and Stones and A Sea of Peaks (showing a multitude of cloud-draped mountain peaks). Text in Chinese. 127 Zhang Yonglu: TANG DU CHANG AN. (The Tang Dynasty Capital of Chang an). 唐都長安 張永祿著. Xi an, pp. B/w illustrations and text drawings throughout. 24x17 cm. Wrappers A history and survey of the city of Xi an (then Chang an) during one of its most glorious periods as capital of China. Text in Chinese. 128 Zhao Feng ed: DUNHUANG SICHOU YISHU QUANJI: FA CANG JUAN. Textiles de Dunhuang Dans Les Collections Francaises. 敦煌絲綢藝術全集 : 法藏卷 趙豐主編. Shanghai, pp. Colour plates throughout. 30x23 cm. Cloth Marvellous and detailed publication with very fine illustrations documenting and displaying the wonders of textile art brought back from Dunhuang and held in French collections, primarily, of course, the Musée Guimet. Illustrated throughout in colour. essays accompany. In Chinese. 129 Zhao Yueding ed: HUANGDI DE CIQI: JINGDEZHEN CHUTU MING SANDAI GUAN YAO CIQI ZHENPIN HUICUI: YONGLE; XUANDE CHENGHUA JUAN. (The Emperors Porcelain: Treasures of Ming Dynasty Porcelain from the Yongle, Xuande and Chengua Reigns Excavated at Jingdezhen). 皇帝的瓷器 : 景德鎮出土明三代官窯瓷器珍品薈萃 : 永樂 : 宣德成華卷. Shanghai, pp. Full page colour plates throughout both volumes. 2 vols. 30x23 cm. Wrappers Two-volume catalogue of an exhibition held at the Shihua Art Museum in Shanghai showing 152 examples of reconstructed Ming dynasty ceramics excavated at Jingdezhen and dating from the early Ming dynasty Yongle, Xuande and Chenghua reigns. Many of the pieces are unique and many of the forms and designs shown are known only from excavations at the Zhushan site at Jingdezhen. The first volume is dedicated to the Yongle period and shows 63 wonderful items. Volume Two covers the Xuande (53 pieces) and Chenghua (36 examples) reigns showing superb reconstructed ceramics including Chenghua doucai. The ceramics were excavated between 1982 and Two page introduction by Regina Krahl. Main text in Chinese. Illustrated throughout. 130 ZHEJIANG SONG MU. (Song Dynasty Tombs in Zhejiang). 宋代浙江墓. Beijing, pp. plus 68 pp. colour plates. B/w text drawings, 5 fold outs. 27x19 cm. Boards A survey of Song dynasty tombs excavated in China s Zhejiang province. The colour illustrations show tomb architecture and an interesting selection of finds from various tombs including ceramics, tomb figurines, jewellery and moulded bricks. Text in Chinese. 131 ZHIXIU TANGKA. (Embroidery and Tangkas). 織繡唐卡. Changsha, pp. Colour plates throughout. 21x14 cm. Paper A well-illustrated work showing Qing dynasty textiles, court robes, carpets and also Tangka paintings that have appeared in auction in China in recent years. Prices realized given in RMB. Text in Chinese. 132 ZHONGGUO QINGHUACI WENSHI TUDIAN: MINGWEN KUANSHI JUAN. (A Compilation of Designs on Chinese Blue-and-White Ceramics: Inscriptions and Seals). 中國青花瓷紋飾圖典 : 銘文款識卷. Nanjing, pp. Colour plates throughout. 21x14 cm. Paper Illustrated throughout with basemarks, seals and inscriptions on blue-and-white ceramics ranging from imperial seals to hallmarks and pictorial-style seal designs. Also inscriptions of characters from a single character for happiness or long life through to more extensive inscriptions. An interesting study reference. In Chinese.

14 NEW & RECENT PUBLICATIONS 14 HANSHAN TANG BOOKS 133 ZHONGGUO RENWU HUA JINGDIAN: BEISONG JUAN. Masterworks of Chinese Figure Painting: Northern Song Dynasty (AD ). 中國人物畫經典 : 北宋卷. Beijing, pp. Colour plates throughout. 23x22 cm. Wrappers The paintings from museum collections and temples in China. Contents, introductory essay and captions in English. Main text in Chinese. 134 ZHONGGUO RENWU HUA JINGDIAN: NANSONG JUAN. Masterworks of Chinese Figure Painting: Southern Song Dynasty (AD ). 中國人物畫經典 : 南宋卷. Beijing, ; 79 pp. Colour plates throughout. 2 vols. 23x22 cm. Wrappers Two volumes showing paintings from museum collections and cultural sites throughout China. Contents, introductory essay and captions in English. Main text in Chinese. 135 ZHONGGUO RENWU HUA JINGDIAN: WEI JIN NANBEI CHAO JUAN. Masterworks of Chinese Figure Painting: Wei, Jin, Northern and Southern Dynasties (AD ). 中國人物畫經典 : 魏晉南北朝卷. Beijing, pp. Colour plates throughout. 23x22 cm. Wrappers The paintings from museum collections and archaeological sites in China. Contents, introductory essay and captions in English. Main text in Chinese. 136 ZHONGGUO RENWU HUA JINGDIAN: YUANDAI JUAN. Masterworks of Chinese Figure Painting: Yuan Dynasty (AD ). 中國人物畫經典 : 元代卷. Beijing, pp. Colour plates throughout. 23x22 cm. Wrappers The paintings from museum collections and temple sites throughout China. Contents, introductory essay and captions in English. Main text in Chinese. 137 ZHONGGUO XINJIANG BIHUA YISHU. Mural Paintings in Xinjang of China. 中國新疆璧畫藝術. Urumqi, ; 291; 283; 287; 284; 298 pp. Colour plates throughout each volume. 6 vols. 30x23 cm. Cloth, slipcase An excellent and detailed visual reference to mural paintings in Silk Road Buddhist caves in China s Xinjiang province. The first three volumes cover the Kizil caves. Volume 4 is on the Kumutula cave complex. Volume 5 is on the little-known and little-documented Senmusaimu and Kizilgaha cave murals. Volume 6 is on murals in the Bezeklik Buddhist grottoes outside Turfan. Colour plates throughout each volume. Text in Chinese. 138 Zhou Aimin: YAN AN MUKE YISHU YANJIU. The Art of Yan an Woodcuts: (Research into Woodblock Prints from Yan an). 延安木刻藝術研究 周愛民著. Shijiazhuang, pp. B/w illustrations throughout. 26x19 cm. Wrappers A good survey of the subject assisted by numerous text illustrations both of Yan an at the time and of woodblock prints produced there. Text in Chinese. 139 Zhou Liang and Gao Fumin ed: SUZHOU GU BANHUA. (Old Woodblock Prints from Suzhou). 蘇州古版畫 周亮高福民主編. Suzhou, c.70 folded leaves per volume. B/w illustrations of woodblock prints throughout, 2 foldouts. 7 vols. 32x22 cm. Stitched, cloth case An excellent seven-volume illustrated reference on the output of woodblock prints from this important centre of production. Volume One comprises introductory text and index followed by six volumes of black-and-white illustration showing hundreds of Suzhou woodblock prints, primarily book illustration, arranged chronologically from the Northern Song through to the end of the Qing dynasty. Much Ming material. Text in Chinese. 140 Zhu Xiaodong ed: WUHUA TIANBAO: WUYUE GUO CHUTU WENWU JINGCUI. (Masterpieces of Excavated Cultural Artefacts from the Wuyue Kingdom). 物華天寶 : 吳越國出土文物精粹. Beijing, pp. Colour plates throughout, many full page. 1 foldout. 29x22 cm. Boards An excellent work showing superb excavated artefacts in various media dating from the Wuyue Kingdom which flourished in the region of present-day Zhejiang province in China during the Tang and the Five Dynasties periods. The artefacts are described as being either Tang or Five Dynasties in date. Includes many fine ceramics (in particular, wonderful celadons), gilt metalwork, small jade pieces and ornaments. Excellent colour plates. Text in Chinese. OFFPRINTS 141 Ackerman, Phyllis: THE LURISTAN BRONZES. Their Source, Meaning, and Relations. Hobbies, The Magazine of the Buffalo Museum of Science. Buffalo, pp plus 4 pp. b/w plates. B/w text plates. 23x15 cm. Paper Useful introduction based on the collection of the Buffalo Museum of Science. 142 Addis, Sir John: A VISIT TO CHING-TE CHEN. TOCS Vol. 41 offprint. London, pp. 36 plates, 3 maps. Appendix & glossary. 28x22 cm. Paper Sir John Addis s important visit to China in 1975, with many useful illustrations of excavated ceramics. 143 Aga-Oglu, Kamer: YING CH ING PORCELAIN FOUND IN THE PHILIPPINES. Art Quarterly Autumn N.p, pp b/w illustrations. 28x21 cm. Paper Allchin, F. R: POOR MEN S THALIS: A DECCAN POTTER S TECHNIQUE. BSOAS Vol. XXII, Part 2. London, pp plus 3 pp. b/w plates. 25x16 cm. Paper Allchin, F. R: UPON THE CONTEXTUAL SIGNIFICANCE OF CERTAIN GROUPS OF ANCIENT INDIAN SIGNS. BSOAS Vol. XXII, Part 3. London, pp x16 cm. Paper. 8.00

15 LIST OFFPRINTS 146 Andersson, J. G: SOME FOSSIL MAMMAL LOCALITIES IN NORTHERN CHINA. BMFEA No. 14. Stockholm, pp x19 cm. Paper. Wear and tear Andrews, Roy Chapman: EXPLORATIONS IN MONGOLIA: A REVIEW OF THE CENTRAL ASIATIC EXPEDITIONS OF THE AMERICAN MUSEUM OF NATURAL HISTORY. Geographical Journal Jan London, pp plus 8 b/w plates and map. 24x15 cm. Paper Offprint. A summary of Andrews expeditions. 148 Aston, W. G: H.M.S PHAETON AT NAGASAKI IN Journal of the Royal Asiatic Society. London, pp x14 cm. Paper Bachhofer, Ludwig: THE EVOLUTION OF SHANG AND EARLY CHOU BRONZES. The Art Bulletin Vol. XXVI, No. 2. N.p., pp plus 6 pp. b/w plates. 31x23 cm. Paper Bachhofer, Ludwig: TWO CHINESE WOODEN FIGURES. Art Quarterly Autumn N.p, pp b/w illustrations. 28x20 cm. Paper Balazs, Stefan: DIE INSCHRIFTEN DER SAMMLUNG BARON EDUARD VON DER HEYDT. Ostasiatische Zeitschrift 20 Jahrgang. Berlin, pp. 8 plates. In German. 27x20 cm. Paper Features steles and other inscriptions from the Heydt collection. Offprint from the journal. 152 Barnard, Noel: CHOU CHINA: A REVIEW OF THE THIRD VOLUME OF CHENG TE-K UN S ARCHAEOLOGY IN CHINA. Monumenta Serica, XXIV. Tokyo, Pp plates, illustrations. 26x18 cm. Paper Barnard, Noel: NEW APPROACHES AND RESEARCH METHODS IN CHIN-SHIH-HSUEH. Memoirs of Inst. for Oriental Culture 19. (Tokyo), (1959). 31 pp. Many illustrations. 21x16 cm. Paper Photocopy of an offprint. 154 Barnard, Noel: NEW APPROACHES AND RESEARCH METHODS IN CHIN-SHIH-HSUEH. Memoirs of Inst. for Oriental Culture 19. (Tokyo), (1959). 31 pp. Many illustrations. 21x16 cm. Paper Photocopy of an offprint. 155 Barnard, Noel: NOTES ON SELECTED BRONZE ARTIFACTS IN THE NATIONAL PALACE MUSEUM, THE HISTORICAL MUSEUM, AND ACADEMIA SINICA. Ancient Chinese Bronzes and Southeast Asian Metal and Other Archaeological Artifacts. Melbourne, pp Numerous b/w plates, figures and drawings. 30x21 cm. Paper Offprint from Ancient Chinese Bronzes and Southeast Asian Metal and Other Archaeological Artifacts. 156 Barnard, Noel: A PRELIMINARY STUDY OF THE CH U SILK MANUSCRIPT. A New Reconstruction of the Text. Offprint Monumenta Serica vol. 17. Tokyo, pp. 6 plates. 26x19 cm. Paper Barnard, Noel: A RECENTLY EXCAVATED INSCRIBED BRONZE OF WESTERN CHOU DATE. Offprint Monumenta Serica vol. 17. Tokyo, Pp b/w plates. Text-figures. Bibliography. 26x19 cm. Paper The bronze is a four-handled gui, and is called the Yihou nieyi. Author s dedication. 158 Barnard, Noel: RHYME AND METRE IN THE CH U SILK MANUSCRIPT. Offprint Papers on Far Eastern History. (Canberra), Pp Tables, bibliography. 25x20 cm. Paper The Chu silk manuscript was unearthed in 1934, in the outskirts of Changsha. Of prime importance, this is a study of its rhyme and metre. 159 Barnard, Noel: SOME REMARKS ON THE AUTHENTICITY OF A WESTERN CHOU STYLE INSCRIBED BRONZE. Monumenta Serica vol. 18. Peking, Pp b/w illustrations. 2 text-figures. Bibliography. 26x19 cm. Paper Barnhart, Richard: THE SNOWSCAPE ATTRIBUTED TO CHU-JAN. Archives of Asian Art XXVII, New York, pp pp. b/w plates. A few annotations. 31x23 cm. Paper Bielenstein, Hans: AN INTERPRETATION OF THE PORTENTS IN THE TS IEN-HAN-SHU. BMFEA No. 22. Stockholm, pp x19 cm. Paper Birch, Cyril: FENG MENG-LUNG AND THE KU CHIN HSIAO SHUO. BSOAS Vol. XVIII/1. London, pp x16 cm. Paper Birch, Cyril: SOME FORMAL CHARACTERISTICS OF THE HUA-PEN THEORY. BSOAS Vol. XVII/2. London, pp x16 cm. Paper Bishop, Carl Whiting: ORIGIN AND EARLY DIFFUSION OF THE TRACTION-PLOUGH. Antiquity September N.p., pp x18 cm. Paper Bishop, Carl Whiting: ORIGIN OF FAR EASTERN CIVILIZATIONS: A BRIEF HANDBOOK. Smithsonian report for Washington, pp and 12 pp. b/w plates. Text drawings. 24x16 cm. Paper A very well-written and concise overview of the origin and development of early civilization in China and Japan. Good text drawings and plates. Offprint. 166 Bishop, Carl Whiting: THE RISE OF CIVILIZATION IN CHINA WITH REFERENCE TO ITS GEOGRAPHICAL ASPECTS. The Geographical Review Vol. XXII, No. 4. New York, pp x17 cm. Paper. 8.00

16 OFFPRINTS 16 HANSHAN TANG BOOKS 167 Black, Davidson: INTERIM REPORT ON THE SKULL OF SINANTHROPUS. Bulletin of the Geological Society of China Vol. IX, No. 1. Peiping, pp pp. b/w plates. 26x19 cm. Paper Black, Davidson: NOTICE OF THE RECOVERY OF A SECOND SINANTHROPUS SKULL SPECIMEN. Bulletin of the Geological Society of China Vol. IX, No. 2. Peiping, pp plus 1 b/w plate. 26x19 cm. Paper Black, Davidson: PRELIMINARY NOTE ON ADDITIONAL SINOANTHROPUS MATERIAL DISCOVERED IN CHOU KOU TIEN DURING Bulletin of the Geological Society of China Vol. VIII, No. 1. Peking, pp and 6 pp. b/w plates 26x19 cm. Paper Black, Sir Robert: IMMIGRATION AND SOCIAL PLANNING IN HONG KONG. China Society Paper. London, pp. 24x16 cm. Paper Boodberg, Peter A: SOME PROLEPTICAL REMARKS ON THE EVOLUTION OF ARCHAIC CHINESE. Harvard Journal of Asiatic Studies Vol. 2, 3/4. Harvard, pp x16 cm. Paper Brankston, A. D: AN EXCURSION TO CHING-TE-CHEN AND CHI-AN-FU IN KIANGSI. Read on 14th December Offprint TOCS 16. London, pp plus 6 pp. b/w plates. 29x22 cm. Paper An account of a journey to the porcelain factories and ancient kiln sites of China s most famous porcelain-making area. Reprint from the transactions of the Oriental Ceramic Society. Offprint. 173 Brinker, Helmut: CH AN PORTRAITS IN A LANDSCAPE. Archives of Asian Art XXVII, N.p., pp B/w plates. 31x23 cm. Paper Brinker, Helmut: THE DECOR STYLES OF SHANG WHITE POTTERY. Archives of Asian Art XXI. Cambridge, Massachusetts, pp pp. b/w plates with numerous illustrations. 31x23 cm. Paper Bulling, A: BUDDHIST TEMPLES IN THE T ANG PERIOD I. Oriental Art New Series, Vol. I, No. 2. N.p., pp x22 cm. Paper Bunker, Emma: A PRE-T ANG BRONZE BOX FROM CHINA. Oriental Art New Series Vol. IX, No. 4. N.p., pp B/w illustrations. 31x23 cm. Paper Bunker, Emma: THE STYLE OF THE TRUBNER STELE. Archives Chinese Art Society of America XIX. New York, pp B/w illustrations. 31x23 cm. Paper Burtt, Philip: CHINA REVISITED. China Society paper. London, pp. 25x16 cm. Paper The Coming of the Motor-Car, The Memory of Dr. Sun Yat Sen and The Dominance of Militarism Throughout China. 179 Bush, Susan: LUNG-MO, K AI-HO, AND CH I-FU: SOME IMPLICATIONS OF WANG YUAN-CH I S THREE COMPOSITIONAL TERMS. Oriental Art New Series Vol. VIII No. 3. N.p., pp B/w illustrations. 31x23 cm. Paper Bylin-Althin, Margit: THE SITES OF CH I CHIA P ING AND LO HAN T ANG IN KANSU. BMFEA. Stockholm, n.d. pp plus 56 pp. b/w plates. 27x19 cm. Paper. Some wear to spine Offprint from the Bulletin of the Museum of Far Eastern Antiquities. Discusses the Neolithic sites of Qijiaping and Louhan Tang located in Gansu and excavated by J. G. Andersson in the 1920s. Plates show pottery, both complete and shards. A thorough contribution. Annotations to first page, otherwise clean. 181 Bylin, Margit: NOTES SUR QUELQUES OBJETS NEOLITHIQUES TROUVES A FORMOSE. BMFEA No. 4. Stockholm, pp plus 2 pp. b/w plates. 26x19 cm. Paper Cahill, James: CH IEN HSUAN AND HIS FIGURE PAINTINGS. Archives Chinese Art Society America XII. New York, pp B/w plates. 31x23 cm. Paper Cahill, James: COLLECTING PAINTINGS IN CHINA. Arts Magazine April Middlesex, pp B/w illustrations. 29x21 cm. Paper Cahill, James: MAX LOEHR AT SEVENTY. Ars Orientalis X. Ann Arbor, pp x23 cm. Paper Cahill, James: THE RETURN OF THE ABSENT SERVANTS: CHOU FANG S DOUBLE SIXES RESTORED. Archives Chinese Art Society America XV. New York, pp b/w plate. 31x23 cm. Paper Cammann, Schuyler: CHINESE INFLUENCE IN COLONIAL PERUVIAN TAPESTRIES. Textile Museum Journal Vol. 1, No. 3. Washington, pp. 10 b/w illustrations. 28x21 cm. Paper Cammann, Schuyler: SIGNIFICANT PATTERNS ON CHINESE BRONZE MIRRORS. Archives Chinese Art Society of America IX. Pennsylvania, pp pp. b/w plates illustrating 17 objects. 30x23 cm. Paper Capon, Edmund: CHINESE TOMB FIGURES OF THE SIX DYNASTIES PERIOD. A Paper Read by Mr. Edmund Capon on 24th March TOCS Vol. 41 offprint. London, Pp colour, 22 b/w illustrations. Bibliography. 28x22 cm. Paper A study of the development of the pottery tomb-figure tradition during the Six Dynasties period.

17 LIST OFFPRINTS 189 Ceadel, E. B: FAR EASTERN COLLECTIONS IN LIBRARIES IN GREAT BRITAIN, FRANCE, HOLLAND AND GERMANY. Asia Major New Series Vol. III, Part II. London, pp x16 cm. Paper Ceadel, E. B: THE OI RIVER POEMS AND PREFACE. Asia Major New Series Vol. III, Part I. London, pp x16 cm. Paper Ceadel, E. B: TADAMINE S PREFACE TO THE OI RIVER POEMS. BSOAS 1956, xviii/2. N.p., pp x16 cm. Paper Chang Kuang-yuan: MAO KUNG TING A MAJOR WESTERN CHOU PERIOD BRONZE VESSEL. A Rebuttal of Dr. Noel Barnard s Conclusion. National Palace Museum Quarterly 7:2. Taibei, pp. Chinese text, 3 pp. English text. 18 plates. 26x19 cm. Paper Offprint. The Maogong ding has an inscription of 500 characters on the inside surface of the vessel. This is a rebuttal of Dr. Barnard s article on the bronze in question. 193 Chang Kwang-chih: A BRIEF SURVEY OF THE ARCHAEOLOGY OF FORMOSA. Southwestern Journal of Anthropology Vol. 12. Albuquerque, pp x18 cm. Paper Chang Kwang-chih: NEW LIGHT ON EARLY MAN IN CHINA. Asian Perspectives Vol. II, No. 2. Hong Kong, pp x18 cm. Paper Chang Kwang-chih: A WORKING HYPOTHESIS FOR THE EARLY CULTURAL HISTORY OF SOUTH CHINA. Bull Inst. Ethnology Academia Sinica No. 7. Taipei, pp Dual English and Chinese text. 26x18 cm. Paper Chang, Kwang-chih: PRELIMINARY REMARKS ON A COMPREHENSIVE STUDY OF FORM, DECORATION AND INSCRIPTION OF SHANG AND CHOU BRONZES. Bulletin of the Institute of Ethnology, Academia Sinica, 30. Beijing, (239-)315 pp. 26x19 cm. Paper Chao Ming Chen: SYMBOLISM IN CHINESE PORCELAIN DECORATION. Bulletin American Ceramic Society Vol. 20 No. 6. N.p., pp B/w illustrations. 27x19 cm. Paper Chapin, Helen B: THREE EARLY PORTRAITS OF BODHIDHARMA. Unknown. N.p., n.d. pp plus 2 b/w plates. 30x21 cm. Self-covered Chatley, Herbert: ANCIENT CHINESE ASTRONOMY. Asiatic Review Jan London, pp. 25x16 cm. Self-covered Chavannes, Edouard: L INSCRIPTION FUNERAIRE DE TS OUAN PAO-TSEU. Response A M. Farjenel. Journal of The Royal Asiatic Society. London, pp x14 cm. Paper Cheboksarov, N. N: THE PRINCIPAL PROBLEMS OF THE ETHNICAL ANTHROPOLOGY OF CHINA. XXV International Congress Orientalists. Moscow, pp. 20x13 cm. Paper Small pamphlet attempting to throw light on the problem of the ethnogenesis of the peoples of China. 202 Chen, J. D: A LECTURE ON SUNG HUI TSUNG S PAINTINGS. Sino-German Cultural Association paper. Hong Kong, pp. 21x14 cm. Paper Cheng Ch eng-k un: CHARACTERISTIC TRAITS OF THE CHINESE PEOPLE. Social Forces Vol. 25, No. 12. N.p., pp x17 cm. Paper Cheng Te-k un: ANIMAL STYLES IN PREHISTORIC AND SHANG CHINA. Offprint BMFEA vol. 35. Stockholm, Pp pp. b/w plates. Bibliography. 26x19 cm. Paper Offprint from the Bulletin of the Museum of Far Eastern Antiquities. Gives examples of animal representation in early Chinese ceramics and bronzes. The 16 pages of plates illustrate numerous objects. 205 Cheng Te-k un: ARCHAEOLOGY IN COMMUNIST CHINA. China Quarterly, July-September London, pp A few useful annotations. 24x16 cm. Paper Offprint from the China Quarterly. 206 Cheng Te-k un: AN EARLY HISTORY OF SZECHWAN. West China Union Univ. Mus., Offprint 8. Chengdu, pp. Sketch map. 25x18 cm. Paper Reprinted from the Journal of West China Border Research Society, Cheng Te-k un: AN INTRODUCTION TO SZECHWAN POTTERY. West China Union Univ. Mus., Guidebook 2. Chengdu, pp. 25x19 cm. Paper A description of pieces in the West Union University Museum, Chengdu. 208 Cheng Te-K un: NEW LIGHT ON ANCIENT CHINA. Antiquity XXXVIII. N.p., pp x18 cm. Paper Cheng Te-k un: NUMERALS OF ANCIENT CHINA. Journal of the Chinese University of Hong Kong, Vol. 1. Hong Kong, pp in Chinese plus 2 pp. English summary 26x19 cm. Paper Cheng Te-k un: THE ORIGIN AND DEVELOPMENT OF SHANG CULTURE. Asia Major New Series Vol. VI, part 1. London, pp. 6 plates, illustrations, foldout map. 26x16 cm. Paper New archaeological discoveries after the Second World War revealed that sites of Neolithic culture were not restricted to the Yellow River basin. This article looks at the Shang in relation to these findings.

18 OFFPRINTS 18 HANSHAN TANG BOOKS 211 Cheng Te-k un: THE ROYAL TOMB OF WANG CHIEN. West China Union University Museum No. 9. Cambridge, pp b/w illustration. 26x17 cm. Paper Cheng Te-k un: THE SLATE TOMB CULTURE OF LI-FAN. West China Union University Museum. Cambridge, pp plus 13 pp. b/w plates. 26x17 cm. Paper Cheng Te-k un: SZECHWAN POTTERY. London, pp. 10 illustrations. 22x14 cm. Paper Short but useful account, based on archaeological evidence. Reprinted from Apollo. 214 Cheng Te-k un intro: YEN LI-TE S HSI-YI-CHIN-AO-T U COPIED BY CHEN HSUAN (A.D ). Kyoto, pp. English and 13 pp. Japanese text. 26x18 cm. Paper Cheng Te-kun: THE STORY OF THE SHUI-HU CHUAN. Hong Kong, n.d. 18 pp. 26x18 cm. Paper A study of this famous Chinese novel and its historical context by an erudite scholar. 216 Cheng, C. K: TWO DECADES OF EXPERIMENT IN COMMUNIZATION. Journal of Asian and African Studies Vol. IV, 2. Toronto, pp x17 cm. Paper Cheung Kwong-yue: THE IMPORTANCE OF PRE-CH IN COINS AS HISTORICAL DOCUMENTS AND AN INVENTORY OF PRE-CH IN COINS IN AUSTRALIAN COLLECTIONS. Ancient Chinese Bronzes and Southeast Asian Metal and Other Archaeological Artifacts. Melbourne, pp B/w illustrations. 29x21 cm. Paper Cheung Kwong-yue: SOME ASPECTS OF FORGERY IN INSCRIBED BRONZE RITUAL VESSELS OF THE PRE-CH IN PERIOD. Ancient Chinese Bronzes and Southeast Asian Metal and Other Archaeological Artifacts. Melbourne, pp B/w illustrations. 29x21 cm. Paper Chey, Jocelyn: HUANG TSUN-HSIEN AND JAPANESE INFLUENCE ON THE 1898 REFORMS. Journal Oriental Society of Australia Vol. 6, 1/2. N.p., pp x14 cm. Paper CHINESE PORCELAIN OF THE FOURTEENTH CENTURY III CH ING-PAI. British Museum Quarterly XXV 1-2. Oxford, n.d. pp plus 2 pp. b/w plates. 25x19 cm. Paper Chmielewski, Janusz: THE PROBLEM OF EARLY LOAN-WORDS IN CHINESE AS ILLUSTRATED BY THE WORD P U-T AO. Rocznik Orientalistyczny XXII, 2. Warsaw, pp x16 cm. Paper Chou Chao-Hsiang: POTTERY OF THE CHOU DYNASTY. BMFEA No. 1. Stockholm, pp and 7 pp. b/w plates. 26x19 cm. Paper Chou Fa-kao: THE STUDY OF CHINESE BRONZE INSCRIPTIONS IN THE LAST THIRTY YEARS. Symposium: The Bronze Age of China: The Metropolitan Museum of Art. New York, pp. 28x22 cm. Paper Chu Shih-chia: CHINESE LOCAL HISTORIES AT COLUMBIA UNIVERSITY. Harvard Journal of Asiatic Studies Vol. 8, No 2. New York, pp x17 cm. Paper Chuan Han-sheng: THE PROBLEM OF FINANCING RAILROAD CONSTRUCTION IN THE CH ING DYNASTY. Taipei, pp In Chinese. 24x16 cm. Paper Consten, Eleanor von Erdberg: THE DEER IN EARLY CHINESE ART. Artibus Asiae Vol. XXVI, 3/4. Ascona, pp pp. b/w plates. 32x23 cm. Cloth Cordier, Henri: HALF A DECADE OF CHINESE STUDIES ( ). T oung Pao Vol. III, No. 5. Leiden, pp x16 cm. Paper Cordier, Henri: LES DOUANES IMPERIALES MARITIMES CHINOISES. Bulletin du Comite de l Asie Francaise. Paris, pp x14 cm. Paper Cottet, Jean-Claude: CHINE DU NORD ET CHINE DU SUD. Dans La Ceramique Des Han aux Ming. N.p, n.d. 97 pp. 29x21 cm. Paper A detailed dissertation in French. 230 Cranmer-Byng, J. L: THE CHINESE ATTITUDE TOWARDS EXTERNAL RELATIONS. International Journal Vol. XXI, No. 1. N.p., pp x16 cm. Paper Creel, H. G: THE BEGINNINGS OF BUREAUCRACY IN CHINA: THE ORIGIN OF THE HSIEN. Journal of Asian Studies Vol. XXIII, No. 2. N.p., pp x17 cm. Paper Creel, H. G: THE FA-CHIA: LEGALISTS OR ADMINISTRATORS. Bull Inst. History and Philology Academia Sinica Extra Volume No. 4. Taipei, pp plus 8 pp. b/w plates. 26x19 cm. Paper Creel, H. G: THE MEANING OF HSING MING. Studia Serica Bernhard Karlgren Dedicata. N.p., n.d. pp x16 cm. Self-covered Creel, Herrlee Glessner: NOTES ON PROFESSOR KARLGREN S SYSTEM FOR DATING CHINESE BRONZES. Journal Royal Asiatic Society. N.p, pp x14 cm. Paper David, Lady: THE SINCEREST FORM: WITHOUT AN ORIGINAL, THERE CAN BE NO IMITATION. National Palace Museum Quarterly Vol. III, No. 1. Taipei, n.d. pp & 5-11 plus 3 pp. colour and 2 pp. b/w plates. In English and Chinese. 26x19 cm. Paper

