LEIGH ELFORD 14 Paton Ave, Te Atatu Date Job Position Company Contact

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1 LEIGH ELFORD 14 Paton Ave, Te Atatu As a cinematographer I inspire to capture the highest quality images possible. My goal, to tell each story with the utmost respect and to allow the story to flourish visually. Making sure each frame is composed, to share information, lit to allow satisfactory and dynamic tonality and movement to shape or change perspectives. Take a look at some of my work over the years. WORK HISTORY Date Job Position Company Contact 2017 Treasure DoP (BlackMagic Mini) Independent Edward Sampson (Fresh Short) 2017 Distraction DoP (Alexa) Independent Chris Lambert 2016 Chief s Speech DoP (Alexa XT) Soda Pop Productions Ricky Mcklennan 2016 You Bring Me Down DoP (8mm/Film) Independent Lisa Prest 2016 Not Beersies DoP (A7S) Y-Tribe Louisa Tipene (Corporate) 2016 Between the Parallel DoP (Red Dragon) Manafest Yoson An 2015 Under The Dead Sun DoP (A7S+ShowGun) Independent Steve MicNicholl (Low Budget Feature) 2015 Steps DoP (BlackMagic Ursa) ChillBox Nick Garret (Web Series) 2015 Setting Fire to DoP (Red Dragon) DreadStorm Media Will Prosor Stacy 2015 Leather Tattoo DoP (Black Magic) DreadStorm Media Will Prosor

2 2015 Duck, Duck, Goose DoP (Black Magic) Independant Ben Hobbs 2015 Breaking the Silence DoP (Red Epic) Red Delicious Films Berren Allan 2015 Imperfectly perfect DoP (C300) Gainsborough Films Craig Gainsborough 2014 To Your Own Beat DoP (C300) Gainsborough Films Craig Gainsborough (Doco) 2014 Terrible Sons DoP (Red Epic) Candelit Pictures Anna Duckworth 2014 So Good At DoP (Red Epic) Candelit Pictures Anna Duckworth Being In Trouble 2014 Foreign Fields DoP (Arri Amira) Independent David Gunson 2014 Voyeur DoP (Black Magic) San Filmo Chris Peters 2014 Naivete DoP (BMPC) Independant Tom Leveque 2014 Wild Flowers DoP (Sony F3) Independant Arthur Gay 2014 ANABAC DoP (Red Epic) Cresendo Trust Marcus Powell 2014 The Love DoP (C300) OK Design Nicole Kang (Low Budget feature) DoP (Red Epic) San Filmo Chris Peters 2013 Staring at the Sun DoP (5Dmrk2) Red Delicious Films Berren Allan 2013 Killing Bambi DoP (5Dmrk2) Auckland University Gorjan Markovski 2013 Parodies DoP (Red One) Gainsborough Films Craig Gainsborough (Corporate)

3 2013 Science Digest DoP (EX3) Independant Melodie Brown (Doco) 2013 EnV-You/We DoP (FS700) One Island Films Danny Aumua 2013 Hopes War Second Unit DoP (Red One) Gainsborough Films Craig Gainsborough 2013 Loss DoP (5Dmrk2) Gainsborough Films Craig Gainsborough 2012 Spycc+K One DoP (5Dmrk2) One Island Films Danny Aumua 2012 EnV/Now I Know DoP (5Dmrk2) One Island Films Danny Aumua present CAMERA ASSISTANT (First AC and Data/Wrangler) I have been in the role of camera assistant on short films, music videos and feature films providing the Director of Photography with a high-level, energetic, professional camera assisting. Taking charge of delicate, expensive film equipment while keeping footage in focus. I've also taken on the role of Data Wrangler/Video Asst on high profile television documentary drama Shackelton s Captain. Working closely with the camera department to ensure the safety and back up of footage. WORK HISTORY Date Job Position Company Contact 2016 The Beths 1st AC (C300mrk2) Pikdat Productions Alex Hoyles 2016 Tilt Of His Hat Cam Op (C300mrk2) Independent Rowan Pierce 2016 Music Festival Cam Op (C300mrk2) Pikdat Productions Alex Hoyles (Live Gig) 2016 Amum Lata Packaging Camera Asst Design Works Craig Gainsborough

4 (Corporate) (Canon 5d) 2016 Caring For People Cam Op Gainsborough Films Ltd Simion Raby (BlackMagic Ursa) (DoP 2015 REKT 1st AC (Sony FS7) Unity Films Craig Gainsborough (Web Series) 2015 SIVA 1st AC (Alexa XT) Falla Media Whetu Falla 2015 Moving 1st AC (Alexa XT) Second Captain Matt Henley 2015 only 16 1st AC (Red Epic) 8 Limited Dave Cameron 2015 Abandoned 1st AC (F55) Making Movies Grant Mckinnon (Feature Film) 2015 Florescent Lights 1st AC (C300) Unity Films Craig Gainsborough 2015 Born To Dance Second AC (Red Epic) Severer Features Duncan Cole (Feature Film) (Pick-Ups) 2014 Shunkan 1st AC (Genesis) Candilit Pictures Anna Duckworth 2014 Not Like Her 1st AC (Red Epic) Volcano Lighting Grant Mckinnon 2014 Jason Eli 1st AC (Red Epic) Candilit Pictures Anna Duckworth 2014 Marlon Willians Camera Op Candilit Pictures Grant Mckinnion 2014 Housebound Lighting Tech Semi Professional Ado Greshoff (Feature Film) 2014 Die! Die! Die! DIT (Red Epic) Slow Pulse Studios Ryan Harte (Diretor) 2014 Kiwi Kiss Ad 1st AC (GH4) Kiwi Kiss Restraint Kelly Chen (Advertisement)

