Berlin, November 2014

Transcription

1 Berlin, November 2014

2 DIGITAL PRODUCTION CHALLENGE 2014 Participants projects Thursday 13 to Saturday 15 November 2014, Berlin, Germany

3 Participant projects Point of views of following experts: DPC 2014 Recommendation - Florian Rettich bvk (D.I.T. Supervisor, Post-Production Supervisor - Germany) - Philippe Ros, afc (DP & Imaging Supervisor - France) - Ruedi Schick (Founder & Manager of Swiss Effects - Switzerland) - Tommaso Vergallo ( Production Manager - France) Moderator: Pr. Martin Hagemann (Producer, Zero Fiction Germany) Head of Studies: Xavier Grin (Producer PS Production - Switzerland) Project Manager: Sophie Bourdon (Bourdon Consulting- Switzerland) Franck Montagne Post production manager Consultant / Instructor Decision tree designed by: &" Philippe Ros Cinematographer - AFC Imaging Supervisor / Instructor

4 How does the DPC 2014 recommendation work? 1 Project" Participant project proposition DPC experts remarqs highlighted in red DPC experts propositions highlighted in green Participant proposition for intermediate represented by decision tree DPC experts proposition for intermediate represented by decision tree

5 SHOOT POST-PRODUCTION FILM SENSORS CHEMICAL Super 8 Super mm 4 P 3 P 2 P still camera The"decision"tree" DIGITAL From DVcam to Betacam High Telecine TeleScan SD HD High SD / HD / 2K / 4K 65 mm From EX-3 to RED EPIC DRAGON, SONY F65, ARRI ALEXA 65 2K Scan 2 K SD / HD / 4K Imax Cinema 4K Scan 4K

6 SHOOT POST-PRODUCTION 1 DEAD SEA/THE BURGLAR Germany/France/Israel Sead Imamovic (Produc1on"Assistant/Office"Manager/Post9Produc1on" Coordinator) ROHFILM, LES FILMS DU POISSON, CINEMA GROUP

7 DEAD SEA/THE BURGLAR Israel Director: Hagar Ben Asher Production Assistant/Office Manager/Post-Production Coordinator: Sead Imamovic Destination: Theatre, TV, International Participant proposition Delivery: Budget: Subject: 2K DCP - Blu-ray/DVD, HD Broadcast master Euros Co-producing countries: Germany-Israel-France 100 mn FICTION Shooting time Location, team: 5 Weeks Israel Germany 30 people in the crew 2K D.I. HD Workflow 7 months Camera: DP: TBD Post: Ref: Expectations: ARRI Alexa - 1,85 7 months CGI planned To work more independently and act foresight. Tests Check: Actors, cameras, Light Dailies checked on set SD / HD REMARKS Post prod: Advice: Questions Anamorphosis, DI, DCI 1

8 SHOOT Participant proposition FILM SENSORS POST-PRODUCTION DEAD SEA/THE BURGLAR Sead Imamovic CHEMICAL Super 8 Super mm 4 P 3 P 2 P still camera From DVcam to Betacam Telecine TeleScan DIGITAL SD HD High SD / HD 2K / 2K / 4K 65 mm ARRI ALEXA 2K Scan 2 K SD / HD Imax Cinema 4K Scan 4K 4 K 1

9 DEAD SEA/THE BURGLAR Israel Director: Hagar Ben Asher Production Assistant/Office Manager/Post-Production Coordinator: Sead Imamovic Destination: Theatre, TV, Internationals Participant proposition Delivery: Budget: Subject: 2K DCP - Blu-ray/DVD, HD Broadcast master Euros Co-producing countries: Germany-Israel-France 100 mn FICTION Shooting time Location, team: 5 Weeks Israel Germany 30 people in the team SD / HD / 2K / 4K 2K D.I. HD Workflow 7 months Camera: DP: TBD Post: Ref: Expectations: ARRI Alexa - 1,85 7 months CGI planned To work more independently and act foresight? Tests Check: Actors,, cameras, Light Dailies checked on set SD / HD REMARKS Post prod: Advice: Questions Anamorphosis, DI, DCI 1