19 LIST OFFPRINTS 236 David, Sir Percival: THE T AO SHUO AND THE ILLUSTRATIONS OF POTTERY MANUFACTURE. A critical study and a review reviewed. Artibus Asiae Vol. XII, 3. Ascona, pp b/w illustrations. 31x23 cm. Paper Offprint from Artibus Asiae Vol. XII, Davidson, J. LeRoy: THE RIDDLE OF THE BOTTLE-HORN. Artibus Asiae Vol. XXII, 1/2. Ascona, pp B/w illustrations. 31x23 cm. Paper de Mallman, Marie-Therese: UN POINT D ICONOGRAHIE INDO-JAVANAISE: KHASARPANA ET AMOGHAPASA. Artibus Asiae Vol. XI, 3. Ascona, pp b/w illustrations. A few pencil underlinings. In French. 31x23 cm. Paper de Rachewiltz, Igor: YEH-LU CH U-TS AI ( ): BUDDHIST IDEALIST AND CONFUCIAN STATESMAN. Extract: Confucian Personalities. Stanford, pp and pp x21 cm. Paper Debets, G. F: PALEOANTHROPOLOGY OF THE U.S.S.R. Southwestern Journal of Anthropology Vol. 8,1. Albuquerque, pp x17 cm. Paper Demieville, Paul: LE BOUDDHISME ET LA GUERRE. Melanges Publies par l Institut des Hautes Etudes Chinoises. Paris, pp x16 cm. Paper Demieville, Paul: LE CHAPITRE DE LA BODHISATTVABHUMI SUR LA PERFECTION DE DHYANA. Rocznik Orientalistyczny Tom XXI. Warsaw, pp x16 cm. Paper Demieville, Paul: A PROPOS DU CONCILE DE VAISALI. T oung-pao Vol XL, Livr 4-5. Leiden, n.d. pp x16 cm. Paper Demieville, Paul: LA SITUATION RELIGIEUSE EN CHINE AU TEMPS DE MARCO POLO. Oriente Poliano. Rome, pp x16 cm. Paper Des Rotours, Robert: LA REVOLTE DE P ANG HIUN ( ). T oung Pao Vol. LVI, Livr 4-5. Leiden, pp x16 cm. Paper Diez, Ernst: SINO-MONGOLIAN TEMPLE PAINTING AND ITS INFLUENCE ON PERSIAN ILLUMINATION. Ars Islamica Vol. I, part 2. N.p., n.d. pp plus 3 pp. b/w plates. Waterstain. Tear to one page. 30x24 cm. Paper Dobson, W: TOWARDS A HISTORICAL TREATMENT OF THE GRAMMAR OF ARCHAIC CHINESE. Harvard Journal of Asiatic Studies. Harvard, pp x16 cm. Paper Dobson, W. A. C. H: AUTHENTICATING AND DATING ARCHAIC CHINESE TEXTS. T oung Pao Vol. LIII, Livr Leiden, pp x16 cm. Paper Donaldson, Thomas E: BHIKSATANAMURTI IMAGES FROM ORISSA. Artibus Asiae Vol. XLVII, I. Ascona, pp plus 10 pp. b/w plates with 34 figures. 31x23 cm. Paper Drake, F. S: ANCIENT POTTERY FROM SHANTUNG. Monumenta Serica IV, Fasc. 2. Peiping, pp plus 20 pp. drawings and 10 pp. b/w plates. Map. 28x21 cm. Paper. Wear and tear to covers Dubosc, Jean-Pierre: PLUM BLOSSOMS IN MOONLIGHT A ROUND FAN PAINTING SIGNED YEN HUI. Archives of Asian Art Vol XXVI. New York, pp b/w illustrations. 31x23 cm. Paper Dupont, Pierre: SCULPTURES INDIENNES ET INDOCHINOISE DE LA COLLECTION VON DER HEYDT AU MUSEUM VAN AZIATISCHE KUNST, AMSTERDAM. Maanblad voor Beelende Kunsten Mars- Avril Amsterdam, pp. 6 b/w illustrations. In French. 28x22 cm. Paper Dussaud, Rene: CEINTURE EN BRONZE DU LOURISTAN AVEC SCENES DE CHASSE. Revue Syria. Paris, pp B/w illustrations. 28x23 cm. Paper. Uncut Eberhard, Wolfram: WANG KO, AN EARLY CHINESE INDUSTRIALIST. Oriens Vol. X, Nr. 2. Leiden, pp x17 cm. Paper Ecke, Gustav: COMMENTS ON CALLIGRAPHIES AND PAINTINGS. Monumenta Serica Vol. III, fasc. 2. Peiping, pp plus 10 pp. b/w plates. 28x21 cm. Paper. Wear to covers Ecke, Gustav: ONCE AGAIN HUI-HSIEN: FRAUD AND AUTHENTICITY OF THE FIGURINES. Artibus Asiae Vol. XV, 4. Ascona, pp B/w plates. 32x24 cm. Paper Edwards, E. D: LIU TSUNG-YUAN AND THE EARLIEST CHINESE ESSAYS ON SCENERY. Asia Major Vol. I, Part II. London, pp x16 cm. Paper Edwards, Richard: MOU I S COLOPHON TO HIS PICTORIAL INTERPRETATION OF BEATING THE CLOTHES. Archives Chinese Art Society America XVIII. New York, pp b/w illustrations. 31x23 cm. Paper Edwards, Richard: THE PAINTING OF TAO-CHI: POSTSCRIPT TO AN EXHIBITION. Oriental Art Vol. XIV No. 4. N.p., 1968, pp B/w illustrations. 25x19 cm. Paper Epstein, Hans J: THE ORIGIN AND EARLIEST HISTORY OF FALCONRY. Unknown. N.p, n.d. pp x21 cm. Paper

20 OFFPRINTS 20 HANSHAN TANG BOOKS Photocopy of offprint or article. 261 Erdmann, Kurt: EIN UNBEKANNTER TYP FRUHISLAMISCHER KERAMIK. Artibus Asiae Vol. XXIII, 3/4. Ascona, pp plus 3 pp. b/w plates. 31x23 cm. Paper. Water-damaged Eumorfopoulos, George: HAN & CHOU POTTERY. Artibus Asiae Vol. III. N.p., n.d. pp tipped-in b/w plates. 29x23 cm. Paper. Vertical crease Fan Tsen-Chung: DR. JOHNSON AND CHINESE CULTURE. China Society Occasional Papers No. 6. London, pp. 2 plates. 23x15 cm. Paper Fang, Achilles: A NOTE ON HUANG T UNG AND TZU-WU. Harvard Journal of Asiatic Studies Vol. 12, Nos. 1/2. Harvard, pp x16 cm. Paper Fedele, P: LO STATO E LA SOCIETA NELL ANTICA CINA: STUDIO SINO-ETNOLOGICO TOGETHER WITH A MARTYRED MISSION: A REPORT OF FIFTEEN MONTHS OF WARFARE IN HENGYANG-HUNAN-CHINA AND DOCUMENTARIO ETNOGRAFICO CINESE. Various. N.p., n.d. pp ; pp. 1-40; pp x16 cm. Cloth Feng Han-yi: THE DISCOVERY AND EXCAVATION OF THE YUNG LING, THE ROYAL TOMB OF WANG CHIEN A.D. Quarterly Bulletin of Chinese Bibliography N. S. Vol. 4, Nos Chengdu, pp x16 cm. Paper Ferguson, John C: KU K AI-CHIH S SCROLL IN THE BRITISH MUSEUM. Journal of the N. China Branch of the Royal Asiatic Society Vol. XLIX. N.p., pp x18 cm. Later boards. Becoming disbound Fernald, Helen E: CHINESE MORTUARY PILLOWS IN THE ROYAL ONTARIO MUSEUM OF ARCHAEOLOGY. Far Eastern Ceramic Bulletin Vol. IV, No. 1. Toronto, pp. text. Plus 9 pp. b/w plates, 1 map. 28x22 cm. Paper Fischer, Prof Otto: EINE CHINESISCHE KLEINBRONZE. Sinologica Vol. 1, No. 2. Basel, pp and 4 pp. b/w plates. 25x17 cm. Paper Fitzgerald, C. P: FURTHER HISTORICAL EVIDENCE FOR THE GROWTH OF THE CHINESE POPULATION. Sociological Review, Vol. XXVIII. London, pp vols. 24x16 cm. Paper Fong, Mary H: THE TECHNIQUE OF CHIAROSCURO IN CHINESE PAINTING FROM HAN THROUGH T ANG. Offprint Artibus Asiae Vol. XXXVIII: 2/3. Ascona, Pp b/w illustrations. List of Chinese & Japanese characters. 32x23 cm. Paper This well-argued study disputes the generally-accepted theory that chiaroscuro, the treatment of light and shade in painting, was a foreign technique introduced into China with the advent of Buddhism. 272 Fong, Wen C: CHINESE PAINTING: A STATEMENT OF METHOD. Oriental Art Vol. IX No. 2. London, pp b/w illustrations 30x21 cm. Paper Fong, Wen C: THE PROBLEM OF CH IEN HSUAN. The Art Bulletin Vol. XLII, No. 3. N.p., pp and 4 pp. b/w plates. 31x23 cm. Paper Fong, Wen C: RIVERS AND MOUNTAINS AFTER SNOW (CHIANG-SHAN-HSUEH-CHI) ATTRIBUTED TO WANG WEI. Archives of Asian Art XXX, New York, pp B/w illustrations. 31x23 cm. Paper Fong, Wen C: WANG HUI: THE GREAT SYNTHESIS. National Palace Museum Quarterly, Vol. 3 No. 2. Taibei, n.d. pp and pp plus 8 pp. b/w plates. Dual text in English and Chinese. 26x19 cm. Paper Fontein, Jan: SOME NOTES ON DATABLE CHINESE TOMBS. Studia Sino-Mongolica Band 25. Wiesbaden, n.d. pp x17 cm. Paper Ford, Joseph Francis: THE LOCAL HISTORIES OF YUNNAN. China Society Occasional Papers No. 19. London, pp. 20x13 cm. Paper The revised version of a lecture delivered to the China Society in London on 25th November, Franke, Wolfgang: SINOLOGICAL RESEARCH WORK IN FREE CHINA DURING THE WAR PERIOD N.p., (Chengdu?) n.d. pp x20 cm. Paper. Some wear Frankel, Hans H: THE K UNG FAMILY OF SHAN-YIN. Tsing Hua Journal of Chinese Studies New Series II, No. 2. N.p., pp x18 cm. Paper Frankel, Hans H: POETRY AND PAINTING: CHINESE AND WESTERN VIEWS OF THEIR CONVERTIBILITY. Comparative Literature, Vol. IX, No. 4. Eugene, (289-)307 pp. 25x18 cm. Paper Frankel, Hans H: POETS BIOGRAPHIES IN PROVENCAL AND CHINESE. Berkeley, pp x17 cm. Paper Frodsham, J. D: HISTORY AND LITERATURE IN IMPERIAL CHINA. Journal of the Historical Society, University of Malaya. N.p., pp x15 cm. Paper. 7.00

21 LIST OFFPRINTS 283 Frumkin, Gregoire: ARCHAEOLOGY IN SOVIET CENTRAL ASIA II-VII. Central Asian Review Vols. XI-XIV. c.20 pp. per volume. A few b/w illustrations. 6 vols. 25x15 cm. Paper Comprises: II Kazakhstan, III Kirgiziya, IV Tadzhikistan, V The Deltas of the Oxus and Jaxartes: Khorezm and its Borderlands, VI Uzbekistan, Excluding Khorezm, VII Turkmenistan. Lacking the first volume in the series. 284 Fuchs, Walter: EINE BUDDHISTISCHE TUNHUANG-ROLLE V. J Asiatica Festschrift Friedrich Weller. Leipzig, pp plus 1 b/w plate. In German. 29x21 cm. Paper Le Gallais, Hughes: A PAIR OF JAPANESE TEMPLE GUARDIANS. Gazette des Beaux-Arts. N.p., n.d. pp B/w illustrations. 29x23 cm. Paper Garner, Harry: EARLY CHINESE CRACKLED PORCELAIN. OCS Transactions. London, pp. 26x16 cm. Paper Garner, Sir Harry M: BLUE AND WHITE OF THE MIDDLE MING PERIOD. London, pp plus 8 pp. b/w plates. 28x22 cm. Paper Offprint from the Transactions of the Oriental Ceramic Society of a paper read in Garner, Sir Harry M: CHINESE PAINTINGS OF THE SIXTEENTH CENTURY AT SCHLOSS AMBRAS. Unknown. N.p., n.d. pp b/w illustrations. 30x21 cm. Self-covered Garner, Sir Harry M: THE COMPOSITION OF CHINESE BRONZES. Oriental Art New Series Vol. VI, No. 4. London, pp b/w illustrations. 30x21 cm. Paper Gatling, Eva Ingersoll: A DATED BUDDHIST STELE OF 461 A.D. AND ITS CONNECTIONS WITH YUN KANG AND KANSU PROVINCE. Artibus Asiae Vol. XX, 4. Ascona, pp pp. b/w plates. 31x23 cm. Paper Giles, Lionel: CH IU CHIN: A CHINESE HEROINE. China Society Paper. London, pp. 24x16 cm. Paper. Wear to covers Giles, Lionel: TRANSLATIONS FROM THE CHINESE WORLD MAP OF FATHER RICCI. Geographical Journal Dec 1918 and Jan London, pp and pp x15 cm. Paper Goldman, B: POLITICAL REALIA ON PERSEPOLITAN SCULPTURE. Orientalia Lovaniensia Periodica 5. Leuven, pp and 4 pp. b/w plates. 24x16 cm. Paper Goldman, Bernard: EARLY IRANIAN ART IN THE CINCINNATI ART MUSEUM. Art Quarterly Vol. XXVII No. 3. London, pp pp. b/w plates. 28x21 cm. Paper Goldman, Bernard: TYPOLOGY OF THE MOTHER-GODDESS FIGURINES. Ipek Jahrgange 1960/ Band. Berlin, pp plus 4 pp. b/w plates. 29x22 cm. Paper Goodrich, L. Carrington: SUSPENSION BRIDGES IN CHINA: A PRELIMINARY INQUIRY. Sino-Indian Studies Vol. V. Nos N.p., n.d. pp x16 cm. Paper Graham, A. C: OBSERVATIONS ON A NEW CLASSICAL CHINESE GRAMMAR. BSOAS Vol. XXII/3. London, pp x16 cm. Paper Graham, David Crockett: AN EXCAVATION AT SUIFU. Journal of the West China Border Research Society. Vol. VIII. N.p., pp plus 6 pp. b/w plates. B/w illustrations. 30x21 cm. Paper Griessmaier, von V: ZWEI CHINESISCHE PORZELLANTELLER UND IHRE EUROPAISCHEN NACHAHMUNGEN. Wiener Beitrage sur Kunst und Kulturgeschichte Asiens Band XII. N.p., pp plus 5 b/w plates. 31x23 cm. Paper Grootares, Willem et al: TEMPLES AND HISTORY OF WANCH UAN (CHAHAR): THE GEOGRAPHICAL METHOD APPLIED TO FOLKLORE. Monumenta Serica Vol. XIII. Peking, pp and 2 pp. b/w plates. 26x18 cm. Paper Gyllensvard, Bo: AXEL AND NORA LUNDGREN S BEQUEST OF CHINESE BRONZES. BMFEA 49. Stockholm, pp plus 20 pp. b/w plates. 27x19 cm. Paper Gyllensvard, Bo: A BOTANICAL EXCURSION IN THE KEMPE COLLECTION. BMFEA 37. Stockholm, pp plus 24 pp. b/w plates. 27x19 cm. Paper Gyllensvärd, Bo: SOME CHINESE PAINTINGS IN THE ERNEST ERIKSON COLLECTION. BMFEA 36. Stockholm, pp pp. plus 24 pp. b/w plates. 26x19 cm. Paper Gyllensvärd, Bo: SOME EARLY CHINESE FIGURE PAINTINGS IN STOCKHOLM. BMFEA Vol. 41. Stockholm, pp plus 16 pp. b/w plates. 26x19 cm. Paper Gyllensvärd, Bo: TWO CHINESE TOPOGRAPHIC PAINTINGS IN THE CHINESE PAVILION AT DROTTINGHOLM. BMFEA Vol. 50. Stockholm, pp b/w plates. 26x19 cm. Paper Gyllensvard, Bo: TWO YUAN SILVER CUPS AND THEIR IMPORTANCE FOR DATING OF SOME CARVINGS IN WOOD AND RHINOCEROS HORN. BMFEA 43. Stockholm, pp and 15 pp. b/w plates. 27x19 cm. Paper Hallade, Madeleine: THE ORNAMENTAL VEIL OR SCARF. East and West Vol. 15, Nos Rome, pp pp. b/w plates. 30x21 cm. Paper

22 OFFPRINTS 22 HANSHAN TANG BOOKS 308 Haloun, G: LEGALIST FRAGMENTS: PART I: KUAN-TSI 55 AND RELATED TEXTS. Asia Major New Series Vol. II, Part I. London, 1951 pp b/w plate. 25x16 cm. Paper Haloun, G: THE LIANG-CHOU REBELLION A.D.. Asia Major New Series Vol. I, Part I. London, pp x16 cm. Paper Hanan, Patrick: THE EARLY CHINESE SHORT STORY: A CRITICAL THEORY IN OUTLINE. Harvard Journal of Asiatic Studies Vol. 27. Harvard, pp x16 cm. Paper Hanfmann, G. & Detweiler, A: SARDIS THROUGH THE AGES. Archaeology, Vol. 19, No. 2. N.p, pp. 12 b/w illustrations. 27x20 cm. Paper Hansford, Howard: HUI HSIEN POTTERY IN THE COLLECTION OF MR. DENNIS M. COHEN. OCS Transactions. London, 1954.? pp plus 4 pp. b/w plates. 26x16 cm. Paper Haskins, John F: THE CHINESE MIRROR FROM PAZYRYK. Pittsburgh, pp b/w plates. 31x23 cm. Paper Haskins, John F: RECENT EXCAVATIONS IN CHINA. Archives Chinese Art Society of America X. New York, pp B/w illustrations. 31x23 cm. Paper Hayashi, M: THE DRESS AND HEAD ORNAMENT OF THE STATUE OF MAN MADE OF NEPHRITE IN THE WESTERN CHOU PERIOD. Research Institute for Humanistic Studies. Kyoto, n.d. 38 pp. text plus 3 pp. b/w plates. A number of b/w text drawings. 21x15 cm. Paper Introduction in English. Main text in Japanese. 316 Hearn, Maxwell & Wen Fong: THE ARTS OF ANCIENT CHINA. Metropolitan Museum of Art Bulletin 32:2. New York, Pp Many illustrations. 28x22 cm. Paper An overview of Chinese bronzes, sculpture and ceramics. 317 Heine-Geldern, Robert: PREHISTORIC RESEARCH IN THE NETHERLANDS INDIES. Science and Scientists in the Netherlands Indies. New York, pp B/w illustrations. 26x18 cm. Paper Hempel, Rose: ASIATISCHE ABTEILUNG. Keramik. J buch der Hamburger Kunstsammlungen, 9. Hamburg, (253-)276 pp. Illustrated. 25x19 cm. Paper A report of acquisitions in the field of Oriental ceramics by the Museum für Kunst und Gewerbe, Hamburg. 319 Hentze, Carl: REPONSE A LA LETTRE OUVERTE A M. PAUL PELLIOT. De Sikkel. Anvers, pp. In French. 28x22 cm. Paper Offprint. Hentze s reply to Pelliot s vitriolic attack on his scholarship in Revue des Arts Asiatiques VI:2, Their exchange of letters caused quite a stir at the time. 320 Herold, Robert J: A FAMILY OF POST-HAN RITUAL BRONZE VESSELS. Artibus Asiae Vol. XXXVII, 4. Ascona, pp pp. b/w plates. 31x23 cm. Paper Hetherington, A. L: CELADON PORCELAIN. Its Story and Decorative Value. Old Furniture Magazine. London, n.d. 10 pp. 12 illustrations, 1 in colour. 29x23 cm. Paper Hetherington, A. L: THE PRE-MING WARES OF CHINA. Transactions British Ceramic Society XLI. London, pp pp. b/w plates. 22x14 cm. Paper Hightower, James Robert: THE FU OF T AO CH IEN. Harvard Journal of Asiatic Studies Vol. 17, Nos. 1/2. Harvard, pp x16 cm. Paper Hightower, James Robert: THE HAN-SHIH WAI-CHUAN AND THE SAN CHIA SHIH. Harvard Journal of Asiatic Studies Vol. 11, Nos. 3/4. Harvard, pp x16 cm. Paper. Wear to spine Hightower, James Robert: SOME CHARACTERISTICS OF PARALLEL PROSE. Studia Serica Bernhard Karlgren Dedicata. N.p., n.d. pp x16 cm. Paper Hightower, James Robert: THE WEN HSUAN AND GENRE THEORY. Harvard Journal of Asiatic Studies Vol. 20, 3/4. Harvard, pp x16 cm. Paper Higuchi Takayasu: NEWLY DISCOVERED WESTERN CHOU BRONZES. Acta Asiatica 3. Tokyo, pp x18 cm. Paper Ho Lien-Kuei: TRIBAL CULTURE AND THE T AO-T IEH MOTIF IN ANCIENT CHINESE ART. National Palace Museum Quarterly Vol. IV, 4. Taipei, n.d. pp in English, pp in Chinese plus 7 pp. b/w plates. 26x19 cm. Paper Ho, Ping-Ti: THE LOESS AND THE ORIGIN OF CHINESE AGRICULTURE. American Historical Review LXXV, No. 1. N.p., pp Pencil underlinings. 24x16 cm. Paper Ho, Robert: ENVIRONMENT, MAN AND DEVELOPMENT IN MALAYA. Inaugural Lecture. Kuala Lumpur, pp. 25x17 cm. Paper Hobson, R. L: CHINESE POTTERY STATUE OF A LOHAN. British Museum paper. London, pp. 1 colour plate. 26x21 cm. Paper

23 LIST OFFPRINTS 332 Hochstadter, Walter: EARLY CHINESE CERAMICS IN THE BUFFALO MUSEUM OF SCIENCE. Hobbies: Buffalo Museum of Science, vol. 26. Buffalo, pp b/w illustrations. 22x15 cm. Paper Reprint from Hobbies, the magazine of the Buffalo Museum of Science, vol. 26. Neolithic pottery through Song porcelain. 333 Hochstadter, Walter: POTTERY AND STONEWARES OF SHANG, CHOU AND HAN. BMFEA No. 24. Stockholm, pp plus 30 pp. b/w plates. 26x19 cm. Paper Honda, M. & Ceadel, E. B: POST-WAR JAPANESE RESEARCH ON THE FAR EAST (EXCLUDING JAPAN). Asia Major Vol. IV, Part I. London, pp x16 cm. Paper Hong Kong Oriental Ceramic Society: ORIENTAL CERAMIC SOCIETY OF HONG KONG, BULLETIN NUMBER Hong Kong OCS Bulletin No. 3. Hong Kong, pp. 104 illustrations. 30x21 cm. Paper Contains Edmund Capon: Chinese tomb figures of the Six Dynasties period; R. P. Marchant: Some interesting pieces of marked Ch ing porcelain. 336 Hong Kong Oriental Ceramic Society: ORIENTAL CERAMIC SOCIETY OF HONG KONG, BULLETIN NUMBER Hong Kong OCS Bulletin No. 4. Hong Kong, pp. Many illustrations. 30x21 cm. Paper Contains: Mary Tregear: Green Wares of Zhejiang; Edmund Capon: The Cave Temples of Yungang; Duncan Macintosh: Shu-fu Wares; Terese Tse Bartholomew: Names Associated with I-hsing Ware, an Index. 337 Hopkin, L. C: THE BEARSKIN: A CHINESE EPIGRAPHIC PUZZLE. Journal of The Royal Asiatic Society. N.p, pp pp. b/w plate. 21x14 cm. Paper Hopkins, L. C: ARCHAIC CHINESE CHARACTERS. Being some intensive Studies in them Parts I, II and III. Journal of The Royal Asiatic Society. London, pp ; pp ; pp vols. 22x14 cm. Paper Hopkins, L. C: THE CHINESE NUMERALS AND THEIR NOTATIONAL SYSTEMS PART II. Journal of The Royal Asiatic Society. London, pp x14 cm. Paper Hopkins, L. C: A CRYPTIC MESSAGE AND A NEW SOLUTION. Journal of The Royal Asiatic Society. N.p, pp b/w text drawings. 21x14 cm. Paper Hopkins, L. C: METAMORPHIC STYLIZATION AND THE SIGNIFICANCE.. A Study in Ancient and Modern Chinese Writing. Journal of The Royal Asiatic Society. London, pp pp. b/w plates, 9 b/w text drawings. 22x14 cm. Paper Hopkins, L. C: PICTOGRAPHIC RECONNAISSANCES PART I. Being Discoveries, Recoveries, and Conjectural Raids in Archaic Chinese Writing. Journal of The Royal Asiatic Society. London, pp x14 cm. Paper Hopkins, L. C: PICTOGRAPHIC RECONNAISSANCES PART II. Being Discoveries, Recoveries, and Conjectural Raids in Archaic Chinese Writing. Journal of The Royal Asiatic Society. London, pp fold out b/w text drawing. 22x14 cm. Paper Hopkins, L. C: PICTOGRAPHIC RECONNAISSANCES PART V. Journal of The Royal Asiatic Society. London, pp x14 cm. Paper Hopkins, L. C: PICTOGRAPHIC RECONNAISSANCES PART VI. Journal of The Royal Asiatic Society. London, pp pp. b/w plate. 22x14 cm. Paper Hopkins, L. C: PICTOGRAPHIC RECONNAISSANCES PART VII. Journal of The Royal Asiatic Society. London, pp pp. b/w plates, 1 fold out. 22x14 cm. Paper Hopkins, L. C: PICTOGRAPHIC RECONNAISSANCES PART VIII. Journal of The Royal Asiatic Society. London, pp pp. b/w plate. 22x14 cm. Paper Hopkins, L. C: PICTOGRAPHIC RECONNAISSANCES: PART IX AND INDEX. Journal of The Royal Asiatic Society. London, pp x14 cm. Paper Hopkins, L. C: WHERE THE RAINBOW ENDS. An Introduction to The Dragon Terrestrial and The Dragon Celestial. Journal of The Royal Asiatic Society. N.p, pp pp. b/w plate. 21x14 cm. Paper Hopkins, Lionel C: THE ARCHIVES OF AN ORACLE TOGETHER WITH THE ARCHIVES OF AN ORACLE: NOTES ON THE TEXT. Journal of the Royal Asiatic Society. London, pp ; pp large foldout. 2 vols. 22x14 cm. Paper. Mostly uncut Hopkins, Lionel C: THE CAS-CHROM V. THE LEI-SSU. A study of the primitive forms of Plough in Scotland and Ancient China. Journal of The Royal Asiatic Society. N.p, pp pp. b/w plate, 9 b/w text drawings. 21x14 cm. Paper Hopkins, Lionel C: CHINESE WRITING IN THE CHOU DYNASTY IN THE LIGHT OF RECENT DISCOVERIES. Journal of the Royal Asiatic Society. London, pp plus 6 pp. b/w plates. 22x14 cm. Paper Hopkins, Lionel C: DRAGON AND ALLIGATOR: BEING NOTES ON SOME ANCIENT INSCRIBED BONE CARVINGS. Journal of the Royal Asiatic Society. London, pp plus 3 pp. b/w plates. 22x14 cm. Paper

24 OFFPRINTS 24 HANSHAN TANG BOOKS 354 Hopkins, Lionel C: A FUNERAL ELEGY AND A FAMILY TREE INSCRIBED ON BONE. Journal of the Royal Asiatic Society. London, pp plus 3 pp. b/w plates. 22x14 cm. Paper Horioka, Yasuko: CHINESE SCULPTURE I, II, III (IN THE ISABELLA STEWART GARDNER MUSEUM). Fenway Court. Boston, pp; pp ; pp B/w illustrations throughout. 3 vols. 22x14 cm. Paper Hosie, Lady: MAPPING CHINA. Unknown. N.p, n.d. pp b/w illustrations. 30x23 cm. Paper Hsieh Ting-yu: THE CHINESE IN HAWAII. Chinese Social and Political Science Review. N.p., n.d. pp x17 cm. Self-covered Hyde, Edward George: THE NEOLITHIC POTTERY OF CHINA AND ITS BEARING ON THE ORIGIN OF CHINESE CIVILIZATION. Il Marco Polo Anno IV, numero 14. N.p., n.d. pp plus 2 pp. b/w plates. 26x19 cm. Paper Ingram, Herbert: YA HSING: WHAT DOES IT MEAN AND DATING OF LATE CHOU AND HAN BRONZES. N.p., pp. 22x14 cm. Paper Ingram, Sir Herbert: WHY T ANG? Offprint from Röhsska Konstslöjdmus. Arstryck. Göteborg, Pp x18 cm. Paper Reprinted from Röhsska Konstlöjdsmuseets Årstryck. The criteria for dating ceramics of the Tang period. 361 James, Jean M: THE ICONOGRAPHIC PROGRAM OF THE WU FAMILY OFFERING SHRINES (AD 151-C.170). Offprint Artibus Asiae 49. Ascona, pp. 20 plates with 22 illustrations. 32x23 cm. Paper Joly, H. L: SUBJECTS IN JAPANESE ART. Transactions of the Japan Society of London, Vol. XI. London, pp and 1 b/w plate. 24x16 cm. Paper Kanda, Nobuo: PRESENT STATE OF PRESERVATION OF MANCHU LITERATURE. Memoirs Research Department Toyo Bunko No. 26. Tokyo, pp x19 cm. Paper Karlbeck, Orvar: ANYANG MARBLE SCULPTURES. Offprint BMFEA 7. Stockholm, pp. 4 plates. 27x19 cm. Paper The collection of Anyang marble sculptures in the Museum of Far Eastern Antiquities in Stockholm originally formed part of Lo Chenyu s famous collection of Anyang treasures. 365 Karlbeck, Orvar: ANYANG MOULDS. Offprint BMFEA 7. Stockholm, pp. 7 plates, 9 text-figures. 27x19 cm. Paper A study of bronze casting methods, based on a collection of 145 clay moulds purchased by the author from a dealer in Anyang, renowned for the beauty and craftsmanship of its bronzes. 366 Karlbeck, Orvar: NOTES ON THE ARCHAEOLOGY OF CHINA. BMFEA No. 2. Stockholm, pp plus 8 pp. b/w plates. 26x19 cm. Paper Karlgren, Bernhard: THE AUTHENTICITY OF ANCIENT CHINESE TEXTS. BMFEA No. 1. Stockholm, pp x19 cm. Paper Karlgren, Bernhard: BRONZES IN THE WESSÉN COLLECTION. BMFEA 30. Stockholm, pp plus 38 pp. b/w plates. 27x19 cm. Paper A detailed catalogue of some of the best bronzes in the Wessén Collection, which was later left to the Museum of Far Eastern Antiquities. 369 Karlgren, Bernhard: GLEANINGS FOR A LEXICON OF CLASSICAL CHINESE. BMFEA 44. Stockholm, pp x19 cm. Paper Karlgren, Bernhard: GLEANINGS FOR A LEXICON OF CLASSICAL CHINESE III. BMFEA 46. Stockholm, pp x19 cm. Paper Karlgren, Bernhard: GLEANINGS FOR A LEXICON OF CLASSICAL CHINESE I-III. BMFEA Stockholm, pp. 1-73; 1-62; vols. 27x19 cm. Paper Karlgren, Bernhard: GLOSSES ON THE KUO FENG ODES. BMFEA No. 14. Stockholm, pp x19 cm. Paper. Wear to spine Karlgren, Bernhard: MISCELLANEOUS NOTES ON SOME BRONZES. BMFEA 33. Stockholm, pp plus 19 pp. b/w plates. 27x19 cm. Paper Karlgren, Bernhard: NOTES ON A KIN-TS UN ALBUM. BMFEA No. 10. Stockholm, pp plus 6 pp. b/w plates. 26x19 cm. Paper Karlgren, Bernhard: NOTES ON FOUR BRONZES. BMFEA 26. Stockholm, pp and 8 pp. b/w plates. 26x19 cm. Paper Karlgren, Bernhard: ON THE AUTHENTICITY AND NATURE OF THE TSO CHUAN. Göteborgs Hogskolas Arsskrift XXXII. Göteborg, pp. 25x18 cm. Paper. Covers worn Offprint. An erudite contribution.

