Analysis and interpretation of topic is thorough, precise, and creative.

Transcription

1 Group Names: An Occurrence at Owl Creek Bridge Group Presentations Directions: 1. Each group has received a separate topic displayed in An Occurrence at Owl Creek Bridge by Ambrose Bierce. Discuss the topic s significance with your group, and then answer the questions provided on the discussion sheet assigned to your group. Cite examples from the story to support your answers. Type your final answers in complete sentences, paying close attention to spelling, grammar, and punctuation. 2. Identify the main symbols and figurative devices apparent in your topic. Choose how your group will present a visual representation of the topic to the class. You might consider drawing a picture, citing quotes, or referencing symbols from the story that appropriately captures the topic assigned to your group. To illustrate your visual representation, use either an app on your ipad or a poster board. 3. Each group will lead the class in a formal discussion about the topic assigned to your group. Then, each group will present their illustration to the class. You will explain how the picture, drawing, etc. in the illustration suitably depicts the topic assigned to your group. Rubric: Interpretation Analysis and interpretation of topic is thorough, precise, and creative. Analysis and interpretation of topic is almost always thorough and precise. Analysis and interpretation of topic has moments of truth, but is neither thorough nor precise. Responses Group responds to all questions on their topic and uses direct quotes to support their stance. Group responds to most questions on topic, and makes some use of examples as support. Group does not sufficiently respond to questions on topic, and makes no use of examples. Organization Illustration is easy to read and information is logically arranged. Responses typed in complete sentences, adhering to the proper writing conventions. Illustration is fairly easy to read and fairly well organized. Responses typed in complete sentences, but do not always adhere to the proper writing conventions. Information is jumbled and confusing in appearance. Responses are not typed nor adhere to the proper writing conventions. Creativity Illustration has an insightful representation of topic. Illustration includes an adequate representation of topic. Illustration does not include decoration to enhance topic. Total Score: / 16 Points

2 Death and Dying 1. People often view death in one of two ways: as an inexorable force that cannot be escaped, or as a merciful escape/transition to a better place. How are each of these views represented in the story? 2. Which view triumphs at the end? 3. What is Ambrose Bierce s version of death as an escape? Is this an uplifting view of death, or is it a sort of mediocre consolation prize to an individual?

3 Time Time can be measured in one of two ways. The ancient Greeks called the first way kronos, which refers to measured, sequential, chronological time, like the time measured on a watch. The second way, kairos, can roughly be described as a moment (of undetermined length) in which something significant happens, either a crisis or opportunity. 1. Which sections/parts of the story correspond to kronos? Which sections/parts of the story correspond to kairos? 2. Why does the man s ticking of his watch bother him so much? 3. Is one of the versions of time more important or powerful than the other? Cite reasons for your answer.

4 Deception/Illusion The words deception and illusion describe statements or perceptions that are not in keeping with reality. Oftentimes people view active deception as dangerous and despicable, but people sometimes also desire sweet lies or illusions (e.g. T.S. Eliot said that humankind cannot bear very much reality ). 1. How do deception and illusion apply to the story? 2. Apply deception to the following story elements: Ambrose Bierce/narrator, Peyton Farquhar, the Federal spy. Which of these deceptions would you say are justifiable? Which are immoral? 3. Reread lines Use what you know about Farquhar s situation to decide if his descriptions here are realistic or fantastic.

5 Dreams vs. Reality 1. Peyton is the Scottish form of Patrick, a name whose derivation comes from the Latin word patrician, which referred to a person of noble birth. Similarly, Farquhar comes from the Gaelic Fearachar, meaning manly or brave. Does Peyton Farquhar live up to his name? What or who does Bierce seek to satirize through Farquhar s character? 2. Based on Farquhar s dreams of glory and his ultimate fate, what point might Bierce be making about heroism, the realities of war, and the dangers of fantasy? 3. Does Bierce think that dreams should overlap with reality, or is it better if dreams do not have anything to do with reality?

6 Point of View 1. Identify the point of view utilized in lines What does the tone of the description tell you about the narrator s perspective? 2. Reread lines Identify the change in point of view in Part III. What details does the author use to capture the panic of a man in danger of drowning? 3. Explain how the shifts in point of view affect the level of suspense.

7 The Relationship between the Inner and Outer Worlds Review the two chief types of satire below. o Horatian Satire--After the Roman satirist Horace: Satire in which the voice is indulgent, tolerant, amused, and witty. The speaker holds up to gentle ridicule the absurdities and follies of human beings, aiming at producing in the reader not the anger of a Juvenal, but a wry smile. Examples: Jane Austen s Pride and Prejudice; The Office (Michael Scott s absurd egotism and lack of propriety characters are flawed but lovable) o Juvenalian Satire After the Roman satirist Juvenal: Formal satire in which the speaker attacks vice and error with contempt and indignation. Juvenalian satire in its realism and its harshness is in strong contrast to Horatian satire. Example: Jonathan Swift s A Modest Proposal 1. What is the point Bierce makes about human nature if a reader falls prey to illusions? 2. Determine whether Farquhar is the object of Horatian or Juvenalian satire. Find at least TWO quotes that support your answer. 3. Which symbol in Huck Finn best corresponds to Ambrose Bierce s view of Farquhar s romantic illusions?