TIME KEEPER AND DOOR KEEPER

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2 Shows Around Florida About Contact Us Site Map Student Web Junior Thespians Florida State Thespians Lindsay M. Warfield, Director Home 2016 Festival»» Districts»» Individual Events One Acts College Scholarship News & Info»» Door & Time Keeper TIME KEEPER AND DOOR KEEPER Individual Events Room Responsibilities TIME KEEPER 1. Responsibilities: To keep the time of each performance accurately by recording it on a stopwatch. 2. There is a 5 minute time limit for all IE s except for Ensemble Acting (8 minutes) and technical events which have a 15 minute time limit. 3. The time must begin immediately after the announcement of the troupe number in their introduction. 4. The time keeper will raise his/her hand at the 5 minute mark. This is to provide the performers with the opportunity to end the scene within the next five seconds to avoid disqualification. 5. The time keeper will stop the performance at the 5:30 mark. This is critical in order to keep the rooms running on time. 6. Any piece exceeding the 5:05 mark will be disqualified. 7. The judges in the room will let the time keeper know whether they want to see every time, or only those of a certain length. 8. The first time keeper of the day should discuss what procedures the judges wish to follow and then relay that information to the time keeper taking over the next shift. Each time keeper should then inform the next time keeper in that room. 9. The judges may request a particular manner of handling the time keeping as long as the procedures above are followed, the judges may choose how and when they are informed about the time of a piece. 10. The time keeper should keep a festival schedule in hand to call each performer when the time arrives. 11. Do not call an event to perform until the scheduled time. Even if a student is present and ready to perform early, DO NOT ALLOW ANYONE TO MOVE AHEAD OF SCHEDULE. 12. If there is a conflict between these rules and the judges in the room, the time keeper is to notify the festival hosts immediately. INSIDE DOOR KEEPER Responsibilities: To ensure that no one leaves an event room while a performance is in progress, and to maintain quiet during all performances. 1. When the time keeper calls a performer to begin, the inside door keeper should close the door to the room and remain by it during the performance. 2. The inside door keeper should ask for quiet if there is still noise in the room after a performer has been called to perform. 3. The inside door keeper should assist the outside door keeper in ensuring that no one enters the performance room without a festival badge. 4. The inside door keeper should make sure that aisles are clear, and that proper theatre etiquette is observed during all performances. 5. If a disturbance occurs, and the inside door keeper is unable to correct the situation, he/she should alert the adult in the room to the situation. 6. At the conclusion of each event, the inside door keeper should open the door to allow troupes to enter and leave between events. 7. The inside door keeper should keep a festival schedule in hand and should know which performance is on, next, etc. to answer questions from audience members and performers. OUTSIDE DOOR KEEPER Responsibilities: To ensure that no one enters the performance area without a festival badge, that no one enters the performance area during a performance, and that the hallway outside the performance area remains quiet. 1. The outside door keeper must ensure that NO ONE enters a performance area without a festival badge. DEMAND to see a badge from each person attempting to gain entry.

3 2. If they say they have lost it, or someone else is carrying it for them, or their sponsor has it, or anything else, DO NOT LET THEM ENTER THE ROOM. Inform the adult assigned to the room if there are any problems in this area. 3. When the inside door keeper closes the door for the next performance, the outside door keeper must ensure that all near the door remain quiet while the performance is in progress. 4. The outside door keeper should keep a festival schedule in hand and should know which performance is on, next, etc. to answer questions from audience members and performers who are waiting outside the room. 5. Absolutely NO ONE is to be admitted to the performance area once a performance has begun. This includes sponsors, parents, etc. Be polite, but firm. If anyone insists on entering: 1. First make sure whom they are going to see, and that the person they wish to see is actually performing at that time. Often, audience members do not realize that they are demanding entrance to an event when the person they wish to see is not even performing at that time. 2. Second, if it is the person they wish to see, remind them that they will be disrupting that person s performance by entering, and that you are not allowed to let any one disrupt a performance. They will be doing the performer a favor by NOT entering at this point, as the judges will be upset by the intrusion. 3. Even if the person persists after all this, DO NOT LET HIM/HER IN THE PERFORMANCE AREA! If the person gives you a really difficult time, alert the adult in the room. FUTURE STATE FESTIVAL DATES Registration will be open Tuesday night, from 7pm-9pm, on all future festivals. Official festival activities will now begin Wednesday morning. 2016: March : March : March Links Acceptd EDTA Festival Registration Copyright 2015 Florida State Thespians Site by: Thespian Logic