25 LIST OFFPRINTS 377 Karlgren, Bernhard: ON THE DATE OF THE PIAO-BELLS. BMFEA No. 6. Stockholm, pp x19 cm. Paper Karlgren, Bernhard: A PRINCIPLE IN THE PHONETIC COMPOUNDS OF THE CHINESE SCRIPT. Asia Major Vol. 2, fasc. 2. N.p., pp x17 cm. Paper Karlgren, Bernhard: PROBLEMS IN ARCHAIC CHINESE. Journal of the Royal Asiatic Society, London, pp x14 cm. Paper Karlgren, Bernhard: THE RIMES IN THE SUNG SECTION OF THE SHI KING. Goteborgs Hogskolas Arsskrift XLI. Goteborg, pp x17 cm. Paper Karlgren, Bernhard: SHI KING RESEARCHES. BMFEA 4. Stockholm, pp x19 cm. Paper Karlgren, Bernhard: SOME EARLY CHINESE BRONZE MASTERS. BMFEA 16. Stockholm, n.d. pp and 24 pp. b/w plates. 27x19 cm. Paper Karlgren, Bernhard: SOME FECUNDITY SYMBOLS IN ANCIENT CHINA. BMFEA 2. Stockholm, pp. and 6 pp. b/w plates. 27x19 cm. Paper Reprinted from Bulletin of the Museum of Far Eastern Antiquities No. 2. The symbols discussed and illustrated are taken from ancient bronzes, jades and pottery. 384 Karlgren, Bernhard: SOME RITUAL OBJECTS OF PREHISTORIC CHINA. BMFEA 14. Stockholm, pp and 4 pp. b/w plates. 26x19 cm. Paper Karlgren, Bernhard: THE TRANSCRIPTION OF CHINESE LITERATURE TOGETHER WITH EXCURSIONS AND NEW EXCURSIONS IN CHINESE GRAMMAR. BMFEA 23 & 24. Stockholm, 1951/52. pp and pp x19 cm. Paper Karlgren, Bernhard: WORD FAMILIES IN CHINESE. BMFEA 5. Stockholm, pp A few pencil annotations. 26x19 cm. Paper. Marks to cover Koyama, Fujio: ON THE DISCOVERY OF THE RUINS OF TINGYAO. Tokyo, pp. 25 b/w illustrations. 25x20 cm. Paper Offprint comprised of loose pages. 388 Laing, Ellen Johnston: LI SUNG AND SOME ASPECTS OF SOUTHERN SUNG FIGURE PAINTING. Artibus Asiae Vol. XXXVII, 1/2. Ascona, pp B/w plates. 31x23 cm. Paper Laing, Ellen Johnston: SIX LATE YUAN DYNASTY FIGURE PAINTINGS. Oriental Art, Vol. XX, no. 3. London, pp. 16 illustrations. 30x21 cm. Self-covered A study of six unsigned fan paintings, which the author dates to the late 14th century, suggested by, amongst other details, the harshly jabbed strokes outlining the rocks and tree trunks. 390 Lan T iao-fu: HOW TO ACCEPT WESTERN SCIENCE. The Chinese Social and Political Science Review. N.p., n.d. pp x15 cm. Self-covered Lane, Arthur: SUNG WARES AND THE SALJUQ POTTERY OF PERSIA. TOCS Vol 22. N.p, pp. plus 4 pp. b/w plates. 28x22 cm. Paper Lane, Richard: SAIKAKU AND BOCCACCIO THE NOVELLA IN JAPAN AND ITALY. Monumenta Nipponica Vol. XV, Nos Tokyo, pp plus 4 pp. b/w plates. 25x18 cm. Paper Lane, Richard: SAIKAKU S FIVE WOMEN. Five Women Who Loved Love. N.p., pp x17 cm. Paper Laufer, Berthold: TURTLE ISLAND. The Open Court December N.p., pp. 23x15 cm. Paper Lavington Hart, S: EDUCATION IN CHINA. China Society Paper. London, pp. 25x16 cm. Paper Lawton, Thomas: THE SIXTIETH PAINTING: AN ANCIENT THEME REIDENTIFIED. NPM Quarterly Vol. XI, No. 1. Taibei, n.d. pp in English plus 13 pp. Chinese text plus 11 pp. b/w plates. 26x19 cm. Paper Ledderose, Lothar: SUBJECT MATTER IN EARLY CHINESE PAINTING CRITICISM. Oriental Art Vol. XIX, No. 1. N.p., pp x21 cm. Self-covered Lee, Sherman: A PROBABLE SUNG BUFFALO PAINTING. Artibus Asiae Vol. XII, 4. Ascona, pp b/w illustrations. 31x23 cm. Paper Lee, Sherman E: EARLY CHINESE PAINTED SHELLS WITH HUNTING SCENES. Archives Chinese Art Society America XI. New York, pp b/w illustrations. 31x23 cm. Paper Lee, Sherman E: THE GOLDEN IMAGE OF THE NEW-BORN BUDDHA. Artibus Asiae Vol. XVIII, 3/4. Ascona, pp b/w illustrations. 31x23 cm. Paper

26 OFFPRINTS 26 HANSHAN TANG BOOKS 401 Lee, Sherman E: SOME PROBLEMS IN MING AND CH ING LANDSCAPE PAINTING. Ars Orientalis II. Ann Arbor, pp and 15 pp. b/w plates, one foldout. 30x23 cm. Paper A paper based on paintings in the exhibition: Chinese Landscape Painting, held at the Cleveland Museum of Art in late Offprint from Ars Orientalis II. 402 Lee, Sherman E. & Wai-kam Ho: A COLOSSAL ELEVEN-FACED KUAN-YIN OF THE TANG DYNASTY. Artibus Asiae Vol. XXII, 1/2. Ascona, pp b/w plates. 31x23 cm. Paper Li Chi: DIVERSE BACKGROUNDS OF DECORATIVE ART IN THE YIN DYNASTY. Proceedings of a Symposium. Quezon City, pp B/w illustrations. 25x18 cm. Paper Li Chi: STUDIES OF THE HSIAO-TUN POTTERY: YIN AND PRE-YIN. Proceedings: Eighth Pacific Science Congress. Manila, pp b/w plate. Pencil underlinings. 25x18 cm. Paper Li Lin-Ts an: A STUDY OF THE COMPOSITION OF CHINESE PAINTING. National Palace Museum Quarterly, Vol. V No. 3. Taibei, n.d. pp and pp plus 1 pp. colour and 16 pp. b/w plates. Main text in Chinese, summary in English. 26x19 cm. Paper Licent, Emile & Teilhard de Chardin, P: LE PALEOLITHIQUE DE LA CHINE. L Anthropologie Vol. 35. Paris, pp B/w illustrations and drawings. In French. 25x17 cm. Paper Lien-Che Tu Fang trans. and intro: AN ACCOUNT OF THE SALT INDUSTRY AT TZU-LIU-CHING: TZU- LIU-CHING CHI BY LI JUNG. ISIS Vol. 39, Part 4, No N.p., pp plus 2 pp. b/w plates. B/w drawings. 26x17 cm. Paper Lin Yueh-hwa: SOCIAL LIFE OF THE ABORIGINAL GROUPS IN AND AROUND YUNNAN. Journal of the West China Border Research Society, Vol. 15. Chengdu, pp x16 cm. Paper Lindberg, Gustaf: PORCELLANEOUS WARE PORCELAIN. Ethnos 1947:3. Stockholm, pp x16 cm. Paper Linduff, Katheryn M: THE INCIDENCE OF LEAD IN LATE SHANG AND EARLY CHOU RITUAL VESSELS. Unknown. Pittsburgh, pp b/w illustrations. 28x21 cm. Paper Link, Arthur E: BIOGRAPHY OF SHIH TAO-AN. T oung Pao Vol. XLVI, Livr Leiden, pp x16 cm. Paper Lippe, Aschwin: CH EN HSIEN, PAINTER OF LOHANS. Ars Orientalis V. N.p., pp plus 7 pp. b/w plates. 30x23 cm. Paper Lippe, Aschwin: DIVINE IMAGES IN STONE AND BRONZE: SOUTH INDIA, CHOLA DYNASTY (C ). Metropolitan Museum Journal Vol. 4. New York, pp B/w illustrations. 28x22 cm. Paper Liu Kwang-Ching: FINANCING A STEAM-NAVIGATION COMPANY IN CHINA, The Business History Review Vol. XXVIII, No. 2. N.p., pp x15 cm. Paper Liu Ts un-yan: MEN OF LETTERS IN THE LIGHT OF CHINESE HISTORIOGRAPHY. BMFEA 37. Stockholm, pp x19 cm. Paper Liu Ts un-yan: SOCIAL AND MORAL LIMITATIONS OF CHINESE FICTION BEFORE THE REPUBLIC. Journal of the Australasian Universities Language & Literature Association. N.p., pp x14 cm. Paper Liu Ts un-yan: WU CH ENG-EN: HIS LIFE AND CAREER. T oung pao Vol. LIII, Livr Leiden, pp x16 cm. Paper Loehr, Max: APROPOS OF TWO PAINTINGS ATTRIBUTED TO MI YU-JEN. Ars Orientalis III. Ann Arbor, pp and 8 b/w plates 30x23 cm. Paper Offprint from Ars Orientalis III. An essay on two paintings attributed to the Song painter Mi Youren. 419 Loehr, Max: ART-HISTORICAL ART: ONE ASPECT OF CH ING PAINTING. Oriental Art, Vol. XVI, No. 1. London, pp x23 cm. Paper Loehr, Max: PHASES AND CONTENT IN CHINESE PAINTING. National Palace Museum publication. Taibei, n.d. 20 pp. English and Chinese text. 26x19 cm. Paper An essay addressing questions of concern to the historian of Chinese painting, namely whether we can discern a meaning in the history of painting at large and the problem of meaningful periodisation. Offprint from a National Palace Museum publication. 421 Loehr, Max: THE QUESTION OF CONTENT IN THE DECORATION OF SHANG AND CHOU BRONZES. Symposium: The Bronze Age of China, The Metropolitan Museum of Art. N.p, pp. 28x22 cm. Paper Loehr, Max: SOME FUNDAMENTAL ISSUES IN THE HISTORY OF CHINESE PAINTING. Journal of Aesthetics and Art Criticism. N.p., pp x18 cm. Paper Offprint. By a learned scholar. 423 Loehr, Max: THE STRATIGRAPHY OF HSIAO-TUN (ANYANG). Ars Orientalis II. n. p. n.d. 24 pp. B/w illustrations. 30x22 cm. Paper Reprinted from Ars Orientalis II.

27 LIST OFFPRINTS 424 Loehr, Max: THEMES AND VARIATIONS: A WINTER LANDSCAPE IN THE FREER GALLERY AND RELATED VERSIONS. Ars Orientalis IX. N.p., pp and 4 pp. b/w plates. 29x22 cm. Paper Loehr, Max: ZUR UR- UND VORGESCHICHTE CHINAS. Saeculum, 3:1. Munich, Pp illustrations, map, table. 26x18 cm. Paper Discusses Sinanthropus Pekinensis of Zhoukoudian, aspects of Neolithic China, and the ceramics of the Yangshao and Longshan cultures. Also in here Dietrich: Das Judenturm im Zeitalter der Kreuzzüge; Schottelius: Die Spanische Conquista. 426 Loehr, Max et al: THE QUESTION OF INDIVIDUALISM IN CHINESE ART. Journal of the History of Ideas XXII:2. New York, pp x18 cm. Paper Loewe, Michael: CHINESE RELATIONS WITH CENTRAL ASIA, BSOAS Vol. XXXII/1. London, pp x16 cm. Paper Loewe, Michael: JEWS IN CHINA. Unknown. London, n.d. pp x15 cm. Paper Loewe, Michael: SOME RECENT EDITIONS OF THE CH IEN-HAN-SHU. Asia Major New Series Vol. X, Part 2. London, pp x16 cm. Paper Loewenstein, Prince John: SWASTIKA AND YIN-YANG. China Society paper. London, pp. 25x16 cm. Paper. Slight wear to covers Lotgering, F. K: KOKUTEISHA TOYOKUNI. A (rarely used?) signature of Kunisada. The Fascinating World of the Japanese Artist. Hague, pp b/w illustrations. 25x18 cm. Paper Offprint from The Fascinating World of the Japanese Artist. One small ink annotation. 432 Lukashin, A. S. & Teilhard de Chardin, P: NEW DATA ON NEOLITHIC CULTURE IN NORTHERN MANCHURIA TOGETHER WITH SOME OBSERVATIONS ON THE ARCHAEOLOGICAL MATERIAL COLLECTED BY A. S. LUKASHIN NEAR TSITSIHAR. Bulletin of the Geological Society of China Vol. XI, No. 2. Peiping, pp plus 3 pp. b/w plates. 26x19 cm. Paper MacCord, Howard: CULTURAL SEQUENCES IN HOKKAIDO JAPAN. Proceedings of the United States National Museum: Smithsonian Inst. vol Washington, pp and 14 pp. b/w plates Offprint. Covers archaeological field work in Hokkaido in which unearthed various early finds. 434 Macnair, H. F: THE RELATION OF CHINA TO HER NATIONALS ABROAD. Chinese Social and Political Science Review. N.p., n.d. pp x17 cm. Self-covered Maeda, Robert J: SOME SUNG, CHIN AND YUAN REPRESENTATIONS OF ACTORS. Artibus Asiae Vol. XLI. Ascona, pp B/w plates. 32x25 cm. Paper Maenchen-Helfen, O: A PARTHIAN COIN-LEGEND ON A CHINESE BRONZE. Asia Major Vol. 3. Part 1. London, pp. plus 2 pp. b/w plates. 24x16 cm. Paper Maenchen-Helfen, Otto: SOME REMARKS ON ANCIENT CHINESE BRONZES. The Art Bulletin Vol. XXVII, No. 4. N.p., pp plus 1 pp. b/w plates. 31x23 cm. Paper Malcolm, N: TE HUA WARE. TOCS Offprint from vol. 17. London, pp plus 1 pp. b/w plate with 2 illustrations. 28x22 cm. Paper Malmqvist, Goran: CHOU TSU-MO ON THE CH IEH-YUN. BMFEA 40. Stockholm, pp x19 cm. Paper Malmqvist, Goran: ON THE LYRICAL POETRY OF SHIN CHINJYI (HSIN CH I-CHI) ( ). BMFEA 46. Stockholm, pp x19 cm. Paper Malmqvist, Goran: SIX POEMS ON A PAINTING OF PEONIES. BMFEA 44. Stockholm, pp plus 3 pp. b/w plates. 27x19 cm. Paper Malmqvist, N: SOME OBSERVATIONS ON A GRAMMAR OF LATE ARCHAIC CHINESE. T oung Pao Vol. XLVIII Livr Leiden, n.d. pp x16 cm. Paper Martin, Bernard: SUN YAT-SEN S VISION FOR CHINA. China Society Occasional Papers No. 15. London, pp. 1 illustration. 22x14 cm. Paper Maspero, H: LA VIE PRIVEE EN CHINE A L EPOQUE DES HAN. Revue des Arts Asiatiques. Paris, pp plus 8 pp. b/w plates. B/w text drawings. 29x22 cm. Paper Medley, Margaret: CHING-TE CHEN AND THE PROBLEM OF THE IMPERIAL KILNS. Bulletin of the SOAS, XXIX. 2. London, pp x16 cm. Paper Offprint from the Bulletin of the School of Oriental and African Studies, Vol. XXIX, Part 2. Discusses the date at which the kilns in Jingdezhen became imperial. 446 Menzies, J. M: OLD BONES (ON SHANG ORACLE BONES). Bulletin Rotary Club of Tsinan No. 8. Tianjin, pp x16 cm. Self-covered. Photocopy Merkel. R. F: ZUR GESCHICHTE DER ERFORSCHUNG CHINESISCHER RELIGIONEN. Studi E Materiali di Storia Delle Religioni, Vol. XV. Bologna, pp x16 cm. Paper. 8.00

28 OFFPRINTS 28 HANSHAN TANG BOOKS 448 The Metropolitan Museum of Art: NEW MATERIALS FOR THE CHRONOLOGY OF WESTERN CHOU BRONZES: THE BIRD PATTERN. New York, pp. 28x22 cm. Paper Michael, Franz: MILITARY ORGANISATION AND POWER STRUCTURE OF CHINA DURING THE TAIPING REBELLION. Pacific Historical Review Vol. XVIII, No. 4. N.p., pp x17 cm. Paper Minao, Hayashi: STUDIES OF THE TYPOLOGY OF SOME SHANG AND CHOU BRONZE RITUAL VESSELS. Symposium: The Bronze Age of China, The Metropolitan Museum of Art. N.p, n.d. 12 pp. text. Plus 20 pp. 28x22 cm. Paper Minkenhof, S. H: DATE AND PROVENANCE OF DEATH MASKS OF THE FAR EAST. Artibus Asiae Vol. XIV, 1/2. Ascona, pp B/w illustrations. 31x23 cm. Paper Mino, Yutaka: BRIEF SURVEY OF EARLY CHINESE GLAZED WARES. Artibus Asiae Vol. XXXVII, 1/2. Ascona, pp pp. b/w plates. 31x23 cm. Paper Mish, John L: CREATING AN IMAGE OF EUROPE FOR CHINA: ALENI S HSI-FANG TA-WEN: INTRODUCTION, TRANSLATION AND NOTES. Monumenta Serica Vol. XXIII. N.p., pp x18 cm. Paper Mizuno, Seiichi: PREHISTORIC CHINA: YANG-SHAO AND PU-CHAO-CHAI. Proceedings 4th Far-Eastern Prehistory Congress. Quezon City, pp pp. b/w plates. 25x18 cm. Paper Montell, G: A SKETCH FROM THE T ANG PERIOD. Ethnos 1950:3-4. Stockholm, pp b/w plate. 22x15 cm. Paper Moran, Sherwood F: KICHIJOTEN, A PAINTING OF THE NARA PERIOD. Artibus Asiae Vol. XXV, 4. Ascona, Pp b/w plates, 4 b/w text-figures. Appendix. 31x23 cm. Paper. Tear to top of spine Separatum. A detailed study of a single painting. Examines individual parts separately, e.g. eyebrows, object held in the hand, and discusses the effects of restoration. 457 Mote, Frederick: CONFUCIAN EREMITISM IN THE YUAN PERIOD. The Confucian Persuasion. Stanford, pp plus pp x16 cm. Paper Moule, A. C: THE BORE ON THE CH IEN-T ANG RIVER IN CHINA. T oung Pao. Leiden, pp and 5 pp. b/w plates. 24x16 cm. Paper Moule, A. C: A MANUSCRIPT CHINESE VERSION OF THE NEW TESTAMENT. (British Museum, Sloane 3599). Journal of the Royal Asiatic Society. London, pp b/w plates. 22x14 cm. Paper Offprint. Detailed description of an important manuscript in the collection of the British Library (formerly part of the Museum), the MS is a Chinese copyist s version of, according to Moule, an unfinished early translation and harmony of the New Testament into Chinese by the French Missionary Jean Basset M.E.P. who died in Moule, Rev. A. C: THE SIEGE OF SAIANFU AND THE MURDER OF ACHMACH BAILO (TWO CHAPTERS OF MARCO POLO). Journal of the North China Branch of the Royal Asiatic Society. Vol. LVIII. N.p., pp b/w plate. A few useful annotations. 24x15 cm. Paper Offprint. 461 Movius, Hallam L. Jr: PALEOLITHIC ARCHAEOLOGY IN SOUTHERN AND EASTERN ASIA, EXCLUSIVE OF INDIA. Journal of World History Vol. II Nos. 2 &3. Paris, pp & x16 cm. Paper Moyer, Raymond T: THE ARIDITY OF NORTH CHINA. Journal Royal Asiatic Society North China Branch. N.p, n.d. pp plus 5 pp. b/w plates, 1 b/w map. 24x15 cm. Paper Mullikin, Mary Augusta: CHINA S GREAT WALL OF SCULPTURE: MAN-HEWN CAVES AND COUNTLESS IMAGES FORM A COLOSSAL ART WONDER OF EARLY BUDDHISM. National Geographic: Issue unknown. Washington, n.d. (1930s). pp Numerous b/w illustrations. 26x18 cm. Paper Munsterberg, Hugo: AN ANTHROPOMORPHIC DEITY FROM ANCIENT CHINA. Oriental Art Vol. III No. 4. London, pp b/w illustrations. 31x23 cm. Paper Munsterberg, Hugo: THE COLLECTION OF CHINESE PAINTINGS IN THE CINCINNATI ART MUSEUM. Art Quarterly Winter N.p., pp b/w plates. 28x21 cm. Paper Murase Miyeko: FAREWELL PAINTINGS OF CHINA. Chinese Gifts to Japanese Visitors. Artibus Asiae Vol. XXXII. Ascona pp illustrations. 32x24 cm. Paper Offprint from Artibus Asiae Vol. XXXII. 467 MUSEUM OF KYUNG-POOK NATIONAL UNIVERSITY. Taegu, n.d. 31 pp. B/w illustrations throughout. 19x13 cm. Paper An introduction to the Museum s collections. English and Chinese texts. 468 Needham, Joseph: AN ARCHAEOLOGICAL STUDY-TOUR IN CHINA, Antiquity, XXXIII, London, pp x18 cm. Paper

29 LIST OFFPRINTS 469 Needham, Joseph: HUMAN LAW AND THE LAWS OF NATURE IN CHINA AND THE WEST. London, pp. 23x15 cm. Paper Inscription from author on cover. 470 Needham, Joseph et al: CHINESE ASTRONOMICAL CLOCKWORK. Nature Vol N.p., pp b/w illustrations. 21x15 cm. Self-covered Nelson, Susan: ON THROUGH TO THE BEYOND: THE PEACH BLOSSOM SPRING AS PARADISE. Archives of Asian Art Vol. XXXIX. New York, pp B/w illustrations. 31x23 cm. Paper Nelson, Susan: ROCKS BESIDE A RIVER: NI TSAN AND THE CHING-KUAN STYLE IN THE EYES OF SEVENTEENTH-CENTURY CRITICS. Archives of Asian Art Vol. XXXIII. New York, pp B/w illustrations. 31x23 cm. Paper Nelson, Susan: THREE CH ING CRITICS ON YUAN PAINTING AND THE IDEAL OF SPONTANEITY. Journal American Oriental Society N.p., pp B/w illustrations. 25x21 cm. Self-covered Neogy, Prithwish: AN IVORY GANESHA. Artibus Asiae Vol. XI, 1/2. Ascona, pp b/w plates. 31x23 cm. Paper. Creased Neumann, Dita: UNE PEINTURE DE SOU HAN-TCH EN DANS UN MUSEE DU MOSCOU. Revue des Arts Asiatiques. Paris, pp plus 4 pp. b/w plates. 29x22 cm. Paper Newall, W. H: FAMILY QUARRELS IN A NORTH MALAYAN TEOCHIU CHINESE VEGETABLE- GROWING COMMUNITY. American Anthropologist Vol. 59, No. 2. N.p., pp x16 cm. Paper Newton, Dr. Isaac: SOME COLOURED AND WHITE WARES FROM HUNAN. TOCS. London, n.d. pp plus 4 pp. b/w plates. 28x22 cm. Paper Offprint from the Transactions of the Oriental Ceramic Society of a paper read in Newton, Isaac: SOME CERAMIC WARES REPORTEDLY EXCAVATED NEAR CHANGSHA. Offprint Far Eastern Ceramics Bulletin. Boston, Pp. 4-12, 19 b/w illustrations on 4 plates. 29x22 cm. Paper Ceramic items dating from the late Zhou to early Song which arrived on the Hong Kong market from Changsha over the period Pal, Pratapaditya: THE AIDUKA OF THE VISNUDHARMOTTARAPURANA AND CERTAIN ASPECTS OF STUPA SYMBOLISM. Journal Indian Society of Oriental Art n.s. IV, part I. N.p., n.d. pp plus 2 pp. b/w plates. 28x22 cm. Paper Pei, W. C: AN ACCOUNT OF THE DISCOVERY OF AN ADULT SINANTHROPUS SKULL IN THE CHOU KOU TIEN DEPOSIT. Cenozoic Laboratory, Geological Survey of China. Bulletin Geological Society China Vol VIII No 3. Peiping, pp x19 cm. Paper Picken, Laurence: CHIANG K UEI S NINE SONGS FOR YUEH. Musical Quarterly Vol. XLIII: No. 2. N.p., pp x17 cm. Paper Picken, Laurence: THE MUSIC OF FAR EASTERN ASIA: 1. CHINA. The Music of Far Eastern Asia, Chapter II. N.p., n.d. pp x16 cm. Self-covered Picken, Laurence: THE MUSIC OF FAR EASTERN ASIA: 2. OTHER COUNTRIES. The Music of Far Eastern Asia, Chapter III. N.p., n.d. pp x16 cm. Self-covered Pieter, Meyers: A TECHNICAL STUDY OF BRONZES FROM THE ARTHUR M. SACKLER COLLECTIONS. Symposium: The Bronze Age of China, The Metropolitan Museum of Art. New York, n.d. 12 pp. 28x22 cm. Paper Plumer, James Marshall: LIVING CRAFTSMANSHIP IN JAPAN. Catholic Art Quarterly, Vol. XXII No. 2. Taunton, pp B/w illustrations. 27x20 cm. Paper Poor, Robert: EVOLUTION OF A SECULAR VESSEL TYPE. Oriental Art Vol. XIV. No. 2. N.p., pp B/w illustrations. 30x23 cm. Paper Poor, Robert: NOTES ON THE SUNG DYNASTY ARCHAEOLOGICAL CATALOGS. Archives Chinese Art Society of America XIX. Minnesota, pp b/w illustrations. 31x23 cm. Paper Poor, Robert: SOME SHANG AND WESTERN CHOU BRONZES. National Palace Museum Quarterly Vol. IV, 3. Taipei, n.d. pp. 1-8 in English. pp. 1-7 in Chinese (tear to one page). 1 pp. colour and 6 pp. b/w plates. 26x19 cm. Paper Pope, John A: LETTER FROM THE NEAR EAST. Harvard Journal of Asiatic Studies Vol. 13 Nos. 3/4. Harvard, pp plus 6 pp. b/w plates. 24x16 cm. Paper Pope, John A: SINOLOGY OR ART HISTORY: NOTES ON METHOD IN THE STUDY OF CHINESE ART. Harvard Journal of Asiatic Studies Vol. 10, 3/4. Harvard, pp and 2 pp. b/w plates. 24x16 cm. Paper

30 OFFPRINTS 30 HANSHAN TANG BOOKS 491 Princeton University: A STATUE OF KUAN-YIN: A PROBLEM IN SUNG SCULPTURE. Record Art Museum Princeton University Vol. XII. Princeton, pp. 26 b/w illustrations. 23x16 cm. Paper Prusek, Jaroslav: THE CREATIVE METHODS OF CHINESE MEDIAEVAL STORY-TELLERS. Unknown. Prague, n.d. pp x17 cm. Paper Prusek, Jaroslav: HISTORY AND EPICS IN CHINA AND IN THE WEST: A STUDY OF DIFFERENCES IN CONCEPTION OF THE HUMAN STORY. Offprint Diogenes 42. N.p., n.d. pp x15 cm. Paper Przyluski, J: L INFLUENCE IRANIENNE EN GRECE ET DANS L INDE. Revue de l Univeriste de Bruxelles No. 3. Bruxelles, pp x16 cm. Paper. Covers creased Przyluski, J: UN DIEU IRANIEN DANS L INDE. Rocznik Orientalistyczny VII. lvov, pp x16 cm. Paper Przyluski, Jean: LE PARTAGE DES RELIQUES DU BUDDHA. Melanges Chinois et Bouddhiques Iv. Bruxelles, pp x17 cm. Paper Pulleyblank, E. G: THE CHINESE NAME FOR THE TURKS. N.p, pp x21 cm. Paper Pulleyblank, Edwin G: CHINESE HISTORY AND WORLD HISTORY. Sarawak Museum Journal Vol. VII, No. 7. Kuching, pp x16 cm. Paper Pulleyblank, Edwin G: THE SHUN-TSUNG SHIH-LU. BSOAS, 1957, xix/2. London, pp x16 cm. Paper Rahder, J: CHI (JNANA) LA GNOSE BOUDDHIQUE. Extract: Hobogirin. Paris, pp x20 cm. Paper. Wear to cover Rahder, J: SAIKAKU S LIFE OF A VOLUPTUOUS WOMAN SECOND BOOK. Actorum Orientalium volumine XIII. N.p., n.d. pp x16 cm. Paper Reidemeister, L: A GRAVE STELE OF THE HAN PERIOD. Annual Report Portland Art Association. Oregon, pp. 6 b/w illustrations. 28x21 cm. Paper Reitlinger, Gerald: SULTANABAD. Classification and Chronology. TOCS N.p, pp. plus 5 pp. b/w plates. 28x22 cm. Paper Rhie, Marilyn. M: INTERRELATIONSHIPS BETWEEN THE BUDDHIST ART OF CHINA AND THE ART OF INDIA AND CENTRAL ASIA FROM A.D.. Annali Vol 48 fasc 1. Napoli, pp. plus 32 pp. b/w plates. 24x17 cm. Paper Rosenfield, John M: ON THE DATED CARVINGS OF SARNATH. Artibus Asiae Vol. XXVI, 1. Ascona, pp pp. b/w plates. 31x23 cm. Paper Roth, H. Ling: ON THE SIGNIFICATION OF COUVADE. Unknown. London, pp x14 cm. Paper Rowland, Benjamin: GANDHARA, ROME AND MATHURA: THE EARLY RELIEF STYLE. Archives Chinese Art Society of America. Harvard, pp b/w plates. 30x23 cm. Paper Rowland, Benjamin: INDIAN IMAGES IN CHINESE SCULPTURE. Artibus Asiae, vol. 10. Ascona, pp b/w illustrations. 30x23 cm. Paper Rowland, Benjamin: THE PROBLEM OF HUI TSUNG. Oriental Art. London, n.d. pp b/w illustrations. 30x21 cm. Self-covered Rowland, Benjamin Jr: CHINOISERIES IN T ANG ART. Artibus Asiae Vol. X, 4. Ascona, pp b/w illustrations. 31x23 cm. Paper Rowland, Benjamin Jr: HUI TSUNG AND HUANG CH UAN. Artibus Asiae Vol. XVII. Ascona, pp b/w plates. 31x23 cm. Paper Rudolph, Richard: A REVERSED CHINESE ART TERM. Journal American Oriental Society N.p., pp x21 cm. Paper Rudolph, Richard C: DYNASTIC BOOTY: AN ALTERED CHINESE BRONZE. Harvard Journal of Asiatic Studies Vol. 11, Nos. 1/2. Harvard, pp and 3 pp. b/w plates. 24x16 cm. Paper Rudolph, Richard C: EMU TANGGO ORIN SAKDAI-I GISUN SARKIYAN: AN UNEDITED MANCHU MANUSCRIPT. Journal of the American Oriental Society Vol. 60, No. 4. N.p., n.d. pp x16 cm. Paper Rudolph, Richard C: KUO PI, A YUAN ARTIST: AND HIS DIARY. Ars Orientalis III. Ann Arbor, pp and 10 pp. b/w plates 30x23 cm. Paper. Creased Offprint from Ars Orientalis III. 516 Rudolph, Richard C: NEWLY DISCOVERED CHINESE PAINTED TOMBS. Archaeology Vol. 18, No. 3. N.p., pp B/w illustrations. 27x21 cm. Paper. 8.00

