Voice in Dramatic Performance (DRA020N530A)

Transcription

1 Voice in Dramatic Performance (DRA020N530A) View Online Aston, Elaine and Savona, George (1991) Theatre as sign-system: a semiotics of text and performance. London: Attridge, Derek (1982) The rhythms of English poetry. London: Longman. Attridge, Derek (1995) Poetic rhythm: introduction. Cambridge: Cambridge University Press. Auslander, Philip (1997) From acting to performance: essays in modernism and postmodernism. London: Barba, Eugenio (1995) The paper canoe: a guide to theatre anthropology. London: Barba, Eugenio and Savarese, Nicola (2006) A dictionary of theatre anthropology: the secret art of the performer. 2nd ed. London: Barker, Clive (1977) Theatre games: a new approach to drama training. London: Eyre Methuen. Barthes, Roland (2009) Mythologies. [New ed.]. London: Vintage Classics. Barton, John and Channel Four Television Company (1984) Playing Shakespeare. London: Methuen in association with Channel Four Television Company Ltd. Beck, Alan (1997) Radio acting. London: A. & C. Black. Beckerman, Bernhard, Beckerman, Gloria Brim and Coco, William (1990) Theatrical presentation: performer, audience and act. London: Benedetti, Robert L. (1997) The actor at work. 7th ed. Boston, Mass: Allyn and Bacon. Berry, Cicely (1987) The actor and his text. London: Harrap. Berry, Cicely (2001) Text in action. London: Virgin. Berry, Cicely (2003) Voice and the actor. London: Harrap. Berry, Cicely and Berry, Cicely (1994) Your voice and how to use it. Rev. ed. London: Virgin Books. 1/7

2 Bloom, Gina (2007) Voice in motion: staging gender, shaping sound in early modern England. Bristol: University Presses Marketing [distributor]. Blumenfeld, Robert (2004) Acting with the voice: the art of recording books. New York: Limelight. Blunt, Jerry (1966) The composite art of acting. London: Collier-Macmillan. Boal, Augusto (2002) Games for actors and non-actors. 2nd ed. London: Boulton, Marjorie (1982) The anatomy of poetry. Rev. ed. London: Routledge & Kegan Paul. Bo k, Christian (2001) Eunoia. Toronto: Coach House Books. Brindle, Reginald Smith (1987) The new music: the avant-garde since nd ed. Oxford: Oxford University Press. Broadhurst, Susan and Machon, Josephine (2006) Performance and technology: practices of virtual embodiment and interactivity. Basingstoke: Palgrave Macmillan. Bull, Michael and Back, Les (2003) The auditory culture reader. Oxford: Berg. Caldwell, J. Timothy (1994) Expressive singing: Dalcroze eurythmics for voice. Englewood Cliffs, N.J.: Prentice Hall. Callery, Dymphna (2001) Through the body: a practical guide to physical theatre. London: Nick Hern. Cangelosi, Angelo, Smith, Andrew D. M., Smith, Kenny, International Conference on the Evolution of Language and ebrary, Inc (2006) The evolution of language: proceedings of the 6th international conference (EVOLANG6), Rome, Italy, April New Jersey: World Scientific. Cardiff, Janet and Artangel (1999) The missing voice: (case study B). London: Artangel. Carey, David and Carey, Rebecca Clark (2008) Vocal arts workbook and DVD: a practical course for achieving clarity and expression with your voice. London: Methuen Drama. Carlson, Marvin (2004) Performance: a critical introduction. 2nd ed. London: Central School of Speech and Drama (2000a) Voice in British actor and performance training: proceeds of a conference organised by the Performance Department and held at The Central School of Speech and Drama in July London: International Centre for Voice at The Central School of Speech and Drama. Central School of Speech and Drama (2000b) Voice in British actor training: the moment of speech : proceeds of a conference organised by the Performance Department and held at The Central School of Speech and Drama in November London: International Centre for Voice at The Central School of Speech and Drama. 2/7

