MASTER DRAWINGS Index to Volumes Compiled by Maria Oldal

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1 MASTER DRAWINGS Index to Volumes Compiled by Maria Oldal oldalm@themorgan.org The subject of articles or notes is printed in CAPITAL letters; book and exhibition catalogue titles are given in italics; volume numbers are in Roman numerals and in bold face. Included in individual artist entries are authentic works, studio works, copies, attributions, etc., arranged in sequential order within the citations for each volume. When an author has written reviews, that designation appears at the end of the review citations. Names of collectors are in italics. Abbreviated names of Italian churches are alphabetized as if fully spelled out: "Rome, S. <San> Pietro in Montorio" precedes "S. <Santa> Maria del Popolo." Concordance of Master Drawings volumes and year of publication: I 1963 XII 1974 XXIII XXIV XXXV 1997 XLVI 2008 II 1964 XIII 1975 XXV 1987 XXXVI 1998 XLVII 2009 III 1965 XIV 1976 XXVI 1988 XXXVII 1999 XLVIII 2010 IV 1966 XV 1977 XXVII 1989 XXXVIII 2000 XLIX 2011 V 1967 XVI 1978 XXVIII 1990 XXXIX 2001 L 2012 VI 1968 XVII 1979 XXIX 1991 XL 2002 LI 2013 VII 1969 XVIII 1980 XXX 1992 XLI 2003 LII 2014 VIII 1970 XIX 1981 XXXI 1993 XLII 2004 LIII 2015 IX 1971 XX 1982 XXXII 1994 XLIII 2005 LIV 2016 X 1972 XXI 1983 XXXIII 1995 XLIV 2006 LV 2017 XI 1973 XXII 1984 XXXIV 1996 XLV 2007 LVI 2018 À l ombre des frondaisons d Arcueil: Dessiner un jardin du XVIIe siècle, exh. cat. by Xavier Salmon et al. Review. LIV: A. S. coll. XII: , fig. 19 (Dandré-Bardon) Aachen, Hans von. IV: , fig. 5; XXII: , fig. 1; XXXIX: 109, fig. 5 Aachen, Suermondt-Ludwig-Museum. XII: 63, fig. 1 (Rembrandt) Aar, Jan Govertsen van der. XXXI: 253, fig. 49 (portrait of) Abate, Niccolò dell. IV: 59; IX: 66 67; XXV: , fig. 8; XXVIII: 9, 17, 31, figs. 5a-5b, 27 (after); , figs. 1 2; XLV: 20, 22, figs ; L: 39, fig. 8 Abbate, Niccolò dell, see Abate, Niccolò dell Abbatini, Guido Ubaldo. LVI: 61, fig. 38 (after) Abbeville, Musée Boucher de Perthes. XVIII: , figs. 2 3 (Poussin), notes 7 8 Abbey, Edwin Austin. XXXI: 40, fig. 5 Abbot, Francis, formerly. LV: 495, 502, fig. 11 (C.W.E. Dietrich in the manner of Rembrandt) Abbott, P.A.J. and M.P.K. XLVI: 469, 504, 513, figs. 34, 90, 105 (Gainsborough) Abelló, Juan. XLVIII: 437, 441, figs. 3, 7 (Francisco Pacheco), note 11; 451, fig. 9 (inscription on anonymous drawing), note 39; ; LII: 458, figs (Pacheco), note 21 1

2 Aberdeen, Art Gallery and Museums. XVI: , pl. 19 (Wilson); XXI: 182 (review) Aberystwyth, National Library of Wales. XXII: 330 (review) Abildgaard, N. A. XVII: 286 Abingdon, Berks., Private coll. XI: 45 48, figs. 1 2, note 2, pl. 43 (Dadd) Abrams, George S. XXXVI: 5 8 (EGBERT HAVERKAMP-BEGEMANN) Abrams, Maida and George. XI: 403 (review); XX: , pl. 29 (Doomer); XXVII: 122, fig. 11 (Lievens), note 17; XXVIII: , 309, figs. 4 7 (Van der Haagen); XXX: ; XXXI: 255, 262, figs. 52, (Goltzius); XXXVI: 5 8, figs. 1 (Jan van Goyen), 2 (Jan Lievens erroneously reproduced as Cornelis Bega), 3 (Cornelis Saftleven), 4 (Jan Lievens), 5 (Gerrit de Heer); 217, figs. 1 (Cornelis Bega), 2 (Jan Lievens); XLII: (review); XLIII: 28, 56, fig. 21 (Van der Cooghen); XLIX: 197, fig. 39 (Simon de Vlieger), note 41; 363, fig. 26 (Jan Lievens), note 31; LIII: 455, fig. 2 (Bol), note 12 (promised gift to the Fogg Art Museum). XXXVIII: 238, fig. 6 (Buytewech), note 16, formerly. XLIII: 22, 27, 31, 48, 53, 58, figs. 17, 19 (Van der Cooghen, after Jacob Jordaens), 34 (Van der Cooghen) Abromaitis, Michael J. XLII: 179 (LETTER) Academy. The Academic Tradition in American Art. National Collection of Fine Arts, Smithsonian Institution. Review. XVIII: 48 Accorsi, Pietro, formerly. LI: 31 38, figs. 2 (Passarotti), 4 (Maganza), 5 7 (Allegrini), 10, (Bassetti), 12 (Barbelli), 15 (Novelli), 17 (Duranti), notes 5, 8, 11 13, 16, 18, 21, 23 Achenbach, Sigrid. Eduard Bendemann ( ), exhibition catalogue. Review. XLVI: Acireale, Catania, Accademia di Scienze, Lettere e Belle Arti degli Zelanti e dei Dafnici. XLV: 370, 380, figs. 5, 26 (Vieira Lusitano), notes 17, 40 Ackerman, Gerald M. XIII: (GLEYRE) Ackland, NC, University of North Carolina at Chapel Hill, Ackland Art Museum. XXXIX: 261, fig. 1 (C.-N. Cochin the Younger), note 10,,, Peck coll. XXXIX: (review) Ackley, Clifford S. LIII: (JACQUES DE GHEYN II) Acton, David. Master Drawings from the Worcester Art Museum. Review. XXXVII: 308 Adam, Blair. IX: , figs. 3 5, pl. 38 (Robert Adam), Edina. LV: (JACOPO LIGOZZI), James. IX: , fig. 1, John. IX: , figs. 1 2, Robert. IX: , figs. 1, 3 6, pls ; XVI: 53 57, fig. 2, pls , William. IX: , fig. 8 (?) Adama van Scheltema, Frederik, formerly. XLIII: 54, fig. 63 (Van der Cooghen); LVI: 198, 221, fig. 10 (Van Musscher) Adams, Eric. Francis Danby. Varieties of Poetic Landscape. Review. XII: , Frederick B. XL: (obituary) Adelaide, Art Gallery of South Australia. XXXIV: 303, fig. 1 (Cortona), note 1; XVIII: , pl. 19 (G. B. Tiepolo) Adhémar, Jean. XVIII: (FRANÇOIS CLOUET) Adler, Wolfgang. Jan Wildens. Der Landschaftsmitarbeiter des Rubens. Review. XIX: Landscape. Corpus Rubenianum Ludwig Burchard. Part XVIII, Vol. I. Review. XXIII XXIV: Adolph Frederick, King of Sweden, formerly. LII: 27, 42, figs. 42 and covers (Genga) Adrien, Christian and Isabelle. LV: 69, 102, figs. 204, 329 (A. Bloemaert) Aelbrecht. L: 346, fig. 29 (after Hans Bol) 2