31 LIST OFFPRINTS 517 Rudolph, Richard C: NOTES ON THE HAN DYNASTY RELIEFS AT NANYANG. Symposium in Honour of Dr. Li Chi. Taipei, pp plus 1 pp. b/w plates. 27x19 cm. Paper Rydh, Hanna: SEASONAL FERTILITY RITES AND THE DEATH CULT IN SCANDINAVIA AND CHINA. BMFEA No. 3. Stockholm, pp x19 cm. Paper Ryuzo Torii: A PEI WEI BUDDHIST CAVE TEMPLE AT HSIA-HUA-YUAN. No. 5 Read at a Conference December Peiping, pp Text drawings. 23x15 cm. Paper Salisbury, Edward E: THE GENUINENESS OF THE SO-CALLED NESTORIAN MONUMENT OF SINGAN-FU. Unknown. N.p, pp x15 cm. Paper Salmony, Alfred: A CHINESE BRONZE: AN EARLY WESTERN CHOU VESSEL. Art in America October N.p., pp b/w illustrations. 28x20 cm. Paper Salmony, Alfred: CHINESE PREHISTORIC PAINTED POTTERY. Mag. Buffalo Mus. Science, Vol. 26, no. 1. Buffalo, pp , 12 b/w illustrations. Bibliography. 23x15 cm. Paper Salmony, Alfred: COLLECTING ANCIENT CHINESE JADES. A Popular Hobby in China and Here. Hobbies, The Magazine of the Buffalo Museum of Science. New York, pp b/w illustrations. 23x15 cm. Paper Salmony, Alfred: EARLY CHINESE BRONZES. Technique, Usage, and Decoration. Hobbies, Vol. 25, no. 3. Buffalo, pp b/w illustrations. 23x15 cm. Paper Salmony, Alfred: EARLY CHINESE CERAMICS AS FUNERARY OFFERINGS. Late Eastern Chou and Han Tomb Figurines. Mag. Buffalo Mus. Science, Vol. 26, no. 2. Buffalo, (76-)86 pp. 20 illustrations. Bibliography. 23x16 cm. Paper Reprinted from the magazine of the Buffalo Museum of Science. Dr. Salmony demonstrates from the Museum s collection of funerary pottery that this genre of ceramic art originated in the Late Eastern Chou period. 526 Salmony, Alfred: AN IVORY CARVING FROM MALTA (SIBERIA) AND ITS SIGNIFICANCE. Artibus Asiae Vol. XI/4. Ascona, pp b/w plate. 31x23 cm. Paper Salmony, Alfred: MONUMENTAL CHINESE SCULPTURE. Offprint Hobbies Vol. 27, no. 4. Buffalo, (168-)175 pp. 11 b/w illustrations. Bibliography. 23x15 cm. Paper An offprint from the magazine of the Buffalo Museum of Science, which had recently acquired the von der Heydt collection of Chinese sculpture, here discussed with illustrations of masterpieces from the Wei to the Tang period. 528 Salmony, Alfred: ORIGIN AND AGE OF THE GRAZING ANIMAL. Silver Jubilee Volume Zinbun-Kagaku- Kenkyusyo. Kyoto, pp plus 2 pp. b/w plates. 26x18 cm. Paper Salmony, Alfred: THE PROBLEM OF PRE-ANYANG BRONZES. Unknown. N.p., n.d. pp. 1-7 plus 2 pp. b/w plates. 30x21 cm. Self-covered Salmony, Alfred: SOME PALAEOLITHIC IVORY-CARVINGS FROM MEZINE: AN ESSAY OF REINTERPRETATION. Artibus Asiae Vol. XII, 1/2. Ascona, pp B/w illustrations 31x23 cm. Paper Salmony, Alfred: WEI AND T ANG CHINESE CERAMICS AS FUNERARY OFFERINGS. Hobbies: Buffalo Museum of Science, vol. 26 no. 4. Buffalo, pp illustrations. 23x15 cm. Paper Offprint from Hobbies, the magazine of the Buffalo Museum of Science, vol. 26 no Schindler, Bruno: THE DEVELOPMENT OF THE CHINESE CONCEPTIONS OF SUPREME BEINGS. Asia Major Hirth Anniversary Volume. London, pp Map. 25x16 cm. Paper Schnell, Ivar: PREHISTORIC FINDS FROM THE ISLAND WORLD OF THE FAR EAST. Now Preserved in the Museum of Far Eastern Antiquities, Stockholm. BMFEA vol. 4. Stockholm, pp, 16 plates with many illustrations, bibliography. 26x19 cm. Paper Reprinted from the Bulletin of the Museum of Far Eastern Antiquities no. 4. The finds come from various sites, among them the shellmound at Ubayama, the Kurile Islands, Kamtchatka and others. 534 Schofield, W: A PROTOHISTORIC SITE AT SHEK PEK, LANTAU, HONGKONG. Proceedings of the 3rd Congress etc. Singapore, Pp plates, 1 folding. 29x20 cm. Paper Reprint from the Proceedings of the Third Congress of Prehistorians of the Far East. 535 Schroeder, Eric: AHMED MUSA AND SHAMS AL-DIN: A REVIEW OF FOURTEENTH CENTURY PAINTING. Ars Islamica Vol. VI, pt 2. N.p., pp plus 4 pp. b/w plates. 31x23 cm. Paper Schuster, Carl: JOINT MARKS. A Possible Index of Cultural Contact Between America, Oceania & Far East. Koninklijk Instituut voor de Tropen 94. Amsterdam, pp. 82 illustrations, map. 23x16 cm. Paper Schwidetzky, Ilse: TURANIDEN-STUDIEN. Mathematisch-Naturwisennschaftlichen Klasse Jahrgang 1950, Nr. 9. Wiesbaden, pp B/w illustrations and drawings. In German. 26x18 cm. Paper Seckel, Dietric & Brinker, Helmut: THE CLOISONNÉ MIRROR IN THE SHOSOIN: DATE AND PROVENANCE. Artibus Asiae Vol. XXXII. Ascona, pp pp. b/w plates. 31x23 cm. Paper

32 OFFPRINTS 32 HANSHAN TANG BOOKS 539 Seligman, C. G: EARLY POTTERY FROM SOUTHERN CHINA. OCS Transactions. London, n.d. pp plus 4 pp. b/w plates 26x16 cm. Paper Shih Chang-ju: KNEELING BURIALS AT THE YIN-SHANG SITES, HSIAO-T UN, ANYANG. Bull Inst. History and Philology Academia Sinica Vol. XXVI. Taipei, pp plus 10 pp. b/w plates. In Chinese. 26x19 cm. Paper Shih Hsio-Yen: A SURVEY OF NEOLITHIC SITES OF SOUTH-EAST CHINA. Journal of Oriental Studies Vol. XIV, No. 2. Hong Kong, pp x19 cm. Paper Shih, Hsio-Yen: HAN STONE RELIEFS FROM SHENSI PROVINCE. Archives Chinese Art Society of America, XIV. New York, pp B/w illustrations. 31x23 cm. Paper Shih, Vincent Y. C: THE IDEOLOGY OF THE TAIPING T IEN KUO. Sinologica Vol. 3. Nr. 1. Seattle, pp x17 cm. Paper Shih, Vincent Y. C: INTERPRETATIONS OF THE TAIPING TIEN-KUO BY NONCOMMUNIST CHINESE WRITERS. Far Eastern Quarterly Vol. X, No. 3. London, pp x17 cm. Self-covered Shirokogoroff, S. M: NORTHERN TUNGUS MIGRATIONS IN THE FAR EAST. (Goldi and their Ethnical Affinities). Journal of the North China Branch of the Royal Asiatic Society, Volume LVII, N.p., n.d. pp Folding map. 24x16 cm. Paper Offprint. An interesting study of these migratory people. 546 Silbergeld, Jerome: IN PRAISE OF GOVERNMENT:. Chao Yung s Painting Noble Steeds, and Late Yuan Politics. Artibus Asiae Vol. XLVI, 3. Ascona, Pp plates. Glossaries. 32x23 cm. Paper Offprint. Includes glossaries of Chinese texts, names and terms, authors and titles. 547 Simon, H. F: SOME REMARKS ON THE STRUCTURE OF THE VERB COMPLEX IN STANDARD CHINESE. BSOAS Vol. XXI/3. London, pp x16 cm. Paper Simon, H. F: TWO SUBSTANTIVAL COMPLEXES IN STANDARD CHINESE. BSOAS Vol. XV/2. London, pp x16 cm. Paper Sinor, Denis: UN VOYAGEUR DU TREIZIEME SIECLE: LE DOMINICAIN JULIEN DE HONGRIE. BSOAS Vol. XIV/3. London, pp x16 cm. Paper Sirén, Osvald: CHINESE SCULPTURES OF THE SUNG, LIAO AND CHIN DYNASTIES. BMFEA No. 14. Stockholm, pp and 12 pp. b/w plates. 26x19 cm. Paper Siren, Osvald: COMMENT LES CHINOIS ENVISAGENT L ART DE LA PEINTURE. Bulletin de l A.F.A.O No 16. Paris, pp Pencil annotations. 19x12 cm. Paper Siren, Osvald: PEINTURES CHINOISES RECEMMENT ACQUISES PAR LE NATIONALMUSEUM DE STOCKHOLM. Revue des Arts Asiatiques. Paris, pp plus 4 pp. b/w plates. 29x22 cm. Paper Siren, Osvald: LA SCULPTURE CHINOISE A L EXPOSITION DE L ORANGERIE. Revue des Arts Asiatiques Tome XI, Fasc. 1. Paris, pp. 1-8 plus 4 pp. b/w plates. 29x22 cm. Paper Sirén, Osvald: SU-TUNG-P O AS AN ART CRITIC. Geografiska Annaler Stockholm, pp x17 cm. Paper Smith, H: A PRELIMINARY REPORT ON BOTANICAL INVESTIGATION IN SOUTH AND CENTRAL SHANSI. China Journal of Science & Arts Vol III. Sweden, pp. plus 7 pp. b/w plates. 24x17 cm. Paper Smith, Lawrence: THE NEW JAPANESE GALLERIES, ETC. BM Magazine, Spring London, pp. 5-11; x21 cm. Paper An issue of the British Museum magazine with the article by Lawrence Smith and also Mark Jones on the interesting 1990 exhibition Fake? The Art of Deception. 557 Solomon, Richard H: AMERICA S REVOLUTIONARY ALLIANCE WITH COMMUNIST CHINA: PAROCHIALISM AND PARADOX IN SINO-AMERICAN RELATIONS. Asian Survey Vol. VII, No, 12. Ann Arbor, pp x14 cm. Paper Sommarstrom, Bo: THE SITE OF MA-KIA-YAO. BMFEA 28. Stockholm, pp plus 11 pp. b/w drawings and 60 pp. b/w plates. Folding map. 27x19 cm. Paper Soper, Alexander: A BUDDHIST TRAVELLING SHRINE IN AN INTERNATIONAL STYLE. East and West Vol. 15, Nos Rome, pp pp. b/w plates. 30x22 cm. Paper Soper, Alexander: EARLY CHINESE LANDSCAPE PAINTING. The Art Bulletin Vol. XXIII, No. 2. N.p., pp plus 6 pp. b/w plates. 31x23 cm. Paper Soper, Alexander: KING WU TING S VICTORY OVER THE REALMS OF DEMONS. Artibus Asiae Vol. XVII. Ascona, pp x24 cm. Paper Soper, Alexander: A NEW CHINESE TOMB DISCOVERY: THE EARLIEST REPRESENTATION OF A FAMOUS LITERARY THEME. Artibus Asiae Vol. XXIV, 2. Ascona, pp b/w plates. 32x24 cm. Paper

33 LIST OFFPRINTS 563 Soper, Alexander: A NINTH CENTURY LANDSCAPE PAINTING IN THE JAPANESE IMPERIAL PALACE AND SOME CHINESE PARALLELS. Artibus Asiae Vol. XXIX, 4. Ascona, pp b/w plates. 32x24 cm. Paper Soper, Alexander: NOTES ON HORYUJI AND THE SCULPTURE OF THE SUIKO PERIOD. The Art Bulletin Vol. XXXIII, No. 2. N.p., pp plus 3 pp. b/w plates. 31x23 cm. Paper Soper, Alexander: A PROBLEMATIC CHINESE BRONZE VESSEL: THE KU THAT WAS TOO GOOD TO BE TRUE. Artibus Asiae Vol. XXXII. Ascona, pp plus 4 pp. b/w plates. 32x24 cm. Paper Soper, Alexander: SOME LATE CHINESE BRONZE IMAGES (EIGHTH TO FOURTEENTH CENTURIES) IN THE AVERY BRUNDAGE COLLECTION... Artibus Asiae Vol. XXXI. Ascona, pp pp. b/w plates. 32x24 cm. Paper. Uncut Soper, Alexander C: EARLY, MIDDLE, AND LATE SHANG: A NOTE. Artibus Asiae XXVIII. Ascona, pp b/w plates. Appendix. 31x23 cm. Paper A support of Prof. Loehr s theories of the dating of various bronzes. 568 Soper, Alexander C: THE HERETICS CONFOUNDED. Artibus Asiae Vol. XVII. Ascona, pp b/w plate. 31x23 cm. Paper Soper, Alexander C: LIFE-MOTION AND THE SENSE OF SPACE IN EARLY CHINESE REPRESENTATIONAL ART. The Art Bulletin Vol. XXX, No. 3. N.p., pp plus 5 pp. b/w plates. 31x23 cm. Paper Soper, Alexander C: NORTHERN LIANG AND WEI IN KANSU. Artibus Asiae Vol. XXI,2. Ascona, pp , 19 b/w illustrations. 31x23 cm. Paper Offprint from Artibus Asiae Vol. XXI,2. An examination of Northern Liang and Wei remains and sites in Gansu province. Refers to Dunhuang, Wenwu Shan cave complex etc. 571 Soper, Alexander C: SOME TECHNICAL TERMS IN THE EARLY LITERATURE OF CHINESE PAINTING. Harvard Journal of Asiatic Studies Vol. 11, Nos. 1 and 2. Harvard, pp x16 cm. Paper Soper, Alexander C: A T ANG PARINIRVANA STELE. Artibus Asiae Vol. XXII, 1/2. Ascona, pp , 2 b/w plates. 31x23 cm. Paper Offprint from Artibus Asiae Vol. XXII,1/2. The stele under discussion stood in the Confucian shrine in Yishi in south-western Shanxi province. 573 Soper, Alexander C: A WEI STYLE BRONZE FROM CHEKIANG. Artibus Asiae Vol. XXIII, 3/4. Ascona, pp pp. b/w plates. 31x23 cm. Paper Sowerby, Arthur de Carle: CLAY FUNERARY FIGURINES OF THE PRE-HAN PERIOD IN CHINA. Journal of Oriental Studies Vol. 1 No 2. Hong Kong, 1954 pp and 1 b/w plate. 27x19 cm. Paper Offprint from Vol. I No. 2 of the Journal of Oriental Studies. 575 Sowerby, Arthur de Carle: THE NEOLITHIC POTTERY OF KANSU. Burial Urns and Other Vessels in the N. S. Brown Collection. The China Journal XXII/6. Shanghai, pp plus 4 pp. b/w plates and one coloured plate 25x17 cm. Paper. Becoming disbound Offprint from the China Journal Vol. XXII, No. 6, Staal. J. F: CORRELATIONS BETWEEN LANGUAGE AND LOGIC IN INDIAN THOUGHT. BSOAS Vol. XXIII, Part 1. London, pp x16 cm. Paper Stael-Holstein, Baron A. von: ON TWO RECENT RECONSTRUCTIONS OF A SANSKRIT HYMN TRANSLITERATED WITH CHINESE CHARACTERS IN THE X CENTURY A.D. Yenching Journal of Chinese Studies XVII. Peking, pp. 2 plates. With dedication from the author. 26x19 cm. Paper Sullivan, Michael: PICTORIAL ART AND THE ATTITUDE TOWARD NATURE IN ANCIENT CHINA. The Art Bulletin Vol. XXXVI, No. 1. N.p., pp plus 4 pp. b/w plates. 31x23 cm. Paper Sze Szeming: CHINA STUDENTS IN GREAT BRITAIN. China Society paper. London, pp. 25x16 cm. Paper Taddei, Maurizio: TAPA SARDAR. First Preliminary Report. East and West New Series Vol 18 Nos 1-2. Rome, pp plus 36 pp. b/w plates, 2 fold outs. 30x22 cm. Paper Tamburello, Adolfo: NOTE SULLE ORIGINI DELLA CIVILTA DEL BRONZO IN CINA. Cina 7. Rome, pp x17 cm. Paper Teilhard de Chardin, P: THE GEOLOGY OF THE WEICHANG AREA. Bulletin Geological Society of China No. 19. N.p, pp. b/w illustrations, 1 coloured fold out map. 26x19 cm. Paper Teilhard de Chardin, P: LES GRAVIERS PLISSES DE CHINE. Bull. de la Societe geologique de France 5 ser. t. Paris, pp plus 3 pp. b/w plates. In French. 25x17 cm. Paper

34 OFFPRINTS 34 HANSHAN TANG BOOKS 584 Teilhard de Chardin, P: QUELQUES OBSERVATIONS SUR LES TERRES JAUNES (LOESS) DE CHINE ET DE MONGOLIE. Livre Jubilaire..Centenaire...Societe Geologique de France. N.p., pp B/w drawings. 29x23 cm. Paper. Uncut Teilhard de Chardin, P: LE SINANTHROPUS DE PEKING: ETAT ACTUEL DE NOS CONNAISSANCES SUR LE FOSSILE ET SON GISEMENT. L Anthropologie. Paris, pp B/w illustrations and drawings. In French. 25x17 cm. Paper Teilhard de Chardin, P. & Pei, W. C: THE LITHIC INDUSTRY OF THE SINOANTHROPUS DEPOSITS IN CHOUKOUTIEN. Bulletin Geological Society of China Vol. XI, No. 4. Peking, pp plus 3 pp. b/w plates. 26x19 cm. Paper Teng, S. Y: A POLITICAL INTERPRETATION OF CHINESE REBELLIONS AND REVOLUTIONS. Tsing Hua Journal of Chinese Studies 1, No. 3. N.p, pp x18 cm. Paper Thorp, Robert L: THE DATE OF TOMB 5 AT YINXU, ANYANG. A Review Article. Artibus Asiae Vol. XLIII, 3. Ascona, 1981/82. Pp x24 cm. Paper Tokei, F: NOTES PROSODIQUES SUR QUELQUES CHANTS DE TRAVAIL CHINOIS. Acta Antiqua Academiae Scientiarum Hungaricae Tom VI, Fasc N.p., pp In French. 24x17 cm. Paper Tokei, F: SUR LE TERME NONG-FOU DENS LE CHE KING. Acta Antiqua Academiae Scientiarum Hungaricae Tom V, Fasc N.p., pp In French. 24x17 cm. Paper Torrance, T: NOTES ON THE CAVE TOMBS AND ANCIENT BURIAL MOUNDS OF WESTERN SZECHWAN. Journal of the West China Border Research Society, Vol. IV pp plus 11 pp. b/w plates 24x16 cm. Paper Trousdale, William: ROCK-ENGRAVINGS FROM THE TANG-I TIZAO IN CENTRAL AFGHANISTAN. East and West NS Vol. 15, Nos Rome, pp plus 4 pp. b/w plates. 30x21 cm. Paper Trubner, Henry: ASPECTS OF HAN PICTORIAL REPRESENTATION. Paper read by Mr. Henry Trubner on 12th September, TOCS. Vol. 33. London, pp. text. 15 plates. 28x22 cm. Paper Offprint. Deals with wall-painting, relief work, and bronzes. 594 Trubner, Henry: A BODHISATTVA FROM YUN-KANG. Art Quarterly Spring N.P., pp b/w plates. 28x22 cm. Paper Trubner, Henry: A BRONZE DAGGER-AXE. Artibus Asiae Vol. XXII, 1/2. Ascona, pp pp. b/w plates. Crease to top corner. 31x23 cm. Paper Trubner, Henry: A GANDHARA HEAD OF BUDDHA. Art Quarterly Autumn N.p., pp b/w plate. 28x21 cm. Paper Trubner, Henry: INDIVIDUALIST AND ECCENTRIC CHINESE PAINTERS. Oriental Art New Series, Vol. X, No. 3. N.p., pp pp. b/w plates. 31x22 cm. Paper Tsao, S. L: GYPSUM DEPOSIT OF P ING LU DISTRICT, SOUTH SHANSI. Bulletin Geological Society China Vol VIII No.4. Peiping, pp b/w illustrations, 1 fold out map. 25x19 cm. Paper Umehara Sueji: THE SECOND SET OF RITUAL VESSELS, PEN-CHIN, FROM PAO-CHI-HSIEN, SHAN- HSI PROVINCE. Unknown. N.p., pp and pp plus 5 pp. b/w plates. 26x18 cm. Paper Interesting offprint that is something of a detective story. Discusses the possible existence of a second (dispersed) set of Western Zhou bronze ritual vessels from Baoji in Shaanxi province, the first set having been discovered in 1901 and acquired by the Metropolitan Museum in By an authority on the subject. 15 pp. Japanese text, 5 pp. English text. 600 Umehara Sueji: STUDY OF THE BRONZE CH UN. Monumenta Serica XV, fasc. 1. Tokyo, pp plus 2 pp. b/w plates. 28x21 cm. Paper Umehara, Suyeji: THE NEWLY DISCOVERED TOMBS WITH WALL PAINTINGS OF THE KAO-KOU- LI DYNASTY. Archives Chinese Art Society of America VI. N,p pp b/w illustrations. 30x23 cm. Paper Unger, Ulrich: ZUR GRAMMATISCHEN DEUTUNG DER FRAGESATZE MIT AN SO. T oung Pao Vol. XLVII Livr Leiden, pp German text. 24x16 cm. Paper van Esbroeck, Guy: THE SO-CALLED ECLIPSE IN THE SHU-KING. 28th International Congress of Orientalists Canberra, pp and 4 foldout charts. 24x16 cm. Paper Various: OFFPRINTS: JOURNAL OF THE ROYAL ASIATIC SOCIETY. Journal Royal Asiatic society: Various. London, Various. c. 300 pp. 22x14 cm. Cloth Tweedie: Prehistory in Malaya; Winstedt: Indian Influence in the Malay World & Kingship and Enthronement in Malaya & An Undescribed Malay Version of the Ramayana & Nature in Malay Literature and Folk Verse & Old Malay Legal Digests and Malay Customary Law; Szczesniak: Penetration of the Copernican Theory into Feudal Japan & Japanese-Korean Wars in A.D and their Chronology & Notes on the Penetration of the Copernican Theory into China (17th-19th Centuries) ; Walsh: Lhasa; Lindsay: The Makara in Early Chinese Buddhist Sculpture; Gordine: A Lecture on the Sculpture of Indochina, Siam and Java; Martin: Chinghiz Khan s First Invasion of the Chin Empire & The Mongol Wars with Hsi Hsia ( ) & The Mongol Army; Hopkins: Symbols of Parentage in Archaic Chinese & The Shaman or Chinese Wu & The Bearskin A Chinese Epigraphic Puzzle & Sunlight and Moonshine; Mills: Notes on Early Chinese Voyages; Obituary Notices for Sir Aurel Stein, Paul Pelliot, George Eumorfopoulos plus various reviews of books.

35 LIST OFFPRINTS 605 Various: REPRINTS MISCELLANEOUS. Various. N.p., Various. c. 300 pp. 23x16 cm. Cloth Contains: Hirth: Western Appliances in the Chinese Printing Industry; Ware: Notes on the History of the Wei Shu & Transliterations of the Names of Chinese Buddhist Monks & The Wei Shu and the Sui Shu on Taoism; Chen: The Chief Problems of the Working-Class People in China; Goodrich: Early Prohibitions of Tobacco in China and Manchuria; Ross: The Mongols in China; Tsui: Mo Ni Chiao Hsia Pu Tsan The Lower (Second?) Sections of the Manichaean Hymns; Whymant: Chinese Coolie Songs; Maverick: Pierre Poivre Eighteenth Century Explorer of Southeast Asia & Hsu Kuang-ch i, A Chinese Authority on Agriculture. 606 Varron, A: THE EARLY HISTORY OF SILK. Ciba Review 11. New York, pp pp. b/w illustrations throughout. 24x17 cm. Paper Six articles on the early history of silk in ancient times. 607 von Dewall, Magdalene: DER GRABERVERBAND VON WU-KUAN-TS UN/ANYANG. Oriens Extremus Jahrgang 7, 2. Hamburg, pp In German. 25x17 cm. Paper von Dewall, Magdalene: NEW DATA ON EARLY CHOU FINDS: THEIR RELATIVE CHRONOLOGY IN HISTORICAL PERSPECTIVE. Symposium in Honor of Dr. Li Chi s 70th Birthday. Taipei, pp plus 8 folding b/w plates. 27x19 cm. Paper Voronina, V. L: CARYATIDS IN THE ARCHITECTURE OF CENTRAL ASIA. XXV International Congress Orientalists. Moscow, pp. 2 b/w text drawings. 20x13 cm. Paper Small pamphlet on the 8th century wooden caryatids discovered at Panjikent. 610 Wang Gungwu: CHINA AND SOUTH-EAST ASIA Studies in the Social History of China and South- East Asia. Cambridge, pp x14 cm. Self-covered Wang Sing-wu: THE ATTITUDE OF THE CH ING COURT TOWARD CHINESE EMIGRATION. Chinese Culture Vol. IX, No. 4. N.p., pp x19 cm. Paper Wang, C. T. and Wang Y. L: A STUDY OF GENERAL AND ECONOMIC GEOLOGY ALONG THE CHENG- T AI (SHANSI) RAILWAY. Bull Geol Survey China No.15. Peiping, pp plus 3 pp. b/w plates, 1 coloured fold out map. 27x19 cm. Paper Watson, William: THE FIVE STAGES OF SHANG. Art New Nov New York, pp b/w illustrations and 2 in colour. 30x23 cm. Paper Wei, Tingsen: THE ORIGIN OF RUSSIA ACCORDING TO CHINESE RECORDS. Chinese Culture: Issue Unknown. N.p., n.d. pp x18 cm. Paper Weidenreich, Franz: THE SINANTHROPUS POPULATION OF CHOUKOUTIEN (LOCALITY 1) WITH A PRELIMINARY REPORT ON NEW DISCOVERIES. Bulletin of the Geological Society of China Vol. XIV, No. 4. Peiping, pp plus 3 pp. b/w plates. 26x19 cm. Paper Welch, Holmes: BUDDHISM SINCE THE CULTURAL REVOLUTION. China Quarterly Oct-Dec London, pp x16 cm. Paper Wen Fong: CH I-YUN-SHENG-TUNG: VITALITY, HARMONIOUS MANNER AND ALIVENESS. Oriental Art Vol. XII. No. 3 Autumn N.p., pp x23 cm. Self-covered Wenley, A. G: CLEARING AUTUMN SKIES OVER MOUNTAINS AND VALLEYS : ATTRIBUTED TO KUO HSI. Archives Chinese Art Society X. New York, pp pp. b/w plates, 1 folding. 30x23 cm. Paper Wenley, A. G: A HSI TSUN FROM THE AVERY BRUNDAGE COLLECTION. Archives Chinese Art Society of America, VI. New York, pp plus 1 b/w plate. 31x23 cm. Paper A reprint from the Chinese Art Society of America, VI, Wenley, A. G: A NOTE ON THE SO-CALLED SUNG ACADEMY OF PAINTING. Harvard Journal of Asiatic Studies Vol. 6, No. 2. Harvard, pp x16 cm. Paper Wenley, A. G: A SPRAY OF BAMBOO BY WU CHEN. Archives Chinese Art Society America VIII. New York, pp b/w plate. 31x23 cm. Paper Wenley, Archibald G: A CHINESE SUI DYNASTY MIRROR. Artibus Asiae, Vol. XXV, 2/3. Ascona, pp pp. b/w plates. 33x24 cm. Paper Offprint from Artibus Asiae. 623 Whitaker, K. P. K: SOME NOTES ON THE AUTHORSHIP OF THE LII LING/SU WUU LETTERS I AND II. BSOAS XV/1 & 3. London, pp and pp vols. 25x16 cm. Paper Whitaker, K. P. K: SOME NOTES ON THE BACKGROUND AND DATE OF TSAUR JYR S (CAO ZHI S) POEM ON THE THREE GOOD COURTIERS TOGETHER WITH TSAUR JYR S SONG OF THE ILL- FATED LADY AND TSAUR JYR AND THE INTRODUCTION OF FANNBAI (FAN BEI) INTO CHINA. BSOAS Various. London, pp ; ; vols. 25x16 cm. Paper Whitfield, Roderick: THE IRON BRUSH. Chinese Rubbings from Engraved Stones. London, n.d. 21 pp. 30x21 cm. Paper Typed article. 626 Wilhelm, Hellmut: THE BACKGROUND OF TSENG KUO-FAN S IDEOLOGY. Asiatische Studien III, 3/4. N.p., n.d. pp x17 cm. Self-covered. 7.00