3 Champagne, Lenora (1990) Out from under: texts by women performance artists. New York: Theatre Communications Group. Chekhov, Michael, Hurst du Prey, Deirdre and Gordon, Mel (1985) Lessons for the professional actor. New York: Performing Arts Journal. Colaianni, Louis and Nelson, Gale (1994) The joy of phonetics and accents. New York, N.Y.: Drama Book Publishers. Davies, D. Garfield, Jahn, Anthony F. and Keidar, Anat (2004) Care of the professional voice: a guide to voice management for singers, actors and professional voice users. 2nd ed. London: A. & C. Black. Dayme, Meribeth Bunch (2005) The performer s voice: realizing your vocal potential. London: W. W. Norton. De Mallet Burgess, Thomas and Skilbeck, Nicholas (2000) The singing and acting handbook: games and exercises for the performer. London: Dennis, Anne (2002) The articulate body: the physical training of the actor. London: Nick Hern. Dixon, Peter (1971) Rhetoric. London: Methuen. Drain, Richard (1995) Twentieth-century theatre: a sourcebook. London: Emmons, Shirlee and Thomas, Alma (1998) Power performance for singers: transcending the barriers. New York: Oxford University Press. Fortier, Mark (2002) Theory/theatre: an introduction. 2nd ed. London: Fraser, G. S. (1970) Metre, rhyme and free verse. London: Methuen. Frost, Anthony and Yarrow, Ralph (1990) Improvisation in drama. Basingstoke: Macmillan Education. Furniss, Tom and Bath, Michael (1996) Reading poetry: an introduction. London: Prentice Hall. Gates, Linda (2000) Voice for performance: training the actor s voice. London: Applause. Gelb, Michael (1987) Body learning: an introduction to the Alexander technique. London: Aurum Press. Gray John (no date) Your guide to the Alexander Texhnique. Victor Gollancz. Hahlo, Richard and Reynolds, Peter (2000) Dramatic events: how to run a successful workshop. London: Faber. Hampton, Marion and Acker, Barbara (1997) The Vocal vision: views on voice by 24 leading teachers, coaches & directors. New York: Applause. 3/7

4 Harrop, John (1992) Acting. London: Hart, Lynda and Phelan, Peggy (1993) Acting out: feminist performances. Ann Arbor: University of Michigan Press. Hartley, Linda (1995) Wisdom of the body moving: an introduction to body-mind centering. Berkeley, Calif: North Atlantic Books. Hegarty, Paul (2007) Noise/music: a history. London: Continuum. Hilton, Julian (1987) Performance. Basingstoke: Macmillan. Hilton, Julian (1993) New directions in theatre. Basingstoke: Macmillan. Hinchliffe, Arnold P. (1977) Modern verse drama. London: Methuen. Hobsbaum, Philip (1996) Metre, rhythm and verse form. London: Houseman, Barbara (2002) Finding your voice: a step-by-step guide for actors. London: Nick Hern Books. Huston, Hollis (1992) The actor s instrument: body, theory, stage. Ann Arbor: University of Michigan Press. Huxley, Michael and Witts, Noel (2002) The twentieth-century performance reader. 2nd ed. London: Innes, C. D., Innes, C. D. and ebrary, Inc (1993) Avant garde theatre, London: Karpf, Anne (2007) The human voice: the story of a remarkable talent. London: Bloomsbury. Kayes, Gillyanne (2004) Singing and the actor. 2nd ed. London: A. & C. Black. Leeuwen, Theo van (1999) Speech, music, sound. Basingstoke: Palgrave Macmillan. Lessac, Arthur (1996) The use and training of the human voice: a bio-dynamic approach to vocal life. 3rd ed. Mountain View, Calif: Mayfield Pub. Lightfoot, David (1999) The development of language: acquisition, change, and evolution. Malden, Mass: Blackwell. Linklater, Kristin (1991) Freeing Shakespeare s voice: the actor's guide to talking the text. New York, NY: Theatre Communications Group. Linklater, Kristin and Slob, Andre (2006) Freeing the natural voice: imagery and art in the practice of voice and language. Rev. and expanded [ed.]. London: Nick Hern. Machlin, Evangeline (1980) Speech for the stage. London: Machlin, Evangeline (2006) Dialects for the stage. New York: 4/7

5 Mahood, M. M. (1968) Shakespeare s wordplay. London: Methuen. Marshall, Lorna (2008) The body speaks. Rev. ed. London: Methuen Drama. Martin, Jacqueline (1991) Voice in modern theatre. London: McCallion, Michael (1998) The voice book: for everyone who wants to make the most of their voice. [Rev. ed]. London: Faber and Faber. McEvenue, Kelly (2001) The Alexander technique for actors. London: Methuen. McNeill, David (2000) Language and gesture. Cambridge: Cambridge University Press. Melton, Joan and Tom, Kenneth (2003) One voice: integrating singing technique and theatre voice training. Oxford: Harcourt Education [distributor]. Miell, Dorothy, MacDonald, Raymond A. R. and Hargreaves, David J. (2005) Musical communication. Oxford: Oxford University Press. Miller, Lynn C., Taylor, Jacqueline and Carver, M. Heather (2003) Voices made flesh: performing women s autobiography. London: University of Wisconsin Press. Mock, Roberta and ebrary, Inc (2000) Performing processes. Bristol: Intellect. Morrison, Hugh (1992) Acting skills. London: A. & C. Black. Morrison, Malcolm (1995) Classical acting. London: A &C Black. Morrison, Malcolm (1996) Clear speech: practical speech correction and voice improvement. 3rd ed. London: A & C Black. Newham, Paul (1998) Therapeutic voicework: principles and practice for the use of singing as therapy. London: Jessica Kingsley. Newham, Paul (1999a) Using voice and song in therapy: the practical application of voice movement therapy. London: Jessica Kingsley. Newham, Paul (1999b) Using voice and theatre in therapy: the practical application of voice movement therapy. London: Jessica Kingsley Publishers. Owens, W. R. and Goodman, Lizbeth (1996) Shakespeare, Aphra Behn and the Canon. London: Pavis, Patrice (1993) Languages of the stage : essays inthe semiology of the theatre. N.Y: Performing Arts Journal Pub. Pearce, Stewart (2005) The alchemy of voice: transform and enrich your life through the power of your voice. London: Hodder Mobius. Pfister, Manfred (1988) The theory and analysis of drama. Cambridge: Cambridge University Press. 5/7