3 Aelst, Evert van. LIII: 20, fig. 17, Pieter Coecke van, see Coecke van Aelst, Pieter, Willem van. LIII: 50, front cover Aeneid, see Virgil. Aeneid Aerdenhout, Van Tienhoven Foundation. LV: , figs. 4 8 (Bosboom), notes Aertsen, Pieter. III: , figs. 1 4, 5 (after), 6, pls. 1 9; IV: , fig. 1, pl. 28; XII: 34 36, fig. 2; XVIII: , figs. 1 2, pl. 15; LV: 405, fig. 6 Gli affreschi di Paolo III a Castel Sant Angelo. Progetto ed esecuzione, vols. Review. XXV: Agen, Musée des Beaux-Arts. L: 448, fig. 9 (Jean-Baptiste Oudry), note 50 Agnolo, Baccio d, see Baccio d Agnolo Agosti, Giovanni. Disegni del Rinascimento in Valpadana. Review. XL: Agresti, Livio. XLII: 348, fig. 15; XLVII: 85 86, 90, figs. 2, 4, 8 Agüero, Cristina. LII: (JOSÉ DEL CASTILLO) Águila, Miguel de Espinosa Maldonado y Saavedra, Conde del, formerly. XLVIII: , figs. 1 7 Aguirre, Andrés Ginés de, see Ginés de Aguirre, Andrés Aikema, Bernard. XXXV: (DORIGNY); 404 (LETTER); XXXVI: (REVIEW); (GIOVANNI BATTISTA); XXXVII: ; (REVIEWS); XLII: (GIAMBATTISTA TIEPOLO); L: (REVIEW) Ainsworth, Maryan W. XXVII: 5 38 (NORTHERN RENAISSANCE DRAWINGS); XXVIII: 223 (LETTER); XXIX: (REVIEW); XLI: (GERARD DAVID and the BENING WORKSHOP); ; (REVIEWS); XLIII: (LETTER), ed., Man, Myth, and Sensual Pleasures: Jan Gossart s Renaissance, the Complete Works. Review. XLIX: Aix-en-Provence, Atelier Cézanne. V: 273, fig. 7 (Cézanne), Musée Arbaud. XII: , fig. 3 (Dandré-Bardon); XLIII: 199, fig. 9 (Daret), note 38, Musée Granet. XII: , figs. 1 2 (Dandré-Bardon) Ajaccio, Corsica, Palais Fesch Musée des Beaux-Arts. XXXIX: 300, figs. 1 2 (Boucher after Solimena); XLVIII: 398, fig. 4 (Étienne Parrocel), note 11 Albani, Francesco. III: ; IV: 304 (studio of); VII: , pls ; XXII: , figs. 1, 4 5; XXX: 218, fig. 2; XXXIV: 5, fig. 2 (attributed to, after Agostino Carracci); XXXVI: 390, fig. 22 (formerly attributed to); XLIV: , figs. 1 (attributed to), 2, 5 (attributed to), 6, 7 (copy after), 8 10, 11 and 15 (attributed to), 17 19, 21 (attributed to), 22 25, 26 (attributed to), 27, 29 30; 369, fig. 1; XLVI: 49, figs , Giovanni Francesco, Cardinal, formerly. XLIII: 468, 480, figs. 18, 28 (Cortona) Albany, NY, Institute of History & Art. XXXIII: (review), figs. 1 2 (Cole); XXXV: , figs. 3 (Hennessey), 4 (Palmer), 5 (Thompson), 6 (Thompson?), 7 (Cafferty), 8 (Boughton), 9 (Thompson), 10 (J. M. Hart), 11 (Thompson), 12 (Calverley), (Thompson), 21 (Boughton), (Thompson), 26 (W. Hart), (Thompson), 30 (Dix), (Thompson), notes 11, 19, 22, 26, 28 29, 35, 37 41, 43, 45 51, 54, 56 63; , figs. 1 (Cole), 2 (Durand), 3 (Ingham), 4 (Morse), 5 (Weir), 6 (J. L. Morton), 7 (H. J. Morton), note 6; XXXVI: 8, fig. 1 (Calverley), note 2 Albert, Duke of Sachsen-Teschen, formerly. XXXI: 404, fig. 2 (Agostino Carracci), note 3; XLII: 338, fig. 5 (G. Salviati); XLIII: 19, 29, 43, 47, 53, 64, figs. 9, 28, 55 (Van der Cooghen); 479, fig. 27 (Cortona); XLIV: 338, fig. 4 (Van den Bossche); XLV: 380, fig. 25 (Vieira Lusitano), note 39; XLVII: , figs. 1 13, 15, 17, 19, 23, (Étienne Parrocel), note 5; 304, 308, , figs. 52 ("False Amand" hand after Dughet), 59 3

4 (anonymous after Dughet), ("False Amand" hand after Dughet?), 65 ("False Amand" hand after Dughet); LII: 43, fig. 60 (Genga); 72, 75, 77, 83 84, figs. 18, 22 23, 28, 30 (Jan de Visscher); 277, 287, 293, 307, 328, 333, 335, figs. 2, 3b, 14b, 21, 42 (Coecke van Aelst); LV: 512, fig. 35 (Van Dyck) Alberti, Cherubino. IV: , fig. 6; XIII: 12 23, figs. 1, 10, 12 (etchings); XX: 247, , pl. 7; XLVIII: 293, figs. 8a b (engraving after Polidoro da Caravaggio); LII: 227, fig. 42 Alberti family. XXIII XXIV: Albertinelli, Mariotto. II: ; V: 198 Albi, Musée Toulouse-Lautrec. XLVII: 228, fig. 17 (J.-L. David), note 29 Albin, Eleazar. XLV: 438, 440, 476, figs. 3, 4 5 (etchings), 6 7, 8 9 (etchings), 11 (etching), 63, 64 (etching) Alborese, Giacomo. XIV: , fig. 3, pl. 32; XXI: 166, fig. 1 Albrecht Altdorfer. Zeichnungen, Deckfarbenmalerei Druckgraphik. Review. XXVI: Albrecht Dürer. Kritischer Katalog der Zeichnungen. Review. XXIII XXIV: Alburquerque, Kira d. XLIX: (GIOVANNI BATTISTA FOGGINI) Alcaide, V. M. Nieto. Carlo Maratti. Review. III: 174 Alcamo, Chiesa Madre. XXXIII: 47, fig. 6 (Borremans) Alciato, Andrea. LVI: 471, fig. 18 (woodcut) Alcubierre, Conde de coll., formerly. XXXVII: 377, fig. 13 (circle of Pacheco), note 22, Doña María del Pilar de Senmenat y Patiño Despujol Osorio, the dowager Marquesa de Monistrol de Noya y de Aguilar, Condesa de, formerly. XLVIII: 437, 441, figs. 3, 7 (Francisco Pacheco), note 11; 451, fig. 9 (inscription on anonymous drawing), note 39; Aldegrever, Heinrich. VIII: , figs. 1 2, 4 9, pls Aldobrandini, Olimpia. LIII: 387, fig. 2 (portrait of) Alençon, Musée de Peinture, Hôtel de Ville. V: 139, pl. 9 (Jouvenet); XV: 166, note 6, pl. 25a (Restout) Alexander I of Russia. XXXII: 113, figs (portraits of) Alexander, Jonathan. XXXVI: (REVIEW) Alford, Robertson F. X: 118, fig. 3 (Gaulli), note 21, W. H., formerly. LII: 375, fig. 6 (unidentified Brussels tapestry factory), note 23 Algardi, Alessandro. III: 413, pl. 41; XII: , fig. 1, pls ; LVI: 45, 49 figs (after), 27, 29 (after) Algarotti, Francesco. XXI: , formerly. XXXII: 338, fig. 32 (L. Tiepolo) Aliense. VII: , pl. 33 (frame); XLVII: , figs. 1, 2 (portrait of), 3 6 All for Art. The Ricketts and Shannon Collection. Review. XVIII: Allegrini, Francesco. XXV: , figs. 1 7, pls. 20a-24b; XLVII: 79 81, figs. 1 5; LI: 33 35, figs. 5 9 Allen, Denise, see Brooks, Julian, with Denise Allen and Xavier F. Salomon, Elizabeth K. XXXII: 175; XXXIII: 74 80; (REVIEWS); XXXV: (LAUNT THOMPSON); 403 (REVIEW); XXXVI: 8 12 (CALVERLEY) Allentown, PA, Art Museum. IV: 60 (review), Muriel and Philip Berman Collection. XXX: , 154, fig. 10 (Veronese), note 23 Alli, Silvio degli. VIII: 253, fig. 4 Allori, Alessandro. II: 290; XIV: 41 42, pl. 11; XX: 127, pls ; XXV: , figs. 1 (tapestry after), 2, pl. 4; XXVI: 56; LI: 3, fig. 1 and front cover (formerly attributed to); LVI: , figs. 1 5, 6 (after), Cristofano. XXI: passim, figs