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19 PLAYWRITING RULES 1. The script must be the original work of one current student OR the collaborative work of no more than two current students from the same Thespian troupe. 2. The text must contain dialogue, and have a minimum of two characters 3. The script submitted must be in the form of a non-musical one-act stage-play with a maximum total length of 30 pages. 4. The script should be produced using the designated elements and their specified pagination, and according to the Florida State Thespian guidelines. All text must be in the Palatino font. 5. The Board suggests using professional scriptwriting software such as Final Draft, Script It, Scrivener, Slugline, Trelby, Storyist, or StoryO. 6. Scripts must be saved as a PDF file, and ed to the District Chair or State Director per the given competition deadlines. It is the responsibility of the playwright(s) and Troupe Sponsor to ensure the safe, complete, and timely transmission and receipt of all necessary digital documents. No paper copies of the script will be accepted. 7. The first page of the script will be the Title page, including information relating to the title, playwright(s), sponsor, troupe number, school name, and completion date, and will be arranged according to the Florida State Thespian guidelines. 8. The (optional) second page of the script may contain a synopsis, character list and breakdown, floor-plan, or any other information the playwright(s) deem(s) necessary to understanding the script. 9. All successive pages of the script will contain the actual text of the stage-play and will be arranged according to the Florida State Thespian guidelines. 10. The script will contain only pages specified by the Florida State Thespian guidelines. 11. A script that is improperly formatted is in violation of the specified Florida State Thespian guidelines and is subject to disqualification prior to adjudication. 12. Judges may make comments on the evaluation form and/or during the verbal adjudication. 13. A festival evaluation (if possible) will include five fifteen (15) minutes of verbal interaction to be used as the judges see fit to expand the learning process of the playwright(s). Updated: Thursday, August 22, 2013

20 STANDARD ELEMENTS FOR STAGE-PLAYS GENERAL [12 pt. Palatino, Bold, All Caps, Center Justify, Left Margin: 1.25, Right Margin: 7.25] General is the title of the play. It is always in all caps, and centered, and appears only on the first page. SCENE HEADING [10 pt. Palatino, Bold, All Caps, Underline, Full Justify, Left: 1.00, Right: 7.25] A Scene Heading identifies pertinent information to upcoming scene, and are numbered in succession. ACTION [10 pt. Palatino, Italic, Full Justify, Left: 1.75, Right: 7.25] Action relates character and scenic information. It is always plain text & italicized. It appears after dialogue or before a character name. CHARACTER NAME [12 pt. Palatino, Bold, All Caps, Left Justify, Left 2.90, Right: 7.25] Character names precede dialogue, and indicate who is talking. They are always written in bold, capital letters and followed by a colon. DIALOGUE [12 pt. Palatino, Full Justify, Left: 1.00, Right: 7.25] Dialogue is the spoken word. It is always preceded by a character name, and in plain text. PAGE HEADERS & PAGE NUMBERS [10 pt. Palatino, Italic, Right Justify, Right: 7.00] Page headers identify the stage-play's title and page number. Each page after the first page of dialogue or action must have these on the upper right hand corner. Page Headers margins (.40 in) are the distance between the edge of the top of the physical paper and the Header text. Updated: Thursday, August 22, 2013

21 HAMLET 1 ELSINORE. A PLATFORM BEFORE THE CASTLE. 1 Francisco at his post. Bernardo enters. Who's there? BERNARDO: FRANCISCO: Nay, answer me: stand, and unfold yourself. Long live the king! Bernardo? He. BERNARDO: FRANCISCO: BERNARDO: FRANCISCO: You come most carefully upon your hour. BERNARDO: 'Tis now struck twelve; get thee to bed, Francisco. FRANCISCO: For this relief much thanks: 'tis bitter cold, and I am sick at heart. Have you had quiet guard? Not a mouse stirring. BERNARDO: FRANCISCO: BERNARDO: Well, good night. If you do meet Horatio and Marcellus, the rivals of my watch, bid them make haste. FRANCISCO: I think I hear them. Stand, ho! Who's there? Enter Horatio and Marcellus. Friends to this ground. And liegemen to the Dane. Give you good night. HORATIO: MARCELLUS: FRANCISCO:

22 MARCELLUS: O, farewell, honest soldier: Who hath relieved you? HAMLET page 2. FRANCISCO: Bernardo has my place. Give you good night. Exit. Holla! Bernardo! Say, what, is Horatio there? A piece of him. MARCELLUS: BERNARDO: HORATIO: BERNARDO: Welcome, Horatio: welcome, good Marcellus. MARCELLUS: What, has this thing appeared again to-night? I have seen nothing. BERNARDO: MARCELLUS: Horatio says 'tis but our fantasy, and will not let belief take hold of him, touching this dreaded sight, twice seen of us: therefore I have entreated him along with us to watch the minutes of this night; that if again this apparition come, he may approve our eyes and speak to it. HORATIO: Tush, tush, 'twill not appear. BERNARDO: Sit down awhile; and let us once again assail your ears, that are so fortified against our story what we have two nights seen. HORATIO: Well, sit we down, and let us hear Bernardo speak of this. BERNARDO: Last night of all, when yond same star that's westward from the pole had made his course to illume that part of heaven where now it burns, Marcellus and myself, the bell then beating one... Enter Ghost. MARCELLUS: Peace, break thee off; look, where it comes again! BERNARDO: In the same figure, like the king that's dead.

23 MARCELLUS: Thou art a scholar; speak to it, Horatio. HAMLET page 3. BERNARDO: Looks it not like the king? mark it, Horatio. HORATIO: Most like: it harrows me with fear and wonder. It would be spoke to. Question it, Horatio. BERNARDO: MARCELLUS: HORATIO: What art thou that usurp'st this time of night, together with that fair and warlike form in which the majesty of buried Denmark did sometimes march? By heaven I charge thee, speak! It is offended. See, it stalks away! MARCELLUS: BERNARDO: HORATIO: Stay! speak, speak! I charge thee, speak! Exit Ghost. MARCELLUS: 'Tis gone, and will not answer. BERNARDO: How now, Horatio! You tremble and look pale: is not this something more than fantasy? What think you on it? HORATIO: Before my God, I might not this believe without the sensible and true avouch of mine own eyes. Is it not like the king? MARCELLUS: HORATIO: As thou art to thyself: Such was the very armor he had on When he the ambitious Norway combated; so frowned he once, when, in an angry parle, he smote the sledded Polacks on the ice. 'Tis strange. MARCELLUS: Thus twice before, and jump at this dead hour, with martial stalk hath he gone by our watch. HORATIO: In what particular thought to work I know not; but in the gross and scope of my opinion, this bodes some strange eruption to our state.

24 HAMLET page 4. MARCELLUS: Good now, sit down, and tell me, he that knows, why this same strict and most observant watch so nightly toils the subject of the land, and why such daily cast of brazen cannon, and foreign mart for implements of war; why such impress of shipwrights, whose sore task does not divide the Sunday from the week; what might be toward, that this sweaty haste doth make the night joint-labourer with the day: who is't that can inform me? HORATIO: That can I; at least, the whisper goes so. Our last king, whose image even but now appeared to us, was, as you know, by Fortinbras of Norway, thereto pricked on by a most emulate pride, dared to the combat; in which our valiant Hamlet. For so this side of our known world esteemed him, did slay this Fortinbras; who by a sealed compact, well ratified by law and heraldry, did forfeit, with his life, all those his lands which he stood seized of, to the conqueror: against the which, a moiety competent was gaged by our king; which had returned to the inheritance of Fortinbras, had he been vanquisher; as, by the same covenant, and carriage of the article designed, his fell to Hamlet. Now, sir, young Fortinbras, of unimproved mettle hot and full, hath in the skirts of Norway here and there sharked up a list of lawless resolutes, for food and diet, to some enterprise that hath a stomach in't; which is no other. As it doth well appear unto our state. But to recover of us, by strong hand and terms compulsatory, those fore-said lands, so by his father lost: and this, I take it, is the main motive of our preparations, the source of this our watch and the chief head of this post-haste and romage in the land. BERNARDO: I think it be no other but e'en so: well may it sort that this portentous figure comes armed through our watch; so like the king that was and is the question of these wars. HORATIO: A mote it is to trouble the mind's eye. In the most high and palmy state of Rome, a little ere the mightiest Julius fell, the graves stood tenantless and the sheeted dead did squeak and gibber in the Roman streets: as stars with trains of fire and dews of blood, disasters in the sun; and the moist star upon whose influence Neptune's empire stands as sick almost to doomsday with eclipse: and even the like precurser of fierce events, as harbingers preceding still the fates and prologue to the omen coming on, have heaven and earth together demonstrated unto our climatures and countrymen. But soft, behold! Lo, where it comes again! Re-enter Ghost. HORATIO: I'll cross it, though it blast me. Stay, illusion! If thou hast any sound, or use of voice, speak to me: if there be any good thing to be done, that may to thee do ease and grace to me, speak to me: Cock crows. HORATIO: If thou art privy to thy country's fate, which, happily, foreknowing may avoid, O, speak! Or if thou hast uphoarded in thy life extorted treasure in the womb of earth, for which, they say, you spirits oft walk in death, speak of it: stay, and speak! Stop it, Marcellus. MARCELLUS: Shall I strike at it with my partisan? Do, if it will not stand. HORATIO:

25 'Tis here! 'Tis here! BERNARDO: HORATIO: HAMLET page 5. Exit Ghost. MARCELLUS: 'Tis gone! We do it wrong, being so majestical, to offer it the show of violence; for it is, as the air, invulnerable, and our vain blows malicious mockery. BERNARDO: It was about to speak, when the cock crew. HORATIO: And then it started like a guilty thing upon a fearful summons. I have heard, the cock, that is the trumpet to the morn, doth with his lofty and shrill-sounding throat awake the god of day; and, at his warning, whether in sea or fire, in earth or air, the extravagant and erring spirit hies to his confine: and of the truth herein this present object made probation. MARCELLUS: It faded on the crowing of the cock. Some say that ever against that season comes wherein our Saviour's birth is celebrated, the bird of dawning sings all night long: and then, they say, no spirit dares stir abroad; the nights are wholesome; then no planets strike, no fairy takes, nor witch hath power to charm, so hallowed and so gracious is the time. HORATIO: So have I heard and do in part believe it. But, look, the morn, in russet mantle clad, walks over the dew of yon high eastward hill: break we our watch up; and by my advice, let us impart what we have seen to-night unto young Hamlet; for, upon my life, this spirit, dumb to us, will speak to him. Do you consent we shall acquaint him with it, as needful in our loves, fitting our duty? MARCELLUS: Let's do it, I pray; and I this morning know where we shall find him most conveniently. Exeunt. 2 ELSINORE. A ROOM OF STATE IN THE CASTLE. 2

26 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment PANTOMIME Name: District: Troupe: Title: # In Group: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Story has a logical development: Clear gestures and facial expressions: Shows emotional energy: Shows muscular tones and balanced interaction: Use of silence or music is appropriate: Communicates ideas to audience through well-developed character(s): COMMENTS Judge s Name (Please Print) Judge s Signature

27 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment MONOLOGUE A full copy of the plays was presented. Name: District: Troupe: Title: Author: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Character (Development / Consistency / Believability): Differentiation Of Texts: Emotional Commitment: Focus / Energy / Concentration: Physicality / Blocking: Vocal Delivery (Volume / Clarity / Interpretation): COMMENTS Judge s Name (Please Print) Judge s Signature

28 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment DUET ACTING A full copy of the plays was presented. Name: District: Troupe: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Characterization / Believability: Emotional Commitment: Focus / Energy / Concentration: Physicality / Blocking: Developed Relationship: Vocal Delivery (Volume / Clarity / Interpretation): COMMENTS Judge s Name (Please Print) Judge s Signature

29 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment ENSEMBLE ACTING A full copy of the plays was presented. Name: District: Troupe: Title: Author: # In Group: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Character (Development / Consistency / Believability): Emotional Commitment: Focus / Energy / Concentration: Physicality / Blocking: Ensemble Play / Developed Relationships: Vocal Delivery (Volume / Clarity / Interpretation): COMMENTS Judge s Name (Please Print) Judge s Signature

30 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment SOLO MUSICAL THEATRE Name: District: Troupe: Song: Show: Composer: Lyricist: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Character (Development / Consistency / Believability): Emotional Commitment: Delivery / Style: Focus / Energy / Concentration: Staging / Choreography: Vocal Delivery (Volume / Clarity / Interpretation / Pitch): COMMENTS Judge s Name (Please Print) Judge s Signature

31 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment DUET MUSICAL THEATRE Name: District: Troupe: Song: Show: Composer: Lyricist: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Character (Development / Consistency / Believability): Emotional Commitment: Delivery / Style: Developed Relationship: Staging / Choreography: Vocal Delivery (Volume / Clarity / Interpretation / Pitch): COMMENTS Judge s Name (Please Print) Judge s Signature