36 OFFPRINTS 36 HANSHAN TANG BOOKS 627 Wilhelm, Hellmut: THE PO-HSUEH HUNG-JU EXAMINATION OF Journal of the American Oriental Society Vol. 71, No. 1. New York, pp x21 cm. Paper Wilhem, Hellmut: THE FISHERMAN WITHOUT BAIT. Chinese Culture: Issue Unknown. Bern, pp x19 cm. Paper Wilkinson, H. P: CHINESE FAMILY NOMENCLATURE AND ITS SUPPOSED RELATION TO A PRIMITIVE GROUP-MARRIAGE. New China Review. Shanghai, pp Foldout table. 25x17 cm. Cloth Offprint. Pencil annotations. 630 Wilkinson, S: THE ROLE OF SUNG IN THE DEVELOPMENT OF MING PAINTING; AND THE RELATION OF THE CHE, WU, AND PROFESSIONAL SCHOOLS. Oriental Art Vol. XXI No. 2. N.p., pp x19 cm. Paper Wirgin, Jan: SOME CERAMIC WARES FROM CHI-CHOU. Offprint from BMFEA, 34. Stockholm, pp plus 24 pp. b/w plates 27x19 cm. Paper. Small bump to one corner Woo Ju-Kang: HUMAN FOSSILS FOUND IN CHINA AND THEIR SIGNIFICANCE IN HUMAN EVOLUTION. Scientia Sinica Vol. V, No. 2. Taipei, pp plus 6 pp. b/w plates. 26x19 cm. Paper Wortham, B. Hale: TRANSLATION OF BOOKS OF THE MARKANDEYA PURANA. Unknown. N.p., n.d. pp x15 cm. Paper Wright, Arthur F: BIOGRAPHY AND HAGIOGRAPHY: HUI-CHIAO S LIVES OF EMINENT MONKS. Silver Jubilee Vol. Zinbun-Kagaku-Kenkyusyo. Kyoto, pp x19 cm. Paper Wright, Arthur F: BUDDHISM AND CHINESE CULTURE. N.p., pp x17 cm. Paper Wright, Arthur F: FO-T U-TENG. Harvard Journal of Asiatic Studies Vol. 11, 3/4. Harvard, pp b/w plate. 24x16 cm. Paper Wright, Arthur F: STUDIES IN CHINESE CIVILIZATION. Journal of the History of Ideas Vol. XXI, No. 2. N.p., pp x18 cm. Paper Wright, Arthur F. et al: CHINESE REACTIONS TO IMPORTED IDEAS: A SYMPOSIUM. Journal of the History of Ideas Vol. XII No. 1. N.p., pp x17 cm. Paper Wu, James: THE IMPACT OF THE TAIPING REBELLION UPON THE MACHU FISCAL SYSTEM. Pacific Historical Review Vol. XIX, No. 3. N.p., pp x17 cm. Self-covered Wulsin, F: EXCAVATIONS AT TURENG TEPE, NEAR ASTERABAD. Bulletin of the American Institute for Persian Art and Archaeology. New York, pp. plus 20 pp. b/w plates. Map. 26x18 cm. Paper Xia Nai: THE EXCAVATION OF AN ANCIENT COPPER MINE AT TONGLUSHAN IN HUBEI. Symposium: The Bronze Age of China, The Metropolitan Museum of Art. New York, pp. 28x22 cm. Paper Yang Lien-sheng: BUDDHIST MONASTERIES AND FOUR MONEY-RAISING INSTITUTIONS IN CHINESE HISTORY. Harvard Journal of Asiatic Studies Vol. 13, Nos. 1/2. Harvard, pp x16 cm. Paper Yang Lien-sheng: FEMALE RULERS IN IMPERIAL CHINA. Harvard Journal of Asiatic Studies Vol. 23. Harvard, pp x16 cm. Paper Yang Lien-sheng: HOSTAGES IN CHINESE HISTORY. Harvard Journal of Asiatic Studies Vol. 15, Nos. 3/4. Harvard, pp x16 cm. Paper Yang Lien-sheng: SCHEDULES OF WORK AND REST IN IMPERIAL CHINA. Harvard Journal of Asiatic Studies Vol. 18, Nos. 3/4. Harvard, pp x16 cm. Paper Yang Lien-sheng: TOWARDS A STUDY OF DYNASTIC CONFIGURATIONS IN CHINESE HISTORY. Harvard Journal of Asiatic Studies Vol. 17, 3/4. Harvard, pp x16 cm. Paper Yetts, W. Perceval: BIRD SCRIPT ON ANCIENT CHINESE SWORDS. Journal of The Royal Asiatic Society. N.p, pp pp. b/w plate. 21x14 cm. Paper Yetts, W. Perceval: A DATABLE SHANG-YIN INSCRIPTION. Asia Major New Series Vol. I, Part I. London, pp pp. b/w plates. 25x16 cm. Paper Yetts, W. Perceval: AN EXHIBITION OF CHINESE BRONZES IN LONDON. Bulletin Vereeniging van Vrieden der Aziatische Kunst Nieuw Serie No 36. Amsterdam, pp B/w illustrations. 32x24 cm. Paper Yetts, W. Perceval: GEORGE EUMORFOPOULOS. Journal of the Royal Asiatic Society. Sussex, pp x14 cm. Boards Offprint. Obituary of Eumorfopoulos.

37 LIST OFFPRINTS 651 Yetts, W. Perceval: THE LEGEND OF CONFUCIUS. China Society paper. London, pp x16 cm. Paper. Slight wear to covers Yetts, W. Perceval: A NOTABLE CHINESE BRONZE. Journal Royal Asiatic Society. London, pp b/w plate. 22x14 cm. Paper Yetts, W. Perceval: RECENT FINDS NEAR AN-YANG. London, pp x14 cm. Paper Reprinted from the Journal of the Royal Asiatic Society, July, Yetts, W. Perceval: THE SHANG-YIN DYNASTY AND THE AN-YANG FINDS. Journal Royal Asiatic Society, July London, pp plus 4 pp. b/w plates, 1 map. 21x14 cm. Paper Yetts, W. Perceval: WEST AND EAST AND THE CHOU DYNASTY. China Society Occasional Papers No. 11. London, pp. 22x14 cm. Paper With a memoir of the author and a list of his published work relating to Chinese studies. 656 Yetts, W. Perceval & Hopkins, Lionel C: A CHINESE BRONZE RITUAL VESSEL. N.p, pp plus 2 pp/ b/w plates. 22x14 cm. Paper Discusses a jue (chueh) or ritual wine vessel in the collection of Captain E. G. Spencer-Churchill. 657 Zeisberger, Walter: CONTRIBUTIONS TO THE CULTURE-HISTORICAL POSITION OF SHANSI (CHINA). Collectanea Commiss. Synodal Vol. XI, No. 4. Peking, pp Folding map. 24x18 cm. Paper Zhang Changshou: WESTERN ZHOU BRONZE VESSELS DISCOVERED AT RUJIAZHUANG, BAOJI. Unknown. N.p, n.d. 14 pp. 28x22 cm. Paper FROM OUR STOCK 659 Alibaux, Henri: L INVENTION DE L IMPRIMERIE EN CHINE ET EN OCCIDENT. N.p., n.d. [19320s/30s]. 55 pp. B/w illustrations. Chronology, map. 32x24 cm. Original cloth with gilt title on front cover A rare account of the history of printing in China, with reference to the West. The title page states that a total of 110 copies were printed, 10 on papier de mûrier de Chine and 100 on European paper. This copy is from the longer run, but is unnumbered and bears an author s dedication to M. Mathieu Varille. In French. 660 Ancient Orient Museum: ARCHAIC SMILE. Tokyo, pp. Colour plates throughout. 25x21 cm. Paper Catalogue of an exhibition exploring the origins and distribution throughout Asia of the archaic smile found on sculpture and other forms of art from southern Europe through Asia to Japan and Korea. 88 exhibits from countries across Asia bearing this feature are illustrated in colour and discussed. Captions in English. Main text in Japanese. 661 ANYANG WENWU JINGHUA. Gems of Anyang s Cultural Relics. 安陽文物精華. Beijing, pp. Colour plates throughout. 30x23 cm. Cloth A well-illustrated survey of the objects and archaeology associated with the Shang capital. Text in both English and Chinese. 662 ARCHAEOLOGICAL PAPERS 1-2. Various places, 1950s. c. 200 pages each, some illustrations. 2 vols. 27x19 cm. Cloth Two bindings containing 30 articles and journals with Chinese archaeology, a few in English, by predominantly Jao Tsung-i and Tung Tso-pin, from Nanyang Xuebao, Dalu Zazhi, Xinya Shenghuo and others. Slight worming to frontpapers of volume 2, otherwise clean. Predominantly Chinese text. 663 Asiatic Society of Japan: TRANSACTIONS OF THE ASIATIC SOCIETY OF JAPAN: SECOND SERIES VOLS. I-XIX. Tokyo & London Various paginations. Few few vols. c.100 pp. then increasing to pp. per vol. 19 vols. 24x16 cm. Boards A complete run of the second series of this excellent periodical. Numerous erudite contributions by eminent scholars. Generally in good condition. Vol. II is loose in its covers, Vol. VIII is shaky in its covers and Vol. IX is detaching from covers but we have seen this in previous copies so, presumably, a production problem. The rest of the volumes are in good condition with some wear. Very scarce. 664 Avitabile, Gunhild: FROM THE DRAGON S TREASURE VOM SCHATZ DER DRACHEN. Chinese Porcelain From the 19 & 20th Centuries in the Weishaupt Collection. London, pp. 203 plates and illustrations in colour. 4 pp. marks. 22x24 cm. Cloth Catalogue of a major collection of porcelains of the later Qing period. Illustrated in full colour are 203 pieces of Imperial porcelain of the Jiaqing to Republican period ( ). An important contribution. The collection was exhibited in Frankfurt and Berlin in A number of annotations in ink. 665 Baker, Dwight Condo: T AI SHAN: AN ACCOUNT OF THE SACRED EASTERN PEAK OF CHINA. Shanghai, xx, 225 pp. Bibliography, indexes. 3 maps, 1 folding, 22 photos, many text drawings. 19x13 cm. Cloth Primarily a description of the landmarks encountered in the pilgrimage up the road to the summit of Tai Shan, a holy mountain from China s antiquity. Published by The Commercial Press in Shanghai. Fine copy of a scarce work. 666 Ball, J. Dyer: THINGS CHINESE. Or Notes Connected With China. Hong Kong & London, , 419, xiii pp. Plus errata slip. Index. 22x15 cm. Decorative cloth, slightly rubbed Very good copy of the first edition. This work soon became established as perhaps the best known dictionary or encyclopaedia of Chinese culture, society and history. Still extremely useful.

38 FROM OUR STOCK 38 HANSHAN TANG BOOKS 667 Bartholomew, Terese Tse: I-HSING WARE. With an Accompanying Essay The World in a Teapot by Wan-go H. C. Weng. New York, pp. Chronology, bibliography, maps, 156 illustrations including base marks. 28x22 cm. Paper Rare catalogue of the China House Gallery exhibition of sixty objects dating from the late 16th to the end of the 19th century. 668 Baumer, Christopher and Therese Weber: EASTERN TIBET. Bridging Tibet and China. Bangkok, pp. 257 colour and 11 b/w plates. 4 maps. 31x24 cm. Cloth A study of the culture of Eastern Tibet, which includes the historic territories of Kham and Ando, regarded as the cradle of Tibetan culture. First English edition. 669 Bawden, C. R: THE MONGOL CHRONICLE ALTAN TOBCI. Wiesbaden, pp. 25x18 cm. Paper The first English translation of this early historical work in the Mongol language. Offers a picture of the nature of Mongol life and society especially during the two centuries following the expulsion of the Mongol Yuan dynasty from China. Extensive annotations by the author. Uncut copy. 670 Benneville, James S. de: BAKEMONO YASHIKI. Tales of the Tokugawa II (The Haunted House). Yokohama, xii, 263 pp. 1 folded map. 24x16 cm. Japanese-style binding with toggles Legends retold from the Japanese by the author in Tales from the Edo Bancho and Bancho Sarayashiki. The folding map shows Edo Wan (Tokyo Bay): Map of Edo in Pre-Meiji Times. The pages are folded leaves in the Japanese style. A pleasingly-produced work. Scarce. 671 Benneville, James S. de: OGURI HANGWAN ICHIDAIKI. Tales of the Samurai. Yokohama, xx, 485 pp. 45 plates, 1 in colour. 3 folding maps. 24x16 cm. Decorative cloth. Japanese-style with toggles Being the Story of the Lives, the Adventures, and the Misadventures of the Hangwan-dai Kojirô Sukeshige and Terute-hime, his Wife. A redaction from the kôdan and chronicles of the Japanese originals. Scarce. 672 Berry-Hill, Henry & Sidney: CHINNERY AND CHINA COAST PAINTINGS. Leigh-on-Sea, pp. text. 1 colour plate, 142 illustrations. 29x22 cm. Cloth, dustjacket Limited edition of 600 copies. A complementary work to the author s George Chinnery, Artist of the China Coast, with new illustrative material. An extremely scarce work on Chinnery. 673 Birch, Cyril: CHINESE MYTHS AND FANTASIES. Oxford Myths and Legends. London, pp. Colour frontispiece, 7 fullpage colour illustrations, b/w text illustrations. 23x15 cm. Cloth Classic myths and legends from China translated by a well known academic writer on Chinese literature. Colour illustrations to front and rear endpapers. A good number of black-and-white text illustrations. All by Kiddell-Monroe. A fine copy with a delightful dustjacket in fine condition. All in all a very pleasing production. Now scarce. 674 Blunden, Caroline and Mark Elvin: THE CULTURAL ATLAS OF THE WORLD: CHINA. Oxford, pp. 204 colour and 171 b/w illustrations, 58 maps. Bibliography, gazetteer and index. 30x23 cm. Cloth Covers the history, geography, culture, symbols and society of China, both past and present. 675 Bolton, Kingsley W. and Christopher Hutton: A DICTIONARY OF CANTONESE SLANG. The Language of Hong Kong Movies, Street Gangs and City Life. London, xxiv, 492 pp. Bibliography, index. 24x17 cm. Cloth A pioneering description, analysis and reference work on Hong Kong popular speech, especially that of the triad-dominated underworld and subcultures of teenagers, movies and comics. In two parts, the first descriptive and the second a Cantonese-English dictionary, both by lecturers in comparative linguistics at the University of Hong Kong. First advertised by the publishers in 1999; published with far more material than originally promised. 676 Bonheur, Albert le: OF GODS, KINGS, AND MEN. Bas-reliefs of Angkor Wat and Bayon. London, pp. 100 colour plates. 20x30 cm. Paper First study of the bas-reliefs devoted to recording entire scenes up to 100 meters long, using a newly developed slit-scan photography technique. 677 Bowes, James L: NOTES ON SHIPPO. A Sequel to Japanese Enamels. London, xii, 110 pp. 3 photogravure plates. 29x20 cm. Half-cloth Notes on Japanese enamels and glass making. An early and famous contribution. 678 Bowie, Theodore: THE ANIMAL IN CHINESE AND JAPANESE ART. A Loan Exhibition. Bloomington, pp. 3 b/w illustrations. 15x23 cm. Paper Small catalogue of an exhibition at the Art Center, Indiana University. 679 Bowie, Theodore et al: ART OF THE SURIMONO. Indianapolis, pp. 111 exhibits, all illustrated, 8 in colour. Bibliography. Glossary. 26x22 cm. Paper Exhibition held at Indiana University Art Museum, Catalogue includes contributions by James T. Kenney and Fumiko Togasaki. Abrams D Brent, Peter: THE MONGOL EMPIRE. Genghis Khan: His Triumph and his Legacy. London, pp. 100 photographs, 8 colour plates, tables, index. 26x18 cm. Cloth A narrative of the rise of the Mongols. The book is illustrated with many pictures of contemporary representations of the Mongols and the peoples they conquered. Good copy with dustjacket. A scarce study. 681 Bretschneider, E: MAP OF CHINA AND THE SURROUNDING REGIONS. Compiled from the latest information. Shanghai, Folding map (linen-backed). 76x68 cm when unfolded. 18x14 cm. Boards Second revised edition.

39 LIST FROM OUR STOCK 682 Briggs, Lawrence Palmer: THE ANCIENT KHMER EMPIRE. Transactions of the American Philosophical Society 41:1. Philadelphia, pp. 58 plates and illustrations. 17 maps, 22 plans. 30x23 cm. Paper Reprint of 1951 edition. The major study on the Khmer culture. 683 Burling, Judith and Arthur: SOTATSU. New York, n.d. 17 pp. text. 29 pp. plates. 12 b/w, 1 fold out. 18x19 cm. Wrappers Small but useful introduction to the work of this famous Japanese artist. 684 Cambon, Pierre ed: HIDDEN AFGHANISTAN. London, pp. 423 illustrations, 359 in colour. 29x24 cm. Wrappers English version of the catalogue of an exhibition held at the Musée Guimet that shows lost treasures from the National Museum of Afghanistan in Kabul that were rediscovered a few years ago in vaults under the presidential palace including the Begram ivories and gold from Tillya-tepe. Well-illustrated and showing many superb early objects in various media. 685 Canton Municipal Com. Cultural Relics: GUANGZHOU CHUTU HANDAI TAOSHI. (Model Pottery Dwellings of the Han Dynasty Unearthed in Guangzhou). Beijing, pp., 79 b/w plates, and 15 diagrams. 26x18 cm. Paper Fascinating illustrations of the models found in Han tombs, with an appendix covering granaries, wells and kilns modelled in pottery. Compiled by the Canton Municipal Committee for Cultural Relics. In Chinese. 686 Castiglione, Giuseppe: LANG SHINING HUAJI. Collection of Paintings of Giuseppe Castiglione. 郎世寧畫集. Tianjin, pp. 120 pp. of colour plates. 38x27 cm. Cloth A fine overview of the works of the Qing dynasty Jesuit court painter Giuseppe Castiglione demonstrating the range of his talent. Paintings are predominantly from the National Palace Museum in Taibei and mainland Chinese collections. In Chinese only. 687 Ch en, K. K. S: BUDDHISM IN CHINA. A Historical Survey. Princeton, xii, 560 pp. Maps, table, glossary, Chinese names & titles, bibliography, index. 22x14 cm. Paper This work records the history and development of Buddhism in China: its basic teachings, its relationship to Indian Buddhism as well as to Neo-Confucianism and Taoism, its important adherents and its major movements. The major work on the subject. Paperback edition of the 1964 original. 688 Chandra, Pramod: INDIAN SCULPTURE FROM THE COLLECTION OF MR. AND MRS. EARL MORSE. Cambridge, pp. 38 plates. 23x16 cm. Paper exhibits, all illustrated and described at length. 689 CHANGPING ZHANGYING:YANSHAN NANLUDEQU CAOQI QINGTONG WENHUAYIZHI FAJUE BAOGAO. Excavation Report on the Early Bronze Age Site at the Southern Foot of Yanshan Mountain. 昌平張營 : 燕山南麓地區早期青銅文華遺址發掘報告. Beijing, , 2, 14, 5, 275 pp. 16 pp. colour & 24 pp. b/w plates. 2 foldouts. 27x19 cm. Boards Report on the large archaeological site at Zhangying in the Changping district of greater Beijing. The site contains abundant remains from the Xia through to the Tang and is important for establishing the bronze age chronology of the area. Brief one page abstract in English. Main text in Chinese. 690 Chen Chunsheng et al. ed: ZHONGGUO GU JIANZHU WENXIAN ZHINAN A Bibliography of Ancient Chinese Architecture 中國古建筑文獻指南 陳春生等編著. Beijing, xxiv, 586 pp. 27x19 cm. Boards Useful bibliography of works on ancient Chinese architecture, split into various sections: General, history and theory, capitals and cities, palace architecture, tombs, temples and monasteries, pagodas, bridges and much more. List of contents in English, otherwise Chinese only. 691 Chen Congzhou: ON CHINESE GARDENS. 沉園 陳從周著. Shanghai, pp. text and 32 pp. colour illustrations. 26x19 cm. Paper Sets out traditional concepts of Chinese garden design and puts forward new ideas by the author. A useful overview. In English and Chinese. 692 Chen Guang ed: YAN WENHUA YANJIU LUNWEN JI. (A Collection of Essays on the Culture of the Yan Kingdom). 燕文化研究論文集 陳光編. Beijing, , 436 pp. A number of b/w text illustrations. 26x18 cm. Paper Forty five papers on aspects of the archaeology and culture of the Yan Kingdom which flourished in ancient China in the area of modern-day Beijing. Text in Chinese. Out-of-print. 693 Chen Shengzeng: TAIWAN XIANGTONG ZHI MEI. (The Beauty of Taiwan Incense Holders). 臺灣香筒之美 陳盛增編著. Taoyuan, pp. Colour plates throughout. 30x22 cm. Boards Shows numerous examples of incense holders as used in the homes of ordinary people. The designs and materials are very much of a folk art nature pottery, earthenware, bamboo and wood. The holders date from the late Qing onwards. Text in Chinese. 694 Chen Zhongkai et al: XI AN BEILIN BOWUGUAN CANG BEIKE ZONGMU TIYAO. (A Summary of the Collection of Steles in the Xi an Forest of Steles Museum). 西安碑林博物館藏碑刻總目提要 陳忠凱等編著. Beijing, pp. 27x38 cm. Boards A tabulated and annotated listing of China s most extensive collection of stone inscriptions, reflecting its holdings as of the end of 2005 and including those inscribed stones in the collection with text (as opposed to those with imagery only). Divided into five parts: Stelae (including stelae with carved line drawings); Funerary inscriptions; Statuary (restricted to sculptures bearing some form of textual inscription); Inscribed renditions of the Chinese Classics; and Items added to the collection in 2005.

40 FROM OUR STOCK 40 HANSHAN TANG BOOKS Provides an essential reference guide to this collection which is important both for the primary historical material it contains and also for its art historical significance as the repository of record for much of China s finest calligraphy. This work also compliments the monumental publication of actual reproductions of rubbings from the Beilin, in the 200-volume Xi an Beilin Quanji. In Chinese. 695 Chengdu Archaeology Bureau ed: CHENGDU KAOGU FAXIAN (2004). (Archaeological Discoveries in Chengdu in 2004). 成都考古發現 Beijing, , 509 pp. text plus 16 pp. colour plates. Numerous b/w text illustrations and drawings. 1 foldout. 26x18 cm. Paper essays on archaeological discoveries and investigations undertaken in the Chengdu region of Sichuan in Very detailed. Text in Chinese only. 696 Chiao-min Hsieh: TAIWAN ILHA FORMOSA. A Geography in Perspective. America, n.d. 372 pp. some b/w illustrations. 21x15 cm. Cloth, dustjacket Good and detailed survey and including such topics as climate, mineral resources, agriculture and much more. 697 Chiba City Art Museum: URAGAMI GYOKUDO. Chiba, pp. 223 pp. colour and b/w plates. 24x19 cm. Paper Catalogue of a large exhibition at the Chiba City Museum of Art showing 237 paintings, screens, albums and other objects demonstrating the entire range and artistic output of the Nanga painter Uragami Gyokudo, ( ). Some of the exhibits were on public display for the first time. Include pages showing signatures and seals. Illustrated throughout. In Japanese. 698 China Art: REGIONAL FURNITURE. Hong Kong, pp. Colour illustrations throughout. 28x21 cm. Wrappers Dealer s catalogue showing a selection of food pieces of regional Chinese furniture. Dual texts in Chinese and English. 699 THE CHINESE TRAVELLER. Containing a geographical, commercial, and political history of China... London, viii, 267; iv, 299 pp. Engraved frontispiece of Confucius to vol. I plus 2 folded engraved plates. Folding map of China as frontispiece to vol. II plus one folding engraved plate. 2 vols. 19x12 cm. Contemporary full calf. New gilt leather to spines First published in 1772, this is the second enlarged and corrected edition. The full and lengthy title is as follows: The Chinese Traveller. Containing a geographical, commercial, and political history of China. With a particular account of their customs, manners, religion, agriculture, government, arts, sciences, ceremonies, buildings, language, physick, trade, manufactures, shipping, plants, trees, beasts, birds, &c. &c. To which is prefixed, the life of Confucius, the celebrated Chinese philosopher. Collected from Du Halde, Le Compte, and other modern travellers. Cordier I.54; Lowendahl item 584. Retaining original calf covers. Spines rebacked in new gilt leather. Worming to bottom margin of volume II. Text not affected. Otherwise a good clean copy. 700 Cobbold, George A: RELIGION IN JAPAN. Shintoism Buddhism Christianity. London, pp. 9 b/w plates. 1 map, 1 plan. 17x12 cm. Cloth An early but still useful guide to the religions of Japan, both native and imported. 701 Cohen, Paul A: HISTORY IN THREE KEYS. The Boxers as Event, Experience, and Myth. New York, pp. 34 b/w illustrations. Notes, glossary, bibliography, index. 24x16 cm. Cloth The author approaches the Boxer rebellion from three distinct points of view: as an historical narrative, as a contemporary experience of the Chinese people, and as a living myth in recent and continuing Chinese history. This makes for a fascinating treatment. 702 Conner, Patrick: GEORGE CHINNERY. Woodbridge, pp. 302 illustrations, 113 in colour. 28x22 cm. Cloth An original and well-researched study of this unique British artist who spent most of his working life in the Far East. A highly readable and generously illustrated evaluation of a fine artist. 703 Cox, John Hadley: CHINESE BUDDHIST BRONZES. A Loan Exhibition. Ann Arbor, pp. plus 23 pp b/w plates. 23x15 cm. Paper An exhibition catalogue of 100 pieces in the Museum of Art, University of Michigan. 704 Crossley, Pamela Kyle: ORPHAN WARRIORS. Three Manchu Generations and the End of the Qing World. Princeton, xiii, 328 pp. 2 maps. 24x16 cm. Cloth The first attempt to understand the social and cultural life of the Manchu bannermen within the context of the decay of the last imperial dynasty. 705 Culin, Stewart: CHESS AND PLAYING-CARDS. Washington, pp plates, some in colour. 226 text-figures. 24x15 cm. Original gilt cloth Catalogue of games and implements for divination exhibited by the US National Museum in connection with the department of archaeology and palaeontology of the University of Pennsylvania. With considerable material on the Far East. This sought-after work is, here, contained within a copy of the Annual Report of the Smithsonian Institution, It has the original binding, slightly worn and quite firm given its age and weight of the text pages. 706 Cultural Relics Bureau of Hebei Province: MANCHENG HAN MU. Han Tombs in Mancheng County: Cream of Cultural Relics of Hebei Province. 滿城漢墓. Guangzhou, pp. Colour plates throughout. 28x21 cm. Wrappers Survey of the artefacts excavated in 1968 at Han tombs at Mancheng, Hebei province which constitute one of the most important archaeological finds made in China. Superb bronze, gold and jade objects. Illustrated throughout. Dual texts in Chinese and English. 707 Curtis, Julia ed: TRADE TASTE AND TRANSFORMATION: JINGDEZHEN PORCELAIN FOR JAPAN New York, pp. Numerous colour illustrations. 28x22 cm. Boards Catalogue of an excellent exhibition focusing on a particularly interesting period of Chinese ceramic production when political and economic uncertainty in China forced manufacturers to look abroad for markets. Showing over 100 examples, the exhibition examines how Chinese porcelains adapted to the demands of the Japanese market. All exhibits illustrated and accompanied by an excellent text.