5 Allou, Gilles. XXII: 64 65, fig. 1 Allwood, E. C., formerly. LII: 348, fig. 89 (attributed to the workshop of Coecke van Aelst) Almeida, Francesco da. XXXII: 124, fig. 37 (?) Alnwick Castle, Duke of Northumberland coll. V: , figs. 1-2 (Licinio) Alsteens, Stijn. XLVI: (HANS SÜSS VON KULMBACH); XLVIII: (REVIEW); L: (LETTER); LI: (REVIEW); LII: (PIETER COECKE VAN AELST); LIII: (BREENBERGH); (REVIEW); LIV: (BARTHOLOMEUS SPRANGER), see also Buvelot, Quentin, and Stijn Alsteens Altdorfer, Albrecht. XXVI: Altena, I. Q. van Regteren, see Regteren Altena, I. Q. van Alteroff, A. N., formerly. XLIII: 60, back cover (Van der Cooghen) Altissimo, Cristofano dell. LV: 387, fig. 12 Alumni Who Collect. I. Drawings from the 16th Century to the Present. Review. XXI: 67 Alunno di Benozzo. II: 283 Alunno di Domenico, see Bartolomeo di Giovanni Alvin-Beaumont, Victor, formerly. XLIV: 426, fig. 26 (Mercier), note 40 Amalteo, Pomponio. XI: , figs. 1 3, 6 16, pls. 1 11, 13 18; XXXIV: 175, 179, 181, figs. 10, 17 (or Pordenone), 22, 24 Amand, Jacques-François. LII: 112, fig. 1 Ambrogi, Domenico degli. XIV: , fig. 1, pl. 31 American Drawings, Benjamin West to Ben Shahn. Selections from the Paul Magriel Collection. Review. XIX: 57 American drawings. Books and catalogs. Review. XV: The American Face and Figure. Drawings from the Collection of John Davis Hatch. Review. XIII: 178 The American Personality. The Artist-Illustrator of Life in the United States, Review. XV: 188 An American Perspective. Nineteenth-Century Art from the Collection of Jo Ann & Julian Ganz, Jr. Review. XXIII XXIV: 421 Ames, Winslow. I, 3: (F. GUARDI); IV: 434 (BELLANGE); XIII: (BOUCHARDON); XXI: 3 16 (LECLERC and COYPEL), Mr. and Mrs. Winslow. XVIII: 372, note 17, pl. 39 (Lievens) Ames-Lewis, Francis. XXII: 78 80; XXVIII: (REVIEWS); XXXIII: (GOZZOLI); XXXVII: (REVIEWS); XXXIX: (REVIEW). Drawing in Renaissance Italy. Review. XXII: , and Elizabeth Clegg. XXV: (ANTONIO and PIERO POLLAIUOLO) Amhem, Gemeentemusea Amhem. XLIV: 70, fig. 4 (Kerkhoff), note 15 Amherst, MA, Amherst College, Mead Art Museum. L: 153, figs. 1 3 (Haskell), notes 2 4 Amico di Donato. XLIX: , figs. 1 3 (attributed to), 5 8 (attributed to), (attributed to), (attributed to) Amiens, Musée de Picardie. XVII: 47, note 15, pl. 40 (Millet); XXVIII: 172, fig. 37 (J. Jordaens the Younger); XXXI: 233, fig. 25 (Goltzius), Musée des Beaux-Arts. XII: , fig. 5 (Dandré-Bardon) Amigoni, Jacopo. XII: 41 48, figs. 1, 2 (engraving after), 3, 4 5 (engravings after), 6, pls Amling, Carl Gustav von. XXIII XXIV: 9, fig. 3 (engraving); XXXIX: 188, fig. 17 Amman, Jost. XLIX: 52 62, figs. 1 (after Lucas Cranach the Elder), 3 (after Virgil Solis), 4 (after Albrecht Dürer), 5 9 Ammann, Edith, see Theilmann, Rudolf, and Edith Ammann 5

6 Amorosi, Antonio. V: 12, pl. 1 Amsler, Samuel. LIV: 70, 75 76, figs. 6 and 13 (engravings), 12 (portrait of) Amstel, Ploos van, see Ploos van Amstel, Cornelis Amstelveen, Bibliotheek Amstelland. LIV: 363, fig. 113 (anonymous artist) Amsterdam, Amsterdam Museum. LIII: 326, fig. 31 (Waterloo), note 33; 518, fig. 5 (Langendijk), note 8, Amsterdams Historisch Museum. XVI: 24 25, fig. 23 (Brondgeest); XXXV: 369, fig. 4 (Berchem), note 14; XXXIX: 371, 385, figs. 6 (Salomon de Braij after himself), 23 (Joseph de Braij after Jan de Braij), notes 16, 37; XLIX: 343, figs (Rembrandt); 389, fig. 2 (Hoogstraten), note 5,, Fodor coll. XII: , pl. 31 (Rubens); XIII: , fig. 4 (Picart), note 24; XVI: 3 24, fig. 24 (Van Mieris), pls. 1, 19 (Van Mieris); XVII: 4 5, 10, 18, 21, pls. 1, 7 (A. van de Velde); XX: 404 (review); XXI: (review); XXIII XXIV: (review), fig. 1 (Delaroche); XXXIII: 187 (review); XLIV: 17, fig. 17 (De Vlieger), note 46; XLV: 187, fig. 1 and front cover (Hoogstraten), note 1; XLIX: 341, figs. 134, 136 (Rembrandt), art market. XXXV: 159, fig. 11 (Van Goyen), note 19,, formerly. I, 4: 27, 31, note 14, pl. 23 (Pozzoserrato); XVI: 31 32, pl. 25 (Van Mieris); XIX: 30, pl. 31a (Quillard); XXXVI: , figs. 7 9 (Louis de Caulery), notes 19 20, 22; LV: 15, fig. 34 (A. Bloemaert?), N. Beets, formerly. XXXVI: 404, fig. 9 (Louis de Caulery), note 22, P. de Boer, formerly. XLIX: 43, fig. 27 (Schiavone), note 53, P. & N. de Boer Foundation. XLIII: 39, 62, fig. 45 (Van der Cooghen); L: 348, fig. 31 (Hans Bol), note 61; 378, fig. 27 (Jan Siberechts), note 26; LV: 24, 98, 110, 112, figs. 64, 316, 363, 370 (A. Bloemaert); 317, 321, figs. 1 (Verboom), 4 (Beresteyn), notes 1, 44,, formerly. LIII: 337, fig. 50 (De Vlieger), note 51, De Bosch et al., formerly. LV: 61, fig. 177 (A. Bloemaert), Paul Brandt, formerly. LII: 75, 83, fig. 25 (Jan de Visscher); 313, 336, fig. 50 (Coecke van Aelst), Bruil & Brandsma, formerly. LV: 110, fig. 364 (A. Bloemaert), Christie s, formerly. XXXI: 222, 234, 236, 244, 249, 258, 270, 272, fig. 4 (circle of Goltzius), figs. 26, 28, 36 42, 46, 57, (Goltzius); XXXVI: 18, 20, figs. 2 (Abraham Bloemaert), 3 (Cornelis Bloemaert the Elder), 5 (Abraham Bloemaert), notes 9, 13; XXXVIII: 58, fig. 1 (Van der Haagen), note 9; XLIII: 27, 53, fig. 19 (Van der Cooghen, after Jacob Jordaens); XLIV: 16, 19, 39, figs. 15 (De Vlieger), 21 (Willem van de Velde I), 50 (De Vlieger), notes 43, 49, 86; 348, fig. 15 (Van den Bossche); XLIX: 191, 218, figs. 27 (Simon de Vlieger), 87 (Jan van Goyen), notes 27, 108; L: 378, fig. 25 (Jan Siberechts), note 26; 533, fig. 3 (Willem van Mieris), note 3; LII: 66, 83, fig. 6 (Jan de Visscher after Wouwerman); 347, fig. 87 (attributed to the workshop of Coecke van Aelst); LIII: 323, 332, figs. 22 (Esselens), 39 (De Vlieger), notes 24, 41; LIV: 327, fig. 53 (Pieter Holsteyn the Younger after Frans Post?), note 64; LV: 30, 52, 59, 82, 89, 101, 103, 110, figs. 78 (attributed to A. Bloemaert), 149, 172, 255, 278, 324, , 362 (A. Bloemaert); 322, fig. 7 (Beresteyn), note 46, Cultural Heritage Agency of the Netherlands. LVI: 215, fig. 48 (Van Musscher), note 61, (on deposit at the Museum Gouda). LVI: 208, fig. 33 (Van Musscher), note 38, Kunsthandel Douwes, formerly. L: 340, fig. 17 (Hans Bol), note 37, Fodor coll., see Amsterdam, Amsterdams Historisch Museum, Fodor coll., Gemeente Archief. XXX:

7 , Gemeentemusea. IV: 394, pl. 21 (Oudry); XII: , pls , 28, 33 (Van Gogh); XX: 387 (review); XXI: (review), Glerum, formerly. XLIX: 486, fig. 9 (Francis Barlow), note 29; LV: 111, fig. 366 (A. Bloemaert), Goudstikker, formerly. LIV: 52, fig. 9 (Vernansal), note 17, Houthakker, formerly. XXXI: 273, fig. 77 (Goltzius); LII: 68, 82, fig. 13 (Jan de Visscher); 301, 330, fig. 31 (Coecke van Aelst), IJver, formerly. XLV: 8, fig. 5 (Paolo Farinati), Hendrick de Leth, formerly. LV: 37, 106, figs. 101, 346 (A. Bloemaert), Rob Kattenburg, formerly. XLIV: 37, fig. 47 (De Vlieger), note 78, Koninklijk Oudheidkundig Genootschap (on deposit in the Rijksmuseum). LVI: 201, figs. 17, 19 and back cover (Van Musscher), Hendrik de Leth, formerly. LVI: , 221, figs. 10, 12 (Van Musscher), Salomon Lilian, formerly. LVI: 204, 222, figs (Van Musscher), Van den Linden and De Winter, formerly. LVI: 208, 223, fig. 32 (copy after Van Musscher), Mak van Waay, formerly. XLIV: 10, figs. 5, 9 (De Vlieger), notes 32, 34; LVI: 209, fig. 37 (Matthijs Naiveu), note 40, F. Muller, formerly. LV: 26, fig. 66 (A. Bloemaert); , figs. 2 3 (Beresteyn), notes 42 43, Frederik Muller & Cie, formerly. LVI: 194, 198, 207, 209, , 224, figs. 1 2, 10, (Van Musscher), 36 (Matthijs Naiveu after Van Musscher), 37 (Matthijs Naiveu), note 40, Nederlands Scheepvaart Museum. XX: , fig. 1 (H. Vroom), Robert Noortman, formerly. LVI: 204, 222, figs (Van Musscher), Nystad-Laurentius Gallery, formerly. XXXI: 253, figs (Goltzius), Private coll. II: 156, pl. 21 (Vellert); X: 262, pls. 27, 29a (Ter Borch); XVI: 5 6, fig. 4 (Dou); XXVIII: 68, fig. 14 (Vrancx), note 44; XXXV: 165, 169, figs. 18, 24 26, (Van Goyen), notes 33 35, 37 38, 40; XLIII: 103, fig. 1 (Vermeyen), note 5; LIV: 323, fig. 47 (Frans Post), note 55; LV: 8, 40, 70, 93, 106 7, figs. 11, 14, 108, 209, 212, , 344, 349 (A. Bloemaert), Rembrandthuis. XXIX: (review); XLIX: 343, fig. 139 (Rembrandt); 359, fig. 16 (Jan Lievens), note 21; LIII: 457, fig. 3 (photo of his studio), Rijksdienst voor het Cultureel Erfgoed. LIII: 315, fig. 7 (Schouman), note 10, Rijksmuseum. II: 51 52, fig. 3 (Gobelin tapestry); V: 161, fig. 2 (Ostade); 377, fig. 2 (after Rubens); VII: 50, fig. 1 (Laroon); VIII: , pl. 26 (Claude Lorrain); IX: (review); , fig. 3 (Franceschini), note 24; XI: 45 48, fig. 3 (Steen), note 4; 366, fig. 1 (Dürer); XX: 118, fig. 3 (H. Hondius I); XXII: , fig. 2 (L. Carracci); XXIII XXIV: 51 52, fig. 7 (Matham); XXV: 376, notes 34 35, pls. 21a-b (Kempeneer); XXVII: 7 8, fig. 3 (circle of Van Eyck); 111, fig. 6 (Rembrandt); , figs. 6 (Rembrandt), 7 (Lievens), 8 10 (Rembrandt); 138, , figs. 21, (Rembrandt); XXIX: 52, fig. 1 (L. Carracci), note 1; (review); XXXV: (review); XXXVI: 67, fig. 3 (Callott); XXXVIII: 175, fig. 18 (Natoire), note 41; XL: (review); XLIV: 10, fig. 7 (De Vlieger); XLVIII: 10, fig. 10 (Govert Flinck), note 32; XLIX: 307, 310, figs. 29, 37, 42 (Rembrandt), notes 18, 22 23; L: 530, fig. 6 (Jan Steen), note 33; LIII: 437, fig. 6 (Jacques de Gheyn II), note 10; LIV: 303, 308, , figs , 17, 20 22, 24 25, 56, 59 (Frans Post), notes 35 36; 375, fig. 8 (Rembrandt); LV: 157, 169, figs. 9 (Doll s house of Petronella Dunois), 25 (Van der Goes), notes 25, 76; LVI: 194, 197, 201, 211, figs. 4 (Adriaen van Ostade), 9, 18, 39 (Van Musscher), notes 5, 9, 26, 44 7

8 , (on deposit from the Koninklijk Oudheidkundig Genootschap). LVI: 201, figs. 17, 19 and back cover (Van Musscher), (on long-term loan to the Mauritshuis, The Hague). LIV: 296, fig. 3 (Frans Post), note 23,, Rijksprentenkabinet. I, 2: 3 15, figs. 1, 3, pl. 5 (De Gheyn III); I, 3: 10, note 21, pl. 4b (Perino del Vaga); I, 4: 38 41, notes 6 8, pl. 26 (Ketel); II: 13, fig. 8 (after Marcantonio Raimondi); , fig. 1 (Greuze); , , note 20, pl. 16 (Ligorio); III: 131, 148, 150, pl. 8 (Cornelis van Haarlem); 364, pl. 9 (Aertsen); IV: , pl. 15 (Rubens); 171 (review); V: 40, fig. 2 (Verhaecht); 55, pls (Boucher); VI: 28 29, notes 10, 12 13, pls (Baburen); , fig. 2 (Caccianemici); VIII: 146, note 21, pl. 34b (Aldegrever); , note 7, pls (Bononi); IX: , notes 9, 34, pls. 31 (Savery), 42 (Doomer); X: , pls (Ter Borch); , pl. 24a (Bononi); XII: , figs. 2, 4 5 (Laurentz); (review); 241, note 18, pl. 8a (Poussin); , note 11, pls. 1 3, 5 8 (Grandjean); XIII: , figs. 1 (Cort), 2 (anonymous artist), 3 (J. Saenredam); , fig. 8 (Lucchese); , fig. 3, pls (De Hooghe); XIV: 252, pl. 8 (A. Bloemaert); XVII: , fig. 5 (Roghman); 166, pl. 33a (Dieu); XIX: (review); , note 10, pl. 33 (Dorigny); , fig. 1 (J. Muller); XX: , (reviews); XXI: 407, pl. 37 (Carreño de Miranda); XXIII XXIV: (review); XXV: 4 41 passim, figs. 3, 9, 14, pls. 14, 22 (Poelenburg); XXVII: 119, fig. 4 (Lastman), note 10; , , figs. 8, 31 (Rembrandt), notes 5, 20; , fig. 25 (Maes), note 20; XXVIII: 22, fig. 33 (attributed to Van Thulden, after Primaticcio), note 82; 324, figs. 8 9 (Cats), note 8; XXIX: 278, 281, fig. 13 (Rembrandt); 410, fig. 4 (Rembrandt), note 6; XXX: 299, fig. 26 (Annibale Carracci), note 54; XXXI: 238, 260, figs. 30, 60 (Goltzius); XXXII: 357, figs. 8 9 (Collaert, after Stradanus); XXXV: 155, fig. 1 (Van Goyen); 247, fig. 16 (Watteau, after Van Dyck and Rubens), note 42; 356, fig. 20 (Molyn); 381, figs. 2 3 (H. Bloemaert, after Tintoretto), note 11; XXXVI: 36, fig. 1 (Rembrandt), note 11; 49, fig. 7 (Jean de la Chambre, the Younger), note 19; 215 (review); XXXVII: 71, fig. 3 (Pieter de Grebber?); XXXIX: 371, 384, figs. 7 (Jan de Braij after Salomon de Braij), 22 (Joseph de Braij after Jan de Braij), notes 17, 36; XL: 117, figs. 6 7 (Muziano), note 19; XLIII: 13, 17, 19, 21, 28 29, 31, 39, 41, 48 50, 55 58, 60, 63, front cover, figs. 3 (Van der Cooghen), 4 (Cornelis Bega), 5, 10 (Van der Cooghen), 11 (Jan de Braij), 12, 24, 26, (Van der Cooghen), 32 (attributed to Van der Cooghen), 33, 38, 47, 49, 51, 66 69, 71 (Van der Cooghen), note 41; 94, fig. 5 (Swanevelt); 104, fig. 4 (Vermeyen); XLIV: 10, 17, 22, 33, 35, 39, figs. 6, 8, 19, 28 29, 43, 46, 51 (De Vlieger), notes 54 55, 75; 56, figs. 1, 3 (Delamonce), notes 8 9; XLV: , figs. 8 9 (Molenaer), 10 (Vinckboons), notes 19, 24 25; XLVI: 43, 47, 54, front cover (Van Dyck), note 54; 111, fig. 3 (18th-century Rembrandt imitator?), note 4; 301, fig. 10c (Barocci), note 40; XLVII: 510, fig. 4 (Rembrandt), note 8; XLVIII: 30, fig. 32 (Govert Flinck), note 81; 52, 57, figs. 16 (Van den Eeckhout), 20 (copy after Van den Eeckhout), notes 45, 52; 91, figs. 34, 36 (Hollar), notes 82 83; XLIX: 73, 75, 85, figs (Foggini); , 183, 201, 217, figs. 3, 6 9, 13, 46 (Simon de Vlieger), 82 (Esaias van de Velde), notes 7, 10, 14, 49, 102; 254, fig. 1 (Jan Gossart), note 7; 294, 302, 310, 314, 319, figs. 2, 21, 39, 51 52, 55 56, 65, 67 (Rembrandt), notes 3, 33; 325, 333, figs. 80 and front cover (Rembrandt); 364, 366, figs. 28 (Jan Lievens), 32 (Rembrandt), notes 33, 38; 375, 382, 384, figs. 6, 29, 34 (Jan Victors), notes 18, 40; 394, fig. 11 (Hoogstraten), note 11; 457, figs (Theodoor van Thulden after Primaticcio), notes 70 71; 499, 503, figs. 38 (Boetius Adams Bolswert after Bloemaert), 42 (Adriaen Collaert after Maerten de Vos), notes 64, 72; 539, fig. 11 (Hans Holbein the Younger), note 54; L: , 313, 317, 322, figs. 1 2, 5 10 (etchings by Hieronymus Cock after Matthijs Cock), 31 (copy after 8