10 DEAD SEA/THE BURGLAR Israel Director: Hagar Ben Asher Production Assistant/Office Manager/Post-Production Coordinator: Sead Imamovic Destination: Theatre, TV, Internationals DPC 2014 Recommendation Delivery: Budget: Subject: Shooting time Location, team: D.I. Camera: DP: TBD Post: Ref: Expectations: Tests: Check: REMARKS Post prod: Advice: Questions 2K DCP - Blu-ray/DVD, HD Broadcast master Euros Co-producing countries: Germany-Israel-France 100 mn FICTION 5 Weeks Israel Germany 30 people in the team 2K or Confo 4K Workflow with Back up BUT 2K READY ARRI Alexa - 1,85 7 months CGI planned To work more independently and act foresight? Actors, cameras, Light Dailies checked on set Deliveries list to be defined in budget Anamorphosis, DI, DCI 1 SD / HD / 2K / 4K 2K 4K? SD / HD

11 DPC SHOOT 2014 Recommendation Sead Imamovic FILM SENSORS CHEMICAL Super 8 Super mm 4 P 3 P 2 P still camera From DVcam to Betacam Choice"betwen"" POST-PRODUCTION DEAD SEA/THE BURGLAR Telecine TeleScan DIGITAL SD HD High 2K 2K 4K? 65 mm ARRI ALEXA 2 K SD / HD Imax ARRI ALEXA XT with Open gate Lenses issues Cinema Aspect ratio to be redesigned in calculation in POST 4K 4 K 1

12 SHOOT POST-PRODUCTION 2 THROUGH THE EYES OF A CHILD Portugal Paulo Leite (Producer, lead screenwriter) BAD BEHAVIOR PRODUCTION

13 THROUGH THE EYES OF A CHILD Director: JoãoAlves Producer: Paulo Leite Destination: Delivery: Budget: Subject: Shooting time Location, team: D.I. Camera: DP: TBD Post: Ref: Expectations: Tests: Check: REMARKS Post prod & Prod Day & Date Release: VoD, Mobile devices, Internet, Theatre, International, National Social networks 4K DCP - Blu-ray/DVD, HD Broadcast master Euros 100 mn FICTION + 24 webisodes (max 5 minutes each) 5 weeks (Feature) + 2 (webisodes) Lisbon or Rio de Janeiro 20 people in the team Participant proposition 4K Workflow 4K without compromising on Color - a feature + web series (with the possibility of fusing both on future releases) a system that is quick to put together with no hassle is a must. Anamorphic 2,35 SONY F55 Raw recording 4K/2K, SONY FS700 (with 4K external recording modules) - RED Epic - Dragon RED Epic (indicate compression if possible), SONY PXW-FS7 5 months With a hybrid system, editing room at home Pre production manager/ Production/Post Production Supervisor- CGI Actors, Make-up, cameras, Light, Sound, Workflow, Visual effects Dailies checked on set Advice 2 Questions Anamorphic - Colour grading - Correction DCP 2K / 4K SD / HD SD / HD

14 Participant SHOOT proposition FILM SENSORS Paulo Leite CHEMICAL Super 8 Super mm 65 mm Imax 4 P 3 P 2 P still camera From DVcam to Betacam SONY F55 Raw recording 4K/ 2K, SONY FS700 (with 4K external recording modules) - R E D E p i c - Red Dragon SONY PXW- FS7 Cinema POST-PRODUCTION THROUGH THE EYES OF A CHILD Telecine TeleScan 2K Scan 4K Scan DIGITAL SD HD High 2 K 4K 4 K 2 2K / 4K SD / HD SD / HD