41 LIST FROM OUR STOCK 708 Dartington Hall: CHINESE ART CATALOGUE. Dartington Hall Summer Exhibition. London, pp. plus 4 pp. b/w plates. 18x11 cm. Paper Catalogue of a little-known exhibition of Chinese art at Dartington Hall near Plymouth, Devon. Whilst little-illustrated, of interest as the names of all lenders are given alongside the brief descriptions of exhibits. Scarce. 709 Debenham & Freebody s Galleries: A CATALOGUE OF A FEW SPECIMENS OF OLD BLUE AND WHITE NANKIN AND ENAMELLED PORCELAIN. London, n.d. 12 pp. plus 6 pp. b/w plates, 2 in colour. 26x16 cm. Paper Undated, but probably late 19th century, catalogue of Qing dynasty ceramics. Each plate shows a number of objects. The two colour plates are lithographic and show blue-and-white. Rare. 710 Dewey, Carol McCurdy: CHINESE LIFE RHYTHMS. Tientsin, c pp. Many b/w text illustrations. 22x14 cm. Patterned silk with some fading A collection of 60 poems. The author lived in the small walled city of Changli in northern China and these verses relate the impressions and experiences of her life there. The poems range in content from The Ancient Pagoda, The Knife Sharpener and Whistling Pigeons to Gobi Dust, The Taoist Priest, The Morphine Addict and The Cave of the Fairies. The work is enhanced by pleasing black-and-white text drawings, contributed by the author s 14 year old son. Fourth edition, revised and enlarged. Published by the little-known Chihli Press. Presumably, the author was a missionary as the inside front cover has the bookplate of the Baptist Missionary Society. A rare little thing. Please see cover image. 711 A DICTIONARY OF CULTURE AND ARCHAEOLOGY: ENGLISH-CHINESE, CHINESE-ENGLISH. Ying Han, Han Ying Wenhua Kaogu Cidian. 英漢 漢英文化考古辭典. Beijing, , 628 pp. Many text figures and illustrated tables. Appendixes, indexes, bibliography. 19x14 cm. Boards Useful, handy-size, single-volume dictionary containing two-way translations of many of the difficult-to-find art and archaeology terms which polyglot collectors will need to have on the tips of their tongues. Includes a number of appendixes: a chronology of major archaeological discoveries; major historical monuments under state protection, etc. Out-of-print and, unsurprisingly, hard-to-find. 712 DICTIONNAIRE CHINOIS-FRANÇAIS DE LA LANGUE MANDARINE PARLÉE DANS L OUEST DE LA CHINE AVEC UN VOCABULAIRE FRANÇAIS-CHINOIS. Hong Kong, xiv pp., 1 f., 736 pp. printed in double columns with characters and romanization. 26x19 cm. Half calf (broken, needs rebinding) Prepared by and mainly intended for French missionaries working in Sichuan. Spine and binding in poor condition; one or two neat ink annotations. Published by Societe des Missions Etrangeres. Cordier Rare. 713 Ecke, Gustav: CHINESE PAINTING IN HAWAII. In the Honolulu Academy of Arts and in Private Collections. Honolulu, xviii, 407 pp. Many figures & illustrations. Bibliography. 3 vols. 31x25 cm. Cloth, cloth slipcase One volume text with commentaries on the paintings illustrated by c. 40 fullpage plates in colour, collotype & halftone; 2 portfolios contain hinged collotype plates. Edition limited to 500 numbered sets. 714 Edo-Tokyo Museum: SPECIAL EXHIBITION: MARUYAMA OKYO: SHASEIGA CHALLENGING A NEW FRONTIER. Tokyo, pp. Numerous colour plates throughout showing 120 works in full and in detail. 3 colour foldouts. B/w text illustrations. 30x21 cm. Paper Catalogue of a major exhibition of Maruyama Okyo, the founder of the realist school of painting in the Edo that became a dominant force. Major paintings from Japanese collections are supplemented by overseas loans. All 120 works are reproduced in colour with close-up detail. There are also five pages of seals and signatures. Three page English plate list, otherwise texts in Japanese. 715 Egerton, Clement: THE GOLDEN LOTUS. A Translation, from the Chinese original, of the novel Chin P ing Mei. London, pp. 4 vols. 22x15 cm. Cloth, dustjackets The greatest novel of physical love which China has produced. The Golden Lotus is a picture of family life in a polygamous household, told without attempt to excite disgust, sympathy or admiration. The first complete translation. Uniform 1957 reprinting of the book first issued 1939, with dustjackets, very slightly worn, ex-library, minimal, tiny stamps inside front covers otherwise clean and very good. 716 Equine Museum of Japan: ILLUSTRATIONS OF HORSES IN THE CHINESE NOVEL THE ROMANCE OF THE THREE KINGDOMS. N.p pp. Colour illustrations throughout. 21x30 cm. Paper Brings together various Chinese and Japanese editions of the novel San Guo Zhi (Romance of the Three Kingdoms) plus ukiyo-e, Japanese paintings, screens and handscrolls (plus a few excavated artefacts) depicting horses in this famous Chinese novel. Serves as a survey of art associated with the novel. In Japanese. 717 Ezermand, J. L. J. F: AN ALPHABETICAL LIST OF THE CHINESE AND JAPANESE EMPERORS. Leyden, pp. Boards. 28x18 cm. Later boards An early alphabetical listing of emperors, nianhao and dates with Wade-Giles style romanization. Rebound. 718 Fiskesjö, Magnus and Martin Svensson Ekström ed: BULLETIN (NO. 74) OF THE MUSEUM OF FAR EASTERN ANTIQUITIES. Stockholm, 2002 [2004]. 296 pp. Numerous illustrations (some colour), text drawings. 27x19 cm. Paper Featuring recent research on early China, this issue edited by M. S. Ekström and focusing on Orality and Inscription. Contents: Bottéro, Revisiting the wen and the zi ; Venture, L écriture et la communication avec les esprits in Chine ancienne ; Espesset, Revelation between Orality and Writing in Early Imperial China ; Ekström, Inscription and Re-reading ; Volelsang, Inscriptions and Proclamations ; Li feng, Literacy Crossing Cultural Borders ; Schaab-Henke, The Prophecy Flattering the Emperor Wu. 719 Fiskesjö, Magnus and Martin Svensson Ekström ed: BULLETIN OF THE MUSEUM OF FAR EASTERN ANTIQUITIES NO. 76. Stockholm, 2004 [2006]. 188 pp. 27x19 cm. Paper Five detailed papers on aspects of Chinese and Japanese culture.

42 FROM OUR STOCK 42 HANSHAN TANG BOOKS 720 Flow, K: THE CHINESE ENCOUNTER WITH OPIUM. Dreams of Colored Clouds and Orchid Fragrance. Taibei, pp. Colour plates throughout. 29x21 cm. Cloth Copiously-illustrated and completely fascinating in-depth study of the culture and use of opium in China. This is undoubtedly the best visual reference we have seen on the subject with thousands of objects shown. Includes early photographs of opium smokers, opium dens and poppy fields through to associated advertisements and other illustration, including some erotica. Hundreds of pipe bowls and many, many other paraphernalia and smoking equipment are also illustrated. The work is divided into three main sections: Opium and China; Opium Smoking; Paraphernalia of Opium Smoking. Recommended. 721 Fujiwara, Chieko: ILLUSTRATIONS OF YOSHIWARA IN UKIYO-E PRINTS. Tokyo, pp. Colour (predominantly) and b/w illustrations throughout. 21x16 cm. Paper A comprehensive illustrated survey of the depiction of Yoshiwara (the brothel or pleasure quarter of Tokyo) in ukiyo-e prints. Shows places and people, focussing on the women of pleasure who worked in the area, their life, customs and manners. Illustrated throughout. In Japanese. 722 Gan Bao; Huang Diming and Ding Wangdao trans: ANECDOTES ABOUT SPIRITS AND IMMORTALS. Sou Shen Ji. 搜神記 干寶著 ; 黃滌明校譯 ; 丁往道英譯. Library of Chinese Classics. Beijing, ; pp. 2 vols. 24x16 cm. Cloth A treasure house of Chinese folklore prior to the third century A.D. compiled by Gan Bao, a historian of the Eastern Jin Dynasty. Parallel texts with the original classical Chinese alongside translations into modern Chinese and English. 723 Gans-Ruedin, E: LE TAPIS DES INDES. (Carpets of India). Fribourg, pp. 30 b/w photos, 120 colour plates. 124 diagrams, 1 map. Glossary, bibliography, index. 26x26 cm. Cloth A survey of the splendid knotted carpet-making in South Asia from the fifteenth century up until the nineteenth, including work from the Mughal era. In French. 724 Gao Qipei, Yang Renkai ed: GAO QIPEI HUAJI. (A Collection of Paintings by Gao Qipei). Shanghai, , 2, 21 pp. Chinese text. 1 p. English foreword. 170 plates, including 42 colour. 38x27 cm. Cloth A well-illustrated conspectus of work by the seventeenth century painter, particularly known for his excellent figure painting. Published for the 40th anniversary of Liaoning Provincial Museum, in Gao s native province. 725 Gao Yanqing ed: NEIMENGGU ZHENBAO. (Treasures of Inner Mongolia). 內蒙古珍寶. Hohhot, Various paginations ranging from pp. Colour plates throughout each volume. 6 vols. 38x27 cm. Cloth An excellent set of six volumes illustrating the cultural treasures of Inner Mongolia and including much excavated material. The volumes cover the following topics: Folk Art, Gold & Silver; Various Works of Art; Ceramics; Jade and Objects in Stone; Bronzes. The high-quality artefacts illustrated date from earliest times through to the near present day depending on the subject and are held in museums in Inner Mongolia. Colour plates throughout each volume. Introductions and list of plates to each volume in English. Main text in Chinese. Very hard to obtain. 726 Gardiner, K. H. J: THE EARLY HISTORY OF KOREA. The Historical Development of the Peninsula up to the Introduction of Buddhism in the Fourth Century A.D.. Canberra, pp. Some b/w illustrations. 24x16 cm. Wrappers Gingell, William R. trans: THE CEREMONIAL USAGES OF THE CHINESE B.C As Prescribed in the Institutes of the Chow Dynasty Strung as Pearls or Chow Le Kwan Choo. London, ii, 107 pp. index. B/w text drawings. 26x18 cm. Decorative cloth Being an abridgement of the Chow Le classic by Hoo Peih Seang (designated Mung Chew). Now known as the Zhou Li Guan Zhu. With a number of text drawings of ritual objects. Blind stamped cloth bearing the image of a pagoda. Gilt spine. A very rare, early translation work in excellent condition. 728 Goepper, Roger et al: KOREA: DIE ALTEN KÖNIGREICHE. (Korea: The Ancient Kingdom). Munich, pp. Colour and b/w illustrations throughout. 28x24 cm. Cloth Catalogue of an exhibition held at Villa Hugel in Essen. Fine objects from all periods of Korean history and culture. Well-written text. In German only. 729 Graham, J. Patricia: FAITH AND POWER IN JAPANESE BUDDHIST ART, Honolulu, viii, 2, 355 pp. A number of colour and b/w plates. 26x18 cm. Cloth Explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this change. 730 Grilli, Elise: JAPANESE PICTURE SCROLLS. New York, n.d. 24 pp. text, 19 plates in colour, 8 in b/w. 18x19 cm. Cloth Brief but useful illustrated introduction to Japanese picture scrolls. 731 Griswold, A. B: TOWARDS A HISTORY OF SUKHODAYA ART. Bangkok, pp. text and 38 pp. b/w plates and 4 pp. maps. 25x19 cm. Paper A useful contribution.

43 LIST FROM OUR STOCK 732 Guerin, Nicol & van Oenen, Dick: THAI CERAMIC ART: THE THREE RELIGIONS. Singapore, pp. 830 colour plates plus b/w line drawings. 30x22 cm. Cloth A detailed and copiously-illustrated study on the 14th-16th century Thai ceramic wares used in local Buddhist, Brahman and animist religious ceremonies. Approached from an art historical perspective. 733 Gulik, Robert van trans: CRIME AND PUNISHMENT IN ANCIENT CHINA. The Tang-Yin-Pi-Shih. Bangkok, xiv, 198 pp. Index. 26x19 cm. Cloth The Tang-Yin-Pi-Shih is a record of 144 ancient Chinese criminal and civil court cases ranging from 300 BC to the Song dynasty. It has long served as a reference and guide to judges in China who were usually appointed from the scholar-official corpus and who had little legal training. Van Gulik provides an entertaining translation of the work and van Gulik fans will see the work as an inspiration for the Judge Dee novels. New edition based on the original Leiden, Guo Daiheng ed: QIANLONG YUPIN YUANMINGYUAN. (The Qianlong Emperor and Yuanmingyuan). 乾隆御品圓明園 郭黛姮編著. Hangzhou, 283 pp. Colour illustrations and architectural drawings throughout. 3 foldouts. 25x18 cm. Wrappers A study of the influence of the Qianlong emperor on the imperial gardens of Yuanmingyuan outside Beijing. Examines the buildings and other structures he ordered built and their surroundings. Illustrated throughout. Of note for the many detailed architectural drawings. In Chinese. 735 Hagiwara, Hidesaburo & Suto, Isao: NIHON SHUKYO MINZOKU ZUTEN. (An Illustrated Compendium of Japanese Religious Life and Customs). Kyoto, ; 174; 174; 23 pp. B/w photographs throughout volumes vols. 26x19 cm. Cloth A three volume work (plus index) depicting all aspects and activities of Japanese religious life and customs. The photographs were taken at the beginning of the 1980s, giving them a pleasingly dated feel. Illustrated throughout with black-and-white photography. In Japanese. 736 Hajek, Lubor and Kesner, Ladislav: CINSKE HROBOVE FIGURY. Prague, pp. 134 illustrations, 9 in colour, text figs. 24x17 cm. Paper A catalogue of the collection of seldom-published Chinese grave figures in the National Gallery, Prague. Covers the periods Han through Tang. List of catalogue items and resume in English. Main text in Czech. 737 HAN TANG BIHUA. Murals from the Han to the Tang Dynasty. Beijing, pp. text. 96 plates, most in colour. 33x27 cm. Cloth From various tombs throughout China. Main text in Chinese. Lacking the English summary in separate leaflet. 738 Handlin Smith, J: THE ART OF DOING GOOD. Charity in Late Ming China. Berkeley, xiii, 2, 405 pp. 2 maps. 24x16 cm. Cloth An original study that comprehensively covers the subject, moving from discussions about moral leadership and beliefs to the scrutiny of the daily operation of soup kitchens and medical dispensaries. 739 Hara Shinkichi: DIE MEISTER DER JAPANISCHEN SCHWERTZIERATEN. Hamburg, xxvi, 291 pp. 204 objects illustrated on 80 plates. 27x19 cm. Paper Second, totally revised and expanded edition, of a rare and famous work on Japanese tsuba makers. An illustrated supplement to this work was published in Text in German. 740 Harris, Victor and Kazuo Goto ed: WILLIAM GOWLAND: THE FATHER OF JAPANESE ARCHAEOLOGY. London, pp. B/w illustrations throughout. 30x23 cm. Cloth Gowland worked in Japan in the late 19th century, making significant discoveries and bringing the field of Japanese archaeology to the world s attention. This is a record of his career and discoveries. Dual English and Japanese texts. 741 Haskins, J. F: CH ANG-SHA. The Art of the Peoples of Ch u. 5th-3rd Centuries B.C. New York, pp. plus 4 pp b/w plates with 7 illustrations. 23x15 cm. Paper The Chu style has come to be recognised as one of the most brilliant in early Chinese art, and is distinguished by its fluidity of line and flair of colour and design. Early Chinese Art Society exhibition catalogue. 742 Hawley, W. M: HONCHO BUKI MEIKAN: YAHAGISAWA SHOSUKE. Woodblock Edition of 1854; Handbook of Military Items Armor, Guns, Bows, Swords, Saddles. Hollywood, pp. b/w illustrations throughout. 28x22 cm. Paper Hayashi Collection: OBJETS D ART DU JAPON ET DE LA CHINE. Peintures, livres réunis par T. Hayashi. Paris, pp. 27x20 cm. Paper. Loss to top of spine Drouot sale catalogue. First catalogue of 3 sales, this held in January, 1902, featuring one of the major collections of Japanese art at this period. Not illustrated. In French. Rare. 744 Hayashi Collection: OBJETS D ART ET PEINTURES DE LA CHINE ET DU JAPON. Deuxiéme Partie. Paris, pp. 27x19 cm. Paper. Loss to top of spine Drouot auction catalogue. Second part of 3 sales, this was held in February 1903, featuring one of the major collections of Japanese art at this period. Including sculpture, ceramics, metalwork, netsuke and paintings. Not illustrated. In French. Rare. 745 Hayashi Ryoichi: THE SILK ROAD AND THE SHOSO-IN. Heibonsha Survey of Japanese Art Vol. 6. Tokyo, pp. 39 colour plates, over 150 b/w illustrations & plates, folding map. 24x19 cm. Cloth Describes treasures stored in the 8th century Shoso-in repository in Japan which originated from countries along the Silk Road: notably Greece, Persia, India, and China.

44 FROM OUR STOCK 44 HANSHAN TANG BOOKS 746 HISTORICAL TRUTH, HISTORICAL CRITICISM AND IDEOLOGY. Chinese Historiography and Historical Culture from a New Comparative Perspective. Leiden, xxvi, 494 pp. 25x17 cm. Cloth Discusses the issues of historical truth, historical comment and criticism together with ideology. These three are examined in the context of Chinese historical thinking and comparisons are drawn with similar topics in the West. 747 Ho Wing Meng: STRAITS CHINESE SILVER. A Collector s Guide. Singapore, pp. 136 illustrations, 92 in colour. Glossary. 29x21 cm. Cloth As the art of the Chinese silversmith became practically moribund about fifty years ago, Straits silver has become extremely rare. This book describes the history and illustrates the pieces. Revised edition. 748 Hobson, R. L: CHINESE ART. One Hundred Plates in Colour Reproducing Pottery & Porcelain etc. New York, pp. 100 colour plates. 29x23 cm. Cloth First US edition, published the same year and in exactly the same format as the London edition. Contains excellent plates of ceramics and jades, paintings and lacquer, bronzes and furniture from numerous early British private collections of Chinese art. Primarily ceramics but also some bronzes and jade. 749 Hotel Drouot: BISCUITS BLEU TURQUOISE DE LA CHINE. Des Dynasties et Epoques Ming Kanghi Kienlong. Paris, pp. plus 12 pp. b/w plates. 28x19 cm. Paper Drouot sale catalogue of the collection of M. Fauchier-Magnan of 72 lots of blue and turquoise glazed Ming and (predominantly) Qing dynasty ceramics. The black-and-white collotype plates show a good number of pieces. French text. Scarce. 750 Hotel Drouot: CERAMIQUE DE LA CHINE DES DYNASTIES HAN, WEI, TANG, SONG, MING. Ceramiques de Japon Bois Sculptes, Laques, Ivoires, Pierres Dures...Etoffes, Brodees et Brochees, Tapis Chinois etc.. Paris, pp. 2 pp. b/w plates. 28x19 cm. Paper Drouot auction catalogue. The plates show jade and crystal carvings and later Chinese bronzes. In French. 751 Hotel Drouot: COLLECTION DE MONSIEUR R; TRES BEAUX MEUBLES CHINOIS EN LAQUE...DES XVI, XVII ET XVIII SIECLES. Ceramique Chinoise des Epoques Han, Sung et Ming, Bronzes & Sculptures...Paravent, Panneau Brode. Paris, pp. plus 6 pp. b/w plates. 26x18 cm. Paper Drouot auction catalogue. The illustrations show 3 impressive cabinets plus a few other objects. In french. 752 Hotel Drouot: COLLECTION DE MONSIEUR SCHILLING; POTERIES ARCHAIQUES CHINOISES DES EPOQUES OU DYNASTIES HAN, TANG, SONG, YUAN & MING. Bronzes Pre-Han, Han, Wei, Tang & Ming, Pierres Sculptees Archaiques... Paris, pp. plus 4 pp. b/w plates. 27x18 cm. Paper Drouot auction catalogue. The illustrations show early ceramics and some bronzes. In French. 753 Hotel Drouot: COLLECTION MARTY; CERAMIQUE DE LA CHINE; CHUN YAO DE L EPOQUE SONG. Porcelaine des Dynasties et Epoques Ming, Kanghi, Yungching, Kienlong, Tao-Kuang, etc. Pierres Dures, Jades...Fibules et Boucles de Ceintures etc.. Paris, pp. plus 3 pp. b/w plates. 27x18 cm. Paper Drouot auction catalogue of an early collection of Chinese art. The plates show Jun ware (3), Qing ceramics (3) and jades (6). In French. 754 Hotel Drouot: OBJETS D ART D EXTREME-ORIENT; CERAMIQUE DE LA CHINE ET DU JAPON DES EPOQUES SUNG, MING, KANGHI, KIENLONG, ETC.. Bois Sculptes et Laques, Laques, Divers, Kobako et Inro...Livres, Illustres et Catalogues, Etoffes, etc.. Paris, pp. 27x18 cm. Paper Hotel Drouot: OBJETS D ART D EXTREME-ORIENT; CERAMIQUE DE LA CHINE ET DU JAPON DES EPOQUES DES MING, KANGHI, KIENLONG, ETC.. Bois Sculptes et Incrustes, Laques, Divers...Meubles et Paravents etc.. Paris, pp. 27x17 cm. Paper Hotel Drouot: LA PROVINCE DE THAN-HOA; PIECES DE FOUILLE. Ceramiques des Dynasties Han Song Ming. Paris, pp. 25x20 cm. Paper Drouot auction catalogue. Third sale from the collection of Albert Pouyanne. Unillustrated. In French. 757 Hotel Drouot: LA PROVINCE DU THANH-HOA; PIECES DE FOUILLE. Ceramique, Ivoires, Pierres Sculptees, Bronzes des Dynasties Han Song Ming. Paris, pp. plus 7 pp. b/w plates. 25x20 cm. Paper Drouot auction catalogue comprising pieces from the collection of Albert Pouyanne. In French. 758 Huang Taopeng and Huang Zhongjun: YUANMINGYUAN: ZHONGGUO LISHI SHANG DE YIDAI MINGYUAN. (The Garden of Perfect Brightness: A Famous Garden from China s History). 圓明園 : 中國歷史上的一代明園 黃韜朋 黃鍾駿編著. Hong Kong, pp. 227 pp. chiefly in colour. 1 folded map and plan of the garden. 30x23 cm. Cloth Wide-ranging study of these famous gardens, with contemporary and historical photographs, reproductions of paintings and maps. Useful text in Chinese. 759 Hutcheon, Robin: SOUVENIRS OF AUGUSTE BORGET. Hong Kong, ix, 125 pp. 106 plates, 13 in colour. Bibliography. 34x25 cm. Cloth Pictorial record of Borget s travels in the Far East, especially China, in the 1830s, with a good biographical text and many illustrations. 760 Idemitsu Museum of Art: ELEMENTS OF DESIGN IN CALLIGRAPHY: MASTERPIECES OF JAPANESE CALLIGRAPHY III. Tokyo, pp. Numerous colour plates. 2 foldouts. 30x23 cm. Paper Catalogue of an exhibition of Japanese calligraphy at the Idemitsu Museum in Tokyo, the third in an ongoing series. 52 fine examples are illustrated and discussed. Introduction and captions to plates in English. Main text in Japanese.

45 LIST FROM OUR STOCK 761 Idemitsu Museum of Art: NIKUHITSU UKIYO-E PAINTING IN THE COLLECTION OF THE IDEMITSU MUSEUM OF ART. Tokyo, pp. Colour plates throughout. 30x23 cm. Paper Catalogue showing the fine collection of nikuhitsu ukiyo-e painting in the collection of the Idemitsu Museum in Tokyo. 173 very fine examples dating from the mid 17th to early 19th centuries are illustrated in colour. List of plates in English. Main text in Japanese. 762 Ikeda Bunko: COLLECTION OF KAMIGATA ACTOR PRINTS. Volume V. Osaka, pp. 592 prints illustrated in colour. 30x21 cm. Paper The fifth volume in the Ikeda Bunko s series illustrating the Kamigata actor prints in its vast collection. This volume illustrates 592 prints in colour by various artists from the Bakumatsu and Meiji periods. List of plates in English. Main text in Japanese. 763 Ikeda Tsunetaro: NIHON SHOGA KOTTO DAIJITEN 1-2. (Encyclopaedia of Japanese Calligraphy, Painting and Curios). Tokyo, ; 925 pp. 48 plates. 2 vols. 27x19 cm. Cloth Reprint of the enlarged and revised edition of this large two-volume useful illustrated and detailed guide to artists, calligraphers and art objects, with a multitude of artists biographies, signatures and seals. In Japanese. Hall 338, Fukuda C Impey, Oliver: JAPANESE EXPORT PORCELAIN. Catalogue of the Collection of the Ashmolean Museum, Oxford. Leiden, pp. Colour plates throughout. 30x22 cm. Cloth Catalogue of perhaps the most comprehensive collection of such porcelain in the West by a foremost expert, which includes the Arita, Ko-Imari and Kakiemon wares of the years between Well over 400 pieces illustrated and described, many never before published. 765 Impey, Oliver and Jörg, Christiaan: JAPANESE EXPORT LACQUER. Amsterdam, pp. 656 colour plates. 2 maps (showing routes). List of collections and sales. Glossary, bibliography, index. 32x25 cm. Cloth An authoritative work on the subject that is bound to become a standard reference. The first full treatment of Japanese lacquerware made for the European market, its trade in Asia and Europe and the effect of lacquer and its use in the European context. Trading patterns are described in detail based on documentary evidence of Westerners in the Far East and from the important archives of the Dutch East India Company (VOC), the English East India Company and others. 656 colour plates provide a most comprehensive visual survey of Japanese export lacquer in public and private collections worldwide, including the important collections held in Europe and the USA. The result of years of research. Recommended. 766 Indianapolis Museum of Art: AN EXHIBITION OF JAPANESE CERAMIC INCENSE BOXES. Indianapolis, pp. with 5 b/w illustrations and 13 text drawings. 23x20 cm. Paper Introductory leaflet to an interesting exhibition of kogo. 767 Ip Yee: NOTES ON A COLLECTION OF CHINESE RHINOCEROS HORN CARVINGS. International Asian Antiques Fair, HK. Hong Kong, Pp objects all illustrated in colour. 29x21 cm. Paper This was the first time that Dr Ip Yee s collection of Chinese rhinoceros horn carvings had been on public view. Nine of the pieces exhibited carry the marks of their carvers. Catalogue of 2nd Int. Antiques Fair, HK. 768 Itabashi Art Museum: EXHIBITION OF FAMOUS WORKS FROM THE KOHOAN INOUE COLLECTION. Itabashi, pp. 75 pp. colour plates. 30x22 cm. Boards Catalogue of a loan exhibition at the Itabashi Art Museum. Shows 11 Chinese paintings from the Song, Yuan and Ming dynasties, together with 58 Japanese paintings by various artists from the Muromachi to the Edo. The Kohoan Inoue collection is held in the Gunma Museum of Art. Four page list of plates in English. Main text in Japanese. 769 Itabashi Art Museum: THE HISTORY OF EDO PERIOD JAPANESE YOGA-STYLE PAINTING. Itabashi, pp. Colour and b/w plates throughout. 30x21 cm. Paper Catalogue of an exhibition showing a fascinating selection of Japanese yoga paintings paintings showing foreign (western) influence. Comprises the first public viewing of the Kikuan Collection. Illustrated throughout showing a total of 171 exhibits are illustrated, 68 in colour. Text in Japanese. 770 Jackson, David: A HISTORY OF TIBETAN PAINTING. The Great Tibetan Painters and Their Traditions. Wien, pp. 60 colour illustrations, 190 b/w. 2 maps. Cloth The first attempt at exploring the sacred paintings of Tibet from the mid-15th through 20th centuries on the basis of both the extant paintings and the extensive written sources surviving in Tibetan language. 771 Jacques, Claude et al: ANGKOR. Cities and Temples. Cologne, pp. Colour plates, b/w illustrations and architectural drawings throughout. 28x27 cm. Cloth A fine pictorial record celebrates one of the world s greatest sights: the fabulous cities and temples of Angkor in Southeast Asia. Accompanied by a good text. 772 Jahn, Gisela: MEIJI CERAMICS. The Art of Japanese Export Porcelain and Satsuma Ware Stuttgart, pp. 253 colour and b/w illustrations; 84 illustrations of inscriptions and marks. Appendixes, chronology, glossary, index. 32x24 cm. Cloth, slipcase A superbly produced survey of the development of Japanese export porcelain during this period, destined to become an essential reference. Well-illustrated in colour with many fabulous and stunning pieces. Shows signatures and basemarks. Fine accompanying text and apparatus. Recommended. 773 Jenyns, Soame R: ARTS DE LA CHINE. Soieries et Tapis, Verre, Ivoire, Pierres dures, Flacon a Tabac, Pierre a encre et autres objets d art. Arts de la Chine. Fribourg, pp. 214 illustrations, 65 in colour. 34x26 cm. Cloth Soame Jenyns excellent reference on these subjects of Chinese art. Translated into French by Daisy Lion-Goldschmidt.

46 FROM OUR STOCK 46 HANSHAN TANG BOOKS 774 Jenyns, Soame R. & Watson, William: ARTS DE LA CHINE. Or-Argent-Bronzes des Epoques Tardives-Emaux- Laques-Bois. Arts de la Chine. Fribourg, pp. 211 illustrations, 64 in colour. 34x26 cm. Cloth Part of a series on the arts of China, this volume focuses on gold, silver, lacquer, wood, enamels and later bronzes. In French. 775 Jia Jinhua: XIANGGANG SUOCANG GUJI SHUMU. (Union Catalogue of Early Imprints in Hong Kong Collections). 香港所藏古籍書目 賈晉華主編. Shanghai, , 880 pp. Indexes. 29x22 cm. Cloth Bibliography with very basic entries (no physical descriptions of the editions/copies) but providing a union catalogue covering the collections of 11 institutions in Hong Kong, with all their pre-1911 book-like materials 7,386 titles and 18,718 titles contained within collectanea. Indexes of titles and authors are arranged by pinyin romanization (with stroke-count to pinyin, and four-corner to pinyin head-character tables). In Chinese. 776 Jilin Provincial Cultural & Archaeological Research Institute ed: GUONEICHENG NIAN JI AN GUONEICHENG YU MINZHU YIZHI SHIJUE BAOGAO. (Report on the Excavations at Guoneicheng and the Minzhu Sites in Ji an City). 國內城 : 年集安國內城與民主遺址試掘報告. Beijing, , 188 pp. text plus 44 pp. colour plates. Numerous b/w text drawings. 2 foldouts. 29x22 cm. Boards The Guoneicheng site is located in Ji an city in Jilin province. Guoneicheng was a capital city and important centre during the early and middle periods of the Koguryo kingdom in north-east China. This detailed report focuses on the results of three years of excavation work at Guoneicheng and a related site, Minzhu, located nearby. Colour plates show the sites and major finds. Four page English abstract. Main text in Chinese. 777 Jilin Provincial Cultural and Archaeological Research Institute et al. ed: WANDU SHANCHENG: NIAN JI AN WANDU SHANCHENG DIAOCHA SHIJUE BAOGAO. (Wandu Hill Fortress: Report of Excavations Conducted at Wandu Hill Fortress near Ji an). 丸都山城 : 年集丸都山城調查試掘報告. Beijing, , 189 pp. text plus 130 pp. colour plates. Numerous b/w text drawings. 5 foldouts. 29x22 cm. Boards Report of the excavations and finds at the Wandu Hill Fortress near Ji an in China s Jilin province that was the capital of the Koguryo kingdom during its early and middle periods. This very detailed research report examines the remains of this major site and details the architectural structures of the palace, gates, watchtowers etc. Numerous aerial photographs and illustrations of architectural remains. Also shows and describes numerous artefacts excavated incised pottery, metalwork, spears, decorated roof tiles One page English abstract. Main text in Chinese. 778 Jin Jian: QINDING WUYINGDIAN JUZHENBAN CHENGSHI. (The Process of Printing in Wuyingdian Using Movable Type). 欽定武英殿聚珍版程式 金簡撰. Beijing, , 1, 34 folded leaves, 16 fullpage b/w woodcut illustrations. 27x17 cm. Stitched, cloth case Jin Jian was made Superintendent of Wuyingdian (The Imperial Printing Press) in 1773 and supervised work for compiling the part of the Siku Quanshu project whereby reprints of rare works were made, some copied from the Yongle Dadian. Jin Jian proposed that these reprints be made using movable wooden type, which the Emperor approved. Thereafter, in the course of six months, a set of about 253,000 wooden type in two sizes was completed. Qianlong gave this method of movable type printing (usually known as Huozi Ban) the name Wuyingdian Juzhenban and wrote a poem to commemorate the initiation of the project. By 1777 over 30 works had been printed and Jin Jian published, also using movable type, an illustrated work (as here) on the project and the process of the printing. The work contains information and reproduction of documents relating to the enterprise and is illustrated with 16 appealing woodcut illustrations showing the process and stages in producing movable type and its preparation for use in printing. By the time of the completion of the project (around 1794), 134 works had been published and were brought together in a collectanea known as the Wuyingdian Juzhenban Congshu. Enlarged facsimile reprint of the 1777 original. In Chinese. 779 Jin Nong: JIN NONG SHUHUA JI. (The Paintings of Jin Nong). Shanghai, pp. 161 pp. colour plates, 166 b/w illustrations. 38x27 cm. Cloth Paintings and calligraphy by the 18th century artist Jin Nong, one of the Eight Eccentrics. Specialised in the depiction of plum blossoms, bamboo, landscapes and figures. Distinctive calligraphy, called lacquer script, which evolved from stone-cut inscriptions. A good representation of his works. In Chinese only. 780 Joly, Henri L: JAPANESE SWORD-MOUNTS. A Descriptive Catalogue of the Collection of J. C. Hawkshaw, Esq., M.A. London, xxxvi, 300 pp. 50 collotype plates with many illustrations. Tissue guards with text. 33x26 cm. Original cloth. 1, Privately published in 300 numbered copies, this one no An extremely rare work covering an excellent collection of over 4000 items of which probably a third are illustrated here in clear black and white. A fine copy. 781 Jungmann, Burglind: PAINTERS AS ENVOYS. Korean Inspiration in 18th-Century Japanese Nanga. Princeton, pp. B/w illustrations. 26x21 cm. Cloth Detailed study in three main parts: Historical Conditions and the Origin of the Style; The Nanga Pioneers and Their Relationship with Korea; The Second Generation: Ike Taiga and the Impact of Korean Namjonghwa. 782 Kapp, L. & H. T. and Yoshihara, Y: THE CRAFT OF THE JAPANESE SWORD. Tokyo, pp. Many illustrations, some in colour. 26x19 cm. Cloth Photographic sequences taken at the forges and workshops show the painstaking process that goes into every sword. Current market, stylistic trends and special characteristics also discussed. Excellent handbook explaining the forging/tempering processes, polishing, etc. 783 Karlgren, Bernhard: GRAMMATA SERICA. Script and Phonetics in Chinese and Sino-Japanese. Reprinted from BMFEA No. 12. Stockholm, ii, 471 pp. 28x20 cm. Cloth An indispensable tool for students of Chinese linguists, philology and classical texts. First edition. Good copy.