9 Matthijs Cock), 36 (Jan van Scorel), notes 24, 73; 330, 346, 349, figs. 1, (Hans Bol), 32 (anonymous engraving after Hans Bol), 33 (engraving by Adriaen Collaert after Hans Bol), notes 12, 53, 64, 67; 378, , 388, figs. 20, (Jan Siberechts), (inscriptions by Siberechts), notes 26, 32; 533, fig. 1 (Willem van Mieris), note 7; LI: , figs. 4, 10, 37, 41, 45, 53, 65, 69, 77 (De Bruyn); 369, fig. 9 (Scheemaeckers), note 60; 448, figs. 3 4 (De Hooghe), notes 23, 25; 523, fig. 1 (Barocci), note 6; LII: 59, 66, 68, 70, 73, 79, 83, figs. 2 (Cornelis van Noorde after Cornelis or Jan de Visscher), 7 (Jan de Visscher after Wouverman), 9 (Cornelis Visscher after Titian?), 10 (Cornelis Visscher after Guido Reni), 11 (Lambert Visscher), 15 (CornelisVisscher), 20 (Jan de Visscher), 31 (Cornelis Visscher), notes 7, 48, 50 52, 57, 61; 192, fig. 15 (Jacques Callot after Muziano), note 21; 209, , 218, 220, 222, figs. 8, 14 15, 17, 23, 27, 32, 36 (woodcuts by Hans Holbein the Younger), notes 14, 17, 20, 26, 28, 32, 36; 295, 301, 313, 330, , figs. 23, 31, 50, 66 (Coecke van Aelst); 458, fig. 16 (Cornelis Cort after Titian), note 23; LIII: 191, , 202, figs. 1, (Lucas van Leyden), 4, 8 (anonymous after Lucas van Leyden), 7 (Hendrick Hondius I after Lucas van Leyden), 11 (Goudt after Lucas van Leyden), 16 (Hans Baldung Grien), 17 (title page to portfolio of prints assembled by Johannes Wtenbogaerdt), notes 4, 7, 10, 20 21, 26, 34, 39; 238, fig. 1 (Peter Candid), note 9; 315, , 323, 326, , 339, figs. 1, 14, 16, 47, 54 (De Vlieger), 3 4 (Rademaker), 5 (Roghman), 8 (anonymous), 23 (Esselens), 30, 43 (Waterloo), notes 4, 6, 8, 11, 25, 32, 44, 49, 55; 431, fig. 1 (Domenico Pellegrini), note 3; 461, figs. 2 3 (Gerard ter Borch the Younger), notes 9 10; 469, figs. 2 3 (Jan Worst), note 11; , 493, figs. 1 (inscription in the hand of Gabburri), 3 and no. 36 (Gaspare Redi), 4 (Aegidius Sadeler II), notes 6 7; 516, fig. 2 (Jacob Houbraken), note 3; 517, fig. 4 (Langendijk), note 7; LIV: 9, fig. 11 (Foschi), note 29; 71, fig. 7 (Ramboux), note 17; 175, fig. 52 (Cornelis Cort), note 84; 294, 317, 323, figs. 2 (Matham), 39, 48 (Brosterhuyzen), notes 7, 49, 56; 373, fig. 6 (Rembrandt), note 26; 382, fig. 4 (Aegidius Sadeler after Marten de Vos), note 13; 521, fig. 21 (Goltzius), note 47; LV: 5, 22, 33 34, 36, 47, 56, 63 64, 81, 94, 97, 105, figs. 98, 183, 187, 296, 310, 341 (A. Bloemaert), 6, 88 (copy after A. Bloemaert), 54 (Jan Harmensz. Muller after A. Bloemaert), 93 (B. Dolendo after A. Bloemaert?), 131(Goltzius), 160 (B. A. Bolswert), 252 (Jan Saenredam after A. Bloemaert), notes 13, 19, 29, 44; , 327, figs. 5 7, 9 (Beresteyn), (Verboom), notes 45 46, 48, 54; 469, fig. 7 (F. Fenzoni), note 15; 493, 509, 526, figs. 10 (Van Dyck), 47 (Watteau); LVI: 163, fig. 20 (Annibale Carracci), note 27; , figs. 2 3 (Isaac van Ostade), 4 5, 7 10, 13 and front cover (Visscher), notes 2 4, 11; 194, 197, , 211, 213, , , figs. 3 (Adriaen van Ostade), 8, 15, 49 (Van Musscher), 11, 45, 55 (Bloteling after Van Musscher), 13 (Munnickhuysen after Van Musscher), 14, 41, 47 (Pieter van Gunst after Van Musscher), 16 (Sluyter after Arnold Houbraken and Arnold Boonen), 20, 40 (Jacob Houbraken after Van Musscher), 38 (Jacobus Baptist after Van Musscher), 40 (Jacob Houbraken after Pothoven after Van Musscher), 51, 56 (Pieter Schenk after Van Musscher), 53 (Jacob Gole after Van Musscher), notes 4, 13, 17 18, 23, 28, 43, 45, 50, 57, 60, 62, 65, 67, 71, 76; 336, 339, 343, figs. 2 (Paul Bril?), (Jacques Callot?), 17 (Aegidius Sadeler after Paul Bril), notes 5, 22, 49; 413, fig. 7 (Berchem), note 11; 469, figs. 14 (Bonasone), 15 (Monogrammist IHS), notes 31 32; 498, fig. 27 (Claude Lorrain), note 47, Roos, formerly. XXXVII: , figs. 2 5 (Pontius?, retouched and reworked by Rubens), note 4; LII: 66, 83, fig. 6 (Jan de Visscher after Wouwerman); LV: 11, fig. 21 (A. Bloemaert); 320, fig. 2 (Beresteyn), note 42, Roos, De Vries, and Brondgeest, formerly. LII: 293, 333, fig. 21 (Coecke van Aelst), Scheepvaartmuseum. LIV: 323, fig. 50 (Frans Post), note 58, Van der Schley, formerly. LVI: 198, 221, fig. 10 (Van Musscher) 9

10 , Van der Schley et al., formerly. LII: 61, 82, fig. 3 (Jan de Visscher); 276, 293, 325, 333, figs. 1, 3a, 21 (Coecke van Aelst); LV: 43, figs (A. Bloemaert), Van der Schley and Pruyssenaar, formerly. LV: 499, fig. 16 (Berchem), Six coll. XII: , note 19, pls. 4, 9 11 (Grandjean); XLIX: 341, figs (Rembrandt),, Pandora Album. XLIX: 342, figs (Rembrandt), Slebes et al., formerly. LV: 82, fig. 257 (A. Bloemaert), Sotheby s, formerly. XXXI: 242, 249, 270, figs. 34, 45, (Goltzius); XXXIX: 382, fig. 17 (Dirck de Braij? after Salomon de Braij), note 31; XLIV: 23, fig. 31 (De Vlieger), note 57; 69, fig. 1 (Hulswit), note 7; XLV: 149, 155, figs. 4 (Molenaer), 11 (Potuyl), notes 11, 28; XLIX: 59, fig. 9 (Jost Amman); 188, figs (Jacob Esselens), note 22; L: 392, fig. 48 (Jan Siberechts?), note 44; LIII: 321, 333, 335, figs. 18 (Waterloo), 42 (copy after De Vlieger, possibly by Waterloo), 44 (De Vlieger), notes 20, 43, 45; , nos. 15 (copy after Helmbreeker s self-portrait), 22 (Martin Mijtens II); LV: 55, 109, figs. 158, 361 (A. Bloemaert); 328, fig. 17 (Verboom), note 57, Sotheby Mak van Waay, formerly. XXXVI: 77, fig. 4 (Van Noordt), note 17; 403, figs. 7 8 (Louis de Caulery), notes 19 20; XLIV: 347, fig. 14 (Van den Bossche); XLIX: 180, fig. 2 (Simon de Vlieger), note 6 ; LII: 68, 77, 82, figs. 13 (Jan de Visscher), 29 (Cornelis Visscher), note 60; LVI: 199, 221, fig. 12 (Van Musscher), Stadsarchief. XLVIII: 79, 84, 90, fig. 13, (Berckenrode), 14 (anonymous), 27, 29 (Hollar), notes 52, 76; LVI: 213, figs. 42, 44 (Johannes Tangena after Van Musscher), note 51, Stedelijk Museum Amsterdam. L: 187, fig. 1 (Matisse), note 1, Stedelijk Museum, Fodor coll., see Amsterdam, Amsterdams Historisch Museum, Fodor coll., Henk J. Stokking Art Gallery. XXVIII: 163, fig. 30 (after Jordaens), Swart, formerly. LII: 277, 287, 301, , , figs. 2, 3b, 13, 14a b, (Coecke van Aelst), University of Amsterdam, Library. XLVIII: 86, fig. 24 (Jan Mol),,, Special coll. LVI: 216, figs. 50 (Jan Stolker? after Van Musscher), 52 (Ludolf Bakhuizen), notes 63, 66, Van Gogh Museum. XX: , fig. 1 (Van Gogh); XLIV: 98, fig. 4 (Van Gogh), R.W.P. de Vries, formerly. XLVII: 282, 311, fig. 22 ("False Amand" hand? after G. F. Grimaldi); LII: 68, 75, 79, 82 84, figs. 13, 25, 32 (Jan de Visscher); LVI: 194, 207, 220, figs. 1 2, (Van Musscher), De Vries Roos, formerly. LVI: 208 9, , figs. 32 (copy after Van Musscher), 36 (Matthijs Naiveu after Van Musscher), De Winter, formerly. LII: 61, 82, fig. 3 (Jan de Visscher), De Winter and IJver, formerly. LVI: 199, 221, fig. 12 (Van Musscher) Ananoff, Alexandre. L Oeuvre dessiné de Boucher. Catalogue Raisonné I. Review. V: Anastasi, William. LII: 519, fig. 8 Anckarsvärd, Michael Gustaf, formerly. LII: 307, 335, fig. 41 (Coecke van Aelst) Ancona, Museo Civico. XIX: , figs. 8 10, pl. 35 (Titian), Private coll. VII: 157, pl. 34 (Guercino); XV: 22 25, figs. 1 2, pls (Ligorio) Andersen, Wayne V. I, 4: (CÉZANNE); V: (CÉZANNE) Anderson, Harry W. and Mary Margaret. LVI: 367, fig. 21 (Wayne Thiebaud), note 17, Susan. LIII: (CORNELIS DUSART) Andover, MA, Phillips Academy, Addison Gallery of American Art. L: 202, fig. 6 (Sol LeWitt), note 48 10