15 THROUGH THE EYES OF A CHILD Director: JoãoAlves Producer: Paulo Leite Destination: Delivery: Budget: Subject: Shooting time Location, team: D.I. Camera: DP: TBD Post: Ref: Expectations: Tests: Check: REMARQS Post prod & Prod Advice VoD, Mobile devices, Internet, Theatre, international Strategy involve social network 4K DCP - Blu-ray/DVD, HD Broadcast master Euros HORROR FILM 100 mn FICTION + 24 webisodes (max 5 minutes each) 5 weeks (Feature) + 2 (webisodes) Lisbon or Rio de Janeiro 20 people in the team Participant proposition 4K Workflow 4K without compromising on Color - a feature + web series (with the possibility of fusing both on future releases) a system that is quick to put together with no hassle is a must. Anamorphic 2,35 SONY F55 Raw recording 4K/2K, SONY FS700 (with 4K ext. recording modules) - RED Epic - Dragon RED), SONY PXW-FS7 5 months With a hybrid system, Editing room at home Pre production manager/ Production/Post Production Supervisor - CGI Actors, Make-up, cameras, Light, Sound, Workflow, Visual effects Dailies checked on set Questions Anamorphic - Colour grading - Correction DCP 2 2K / 4K SD / HD SD / HD

16 THROUGH THE EYES OF A CHILD Director: JoãoAlves Producer: Paulo Leite Destination: Delivery: Budget: Subject: Shooting time Location, team: D.I. Camera: DP: TBD Post: Ref: Expectations: Tests: Check: REMARKS VoD, Mobile devices, Internet, Theatre, international Strategy involve social network 2K DCP- PREPARATION FOR A FUTIRE 4K DCP - Blu-ray/DVD, HD Broadcast master Euros HORROR FILM 100 mn FICTION + 24 webisodes (max 5 minutes each) 5 weeks (Feature) + 2 (webisodes) Lisbon or Rio de Janeiro 20 people in the team Confo 4K Workflow with Back up BUT 2K READY Anamorphic 2,35 Choice between SONY F55 Raw recording 4K/2K, SONY FS700 (with 4K ext. recording modules) - RED Epic - Dragon RED), SONY PXW-FS7 5 months With a hybrid system, Editing room at home Pre production manager/ Production/Post Production Supervisor- CGI Recommendation Option Conformation back up and archive in 4K For the moment postproduced in 2K but Ready to be done in 4K Actors, Make-up, cameras, Light, Sound, Workflow, Visual effects Dailies checked on set Post prod & Prod: Deliveries list to be definef-d in budget Advice DPC 2014 Recommendation Questions Anamorphic - Colour grading - Correction DCP 2 2K / 4K SD / HD

17 DPC SHOOT 2014 Recommendation FILM Super 8 Super mm 65 mm Imax 4 P 3 P 2 P SENSORS still camera From DVcam to Betacam SONY F55 Raw recording 4K/ 2K, SONY FS700 (with 4K external recording modules) - R E D E p i c - Red Dragon SONY PXW- FS7 Cinema POST-PRODUCTION THROUGH THE EYES OF A CHILD Paulo Leite Telecine TeleScan 2K Scan 4K Scan CHEMICAL DIGITAL SD HD High 2 K V" 4K 4 K 2 2K / 4K SD / HD

18 SHOOT POST-PRODUCTION 3 VERSOGRAMAS Spain Juan Lesta (Executive Producer, Technical specialist in filming & postproduction.) ESFEROBITE PRODUCTION