5 2014 Project J 1st AC (FS700) Idenpendant Kelly Chen (Web Pilot) (DoP 2013 En-V 1st AC (Red Epic) One Island Films Danny Aumua 2012 Road 1st AC (Red Epic) Phantom Effects Daryl Habraken 2012 Y2K DIT/Vid Split (Red Epic) Auckland University Fred Renare 2012 Modern Love 1st AC (Phantom) Phantom Effects Daryl Habraken 2012 NMIT Editor (FCP7) Sarau Media Annette Eggers (Advertisement) 2012 A Few Seconds More 1st AC (Red Epic) Phantom Effects Daryl Habraken 2012 Ice Captain DIT/Vid Split Making Movies Liz Difiore (Feature Film) 2013 Sola Rosa Stills Photographer Sarau Media Anette Eggers 2013 woodstock Promo Stills Photographer Sarau Media Anette Eggers (Advertisement) Corporate Work Cam Op/editor Make A Movie Joseph Lee 2011 The Most fun Lighting Asst Chocolate Fish Crighton Bone You Can Have Dying (Feature Film) % Off Mail Key Grip independent Dan Wagner Order Bride 2011 Space Creeps Gaffer Independant Ben Montgomery 2011 Smoke Free Cam Op Sticky TV Hellen Sjoqust Stage Challenge

6 Project Manager Tokaroa Cinemas Key Responsibilities: With the change from analogue film to digital projection moving so fast many businesses find the change too digital distribution a difficult technical task to understand and implement. Having spent my career in the digital acquisition of movie making I have lent my technical skills to the change over of the Tokaro cinemas. As project manager I oversaw the removal of the old 35mm projection systems and installation of NEC NC900 and NEC 2000C digital projection systems. This included the integration of a sever system. The cinema now capable of 2k and 3D projection can now enjoy the benefits of the latest in what technologies can offer. EDUCATION AND TRAINING LEVEL 7 Bachelor Degree in Performing and Screen Arts: Majoring in Cinematography and Film Theory. (Full record of learning available upon requests) CLASS 1 and CLASS 2 NZ Drivers License. NZCS(New Zealand Cinematography Society) Associate member of the NZCS. RONIN 3-axis gimbal stabiliser, Certified Operator. LTD-First Aid Refresher Certificate in First Aid through Life Care Consultants. LEADERSHIP DEVELOPMENT-Pathways Course Leadership skills and training certificate through City Church Waitakere.

7 CIVIL CONSTRUCTION COURSE Civil construction courses providing certificates and licenses through Infra Train NZ APPLE & PC I am proficient in both operating systems. EDITING COMPUTER SKILLS Apples Final Cut Pro 7,10. Color. Premiere Pro, Red Cine-X. Resolve DESIGN Adobe In Design is a powerful designing program that I have used to create dynamic magazine style layouts. WORD PROCESSING Microsoft Word, Excel, Power Point are all tools that I have used for essay writing to power point presentations. REFEREES I first became acquainted with Leigh when he was my student in the Cinematography course at Unitec. From the beginning, he was always the first to step forward when someone was needed to shoot an outside project, to do some extra studio lighting or do complete any number of extra filmmaking tasks asked of our Department. He not only showed his keenness to embrace new filmic experiences, he also demonstrated his willingness and ability to work hard and to see a project through to completion. He's dedicated, tenacious and also very talented. Also to his credit, Leigh engaged avidly in his own personal education, alongside his Cinematography studies. He was one of the first students to buy a DSLR, and he taught himself to become proficient in complex post-production software, including AfterEffects and the grading platform Color, as well as Final Cut Pro. Leigh is the consummate craftsperson. Leigh also was asked by several filmmakers - students, graduates and, as the word spread about him, people unrelated to the school - to shoot (be the Director of Photography on) their projects. This is due to his skill as a lighting cameraman combined with his affable nature. After he graduated, I've called on Leigh to take on key roles in the film projects I've DOP'd. He devotes his full attention and energy to each shot and always brings a little something extra to any task he takes on. August 17, st Dan Wagner, Director of Photography, (freelance) Managed Leigh at Freelance dwagner2@unitec.ac.nz

8 Leigh was Cinematographer on my short film '127'. It has been dubbed 'spectacularly shot', 'Beautiful cinematography', 'Excellent Visuals' by those in the industry whom have seen the final cut, and it is a testament to Leigh's mastery of his craft. Throughout the shoot Leigh consistently maintained great results and his ethic never faltered, he did his job and motivated his team so they were all giving it their 110%, which in turn made the shoot run all the more smoothly. He has a natural ability to use his knowledge of cinematography to visually tell the story, he can also communicate his creative and artistic vision to those around him with relative ease. Leigh is a open minded, innovative, calm and reassuring individual which makes him suitable for any leadership role. He was in charge of his team, high spec camera gear and all the responsibility that entails. He not only managed it well, he excelled at it. He was a crucial part in the success of my shoot and I hope to be working with him again in the near future." September 25, 2013 Chris Peters chrispeters5@gmail.com While working as a director with Leigh on a graduate film in 2010, I found him to be dedicated, friendly and down-to-earth. He is a great DOP for any film project as he devotes his time and relentless energy to getting the right shots. While working with him I observed that he makes an effort to ensure the crew around him feel as though they are making a significant contribution to a film and encourages creative collaboration with his fellow crew-members. In short, Leigh is an excellent leader and I look forward to working with him again. Gemma Duncan, Director ,

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