11 Andrea del Sarto: The Renaissance Workshop in Action, exh. cat. by Julian Brooks, with Denise Allen and Xavier F. Salomon. Review. LIV: Andrea Mantegna. Review. XXXI: Andrea Palladio, The Portico and the Farmyard. Review. XIII: Andreani, Andrea. L: 84, fig. 5a (chiaroscuro woodcut after Malpizzi); LIV: 171, fig. 38 (chiaroscuro woodcut) Andreasi, Ippolito. XXII: 3 28, figs. 1 2 (after), 3 (attributed to), 4 5 (after Giulio Romano), 6 (circle of), pls. 1 2, 3 13 (after Giulio Romano), Andréossy, Comte Antoine François, formerly. LV: 435, fig. 1 and front cover (Dürer), note 1 Andrews, Keith. II: (BRONZINO); V: (NATIONAL GALLERY OF SCOTLAND); VI: (REVIEW); (ULIVELLI); ; VIII: (REVIEWS); IX: (ELSHEIMER); XIII: 3 7 (ELSHEIMER); XVIII: ; XX: ; XXII: (REVIEWS); (P. DE GREBBER). Catalogue of German Drawings in the National Gallery of Scotland. Review. XXXII: Catalogue of Netherlandish Drawings in the National Gallery of Scotland. Review. XXVI: coll. II: 169; VI: 372, note 37, pl. 14 (Reni); XXV: 24, pl. 1 (Poelenburg) Angeli, Giulio Cesare. XL: 139, fig. 6 Fra Angelico. II: 282; XLVIII: 510, fig. 14 Angeluccio. IV: , figs. 1 3, pls. 1 13; IX: , pls. 14a, 15b, 17b Angers, David d. XI: , fig. 1; XLI: , figs Angers, Musée des Beaux-Arts. XI: , fig. 1 (David d Angers); XV:170, note 28, pl. 33a (Restout); XVII: 133, pl. 11 (Poussin); XXXVI: 123, fig. 1 (Isaac Oliver, copleted by Peter Oliver), note 2; XLI: , figs. 1 7, 9 13 (David d Angers), notes 12 16, 19 20, 24, 27, 31, Musée des Tapisseries. XXV: , figs. 4, 14 (Bondol and Bataille), Musée Pincé. XLVII: 355, figs. 2 4, 6 8 (Cornelis de Vos), note 6; LV: 73, 83, figs. 221, 261 (A. Bloemaert) Ango, Jean-Robert. XXXVII: 35 46, figs. 1 16; XXXIX: 292, 294, figs. 4 (? and Hubert Robert), 5 (?), 6 (and Hubert Robert), 8 (and Hubert Robert); XLVII: 150, 155, figs. 23 (? after Daniele da Volterra), 24 (after) Angulo, Diego, and Alfonso E. Pérez Sánchez. A Corpus of Spanish Drawings. Vol. I. Spanish Drawings, Review. XIV: A Corpus of Spanish Drawings. Vol. III. Seville School, Review. XXV: A Corpus of Spanish Drawings. Vol. IV. Valencia, Review. XXVIII: Ann Arbor, MI, University of Michigan Museum of Art. III: 150; (review); VII: 166, note 12, pl. 38a (Canuti); XI: , note 2, pl. 27 (Monti); XIII: 178 (review); XVIII: 370, pl. 34 (Jordaens); XXX: 378, figs (Toeput); XLVII: 474, fig. 4 (Delacroix), note 4; L: 81, fig. 1 (Malpizzi); LI: 111, fig. 4 (Johann König), note 49 Annear, Harold Desbrowe, formerly. XLVI: 496, fig. 80 (Gainsborough) Annenberg, Mr. and Mrs. Walter H., formerly. XLVII: , figs. 1 4 (Cézanne), note 1 Annesley, Noël. XXXV: (LORE HEINEMANN) Anonymous artist. V: 377, fig. 2 (engraving after Rubens);VII: 54, pls. 29, 32; VIII: , figs. 9, 11 12; X: 12, pls ; 42 43, fig. 1; XIII: 6, fig. 2; , fig. 2 (engraving after Goltzius); XV: 159, fig. 22; , fig. 3; XVI: 39 40, fig. 4 (after Filippino Lippi); , fig. 4 (engraving after Della Bella); 443, fig. 6 (retouched by Rubens); XVIII: 22 11

12 23, fig. 10; , fig. 6, note 9; XIX: 29, pl. 27; XXI: , fig. 11 (after Lamberti); XXIII XXIV: 47 48, pl. 22; XXV: 136, fig. 7 (after Michelangelo); , note 3, pl. 2 (after Roberti); XXVI: 122, fig. 1 (after Crayer); 223, fig. 3 (woodcut after Parmigianino); XXVII: , fig. 15; XXVIII: 172, fig. 36; 315, fig. 1; XXX: 203, figs. 4, 6; XXXI: 269, fig. 72 (engraving after Goltzius); 372, fig. 9 (engraving after Mantegna); XXXIII: 157, fig. 2 (engraving after Paradisi); XXXVI: 137, fig. 21 (after Peter Oliver), note 106; XXXIX: 115, 132, figs. 4 (after Schongauer), 24 (after Dürer); 321, fig. 5; XL: 139, 144, figs. 9 (engraving), 10 (Porcelain Meissen Ware), 15 (engraving); XLI: 18, fig. 4; , fig. 10 (after Michelangelo); XLIII: 361, figs (after Bandinelli after Raphael); XLIV: 294, fig. 19; 372, fig. 1 (after Michelangelo); , , figs (after Watteau), 35 (after Watteau and Vleughels), 42 48, 52 73; 457, fig. 9 (etching after Watteau); 503, fig. 9 (engraving); XLV: 397, fig. 2 (etching and aquatint after Goya); 440, , 451, , figs. 12 (associated with Konrad Gesner), 13 (woodcut), (woodcuts after Pierre Gourdelle?), 17 (woodcut after Pierre Gourdelle?), 19 (associated with Konrad Gesner), 20 (woodcut after Pierre Gourdelle?), 21 (woodcut), 22, 23 (woodcut after Pierre Gourdelle?), 25 (associated with Konrad Gesner), 26 (woodcut), 27 (associated with Konrad Gesner), 28 (woodcut), 29 (associated with Konrad Gesner), 30 (woodcut), 31 (after anonymous artist associated with Konrad Gesner), 32 (woodcut), 53, 55, 60 62; 531, figs. 4 5; XLVI: 95, fig. 6; 353, 356, figs. 3 4 (after Bartolommeo Ramenghi? after Parmigianino), 5 (after Parmigianino); XLVII: 76, fig. 8 (engraving after Gaulli); 280, , 302, , 315, figs. 21, 40, 43 (after Dughet), 45 (after Moucheron), 51 (copyist after the "False Amand" hand after Dughet), 55, (after Dughet), 60 62, 66 67; XLVIII: 79, fig. 14 (etching or engraving); 459, fig. 3 (and Domenico Stagi); XLIX: 208, fig. 68; 457, fig. 40 (after Theodoor van Thulden); 490, 505, 521, figs. 19 (engraving), 47 (etching and engraving), 80 (engraving after Giuseppe Arcimboldo); L: 349, fig. 32 (engraving after Hans Bol); LI: 6, fig. 4 (engraving published by Antoine Lafréry); 454, fig. 9; LIII: 16, 43, 52, figs. 15, 39, 47; 191, figs. 4 5, 8, 10 (after Lucas van Leyden); 215, fig. 4 (etching); , 282, , figs. 8 9, 12 (after Taddeo Zuccaro), 28 (engraving published by Hieronymus Cock), 29 (anonymous, perhaps Avanzino Nucci after Peruzzi); 315, fig. 8; 428, fig. 4 (engraving); , nos. 8 (copy after Cavedone s self-portrait), 15 (copy after Helmbreeker); LIV: 173, fig. 46 (chiaroscuro woodcut after Raffaellino da Reggio); 314, 363, figs. 30 (after Frans Post), 113 (engraving); 382, fig. 5; 385, fig. 1 (with Bartholomeus Spranger); LV: 59, 66, 78, 103, figs. 171, 197, 241, 335; 382, fig. 7; LVI: 39, 62, figs. 14 (after), 15, 39 (after); 293, 297, 301, figs. 6 and 18 (after Daniele da Volterra), 13 (after Daniele da Volterra or studio); 326, figs. 23 (formerly attributed to Luca Giordano), (formerly attributed to Cavedone) (of the Second Avian Project). XLV: passim, figs. 1, 16, 18, 39 (Pierre Vase?), 47 51, 54, 59, 69, 72, 75, 77, 84, 97 99, 102, 114, , 122, 124, c I, 3: 52, pl. 37, 16th century. XXXI: , fig. 20; 383, fig. 12; LIII: 425, fig. 1, 17th century. XLV: , figs. 6 8; LVI: 37, fig. 11 (?), 18th century. XLI: 348, fig. 6; XLVI: 111, figs. 1 3 (Rembrandt imitator?); LVI: 74 76, figs. 54, 55 (after Giovanni Battista Gaulli), 56 (after Giulio Romano and Giovanni Francesco Penni), 57 (after Carlo Rainaldi and Francesco Bolognese), 58 (after Pietro da Cortona), Ancient Roman. LVI: 35, fig. 5 (copy after a lost Greek model); , figs. 11, 13,, 1st century BC. LVI: 476, fig. 8,, c. AD LVI: 465, fig. 6 12