19 VERSOGRAMAS Director: DSK (Juan Lesta and Belén Montero) Producer: Juan Lesta Destination: Delivery: Budget: Subject: Shooting time Location, team: D.I. Camera: DP: Ricky Morgado Post: Ref: Expectations: Tests: Check: REMARKS Post prod: VoD, Internet, TV, Theatre, Other (please specify) Museums National, International - Strategy involve social network 2K DCP, HD Broadcast master, Blu-ray (regional funds) Fiction, Documentary, Transmedia project (documentary, experimental feature film, webdoc, exhibition) 90 mn for theatre and 55 for TV 2 weeks (not confirmed) 15 people in the team maxim HD D.I. 16:9 Several cameras Stop motion pixellation Choice to be done between BLACK MAGIC camera 2,5K DSLR CANON 1D C - 1D - 5D - 7D 2 Months - CGI - Home lab - Professional specialized in postproduction, with his own post-production equipment. Looking forward to learning the best workflow for my project. Most of the decisions about formats, techniques, processes and equipment haven't been taken yet, project is still in a development stage. Visual effects, Light, cameras, Make-up, Actors On set by team. Production is in charge of LTO Participant proposition A lot of cameras Need to do some tests - Recommendation Advice: 3 Questions Archiving / DCDM / Debayer / Demozaicing SD / HD 2K / 2K / 4K SD / HD

20 Participant SHOOT proposition FILM Super 8 Super mm 4 P 3 P 2 P SENSORS still camera CANON 1D C - 1D - 5D - 7D- 7D" From DVcam to Betacam High POST-PRODUCTION VERSOGRAMAS Juan Lesta Telecine TeleScan CHEMICAL DIGITAL SD HD High SD / HD / 2K / 4K 2K 65 mm BLACK MAGIC camera 2,5K 2K Scan 2 K SD / HD 3 Imax Cinema 4K Scan 4K 4 K 3

21 VERSOGRAMAS Director: DSK (Juan Lesta and Belén Montero) Producer: Juan Lesta Destination: Delivery: Budget: Subject: Shooting time Location, team: D.I. VoD, Internet, TV, Theatre, Museums National, International - Strategy involve social network 2K DCP, HD Broadcast master, Blu-ray, QT 4:2:2 and H No budget has been done Documentary with ITV, Fiction (2 days TBD ), Animation - Transmedia project (documentary, experimental feature film, webdoc, exhibition) 70 - Archive materials, only 3 mn (8 mm - SD, HD) will be used 2 weeks + 2 weeks 15 people in the team maximum for 2 days Small team for the rest HD D.I. Participant proposition SD / HD 2K / 2K / 4K Camera: DP: Ricky Morgado Post: Ref: Expectations: Tests: Check: REMARKS Post prod: Advice: Questions Choice to be done between BLACK MAGIC camera 2,5K DSLR CANON 1D C - 1D - 5D - 7D 2 Months - CGI - Home lab - Professional specialized in postproduction, with his own post-production equipment Apple Editing FCP10/7 Premiere After Effect for grading Looking forward to learning the best workflow for my project. Most of the decisions about formats, techniques, processes and equipment haven't been taken yet, project is still in a development stage. Visual effects, Light, cameras, Make-up, Actors On set by team. Production is in charge of LTO Budget to be checked Emphasis on post Archiving / DCDM / DeBayer / Demozaicing 3 SD / HD

22 VERSOGRAMAS Director: DSK (Juan Lesta and Belén Montero) Producer: Juan Lesta Destination: Delivery: Budget: Subject: Shooting time Location, team: D.I. Camera: DP: Ricky Morgado Post: Ref: Expectations: Tests: Check: REMARKS Post prod: Advice: VoD, Internet, TV, Theatre, Museums National, International - Strategy involve social network Need to check all contracts about deliveries with Museums and other distributors 2K DCP, HD Broadcast master, Blu-ray, QT 4:2:2 and H Need of a production manager asap before deciding anything Documentary with ITV, Fiction (2 days TBD ), Animation - Transmedia project (documentary, experimental feature film, webdoc, exhibition) 70 - Archive materials, only 3 mn (8 mm - SD, HD) will be used 2 weeks + 2 weeks 15 people in the team maximum for 2 days Small team for the rest 2K D.I. 16:9 What sfreeontheshelveswhichislight,cheapandprovidetheminimumof qualityrequired=5d for stop motion Recommandation of a Grading System (Resolve) 6 to 8 w/o grading Months - CGI - Home lab - Professional specialized in postproduction, with his own post-production equipment Apple Editing FCP10/7 Premiere After Effects - Looking forward to learning the best workflow for my project. Most of the decisions about formats, techniques, processes and equipment haven't been taken yet, project is still in a development stage. Visual effects, Light, cameras, Make-up, Actors On set by team. Production is in charge of LTO A lot of cameras Need to do some tests - Recommendation DPC 2014 Recommendation 3 SD / HD 2K / 2K / 4K SD / HD