47 LIST FROM OUR STOCK 784 Keown-Boyd, Henry: THE BOXER REBELLION. The Fists of Righteous Harmony. An Illustrated History of the Boxer Uprising China London, pp. B/w plates. Maps, appendixes, bibliography, index. 25x17 cm. Cloth Detailed treatment of the Boxer Rebellion with many useful contemporary photographs and an appendix listing casualties on the side of the allied powers. Concentrates on the military rebellion from the allies point of view. 785 Kerr, Rose: LATER CHINESE BRONZES. V&A Far Eastern Series. London, pp. Bibliography, index. 90 illustrations, 32 in colour. 26x26 cm. Cloth The first monograph to deal with bronzes from the Song to the Qing dynasties. During this time metal was eclipsed by ceramics, making the history of later Chinese bronzes varied and fragmentary. 786 Koyama Fujio and John Figges: TWO THOUSAND YEARS OF ORIENTAL CERAMICS. New York, (1961). 379 pp. 175 plates, including 54 hand-mounted and coloured. Brief bibliography. 34x27 cm. Cloth Study of the history and development of pottery in the Far East, beautifully illustrated with pieces from museums and private collections. 787 Krahl, Regina; China Institute of America: DAWN OF THE YELLOW EARTH. Ancient Chinese Ceramics from the Meiyintang Collection. New York, pp. 13 figures (illustrating the essays) 62 plates, all in colour. Map, bibliography. 28x22 cm. Paper With a preface and introductory essay by Regina Krahl (who is also the main author of the catalogue) and another essay by Annette L. Juliano, this is an excellent catalogue to the Meiyintang s representative collection of Neolithic Chinese ceramics, giving a proper appreciation of their beauty and artistry. 788 Kuma Museum of Art: YOSHIDA ZOTAKU AND MIWATA BEIZAN TWO WORTHIES OF IYO. Kuma, pp. Colour and b/w plates throughout. 2 foldouts. 29x21 cm. Paper Catalogue of an exhibition focussing on the calligraphy (41 works) of the Edo-period priest Miwata Beizan, ( ) and the bamboo paintings (12 exhibits) of the artist Yoshida Zotaku, ( ). Both resided in the Iyo area in the central part of Aichi prefecture. In Japanese. 789 Kyoto National Museum: SPECIAL EXHIBITION: SLIDING DOOR PANELS OF THE KYOTO IMPERIAL PALACE. Kyoto, pp. Colour plates throughout. One foldout. 30x232 cm. Paper Catalogue of an exhibition providing a rare opportunity to examine 38 sets of exquisite sliding door panels from the imperial palace in Kyoto. The panels are not usually on show to the public. The panels all date from the mid-19th century when the palace was restored following a fire. Preface, foreword, summaries and list of plates in English. Main text in Japanese. 790 Lach, Donald F: ASIA IN THE MAKING OF EUROPE. Volume II: A Century of Wonder: Book One: The Visual Arts. Chicago, xvii, 257 pp. 151 b/w illustrations. 23x15 cm. Paper A Century of Wonder, examines the influence which the vast body of new information about Asia had on art, ideas, institutions and literature of the sixteenth century Europe. An invaluable reference work. 791 Lao She: CRESCENT MOON. And Other Stories. Beijing, pp. 18x11 cm. Paper Twelve short stories from the author of Teahouse written between 1933 and 1937 and vividly conveying life in pre-war urban China. 792 Leal Senado Temporary Exhibition Gallery: LONGQUAN QINGCI: SICHUAN SHENG BOWUGUAN CANG LONGQUAN YAO CIQI JINGPIN. Longquan Celadon: The Sichuan Museum Collection. 龍泉青瓷 : 四川省博物館藏龍泉窯瓷器精品. Macau, pp. Colour plates throughout. 30x21 cm. Wrappers Catalogue of an exhibition in Macau showing 99 extremely fine examples of longquan celadons from the Sichuan Museum collection, the majority dating from the Southern Song and Ming dynasties. Much previously unpublished material. All illustrated in full page colour. Introductory essays, captions, descriptions and index in English. Similar texts in Chinese and Portuguese. Out of print and hard to obtain. 793 Lee Kyung Ja et al: TRADITIONAL KOREAN COSTUME. Folkestone, pp. Over 200 colour plates and 600 drawings. Glossary, bibliography. 21x22 cm. Cloth A fine and very well-illustrated new contribution with much technical information including detailed drawings which give dimensions. Organized by type of clothing, this work documents the richness and variety of traditional Korean garments, ornaments and footwear dating back to the Joseon dynasty. Detailed commentaries which include methods of production. Just published. 794 Leppman, E: CHANGING RICE BOWL. Economic Development and Diet in China. Hong Kong, viii, 220 pp. 23x15 cm. Cloth The Chinese diet and access to adequate nutritious food has made huge progress in recent years. Here is a detailed study of developments. 795 Levy, Dana and Sneider, Lea: KANBAN. Shop Signs of Japan. Tokyo, pp. 24 pp. in colour, 80 pp. in gravure. 150 b/w plates. 31x22 cm. Cloth This volume, the first work in English on the subject, will appeal to all with an eye for design and style, as well as the craftsperson and the collector. Introduces an excellent collection of 100 signs. 796 Li Fan ed: ZHONGGUO DANGDAI SHI BANHUA. (Contemporary Chinese Lithographic Printmaking). 中國當代石版畫 李帆主編. Chongqing, pp. Colour and b/w plates throughout. 28x21 cm. Paper A large selection of contemporary Chinese lithographic printing is here illustrated. A good survey of the art as it stands at the present moment. Illustrated throughout. Text in Chinese.

48 FROM OUR STOCK 48 HANSHAN TANG BOOKS 797 Li Weiqing: ZHONGGUO GUJIU YINSHI. Ancient China Seals. 中國古舊印石 李徫慶著. Shanghai, ,2,131 pp. Colour illustrations throughout. 29x22 cm. Cloth Illustrates a range of fine Chinese seals, showing carved seal bodies and seal impressions. Despite the word ancient in the title, the seals date from the Qing and Republic periods. Text in Chinese. 798 Li Yihua et al ed: MINGDAI WUMEN HUIHUA. The Wumen Paintings of the Ming Dynasty. Hong Kong, pp. 102 colour and 102 b/w plates and illustrations. 29x22 cm. Cloth, slipcase A monograph on the Wumen paintings in the Gugong Museum in Beijing. Each painting is illustrated in colour, and again in smaller b/w figure with descriptive text in Chinese. 799 Li Yucang and Li Bing: SONGDAI TAOCI WENSHI JINGCUI HUILU. Selected Collection of the Ceramic Decorative Patterns in the Song Dynasty. 宋代陶瓷紋飾精粹繪錄 李雨蒼 李兵編繪. Shanghai, , 19, 278 pp. 52 pp. colour drawings and 257 pp. b/w drawings. 29x22 cm. Cloth Illustrated with hundreds of drawings of designs on Song ceramics of various types bowls, jugs, ewers, pillows. In Chinese. 800 Li Zhiyan et al: CHUGOKU TOJI ZENSHU 7 CHINESE CERAMICS IN CHINESE COLLECTIONS 7. Three Coloured Wares of Tang Period. Kyoto, pp. Japanese text. 209 colour plates & illustrations. Maps. Text-figures. 33x27 cm. Cloth, slipcase Liang Sicheng: ZHONGGUO JIANZHU YISHU TUJI. (Illustrations of Chinese Architectural Art). 中國建筑藝術圖集 梁思成主編. Tianjin, pp. B/w photographs and text drawings throughout. 2 vols. 21x15 cm. Paper Divided into sections on various types of Chinese architectural features and designs such as platforms and terraces, stone balustrades, shop fronts, glazed tiles, brackets and beams, etc. Copiously illustrated with old black-and-white photographs, much from architecture now destroyed. By a renowned expert. In Chinese only. 802 Liang Sicheng Editorial Committee: LIANG SICHENG QUANJI. (The Complete Works of Liang Sicheng). 梁思成全集. Beijing, Various paginations, b/w illustrations and drawings in each volume. 9 vols. 29x22 cm. Cloth A comprehensive collation of the works of China s foremost modern architectural historian and researcher, Liang Sicheng. The nine volumes chronologically cover Liang s writings, essays, reports on ancient architectural monuments and publications from the 1920s up to the early 1970s. A major reference for research into Chinese architecture. Text in Chinese. 803 Lin Yutang: FAMOUS CHINESE SHORT STORIES. Montreal, pp. 16x10 cm. Paper The short stories in this volume are some of most famous Chinese tales ever told. Here are inspired translations by an acknowledged master of Chinese culture. 804 Liou Ho: LAURACEES DE CHINE ET D INDOCHINE. Contribution a l étude Systématique et Phytogéographique. 中國與安南樟科之分類及其分布 劉厚著. Paris, xii, 226 pp, Numerous b/w plates and 14 sketches throughout. Numerous tables. 24x17 cm. Wrappers A study of the Camphor plant in China and Indochina. Scarce. In original wrappers with some wear and reinforced with quarter library-style binding tape. In French. 805 Liu Jianping et al. ed: WUDAI BEISONG HUAJI. Collection of Paintings of the Northern Song of the Five Dynasties. 五代北宋畫集 劉建平等主編. Tianjin, , 8, c. 250 pp. 160 colour and 46 b/w plates, 68 b/w illustrations. 38x27 cm. Cloth High quality colour plates showing beautiful and subtle works of painters of the Five Dynasties and Northern Song from collections in mainland China, Taiwan and America. Text in English and Chinese. Recommended. 806 Liu Jincheng: GAO AN YUANDAI JIAO CANG CIQI. The Porcelain from the Cellar of Yuan Dynasty in Gao an. 高安元代窖藏瓷器 劉金成編主. Beijing, pp. Colour plates throughout. 21x14 cm. Paper Details the important find in 1980 of numerous intact Yuan dynasty porcelains in the cellar of a collapsed building in Gao an in China s Jiangxi province. The porcelains include fine blue-and-white and celadons. Illustrated throughout in colour. Near dual text in Chinese and English. 807 Liu Yang ed: SANSHAN WUYUAN JIUYING. (Old Photographs of Imperial Gardens in the Northwest of Beijing). 三山五園舊影 劉陽編著. Beijing, pp. B/w plates throughout. 25x15 cm. Paper Sanshan Wuyuan refers to Qing dynasty imperial gardens located in the north-west of Beijing. The gardens illustrated are Jingming Yuan, Changchun Yuan, Jingyi Yuan, Yuanming Yuan and Qingyi Yuan (the Summer Palace). Illustrated throughout with early blackand-white photographs of these imperial compounds and of particular interest for an extensive section on Yuanming Yuan containing a good amount of little-known photographs. Text in Chinese. 808 Lommel, Andreas: KUNST DES OSTENS. Sammlung Preetorius. Hamburg, pp. 1 portrait frontispiece, 50 b/w & 21 colour plates. 23x19 cm. Paper A good collection of Chinese and Japanese paintings, Japanese woodblock prints, and a few Islamic miniatures and Tibetan thangkas. german text. 809 Loo, C. T. & Co: CHINESE FRESCOS OF NORTHERN SUNG. New York, pp. 14 plates. 24x16 cm. Paper Dealer s catalogue featuring some frescoes from a ruined temple on the Henan-Shanxi border acquired during a visit by C. T. Loo to China in 1923, and 15 small fragments from the 6th century cave temples at Kyzil, collected by Albert von Le Coq. 810 Lu Fusheng ed: JINXIANDAI SHUHUAJIA KUANYIN ZONGHUI. (A Dictionary of Seals of Modern Chinese Calligraphers and Painters). 近現代書畫家款印綜彙 廬輔聖主編. Shanghai, pp. Reproductions of seals throughout. 2 vols. 27x19 cm. Boards

49 LIST FROM OUR STOCK Arranged by ascending number of strokes in the surname character, this is a comprehensive and useful dictionary of seals of 19th and 20th century Chinese calligraphers and painters, famous and lesser-known. Copiously-illustrated throughout with thousands of reproductions of seals. In Chinese. 811 Lu Fusheng ed: REN BONIAN YANJIU. (Studies on Ren Bonian). 任伯年研究 盧輔聖主編. Shanghai, pp. text plus 8 pp. colour plates. 20x14 cm. Wrappers A detailed study of the life and work of this late Qing dynasty painter. In Chinese. 812 Lushun Museum ed: LUSHUN BOWUGUAN. Lushun Museum. 旅順博物館. Beijing, pp. Colour plates throughout. 28x22 cm. Cloth A good survey of the highlights of the fine collection of the Lushun Museum located in Dalian, China. Sections on ceramics, bronzes, painting, lacquer, jewellery, Buddhist sculpture etc. Of particular interest is the section Artifacts of Xinjiang which shows 22 examples of materials from the Otani Central Asian expeditions Four page list of contents, titles to section headings and captions to plates in English. Main text in Chinese. 813 M Leod, John M. D: VOYAGE OF HIS MAJESTY S SHIP ALCESTE. Along the Coast of Corea to the Island of Lewchew; with an Account of her Subsequent Shipwreck. London, , 323 pp. a.e.g. Engraved portrait (of Capt. Murray Maxwell) frontispiece and 5 coloured aquatints by J. Clark after W. H. Dwarris. Additional folded map, not called for in this edition. 23x15 cm. Red straight-grain morocco, elaborately gilt M Leod (d. 1820) was surgeon aboard the frigate Alceste, the flagship of the small fleet which accompanied Lord Amherst on the second British embassy to China in While the ambassador was embroiled in the complicated protocol of seeking an audience with the Jiaqing Emperor, Captain McLeod set sail for the island of Lewchew (Okinawa) in the East China Sea. Meanwhile, Amherst was failing in his mission to promote better understanding between the two countries, even with the able assistance of Robert Morrison as interpreter. Chinese courtiers persuaded the emperor to detect deep insult in Lord Amherst s delay in presenting his credentials. Actually, the ambassador wanted some time to change into his official dress and to assemble his gifts with due care and attention. The embassy was generally regarded as abortive, because of the difficulty of dealing with a people so remarkable for their jealousy of foreigners, and want of confidence among themselves. McLeod reunited with the embassy at Canton, but their adventures were not over. On the return journey, the Alceste was wrecked but without loss of life. A small island off the Shantung promontory was renamed Alceste Island in memory of the voyage. Second extended edition, referred to as the best by Hill. The additional map in this copy is that found in the third edition. Cordier ; Lust 377. Prideaux 265; Lipperheide 1529; Hill Ma Chengyuan et al. ed: ZHONGGUO WENWU JINGHUA DAQUAN: QINGTONG JUAN. (Compendium of the Gems of China s Cultural Relics: Bronzes). 中國文物精華大全 : 青銅卷 馬承源主編. Hong Kong, pp. Colour plates throughout. 29x26 cm. Cloth The bronzes volume from a major series with documentation of the finest pieces of Chinese antiquities. This volume details 1342 bronzes, each illustrated with colour plate and accompanying descriptive article. Chiefly early (bronze age) items, but with selections of the best pieces down to the Ming period. A useful reference. In Chinese. 815 Macau Museum of Art: MIAODI XINCHUAN: GUGONG ZHENCANG ZANGCHUAN FOJIAO WENWU. Lightness of Essence: Tibetan Buddhism Relics of the Palace Museum. 妙諦心傳 : 故宮珍藏藏傳佛教文物. Macau, pp. Colour plates throughout. Foldouts. 36x27 cm. Cloth Catalogue of an exhibition at the Museum of Art in Macau of a loan exhibition from the Palace Museum in Beijing of 108 superb examples of Tibetan Buddhist art. Includes Buddhist statues, tangka paintings, sacrificial utensils and Buddhist robes, Buddhist sutras and The objects date primarily from the Qing dynasty with a number of earlier Ming items. Many objects were made in Tibet and Nepal and presented as tribute. Others were made in the imperial workshops of the Forbidden City. This is a large and luxurious catalogue of a wonderful exhibition showing the cream of Tibetan Buddhist art in the Chinese imperial collection with large colour plates of all exhibits, including a number of foldouts. The main text is in Chinese with truncated texts in English and Portuguese. Out of print and hard to obtain. 816 Macau Museum of Art: NANZONG BEIDOU: DONG QICHANG YISHU SHUHUA. (The Light of the Southern School: Paintings and Calligraphy by Dong Qichang). 南宗北斗 : 董其昌的藝術書畫. Macau, pp. Colour plates throughout. 25x17 cm. Paper Catalogue of an exhibition at the Museum of Art in Macau of a loan exhibition of 120 masterpieces of painting and calligraphy by the late Ming master, Dong Qichang, from the superb holdings of the Gugong Museum in Beijing. Illustrated throughout in colour. Difficult to obtain. Text in Chinese. 817 MacNair, Harley Farnsworth: MODERN CHINESE HISTORY, SELECTED READINGS. Shanghai, pp. Some b/w illustrations. 21x15 cm. Paper A comprehensive collection of extracts from various sources chosen to illustrate some of the chief phases of China s international relations during the hundred years prior to writing. 818 Mair, Victor H., ed: THE COLUMBIA ANTHOLOGY OF TRADITIONAL CHINESE LITERATURE. New York, ,350 pp. 21x16 cm. Cloth Includes fiction, poetry, drama, folk tales, elegies, letters and travel diaries, previously untranslated texts as well as old favourites, with an introduction and extensive annotations all in one portable volume. 819 Malone, Col. C. L Estrange: NEW CHINA: REPORT OF AN INVESTIGATION I. The Political Situation. London, pp. plus 2 pp. b/w plates, 1 b/w map. 28x22 cm. Paper Pamphlet 1 of 2 parts published by the Independent Labour Party in the 1920s. Much interesting information on cities. 820 MANTIE JIUYING: LUSHUN BOWUGUAN CANG MANTIE LAOZHAOPIAN. (Old Photographs from the Manchurian Railway Company Held in the Collection of the Lushun Museum). 滿鐵舊影 : 旅順博物館藏滿鐵老照片. Beijing, , 1, 5, 265 pp. B/w plates throughout. 26x19 cm. Wrappers Shows a large selection of black-and-white photographs from the early 20th century in the collection of the Lushun Museum in Dalian in China, originally in the archives of the Manchurian Railway Company. Many images of scenes and places along the railway s route.

50 FROM OUR STOCK 50 HANSHAN TANG BOOKS 821 Martin, Robert Montgomery: CHINA: POLITICAL, COMMERCIAL AND SOCIAL. In an Official Report to Her Majesty s Government. London, xii, iv, 432; ii, 502, xvii pp. 4 folding tables, 3 folding engraved maps (one colour in outline). 2 vols. 23x15 cm. Modern cloth A highly informative and detailed description of China, produced at a crucial historical moment. Extensive section on the opium trade in volume two. Sensitively rebound with gilt titles on spine. Generally clean and good inside, some pencilled annotations. 822 Matsubara Saburo: CHUGOKU BUKKYO CHOKOKU SHI KENKYU. Chinese Buddhist Sculpture. Tokyo, pp. text & 312 plates, 269 text figures. 31x23 cm. Leather, gilt spine and emblem on front cover, clothcovered protective slipcase Revised and expanded edition of 1961 original, this is the very important study based on bronze and stone statues other than works from cave temples. A good firm and clean copy with slipcase. Japanese text only. 823 Matsuyama, Akira: THE TRADITIONAL DIETARY CULTURE OF SOUTHEAST ASIA. Its Formation and Pedigree. London, xv, 459 pp. A few b/w illustrations, tables and maps. 24x16 cm. Boards A detailed study of the development of the dietary culture of Southeast Asia, from Laos and Vietnam to the Philippines and New Guinea. Discusses food culture from Neolithic times onwards, the influence of the colonial age and ancient foods that survive today to be widely used in fusion cuisine. New second edition. 824 Mazzeo, Donatella & Antonini, C. S: ANCIENT CAMBODIA. Monuments of Civilization. London, pp. 111 colour plates, b/w text plans and drawings. 33x25 cm. Cloth Focuses on the stunning architectural complex at Angkor. Fine photography is combined with a good text. 825 Melotte de Lavaux, Adrien de: LES DERNIERS JOURS D UNE LÉGATION. Bois et Eaux-Fortes d Alfred Martin. No. 376 of an edition of 575 copies. Liège, pp. printed in red on papier Ingres 28 text cuts, map, and 3 original engravings. 32x24 cm. Uncut in orig. wrappers. Condition fine throughout A beautifully printed and illustrated account of the last days of the Belgian legation in Beijing, before its destruction by the Boxer rebels in Produced in the spirit of a livre d artiste by the Imprimeries Nationales des Militaires Mutilés et Invalides de la Guerre. In French 826 Meurs, W. J. G. van: TIBETAN TEMPLE PAINTINGS / TIBETAANSCHE TEMPELSCHILDERINGEN. Leiden, pp. Colour frontispiece, 8 illustrations, 6 plates. 32x24 cm. Cloth Essay on a number of Tibetan paintings exhibited in the Rijksmuseum in Text in English and Dutch. Yakushi M Mirsky, Jeanette: SIR AUREL STEIN. Archaeological Explorer. Chicago, xiii, 585 pp. Notes, index. 24x16 cm. Cloth Sir Aurel Stein ( ) trained as an orientalist. He rediscovered the ancient Silk Route between China and the west and unearthed dozens of sites long buried in the desert sands of Central Asia. 828 Mullany, Francis: SYMBOLISM IN KOREAN INK BRUSH PAINTING. Folkestone, xiv, 414 pp. Over 200 colour and b/w illustrations. 25x18 cm. Cloth Explores the heritage of Korean brush and ink painting, from the mid 17th century onwards to modern times. The majority of the book considers the paintings themselves, with a smaller section at the end that alphabetically explores meanings and references in these paintings. Much of this symbolism cross refers to Chinese painting. 829 Munroe, Alexandra ed: CAI GUO-QIANG. I Want to Believe. London, pp. Colour and b/w illustrations throughout. 28x24 cm. Cloth Produced to accompany the exhibition at the Guggenheim Museum in New York, this work provides a comprehensive examination of the work of Cai Guoqiang, renowned for his innovative and spectacular work using gunpowder. 830 Musées Royaux d Art et d Histoire ed: JAPANSE PRENTEN Uit de Koninklijke Musea voor Kunst en Geschiedenis. Antwerp, pp. Numerous b/w plates. Glossary, bibliography, 25x17 cm. Paper Tentoonstelling 14 November-15 December 1980 Museum Ridder Smidt van Gelder. Catalogue of an exhibition of 94 items with detailed captions and brief artists biographies in Flemish. 831 National Museum of Japanese History: POPULAR CULTURE AND CREATED HEROES. Histories of Outlaws between the End of the Edo and the Beginning of the Meiji Periods. Tokyo, pp. Colour plates throughout. 30x21 cm. Paper Catalogue of an exhibition that brings together a large number of artworks that have as their theme legendary and romantic figures of the Bakumatsu and Ishin periods. In Japanese. 832 National Museum of Japanese History: WESTERN CAPITAL, EASTERN CAPITAL. Illustrations of Cities of the Middle Ages and Early Modern Period. Tokyo, pp. Colour illustrations throughout. 30x21 cm. Paper Catalogue of an exhibition showing how major Japanese cities such as Edo, Kyoto, Nagasaki, Yokohama etc. were depicted in the Middle Ages and early Edo. 117 exhibits include screens, paintings and prints. Illustrated throughout in colour. In Japanese. 833 National Museum of Korea: SPECIAL EXHIBITION OF CULTURAL RELICS FOUND OFF SINAN COAST. Seoul, pp. Korean & English text. 222 plates, 32 coloured, with 355 illustrations. 26x19 cm. Paper Catalogue of an exhibition of the remarkable & important findings of ceramics and some bronzes from Yuan China. 7,000 pieces have been excavated. 834 The National Museum of Modern Art: CONTEMPORARY STENCIL DYEING AND PRINTING. The Repetition of Patterns. Tokyo, c.92 pp. Colour illustrations throughout. 24x19 cm. Paper Catalogue of an exhibition. Well-illustrated. List of plates and captions in English. Main text in Japanese.

51 LIST FROM OUR STOCK 835 National Museum of Modern Art: OGAWA USEN RETROSPECTIVE. Tokyo, pp. 64 pp. colour plates, numerous b/w illustrations. 28x22 cm. Paper A retrospective exhibition of the painter Ogawa Usen ( ). Well-illustrated. Useful six pages of signatures and seals. Introductory essay and captions in English. Main text in Japanese. 836 National Museum of Modern Art: TSUJI KAKO. Tokyo, pp. Colour and b/w plates throughout. 28x23 cm. Paper Catalogue of an exhibition providing a broad survey of the work of the painter,tsuji Kako ( ), who developed a distinctive style influenced by the numerous influences on Japan at a time of modernisation and opening to the world. A total of 89 exhibits are illustrated in full colour. Introduction and list of plates in English. Main text in Japanese. 837 National Palace Museum: MASTERPIECES OF CHINESE INKSTONES IN THE NATIONAL PALACE MUSEUM. Masterpieces in the National Palace Museum. Taibei, pp. Chinese, Japanese & English text. 54 plates, many in colour. 28x22 cm. Cloth ALl from the former Chinese imperial collection. 838 National Palace Museum: MASTERPIECES OF CHINESE WRITING MATERIALS IN THE NATIONAL PALACE MUSEUM. Masterpieces in the National Palace Museum. Taibei, pp. Chinese, Japanese & English text. 64 colour plates, 25 b/w illustrations. 28x22 cm. Cloth National Palace Museum: MASTERPIECES OF CHINESE SEALS IN THE NATIONAL PALACE MUSEUM. Masterpieces in the National Palace Museum. Taibei, pp. Chinese, Japanese & English text. 28x22 cm. Cloth seals illustrated in colour from this superb collection. 840 National Palace Museum: NINETY YEARS OF WU SCHOOL PAINTING. Wupaihua Jiushi Nian Zhan. Taibei, pp. Chinese & 60 pp. English text, 240 plates, 16 in colour. 31x22 cm. Cloth Features landscapes, animal paintings and calligraphy. Catalogue of an exhibition at the National Palace Museum in National Theatre of Japan ed: THEATRE PRINTS IN THE COLLECTION OF THE NATIONAL THEATRE OF JAPAN. Volume Eleven. Tokyo, pp. Colour plates throughout Volume eleven in the series publishing the collection of prints depicting theatrical subjects held in the collection of the National Theatre of Japan. A total of 151 examples are shown in colour. One page introduction in English. Main text in Japanese. 842 Needham, Joseph; Wang Ling & Price, D: HEAVENLY CLOCKWORK. The Great Astronomical Clocks of Medieval China. Antiquarian Horological Society 1. Cambridge, xvi, 266 pp. 73 illustrations. 25x20 cm. Cloth A study of the remarkable astronomical clocks of medieval China, which antedate the earliest recorded European mechanical clocks by more than six centuries. Second edition. 843 Nezu Institute of Fine Arts: THE COLOURS AND FORMS OF SONG AND YUAN CHINA. Featuring Lacquerwares, Ceramics, Metalwares. Tokyo, pp. 81 pp. colour plates, numerous b/w text illustrations. 30x22 cm. Paper Catalogue of an important exhibition focusing on Southern Song and Yuan lacquers from Japanese collections. 161 pieces (of which 130 lacquer) are illustrated in colour and fully described. Further text illustrations show other associated lacquers, ceramics and metalwares (gold and silver) from the same period with similar design and form and which help underpin the dating of the lacquers. Also of much interest for research on the interplay of form and decoration between different media. Two page introduction and four page list of exhibits in English. Main text in Japanese. Recommended. 844 Nguyen, Van Huyen: NHUNG TRONG DONG DONG SON DA PHAT HIEN O VIETNAM. (Studies on the Bronze Dong Son Drums Found in Vietnam). Hanoi, pp. 124 pp. b/w illustrations comprising a few b/w photographs and numerous b/w drawings of designs on drums. 26x19 cm. Paper A detailed study with much illustration of the bronze Dong Son drums found in Vietnam. Ex-library copy with minimal stamps. Text in Vietnamese. 845 Nishimura, Tei: NIHON SHOKI YOGA NO KENKYU. (Research into Early Japanese Foreign-Style Paintings). Kyoto, , 552, 28 pp. text plus 16 fullpage colour and 55 pp. b/w plates. 30x22 cm. Cloth Reprint of the rare 1945 original. A most extensive study of the development of Western-style painting in Japan which includes a good amount of Christian subject matter. In Japanese. 846 Nonogami Keiichi ed: BUNMEI KAIKA NISHIKI-ESHU YOKOHAMA-E TO KAIKA-E. Colour Prints of the Late Tokugawa and Early Meiji Periods in the Nonogami Collection. Tokyo, xxviii, 127 pp. 237 illustrations, many in colour. 26x19 cm. Cloth, slipcase Colour prints in the Nonogami Collection. A fascinating collection with much showing western influence on Japan during those periods. Introduction and list of illustrations in English, otherwise Japanese text only. 847 Nyiri, Pal: SCENIC SPOTS. Chinese Tourism, the State and Cultural Authority. Seattle, xii, 134 pp. 20 illustrations. 22x15 cm. Cloth Examines the rise of a true phenomenon, the explosive growth in Chinese domestic tourism over the past decade and the benefits and challenges it brings. 848 Oayama, Akira & Fukui, Fumio ed: MUNAKATA SHIKO SAKUHIN SHU. (The Collected Works of Munakata Shiko). Osaka, pp. Colour illustrations throughout. 26x19 cm. Boards Illustrates over 370 prints and paintings by one of the greatest Japanese artists of the 20th century. A comprehensive survey of his work. Japanese text only. Reprint of the 2004 edition.