13 , the Antique. LVI: 35, 37, 62, 64 67, 69, figs. 4, 10, 40, 42 44, 46 47, 49 (all after); 465, 468, 472, figs. 5, 10, 12, 19 (all after), Antwerp, c XXXVI: 55, fig. 3, Austrian Master, V: 24 31, pl. 17, Bruges, see Anonymous artist, Netherlandish, Southern, Brussels tapestry factory, see Unidentified Brussels tapestry factory, Burgundian artist. XLVI: 214, fig. 10, Dutch (c ). XXXIX: 404, fig. 10, English, 18th century. LVI: 489, fig. 7, Flemish, see Anonymous artist, Netherlandish, Southern, French. XIX: 30, pl. 30a; XLVII: 153, 155, fig. 25; LVI: 85, fig. 3 (after Carlo Rainaldi and Francesco Bolognese); 174, figs , French (before 1378). XXV: , fig. 2, French (16th century). XLVI: , figs. 2 8, 11 (woodcut), 12, 13 (woodcut), 14, 16, 18 26, French (17th century). XVII: 140, pl. 18; XVIII: , fig. 4, French (Lyonnais, 16th century). LII: 165, figs (drawn woodblocks), French (school of Fontainebleau). XV: 153, fig. 16, German. LI: 225, fig. 4; LVI: 489, fig. 5 (?), German (1493). XXXIV: 125, fig. 4, German (16th century). XXII: 468, fig. 1; XLIX: 539, fig. 9, German (Gothic). XVIII: 27 29, pl. 11, German (Nuremberg). XXIII XXIV: 506, fig. 2, German (Nuremberg, c. 1490). III: 401, German (Weimar). XXXII: 318, fig. 10, Greek, Ancient. XLIII: 334, fig. 17 (bronze), Haarlem School, c LV: 506, fig. 23, Hellenistic. XLI: 129, fig. 2, Hungarian. V: 28 29, fig. 8, Italian. II: , 393, 397, figs. 4 5, note 38, pl. 28; XXIX: 195, fig. 1; XLV: 114, fig. 22; XLVI: 9, 17, fig. 17, Italian (c ). XLVI: 193, fig. 5, Italian (c. 1560). XXVI: 27 28, 39, fig. 23, Italian (16th century). XXVI: 6 8, 40, fig. 4; XXXVIII: 230, fig. 5; XLI: 49, fig. 1; XLIX: 257, fig. 7 (woodcut), Italian (18th century). XLIX: 150, fig. 8 (after Giulio Romano and Giovanni Francesco Penni); LIII: 493, no. 39 (copy after Titian), Italian (Bolognese). VII: , fig. 6; XXXIV: 14, fig. 13, Italian (Bolognese, 16th century). VIII: , pl. 27, Italian (Central). XXXII: 386, figs. 1 2, Italian (Emilian). XXXI: , figs. 12, 22, Italian (Emilian, 16th century). XXI: 141, pl. 4, Italian (Emilian, 18th century). XXI: 148, pls , Italian (Ferrara, ). III: 11, 15, fig. 20, Italian (Florentine). X: 15 19, pl. 14; XII: , fig. 25; XXV: , figs. 1 4 (after A. Pollaiuolo); XXXI: 340, fig. 3; XXXVII: 59, fig. 4 (after A. Pollaiuolo); XLVI: 391, fig. 4 (Maturino?), Italian (Florentine, ). III: 12, 15, fig. 21, Italian (Florentine, 15th century). XXXIII: 30, figs

14 , Italian (Florentine, c ). XLIII: 318, fig. 1, Italian (Florentine, Baroque). XX: , Italian (Florentine or Bolognese, late 17th-century). LIII: 489, no. 4, Italian (Lombard). XXIII XXIV: 178, 180, 185, figs. 7, 14, Italian (North). IV: , fig. 5; LV: 305, fig. 24, Italian (North, B. Parentino?). LV: 305, fig. 23, Italian (North, 16th century). XXXIV: 207, fig. 2; XLVIII: 341, figs. 1, 5, 7 9, 11, 13, Italian (North, 17th century). XXI: , fig. 7, Italian (Piedmontese). XI: , pl. 13, Italian (Roman). XI: , pl. 14, Italian (Roman, 16th century). VIII: 138, pl. 25; XV: 120, pl. 5; XXI: 141, pl. 5, Italian (Roman, 17th century). XLI: 122, fig. 4; XLII: 265, fig. 7, Italian (Roman, c ). LV: 497, 522, fig. 14, Italian (Tuscan). VIII: , fig. 1; XX: , fig. 1, pls. 1 3, Italian (Umbrian). VIII: , fig. 2, Italian (Umbrian-Marchigian). VIII: , fig. 4, Italian (Venetian). IX: 40 41, fig. 4; XIX: , fig. 3, pl. 30; XLII: 319, fig. 4 (woodcut); XLVI: 10, fig. 9, Italian (Venetian, c. 1520). XXXI: 393, fig. 4, Italian (Veronese, late 15th century). LV: 302 5, figs. 19, 21 (partially reworked), 20, 22, Italian (Veronese, 16th century). VIII: 140, fig. 10, Liechtenstein Master. I, 2: 34 38, fig. 1, pls ; III: 47 48, fig. 1, pls , Neapolitan School. XLVI: 9, 24, fig. 37, Netherlandish. XLIII: 227, fig. 1 (after Jan van Eyck), Netherlandish? LII: 235, figs. 5 7, Netherlandish (c. 1400). XXV: , fig. 18, Netherlandish (17th century). XXXIX: 407, fig. 12 (or German?), Netherlandish, Northern. V: 162, pl. 22; XXX: 444, fig. 1; XXV: 72, fig. 4 (? retouched by Rubens), Netherlandish, Southern. XV: 161, pl. 17; XVI: 45 48, pl. 36, Netherlandish, Southern (c. 1650). XXXIX: 405, 408, figs. 11, 14 (?), Netherlandish, Southern (Bruges, before 1403). XXV: , fig. 13, Northern (early 16th century). XXXIV: 127, fig. 6, Portuguese. XLVIII: , figs. 3 4, 6, 8 9, Roman. L: 214, fig. 4 (sculpture, copy of a Hellenistic Greek bronze by Boethos of Chalkedon, c BC), Roman (2nd century AD). XLV: 387, fig. 6; L: 55, fig. 9 (sculpture); LI: 5, fig. 2 (copy after a Greek prototype), Roman (3rd century AD). LI: 21, fig. 10, Roman (late 3rd century AD). LI: 23, fig. 11, Roman School. XLVI: 17, 28, figs. 19, 46, Roman School (16th century). XLV: 387, 389, figs. 4 5, Spanish (Baroque). XXI: , Spanish (Madrid). XVIII: 22, fig. 9 Anonymous draftsman, see Anonymous artist Anonymous engraver. LV: 544, fig. 5 (after Audubon) Anonymous photographer. LV: 243, fig