23 DPC SHOOT 2014 Recommendation FILM SENSORS Juan Lesta CHEMICAL Super 8 ALREADY SHOT AND PROCESSED Super mm 4 P 3 P 2 P still camera CANON 5D" DIGITAL From DVcam to Betacam High POST-PRODUCTION VERSOGRAMAS Telecine TeleScan SD HD High 2K 65 mm Imax What s free on the shelves which is light, cheap and provide the minimum of quality required Cinema Putting emphasis on post 2K Scan production, specially the grading session, seems to be the best solution 4K Scan 2 K 4K 4 K 3 SD / HD

24 SHOOT POST-PRODUCTION 4 TCHINDAS, LITTLE BRAZIL Spain Marc Serena (Co-Director) DOBLE BANDA

25 TCHINDAS, LITTLE BRAZIL Director: Marc Serena and Pablo García de Lara Postproduction Manager: Marc Serena Destination: Delivery: Budget: Subject: Shooting time Location, team: D.I. Camera: DP: Pablo García de Lara Post: Ref: Expectations: Tests: Check: REMARKS Prod : Advice: Questions TV; Internet, Strategy involves social networks 4K DCP, Blu-ray/DVD MOV 1920x P 72Mb All-Intra? stocks? 90 FILM - 52 TV - Fiction, Documentary, Multimedia-Project including featurelength Dokufiction, TV-Series, Book, Social Media Campaign 5 weeks Cape Verde / 2 Persons HD 1,78 Single camera Panasonix Lumix GH3 NO CGI 1 or 2 years of postprod Home Lab No PPM s produced by own production company Understand the digital workflow Also planning an interactive documentary cameras, Light, Sound in rental house Participant proposition Despo@ng"/"Dust"Bus1ng""Distribu1on" Conforming 4 SD / HD 2K / 4K 2K / 4K SD / HD SD / HD

26 Participant SHOOT proposition FILM SENSORS CHEMICAL Super 8 Super mm 4 P 3 P 2 P Panasonic" Lumix" GH3 From DVcam to Betacam High POST-PRODUCTION TCHINDAS, LITTLE BRAZIL Spain Marc Serena Telecine TeleScan DIGITAL SD HD High SD / HD 2K / 4K 2K / 4K 65 mm From EX-3 to RED EPIC DRAGON, SONY F65, ARRI ALEXA 65 2K Scan 2 K SD / HD SD / HD Imax Cinema 4K Scan 4K 4 K 4

27 TCHINDAS, LITTLE BRAZIL Director: MarcSerenaandPabloGarcíadeLara Postproduction Manager: Marc Serena Destination: Delivery: Budget: Subject: Shooting time Location, team: D.I. Camera: DP: Pablo García de Lara Post: Ref: Expectations: Tests: Check: REMARKS Prod : Advice: Questions TV; Internet, Strategy involve social network 4K DCP? Blu-ray/DVD MOV 1920x P 72Mb All-Intra? stocks? Bravo 90 FILM - 52 TV - Fiction, Documentary, Multimedia-Project including featurelength Dokufiction, TV-Series, Book, Social Media Campaign 5 weeks Cape Verde / 2 Persons HD 1,78 Single camera Panasonix Lumix GH3 NO CGI 1 or 2 years of postprod Home Lab No PPM s produced by own production company Understand the digital workflow Also planning an interactive documentary cameras, Light, Sound in rental house Participant proposition Despo@ng"/"Dust"Bus1ng""Distribu1on"Conforming 4 SD / HD 2K / 2K / 4K SD / HD SD / HD