52 FROM OUR STOCK 52 HANSHAN TANG BOOKS 849 Oda Eiichi: BOXES AND BOX INSCRIPTIONS AS IMPLEMENTS IN THE TEA CEREMONY. Kyoto, pp. Colour plates throughout. 26x18 cm. Paper A leading authority of the tea ceremony discusses the evolution of the role of boxes and box inscriptions in the Japanese tea ceremony from simple containers to an artistic role. Illustrated throughout. Text in Japanese. 850 Ogawa Masataka: THE ENDURING CRAFTS OF JAPAN. 32 Living National Treasures. New York, pp. 158 plates (16 in colour). 26x17 cm. Cloth The fields covered are ceramics, weaving and dyeing, doll making, bamboo work, metalwork (including sword making), and lacquerware. The book is primarily a photographic record, but the lengthy captions give an insight into the ideals and motives of Japanese craftsmen. Good b/w photography. 851 Oriental Ceramic Society: CHINESE IVORIES FROM THE SHANG TO THE QING. London, pp. 20 colour plates, 324 b/w photographs. 29x23 cm. Cloth Catalogue of the exhibition at the British Museum arranged by the Oriental Ceramic Society. The most extensive documentation of Chinese ivories. Edited by William Watson with C. Clunas, P. Fawcett, D. Gillman & J. Watt. 852 Koyama Fujio & Pope, John A. ed: ORIENTAL CERAMICS THE WORLD S GREAT COLLECTIONS Tokyo, Each volume ca. 300 pp full-colour plates, ca. 300 b/w illustrations. 11 vols. 37x27 cm. Cloth, slipcase. 1, Popular edition, published by Kodansha. A fine work, each volume illustrated throughout, highlighting the best objects in the respective museums. The participating museums are: British Museum; Percival David Foundation; Metropolitan Museum of Art, New York; Museum of Fine Arts, Boston; Freer Gallery of Art, Washington; Musée Guimet Paris; Tokyo National Museum; Museum Pasat, Jakarta; National Museum of Korea, Seoul; Iran Bastan Museum, Teheran; Museum of Far Eastern Antiquities, Stockholm. 853 Choi Sunu: ORIENTAL CERAMICS THE WORLD S GREAT COLLECTIONS 2. National Museum of Korea, Seoul. Oriental Ceramics Vol. 2. Tokyo, pp. 104 colour plates, 357 illustrations. 37x27 cm. Cloth, slipcase The collection consists mainly of Korean ceramics, and the items beautifully illustrated in this volume are from the Koryo and Yi dynasties. 854 Ridho, Abu: ORIENTAL CERAMICS THE WORLD S GREAT COLLECTIONS 3. Museum Pusat, Jakarta. Oriental Ceramics Vol. 3. Tokyo, pp. 99 colour & 334 b/w plates & illustrations. 37x27 cm. Cloth, slipcase Oriental ceramics from the fine collections of the Museum Pusat, Jakarta. 855 Gyllensvärd, Bo: ORIENTAL CERAMICS THE WORLD S GREAT COLLECTIONS 8. Museum of Far Eastern Antiquities, Stockholm. Oriental Ceramics Vol. 8. Tokyo, pp. 101 colour & 281 b/w plates & illustrations. 37x27 cm. Cloth, slipcase Pope, John Alexander et al: ORIENTAL CERAMICS THE WORLD S GREAT COLLECTIONS 9. The Freer Gallery of Art, Washington, D.C. Oriental Ceramics Vol. 9. Tokyo, pp. 95 colour plates, 377 illustrations. 37x27 cm. Cloth, slipcase A comprehensive collection of fine quality oriental ceramics. Well represented are Han and Sung wares from China, those of Seto, Karatsu, Kyoto and Satsuma from Japan, and Koryo celadons from Korea. 857 Fontein, Jan & Wu Tung: ORIENTAL CERAMICS THE WORLD S GREAT COLLECTIONS 10. Museum of Fine Arts, Boston. Oriental Ceramics Vol. 10. Tokyo, pp. 106 colour & 314 b/w plates & illustrations. 37x27 cm. Cloth, slipcase Fontein, Jan: ORIENTAL CERAMICS THE WORLD S GREAT COLLECTIONS 11. Museum of Fine Arts, Boston. Oriental Ceramics Deluxe edition: Vol. 11. Tokyo, pp. 108 colour & 304 b/w plates & illustrations. 37x27 cm. Cloth, cloth case A collection of Oriental ceramics from Museum of Fine Arts, Boston. Original, numbered edition of 300 copies. 859 Osaka Castle Museum: ONE HUNDRED FAMOUS VIEWS OF NANIWA THEN AND NOW. Osaka, pp. 100 colour illustrations and 100 accompanying photographs. 21x30 cm. Paper Exhibition catalogue showing the series of 100 views of Naniwa (Osaka) by three prominent 19th century ukiyo-e artists Kunikazu, Yoshitaki and Yoshiyuki. The ukiyo-e prints are juxtaposed with photographs showing the present day locations. English commentaries to all plates, main text in Japanese. 860 Osaka Municipal Museum: RO KYO NO BIJUTSU. (Arts of the Six Dynasties Period). Tokyo, pp. 333 illustrations, 69 in colour. 149 text-illustrations. Folding map. 37x27 cm. Cloth, slipcase Commemorative catalogue of the major exhibition held at the Osaka Municipal Museum. Fine illustrations. In Japanese only. 861 Osaka Municipal Museum: SO GEN NO BIJUTSU. (Arts of the Song and Yuan Periods). Tokyo, pp. 337 plates, 71 in colour. 91 text-illustrations. 37x27 cm. Cloth, slipcase Commemorative catalogue of the major exhibition at Osaka Municipal Museum with pieces from public and private Japanese collections. Exquisite paintings and porcelain. In Japanese. 862 Pal, Pratapaditya ed: ON THE PATH TO VOID. Buddhist Art of the Tibetan Realm. Mumbai, pp. 154 colour and 67 b/w illustrations. 33x25 cm. Cloth The essays in this volume cover monasteries, palaces, icons, wall-paintings, and thankas. The essays are written by the foremost scholars of Tibetan art.

53 LIST FROM OUR STOCK 863 Pauthier, G: LE TA HIO, OU LA GRANDE ETUDE. LE PREMIER DES QUATRE LIVRES DE PHILOSOPHIE MORALE ET POLITIQUE DE LA CHINE. Paris, viii, 104 pp. printed with Chinese movable type cast by Marcellin-Legrand. 25x16 cm. Original wrappers bound in new cloth The first volume in a series of translations of the Classics projected by Pauthier, beautifully printed with the types specially cut by Marcellin- Legrand the whole enterprise being undertaken to upstage the published efforts of his great rival, Stanislas Julien. Lust Peng Jinzhang et al ed: DUNHUANG MOGAOKU BEIQU SHIKU: DI ER JUAN. Northern Grottoes of Mogaoku, Dunhuang: Volume Two. 敦煌莫高窟北區石窟 : 第二卷 彭金章等編. Beijing, , 415 pp. text plus 32 pp. colour and 176 pp. b/w plates. Large foldout panorama. Numerous b/w text drawings. 4 foldout charts. 27x19 cm. Boards Volume Two of a three volume archaeological report on excavations carried out in the northern quarter of the Dunhuang grottoes between 1988 and This detailed volume deals with the excavation and examination of 64 grottoes coded as B95 to B156 plus Grottoes 462 and 465. Five page English abstract, five page Japanese abstract, otherwise Chinese text only. 865 Peng Jinzhang et al ed: DUNHUANG MOGAOKU BEIQU SHIKU: DI SAN JUAN. Northern Grottoes of Mogaoku, Dunhuang: Volume Three. 敦煌莫高窟北區石窟 : 第三卷 彭金章等編. Beijing, , 501 pp. text plus 32 pp. colour and 192 pp. b/w plates. Large foldout panorama. Numerous b/w text drawings. 3 foldout charts. 27x19 cm. Boards Volume Three of a three volume archaeological report on excavations carried out in the northern quarter of the Dunhuang grottoes between 1988 and This final detailed volume deals with the excavation and examination of 90 grottoes coded as B157 to B1243 plus Grottoes 461, 463 and 464. Five page English abstract, five page Japanese abstract, otherwise Chinese text only. 866 Philon, Helen: EARLY ISLAMIC CERAMICS: NINTH TO TWELFTH CENTURIES. Benaki Museum Athens. Catalogue of Islamic Art Vol. I. London, xviii, 323 pp. Colour and (predominantly) b/w illustrations throughout. 32x25 cm. Cloth, dustjacket Presents a comprehensive description of the early Islamic ceramics held in a remarkable collection. 645 objects are illustrated and described. Introductory essays. 867 Pierson, Stacey: COLLECTORS, COLLECTIONS AND MUSEUMS. The Field of Chinese Ceramics in Britain Bern, pp. A number of colour and b/w plates. 22x15 cm. Paper Utterly fascinating and containing a wealth of information on collectors both famous and little-known. With a particular focus on the collecting efforts of Sir Percival David. 868 Piggott, F. S. G: THE ELEMENTS OF SOSHO. Yokohama, pp. 27x21 cm. Half-cloth, binding worn on edges and hinges of spine Extremely rare following the great earthquake in Tokyo in 1923 when 550 copies, or the balance of this first edition, were destroyed on the premises of Kelly and Walsh. 869 Le Play, Albert E: NOTES ET CROQUIS D ORIENT ET D EXTREME ORIENT. (Notes and Sketches on the Orient and Far East). Paris, pp. 224 b/w photogravures on non-numbered separate pages within the text. Maps. 29x20 cm. New cloth A peregrination throughout Egypt, India, Indo-China (including Angkor) then progressing from Canton in Southern China up through Shanghai and Hankou (Wuhan) to Peking. Thence to Japan. Numerous black-and-white photographs illustrate places visited. In French. Scarce and in good condition. 870 Pokotilov, D: HISTORY OF THE EASTERN MONGOLS DURING THE MING DYNASTY FROM 1368 TO Studia Serica, Series A, No. 1. Chengdu, pp. 26x18 cm. Boards Original edition, published by the West China Union University, of a text translated from Russian by Rudolf Loewenthal. Extremely scarce work. Ex-library copy with minimal markings. 871 Poor, Robert J: RITUAL AND REVERENCE. Chinese Art at the University of Chicago. Chicago, pp. 12 colour plates, many b/w plates and figures. Maps, chronology, bibliography. 28x23 cm. Paper Catalogue of an exhibition of art from the permanent collection of the David and Alfred Smart Gallery, held at the gallery in Includes Bronze Age art and artefacts and paintings from the Ming and Qing. 872 Prince Yi Household Museum: RIOKE HAKUBUTSUKAN SHOZOHIN SHASHINCHO KAIGA SHI BU. (Album of the Collection of the Yi Royal Family Museum Painting ). Kyoto, pp. text plus 68 pp. b/w plates each with accompanying leaf of text. 75 paintings are illustrated. 1 foldout leaf of calligraphy at front. 42x32 cm. Silk, Japanese style, cloth case. Damage to toggles Large folio showing the Korean paintings in the collection of the Korean Royal Family, surnamed Yi. Luxurious publication with fine black-and-white plates. 75 paintings are shown. A scarce work. In Japanese. 873 Prodan, Mario: THE ART OF THE T ANG POTTER. London, pp. 34 tipped-in colour plates and 120 b/w plates. Bibliography and index. 32x26 cm. Cloth Excellent survey of the subject with numerous illustrations. A standard reference. 874 Qin Dashu & Du Zhengxian ed: NANSONG GUANYAO YU GEYAO: HANGZHOU NANSONG GUANYAO LAOHUDONG YAOZHI GUOJI XUESHUHUI YANTAOHUI LUNWENJI. Guan and Ge Wares of the Southern Song: Symposium of International Conference on Southern Song Official Ware of Laohudong Kiln Site in Hangzhou, China. 南宋官窯與哥窯 : 杭州南宋官窯老虎洞窯址國際學術研討會論文集 秦大樹 杜正賢主編. Hangzhou, , 2, 3, 8, 3, 306 pp. 5 pp. colour plates, b/w text illustrations. 28x21 cm. Wrappers Proceedings of the 2002 symposium in Hangzhou on Guan and Ge wares found at the Laohudong kiln site near Hangzhou. A total of 36 papers. Preface, introduction and list of contents in English. In Chinese. Out-of-print.

54 FROM OUR STOCK 54 HANSHAN TANG BOOKS 875 Qiu Guangming: ZHONGGUO GUDAI JILIANG SHI TUJIAN. A Concise History of Ancient Chinese Measure and Weights. 中國古代計量史圖鑒 丘光明著. Hefei, , 194 pp. Colour illustrations throughout. 28x21 cm. Wrappers Draws on ancient Chinese texts and recent research. Illustrated with many excavated objects. Dual texts in Chinese and English. 876 Rai Sanyo Memorial Cultural Foundation: THE FLOWERS OF EDO UKIYO-E: THE WORLD OF CHIRIMEN PICTURES FROM THE SENO COLLECTION pp. Colour plates throughout. 30x21 cm. Paper Catalogue of an exhibition showing the Seno collection of Edo period crepe pictures, Chirimen, whose subject matter closely follows that of ukiyo-e prints. Three page list of plates in English. Main text in Japanese. 877 Randall, Doanda: KORIN. New York, n.d. 26 pp. text. 36 plates, 16 in colour. 5 b/w text-figures. 18x19 cm. Cloth Brief, but useful, illustrated work on Ogata Korin, the famous Rimpa master ( ). 878 Rochemonteix, Camille de: JOSEPH AMIOT ET LES DERNIERS SURVIVANTS DE LA MISSION FRANCAISE A PEKIN ( ). Nombreux Documents inedits. Paris, lxiii, 563 pp. Folding map. 23x14 cm. Paper. Some wear to cover (now protected) A detailed discussion on the time spent in China by the famous Jesuit, Joseph Amiot, from his arrival in 1751 until his death in Includes the state of Christianity in China at the time, interaction with the Chinese, other missionaries present, the suppression of Christianity in China, the suppression of the Jesuits in Europe and the end of the Jesuit mission in China. Following the 500 pages of introductory and main text are 126 pages containing 13 long letters by Jesuits resident in China or concerning Jesuit matters. Includes a folding map of China showing the location of Jesuit, French and Portuguese missions. An insert to the map shows the layout of the Bei Tang in Peking, the home of the Jesuits. In French. Rare. 879 Royal Library, Stockholm: A MILLENNIUM OF PRINTING. in China, Korea and Japan. Kungl. Biblioteks Utställningskat. 65. Stockholm, pp. text. xvi pp. b/w plates. 21x14 cm. Paper Catalogue of an exhibition of examples of fine printing from the collection of King Gustav VI Adolf and other sources. 880 RUSSIAN FAMILY IN CHINA. Two Photograph Albums. N.p.[Harbin], photograph albums with over 200 b/w photographs of varying sizes. 2 vols. 28x18 & 25x17 cm. 2 albums 1, Two albums comprising a rare and fascinating insight into the life of a Russian family who lived, it seems, in Harbin and possibly later in Shanghai in the first half of the 20th century. The family were probably White Russians who fled the Russian Revolution. Such a visual record of life in the Russian community in China is extremely rare. The photographs are notable for the lack of Chinese in the photographs. However, Russian communities outside their homeland are known for being very close-knit and disinterested in the life of the locals. It would appear that the family did travel to a limited extent or were involved in business that required it. There are scenes of Shanghai in the early 1930s, Tsingtao (Qingdao) in 1940, railway scenes, a station in Manchuria. There are a good number of photographs of Harbin, particularly of flooded streets dated 1932 and family photographs inscribed Harbin with a date. 881 Samling, Hugo Halberstadts: JAPANSKE SVAERDPRYDELSER. (Japanese Swordfittigns). Kobenhavn, n.d. 61 pp. 12 b/w plates showing numerous examples. 24x16 cm. Paper Text in Danish. 882 Sasaka, Johei & Sasaka Masako: DAIJOJI: THE ART OF MARUYAMA OKYO AND HIS SCHOOL. Tokyo, pp. Colour plates throughout. 30x23 cm. Cloth Co-authored by two leading authorities on Okyo. With numerous full-view and close-up colour plates showing the screen cycles and scroll artwork of Maruyama Okyo, created for the Daijoji Temple. Includes works by Goshun and other artists of the school who created works for the temple. Two page introduction and captions in English. Main text in Japanese. 883 Sasakawa Teruo ed: SASAKAWA SHINICHI KOREKUSHION. (The Sasakawa Shinichi Collection). Osaka, pp. text and 46 pages of plates showing 76 objects, of which 4 in colour. 37x29 cm. Japanese style binding Apparently a luxurious catalogue of a fine collection of early Chinese Buddhist sculpture, tomb reliefs and Chinese ceramics from various periods, plus a number of Korean ceramics. We have been unable to find information on the collection or collector. Some of the Chinese pieces are very fine and presumably were brought out of China some years before. Each illustration has a brief title and sizes. Introductions by Sato Koichi et al. in Japanese. 884 Sato, Hiroaki: JAPANESE WOMEN POETS. An Anthology. Armonk, xliv, 547 pp. Boards Presents the work of over 100 Japanese women poets. Arranged chronologically and featuring all the major verse forms. 885 Schlegel, Le Docteur: HISTOIRE DE LA PROSTITUTION EN CHINE. (The History of Prostitution in China). Rouen, pp. text plus 28 pp. bookseller s catalogue 18x12 cm. Cloth An extremely rare item, being the history of prostitution in China by a Doctor Schlegel traduite fidelement du Hollandais par le docteur C*** S*** de Bruxelles. This is copy no 292 of 440 sur beau papier velin teinte. In addition to its rarity as a work on the subject, it is accompanied by a fascinating 28 page catalogue of the bookseller J. Lemonnyer which lists many curiosités bibliographiques, galante etc. In French. 886 Screech, Timon: SECRET MEMOIRS OF THE SHOGUNS. Isaac Titsingh and Japan, London, pp. 23x16 cm. Paper A study of this famous figure s association with Japan. 887 Seikado Bunko: CHINESE ART OF THE SONG AND YUAN DYNASTIES. Masterpieces from the Seikado Collection. Tokyo, pp. 135 colour plates. B/w text illustrations. 30X21 cm. Paper Catalogue of an exhibition at the Seikado Bunko in Tokyo of Chinese art of the Song and Yuan dynasties featuring painting, calligraphy, ceramics from various kilns, rare books and lacquer. A total of 135 exhibits from the collection are illustrated and described. English plate captions and a 10 page list of plates. Main text in Japanese.

55 LIST FROM OUR STOCK 888 SHANGHAI BOWUGUAN: ZHONGGUO GUDAI DIAOSUGUAN. The Shanghai Museum: Ancient Chinese Sculpture Gallery. Shanghai, n.d. 32 pp. Colour plates throughout. 29x19 cm. Paper A visitor s guide showing highlights of the superb collection of Chinese sculpture in the Shanghai Museum. Dual text in Chinese and English. 889 Shanghai Municipal Tourist Administration comp: SHANGHAI LISHI JIANSHI YOU. Tour of Shanghai s Historical Architecture. Shanghai, pp. Colour photographs throughout. 28x21 cm. Paper The historical architecture of Shanghai a few Ming and Qing buildings, but mainly showing the chief glory of the city, the architecture of the 1920s and 1930s. Text in English, Chinese and Japanese. 890 Shanghai Museum: CHINESE ANCIENT SCULPTURE EXHIBITION. Shanghai, n.d. 40 pp. Colour plates throughout. 28X19 cm. Paper Chinese text. 891 Shanghai Museum ed: CHUNHUA GE TIE ZUI SHANBEN. (The Finest Editions of Calligraphic Rubbings from the Chunhua Mige Pavilion). 淳化閣帖最善本. Shanghai, ; 43; 37; 33 openings. Full-colour Reproductions of rubbings throughout. 4 vols. 37x27 cm. Accordion-style, between boards, in an elaborate, traditional cloth case. 1, A facsimile edition produced to the highest standards in order to celebrate the return to China of one of calligraphy s most important cultural treasures. Four volumes of rubbings from the Chunhua Ge had found their way into the collection of the American dealer and connoisseur, Robert H. Ellsworth. These were exhibited in the Forbidden City in Beijing in 1996 (see item GGM961) and subsequently entered the Shanghai Museum collection in The late scholar calligrapher, Qi Gong, called this the most important cultural restitution since Liberation. The Chinese government paid US 4.5 million for these four volumes. In 992 A.D., the Northern Song Chunhua emperor (Song Taizong) commissioned Wang Zhu to copy and carve selected masterpieces of calligraphy in the imperial collections, dating from the Han to the Tang. Most authorities cite this project as the beginning of the Chinese practice of making reproductions of fine art calligraphy (fatie) in the form of ink rubbings taken from intaglio carving of the originals onto stone or wood. It is almost certainly the first official sponsorship of this important cultural practice, which quickly became a parallel calligraphic tradition, doing almost as much to establish the canon of early masterworks as extant original calligraphy itself (ink traces of the actual brush). This collection of carvings and the rubbings made from them became known variously as the Chunhua Ge Tie, or Chunhua Mige Fatie, often simplified to Guan Tie, or Ge Tie. The first set of rubbings made is thought to have been produced in 10 juan or volumes and most subsequent editions follow this format. Three of the volumes now in the Shanghai Museum collection, all reproduced here, are believed to come from the the very first set of rubbings made from the original carvings. Volumes 6, 7 and 8 (of the complete 10) are three of those devoted to the work of China s greatest calligrapher, Wang Xizhi. Thus they form something of a coherent (sub)set and previous collectors clearly treated them as such. The fourth volume reproduced in this facsimile, also acquired from the Ellsworth collection, is a single volume 4 with a separate earlier provenance. Somewhat bizarrely, careful comparative examination of the rubbings reveals that it is volumes 4, 7 and 8 that come from the original first rubbings (from the inscriptions in their pristine state). Volume 6 nonetheless comes from a second-best Northern Song rubbing. For the purposes of contemporary scholarship, the Shanghai Museum s curators and editors clearly and rightly believed that it was important to bring all of these early rubbings together as volumes from the two earliest editions of the collection that constitutes the very fountainhead of Chinese calligraphy as manifested in rubbings. All four volumes do a very good job of reproducing every aspect of the original, including format and binding. Boards for all four are colour-printed with photographic representation of the original patterned brocades, even reproducing wear to the originals. The single fourth volume, somewhat larger in size, reproduces the wooden boards of the original; the other three volumes seem to have covers based on brocade-covered paper boards. In all volumes, the facsimile extends to all preliminaries, including labels, colophons and seals. The colouring of, and wear to, the paper on which the rubbings themselves are mounted in the accordion-style volumes is very well-reproduced. Most importantly, the facsimile rubbings themselves make a very good impression, which immediately evokes the exemplary quality of the originals from which they are taken. Most of the apparatus for these volumes is sensitively included in the facsimile of the fourth volume. There is a table of contents, three substantial essays (in Chinese only) on the associated connoisseurship by Chen Xiejun, Wang Qingzheng and Sun Weizu. Transcriptions into modern characters of all the calligraphy are given in the final openings of each separate volume. All text in Chinese. One of a deluxe edition limited to 1000 copies. Immediately went out-of-print in China and has become highly sought-after. 892 Shanxi Yungang Shiku Wenwu Baoguan Suo: HUAYANSI. Huayan Monastery. Beijing, pp. in Chinese, 6 pp. in English. 22 colour plates, 73 b/w illustrations, 1 map. 26x19 cm. Paper Huayan Monastery is located in Datong, Shanxi. It was built in 1062 and is one of the most important extant examples of Liao architecture in China. This study includes the ceilings, sculpture and murals, with an English abstract summarising the main features of the Monastery. 893 Shao Guotian: AOHAN WENWU JINGHUA. Aohan China. 敖漢文物精華 邵國田主編. Halubeier, , 266 pp. Colour plates throughout. 29x22 cm. Boards Very interesting work showing much previously unpublished or little-published material excavated in the Aohan Banner region in Inner Mongolia over the past 30 years. The first part describes 15 major historical and cultural sites located in the area. Part Two shows 302 cultural relics housed in the Aohan Museum. Part Three shows 37 murals from Liao tombs in the Aohan banner. The artefacts illustrated include Ordos bronzes, gold and silver, ceramics, weaponry, bronzes and other categories. Many fine and unusual pieces. Brief introduction in English, otherwise Chinese text only. 894 Shi Yunwen: ZHONGGUO JINDAI HUIHUA. Highlights of Chinese Painting During 中國近代繪畫 石允文編著. Shijiazhuang, [11], 200; [11], 200 pp. 200 colour plates, some folding. 2 vols. 40x28 cm. Cloth, slipcase Lavish overview of traditional style painting divided into two volumes covering, respectively, the end of the Qing dynasty and the beginning of the Republican period. Includes many lesser-known artists. Appears to be a reprint of a 1991 Taiwan publication. Captions in English.

56 FROM OUR STOCK 56 HANSHAN TANG BOOKS 895 Shizuoka Prefectural Museum of Art: MORI OGAI AND ART. Shizuoka, pp. Colour text illustrations throughout. 22x16 cm. Paper Produced to accompany an exhibition examining the pivotal role that Mori Ogai ( ), an important cultural figure of the Meiji and Taisho periods, played in developments in art during this time of much change. The text is enhanced with over 400 colour illustrations showing paintings and prints by numerous artists active at the time. In Japanese. 896 SICHUAN KAOGU BAOGAO JI. (A Compilation of Reports on Archaeology in Sichuan). 四川考古報告集. Beijing, pp. text plus 8 pp. colour and 16 pp. b/w plates. Numerous b/w text drawings and illustrations. 26x18 cm. Wrappers Sixteen archaeological reports, of varying lengths, are brought together in this compilation on archaeology in China s Sichuan province, an area with a distinct cultural identity in ancient China. Text in Chinese. Out-of-print. 897 Snellgrove, D. L: BUDDHIST HIMALAYA. Travels and Studies in quest of the origins and nature of Tibetan Religion. Oxford, xii, 324 pp. 74 b/w illustrations. Folding map. 22x14 cm. Cloth An erudite study by a leading authority. Includes Tantric Buddhism, Buddhism in Nepal, and much on the Tibetan form of Buddhism. Scarce. 898 Snellgrove, David L. & Skorupski, Tadeusz: THE CULTURAL HERITAGE OF LADAKH. Volume One: Central Ladakh. Warminster, xvi, 144 pp. illustrated, some in colour. Tipped-in colour frontispiece. 30x21 cm. Cloth Highly-illustrated study of the art and architecture of Ladakhi culture and religion. The book reveals the important traces of the earlier Tibetan Buddhism. 899 Soebadio Haryati: ART OF INDONESIA. London, pp. 164 colour illustrations. 32x25 cm. Cloth A magnificent selection of art treasures from Indonesia s prehistoric, classic, Islamic and colonial periods. Includes the most important elements of the National Museum of Indonesia collection. 7 essays and informative captions to illustrations. 900 Sohn Pow-key: EARLY KOREAN TYPOGRAPHY. Seoul, pp. 25 plates, 7 figures. 38x27 cm. Halfcloth covered with patterned embossed paper New edition of an excellent survey and technical analysis of books printed in Korea with movable types from earliest times till the end of the 19th century. Tipped-in are 83 facsimiles of specimen pages from old books. In English and Korean. Scarce. 901 Song Yongyi and Sun Daiji comp: THE CULTURAL REVOLUTION: A BIBLIOGRAPHY, Harvard-Yenching Library Bibliographical Series VI. Cambridge, xi, 521 pp. 28x22 cm. Boards A prime reference on a fascinating and turbulent period in modern China. Exhaustive. 902 Sotheby s: TWO SONG TREASURES. From a Japanese Collection. Hong Kong, pp. Colour plates throughout. 30x24 cm. Cloth The two superb treasures are a superb imperial Guan mallet vase and a painting attributed to Muqi titled Li Yuan and Yuanze. Discussed in detail and illustrated in full. Prices realized written on the cover, otherwise fine. 903 Steinhardt, Nancy Shatzman: LIAO ARCHITECTURE. Honolulu, pp. 373 b/w illustrations, 6 maps Cloth An important volume examining the architecture in China from the mid 10th to 12 centuries constructed under the Liao dynasty. Examines temples, tombs pagodas etc. Recent archaeology, traditional records and research add to the value of this work. 904 Stern, Harold P: THE MAGNIFICENT THREE: LACQUER, NETSUKE, AND TSUBA. Selections from the Collection of Charles A. Greenfield. New York, pp. 118 illustrations, 24 in colour. Bibliography. 21x22 cm. Paper Catalogue of an exhibition held at the Japan House Gallery in New York. 905 Su Bai: ZHONGGUO SHIKUSI YANJIU. (Studies on the Cave Temples of China). Beijing, pp. Numerous illustrations, text figures and drawings. 30x22 cm. Cloth Includes research at Kizil, Liangzhou, Yungang, Hengan, Luoyang, Dunhuang, Lhasa, Hangzhou and Wushan. In total, 23 articles and papers. Contents and 5 page summary in English. 906 Su Pai: BAISHA SONG MU. A Brief Description of the Three Song Dynasty Tombs Excavated at Pai-Sha. Beijing, , 102 pp. 49 plates, text-figures. Several colour illustrations. 37x27 cm. Cloth A report of the excavation of three brick tombs of the Song period which were discovered in 1951 in Henan. Provides an impressive documentation on problems of architecture, dress, furniture (especially chairs), etc. RBS Includes brochure with English text. Mint. 907 Sun Shaokai et al. ed: ZHONG QINGNIAN GUOHUAJIA BAIREN ZUOPIN. (Works by 100 Young and Middle-aged Traditional Chinese Painters). 中青年國畫家百人作品 孫少楷等主編. N.p., pp. 160 colour plates. 38x27 cm. Cloth In good colour plates, this book shows the state of traditional Chinese painting in the Peoples Republic at the very end of the 20th century with works by 100 painters currently active in the field. In Chinese only. 908 Suntory Art Museum: SPECIAL EXHIBITION: DRAWING A POEM, COMPOSING AN IMAGE. Waka and Japanese Art. Tokyo, pp. 88 exhibits all illustrated in colour. 21x15 cm. Paper Catalogue of an exhibition examining the relationship between Japanese waka poetry and painting. The exhibits include screens, paintings, ceramics and applied arts. The text discusses the symbiotic relationship between the two art forms. In Japanese only.