15 Anonymous printmaker. LI: , 460, 462, figs. 4, 6, 8 (etching and engraving after Simpol), 17 (etching and engraving after Elye), 20 (etching and engraving after Picart); LV: , 242, 245, figs. 9 (illustration in La Chronique des Arts et de la curiosité, 1879), 10 (illustration in La Vie Parisienne, 1882), 11 (print of the Exposition de la Société des Aquarellistes, 1882), 13 (illustration in the Catalogue de l exposition de la Société des Aquarellistes, 1884), 19 (front page of Le Blanc & Noir, August 1888), 21 (ensemble of caricatures regrouped by Le Blanc & Noir, 1888) Anonymous school, see Anonymous artist Anonymous sculptor, active in the Marches. XLVI: 8, 17, fig. 18 Anonymous woodcutter. LII: , fig. 19 (woodcut after Coecke van Aelst) Anonymus Foro Semproniensis. XXXI: 379, 381, figs Anselmi, Michelangelo. VIII: 278, 281, pls. 29c (attributed to), 34 35; XLVI: 8, 18, figs. 21 (after Correggio), 22; XLIX: 22, 25, figs ; L: , figs. 2 (after), 3 8, Anslo, Cornelis Claesz. XLIX: 307, figs (portraits) L Antinoro. VIII: 134, pl. 18 Antoniacci, Cesare. LVI: 343, 345, 347, figs , 18 (?), (etching), Antonio di Donnino del Mazziere. L: 25, fig. 7 Antoon van Dyck et son iconographie. Eaux-fortes, gravures et dessins de la Fondation Custodia, Collection Frits Lugt. Review. XX: 287 Antwerp, Begijnhofkerk. I, 3: 24 26, fig. 5 (Jordaens), Church of St. Charles Borromeo. XXVI: 44 49, fig. 2 (Seghers), note 7, Koninklijk Museum voor Schone Kunsten. III: , fig. 1 (Aertsen); VII: , fig. 1 (F. Floris); XII: , fig. 2 (A. Francken); XV: (review); XVI: , figs. 4 (Keirincx), 7 (Govaerts), notes 7, 21; XIX: , fig. 3 (L. and J. Doetechum), pl. 31 (P. Bruegel); XXII: (review); XXIII XXIV: , fig. 9 (Jordaens); XXVII: 322, fig. 2 (C. de Vos), note 6; 329, fig. 16 (C. de Vos); XXVIII: 147, fig. 8 (Jordaens); XXXIII: (review); XXXV: 270, 277, figs. 4, 14 (Smits), notes 8, 24; XLI: 217, fig. 2 (Jan van Eyck); XLIX: 192, fig. 31 (Jan van de Cappelle), note 31; LI: 313, fig. 26 (Pieter Bruegel the Elder), note 71; LII: 388, fig. 2 (Rubens), note 14, Museum Mayer van den Bergh. XLI: 233, fig. 3 (Ghent-Bruges illuminator), note 11; 242, 244, 254, figs. 6 (Maximilian Master), 15, 21 (G. David), note 12; XLV: 147, figs. 1 and back cover (Molenaer), note 7; LV: 75, fig. 229 (A. Bloemaert), Museum Plantin-Moretus. XV: , fig. 1 (Cornelis Galle II), note 10; (review); XVIII: 61 (review); XXX: 407, figs. 15, 17 (Agostino Carracci), note 47; XLIX: 533, , figs. 1 (ex-libris of the Golitsyn princes), 10 (Rubens after Hans Holbein the Younger), 12 (inscription in the book of copies by Rubens after Holbein), note 53; LI: 325, fig. 1 (Van den Wyngaerde), note 18; 344, 346, 348, figs. 1, 4 5 (Vrancx); 362, 365, figs. 2 (Faydherbe), 3 (Van der Voort), 4 (Verbrugghen), notes 8, 30 31; 389, fig. 18 (Verhagen), note 18, Rijksarchief. LII: 278, fig. 5 (autograph receipt by Coecke van Aelst), note 12, Royal Museum of Fine Arts, see Antwerp, Koninklijk Museum voor Schone Kunsten, Rubenshuis. I, 3: 24 26, fig. 6, note 37, pl. 15 (Jordaens); XXIX: 426, fig. 8 (Van Mildert); XXXIII: (review); XLI: (review), Stedelijk Prentenkabinet. I, 3: 21 22, fig. 3 (Jordaens); IV: , figs. 7 8 (Rubens); VIII: , fig. 2 (Van Dyck), note 5; XXI: , note 5, pl. 39 (Fruytiers); XXIII XXIV: , , pls. 27, 34 (Jordaens); XXVIII: 149, 172, figs. 10 (Jordaens), 36 (unknown artist), Stichting Terninck. XXIII XXIV: 49, fig. 4 (Boeckhorst), Lowet de Wotrenge Fine Art, formerly. LV: 48, fig. 134 (studio of A. Bloemaert?) 15

16 Antwerp Drawings and Prints, 16th-17th Centuries. Review. XVIII: 277 Antwerp Master, so-called Pseudo-Bles. XXXVI: 52 59, figs. 1, 2 (after) Anzelewsky, Fedja. VI: (MARTIN SCHONGAUER); XXXVII: (M. SCHONGAUER). Dürer und seine Zeit. Review. VI: 55 Apelles coll. XXXVII: 383, fig. 19 (Alonso Cano), note 29, formerly. XLV: 327, 334, fig. 6 (Cano) Apgar, Garry. XXIII XXIV: (REVIEW) Apollonio di Giovanni. XII: , fig. 1 (attributed to) Aquila, Francesco. XVII: 150, fig. 2 (engraving after Gherardi), Johannes. V: 28 29, fig. 7, Pietro. II: 49, fig. 3; XXIII XXIV: 9, fig. 2 (engraving after Voet); XXXI: 356, fig. 13, Pompeo Cesura dell. II: 172 Aranjuez, Convento de S. Pascual. XLVIII: 499, fig. 2 (Federico de Madrazo), note 8 Architectural Drawings from Lowther Castle, Westmorland. Review. XXI: 181 Arcimboldo, Giuseppe. XLIX: 521, fig. 80 (engraving after) Arensberg, Louise and Walter, formerly. XLII: 9, fig. 6 (Picasso), note 13 Aretino, Spinello, see Spinello Aretino Arezzo, Badia di SS. Flora e Lucilla. XLIX: 165, fig. 4 (Vasari), note 9, Casa Vasari, Sala del Camino. L: 502, fig. 10 (workshop of Vasari), Conservatorio di S. Caterina. XIX: , figs. 2, 5 (Spinelli), note 13, Fraternita dei Laici, Collezione Bartolini. L: , figs. 5 (Vasari), 7 (watermark on Vasari sheet), notes 17, 21, Galleria e Museo Medioevale e Moderno. XIX: , figs. 1, 7 (Spinelli), note 10, Palazzo Comunale. XIX: , fig. 4 (Spinelli), note 16, Pinacoteca. XXX: 88, fig. 8 (Vasari), S. Domenico. XIX: , figs. 3, 6, 8 (Spinelli), note 15, S. Margherita, formerly (destroyed). XXXVI: 181, fig. 1 (Vasari) Argenville, Dezallier, d, see Dezallier d Argenville, Antoine-Joseph Argoutinsky-Dolgoroukoff, Wladimir, Prince, formerly. XLV: 204 5, figs. 6, 8 (copy after Elsheimer, Hendrik Goudt?), note 13; 298, fig. 12 (El Greco), note 22 Ariccia, Palazzo Chigi. X: 20 22, fig. 2 (Bernini) Armand, Alfred, formerly. XLVI: 193, fig. 4 (Bezzi), note 18; LII: 70, 82, fig. 17 (Jan de Visscher) Armstrong, Carol. A Degas Sketchbook. Review. XL: Arnhem, Gelders Archief. LIII: , figs. 25 (De Vlieger), 26 (Waterloo), 27 (Herman Saftleven), 28 (Esselens), notes Arona. IX: 365, fig. 1 (sculpture designed by Cerano) Arp, Hans. L: 164, 168, figs. 3, 7 Arpino, Cavaliere d (Giuseppe Cesari). III: 258; 407; XXVII: 207, fig. 17 (after); XLVI: 219, fig. 5; LII: 98, fig. 9 (ascribed to); LIII: 489, no. 1 (self-portrait); LIV: 517, 521, figs , 20, 23 (or studio of) Arras, Musée des Beaux-Arts. LIV: 52, fig. 7 (Vernansal), note 15; LVI: 173, fig. 9 (Jean- Baptiste Corneille after Girolamo da Treviso), note 19; 517, 526, figs. 2, 21 (Louis Silvestre the Younger), notes 5, 40 Arrighi, Ludovico degli. LII: 433, figs (writing manual) Arrigo Fiammingo, see Broeck, Hendrik van den The Arrogant Connoisseur. Richard Payne Knight, Review. XXI: Arsoli, Palazzo Massimo. XLVI: 80, figs. 40, 42 (Benefial), notes 80, 82 16