32 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment SMALL GROUP MUSICAL THEATRE Name: District: Troupe: Song: Show: Composer: Lyricist: # In Group: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Character (Development / Consistency / Believability): Emotional Commitment: Delivery / Style: Ensemble Play / Developed Relationships: Staging / Choreography: Vocal Delivery (Volume / Clarity / Interpretation / Pitch): COMMENTS Judge s Name (Please Print) Judge s Signature

33 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment LARGE GROUP MUSICAL THEATRE Name: District: Troupe: Song: Show: Composer: Lyricist: # In Group: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Character (Development / Consistency / Believability): Emotional Commitment: Delivery / Style: Ensemble Play / Developed Relationships: Staging / Choreography: Vocal Delivery (Volume / Clarity / Interpretation / Pitch): COMMENTS Judge s Name (Please Print) Judge s Signature

34 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment SCENE DESIGN Name: District: Troupe: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Accuracy (Period / Style): Attention To Detail: Function (Use Of Space): Interpretation (Theme / Mood): Creativity (Problem Solving): Presentation (Justification): COMMENTS Judge s Name (Please Print) Judge s Signature

35 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment COSTUME CONSTRUCTION Name: District: Troupe: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Accuracy (Period / Style): Attention To Detail (Embellishments / Trim): Function (Suitability To Character): Sewing (Seams / Hems): Creativity (Problem Solving): Presentation (Justification): COMMENTS Judge s Name (Please Print) Judge s Signature

36 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment COSTUME DESIGN Name: District: Troupe: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Accuracy (Period / Style): Attention To Detail (Embellishments / Trim): Function (Suitability To Character): Interpretation (Theme / Mood): Creativity (Problem Solving): Presentation (Justification): COMMENTS Judge s Name (Please Print) Judge s Signature

37 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment PUBLICITY DIRECTION Name: District: Troupe: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Attention To Detail (Grammar / Spelling): Creativity (Problem Solving): Organization: Presentation / Justification: Concept / Theme: Promotional Appeal: COMMENTS Judge s Name (Please Print) Judge s Signature

38 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment PLAYWRITING Name: District: Troupe: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Characters (Developed / Consistent): Dialogue (Readability): Plot (Logical Progression): Stageability: Creativity / Ingenuity: Formatted: COMMENTS Judge s Name (Please Print) Judge s Signature

39 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment STUDENT DIRECTED SCENE Name: District: Troupe: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Blocking / Stage Pictures: Creativity (Problem Solving): Concept / Theme: Interpretation: Presentation / Justification: Prompt Book: COMMENTS Judge s Name (Please Print) Judge s Signature

40 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment MAKE-UP DESIGN Name: District: Troupe: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Accuracy (Period and Style): Attention To Detail: Application (Suitability): Interpretation (Theme and Mood): Problem Solving (Creativity): Presentation (Justification): COMMENTS Judge s Name (Please Print) Judge s Signature

41 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment SOUND DESIGN Name: District: Troupe: Title: Author: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Accuracy (Period and Style): Attention To Detail (Quality): Function (Use Of Space): Interpretation (Theme and Mood): Problem Solving (Creativity): Presentation (Justification): COMMENTS Judge s Name (Please Print) Judge s Signature

42 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment ONE ACT (Performance) Title: Playwright: District: Troupe: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Character (Development / Consistency / Believability): Vocal Delivery (Volume / Clarity / Interpretation / Pitch): Staging (Choreography / Physicality / Space Creation): Direction (Style / Pacing / Rhythm / Interpretation) : Ensemble Play / Developed Relationships: Design Implementation (Costumes / Set / Sound / Lighting / Make-Up / Props): COMMENTS Judge s Name (Please Print) Judge s Signature

43 Poor Fair Good Excellent Superior (06-08) (09-14) (15-20) (21-26) (27-30) The overall rating arrived at from the point totals and verified by the District Chair or State Director is FINAL. Florida State Thespian Society Theatre Performance Assessment ONE ACT (Technical) Title: Playwright: District: Troupe: Circle a number (1-5) to identify the performer(s) level of success for each specified indicator. Supply constructive comments below & on the back. WEAK STRONG Load-In & Load-Out / Set-Up & Strike: Design Concept (Effective / Efficient / Safe ): Design Implementation (Costumes / Set / Sound / Lighting / Make-Up / Props): Crew (Team Work / Knowledge Of Tasks / Focus): Stage Management (Effective / Efficient / Safe / Organized): Prompt Book (Preparation / Cues): COMMENTS Judge s Name (Please Print) Judge s Signature