28 TCHINDAS, LITTLE BRAZIL Director: MarcSerenaandPabloGarcíadeLara Postproduction Manager: Marc Serena Destination: Delivery: Budget: Subject: Shooting time Location, team: D.I. Camera: DP: Pablo García de Lara Post: Ref: Expectations: Tests: Check: REMARKS Prod : Advice: Questions TV; Internet, Strategy involve social network 2K DCP HDCam SR Broadcast Master Blu-ray/DVD MOV 1920x P 72Mb All-Intra? stocks? Bravo 90 FILM - 52 TV - Fiction, Documentary, Multimedia-Project including featurelength Dokufiction, TV-Series, Book, Social Media Campaign 5 weeks Cape Verde / 2 Persons 2K 1,78 Single camera Panasonix Lumix GH3 NO CGI 1 or 2 years of postprod Home Lab No PPM s produced by own production company Understand the digital workflow Also planning an interactive documentary cameras, Light, Sound in rental house DPC 2014 Recommendation Despo@ng"/"Dust"Bus1ng""Distribu1on"Conforming 4 SD / HD 2K / 2K / 4K SD / HD SD / HD

29 DPC SHOOT 2014 Recommendation FILM SENSORS CHEMICAL Super 8 Super mm 2 P still camera From DVcam to Betacam High POST-PRODUCTION TCHINDAS, LITTLE BRAZIL Spain Marc Serena Telecine TeleScan DIGITAL SD HD High SD / HD 2K / 2K / 4K 65 mm From EX-3 to RED EPIC DRAGON, SONY F65, ARRI ALEXA 65 2K Scan 2 K SD / HD SD / HD Imax Cinema 4K Scan 4K 4 K 4

30 DPC 2014 Recommendation Simple cameras, simple codec s, fast post production ARRI AlexaPlus SXS cards ProRes + SxS proxys 2K 12-bit 4:4:4:4 ProRes " QuickTime 2K 16: x 1152 ProRes - 12-bit 4:4:4: x 1080 ProRes - 10-bit 4:2:2 (Proxy) ARRI Amira C Fast 2.0 flash memory cards 2K 12-bit 4:4:4:4 ProRes (after tests) hjp:// " SONY F55 SxS PRO+ XAVC 2/4K 10-bit 4:2:2 Possibilioties to record prixies on the same card hjp:// ar1cle/broadcast9professional9 camcorders9pmw9f559video" JonFauerFDTimes h0p:// 2012/10/30/sony?f55?and?f5/

31 VERSOGRAMAS Director: DSK (Juan Lesta and Belén Montero) Producer: Juan Lesta DPC 2014 Recommendation Camera: BLACK MAGIC camera 2,5K DSLR CANON 1D C - 1D - 5D - 7D Risk of melting Not appropriate to night club strobe lights due to rolling shutter artifacts - extreme low light and no artificial lighting Multi cameras - 1,78 The rolling shutter artefacts Example: Jello effect 3 You"will"encounter"problems" of"skew,"blur,"wobble"and" flujer"on"many"cameras" owning"rolling"shujers"with" different"level"of"importance." (Example:"Sony"F5,"Red"Epic," DSLR s)" "BETTER"TO"TEST"

32 VERSOGRAMAS Director: DSK (Juan Lesta and Belén Montero) Producer: Juan Lesta DPC 2014 Recommendation Camera: BLACK MAGIC camera 2,5K DSLR CANON 1D C - 1D - 5D - 7D Risk of melting Not appropriate to night club strobe lights due to rolling shutter artifacts - extreme low light and no artificial lighting Multi cameras - 1,78 The rolling shutter artefacts Partial image These"artefacts"can"be"reduced"by" so^ware"on"5d"mark"iii"but"the" main"problem"of"dslr s"cameras" is"the"heat"which"can"create" serious"damages."" " Recommenda1on:"When"shoo1ng" with"5d"or"other"s1ll"cameras" bejer"to"have"several"similar" DSLR s" 3