6 Pikes, Noah (1999) Dark voices: the genesis of Roy Hart Theatre. Woodstock, Conn: Spring Journal Books. Reynolds, Peter (1991) Practical approaches to teaching Shakespeare. Oxford: Oxford University Press. Rodenburg, Patsy (1992) The right to speak: working with the voice. London: Methuen. Rodenburg, Patsy (1993) The need for words: voice and the text. London: Methuen Drama. Rodenburg, Patsy (1997) The actor speaks: voice and the performer. London: Methuen Drama. Rodenburg, Patsy (2002) Speaking Shakespeare. London: Methuen. Rodenburg, Patsy (2007) Presence: how to use positive energy for success in every situation. London: Michael Joseph. Roland, David (1997) The confident performer. London: Nick Hern. Roose-Evans, James (1989) Experimental theatre: from Stanislavsky to Peter Brook. 4th ed., rev. and updated. London: Sarup, Madan (1993) An introductory guide to post-structuralism and postmodernism. 2nd ed. Harlow: Longman. Schechner, Richard (2003) Performance theory. Rev. and expanded ed. London: Selden, Samuel (1979) First steps in acting. 1st Irvington ed. New York: Irvington Publishers. Shepherd, Simon (2006) Theatre, body and pleasure. London: Slater, David D. (2008) Vocal Physiology and the Teaching of Singing. Kimball Press. Spolin, Viola (1985) Theater games for rehearsal : a director s handbook. Evanston, Ill: Northwestern University Press. SPOLIN, VIOLA. (no date) IMPROVISATION FOR THE THEATRE. Pitman Publishing Ltd. Stanislavskii, K. S. and Hapgood, Elizabeth Reynolds (1979) Building a character. London: Eyre Methuen. Steiner, George (1998) After Babel: aspects of language and translation. 3rd ed. Oxford: Oxford University Press. Styan, J. L. (1965) The dramatic experience. Cambridge: Cambridge University Press. Styan, J. L. (1975) Drama, stage and audience. London: Cambridge University Press. 6/7

7 Styan, J. L. (1986) Restoration comedy in performance. Cambridge: Cambridge University Press. Taplin, Oliver (2004) Greek tragedy in action. 2nd ed. London: Thomas, James Michael (1999) Script analysis for actors, directors, and designers. 2nd ed. Boston: Focal Press. Thompson, Jo and Nelson, Nigel (2004) Find your voice. Iver Heath: Artemis. Turner, J. Clifford and Morrison, Malcolm (2000) Voice and speech in the theatre. 5th ed. London: A. & C. Black. Vanden Heuvel, Michael (1991) Performing drama/dramatizing performance: alternative theater and the dramatic text. Ann Arbor: University of Michigan Press. Watson, Ian (1993) Towards a third theatre: Eugenio Barba and the Odin teatret. London: Weate, Catherine (2008) Classic voice. London: Oberon. Whitmore, Jon (1994) Directing postmodern theater: shaping signification in performance. Ann Arbor: University of Michigan Press. Williams, David (1992) Peter Brook: a theatrical casebook. Rev. and updated. London: Methuen. Wilson, Pat (1997) The singing voice: an owner s manual : for singers, actors, dancers and musicians. London: Nick Hern. Withers-Wilson, Nan (1993) Vocal direction for the theatre: from script analysis to opening night. New York: Drama Book Publishers. Worthen, William B. (2000) The Harcourt Brace anthology of drama. 3rd ed. Fort Worth: Harcourt Brace College Publishers. Worthen, William B. (2005) Print and the poetics of modern drama. Cambridge: Cambridge University Press. Zarrilli, Phillip B. (2002) Acting (re)considered: a theoretical and practical guide. London: 7/7