Introduction to Drama & the World of Shakespeare

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1 Introduction to Drama & the World of Shakespeare

2 What Is Drama? A play is a story acted out, live and onstage.

3 Structure of a Drama Like the plot of a story, the plot of a drama follows a rising and falling structure. Complications tension builds Climax tension at highest point Exposition conflict is introduced Resolution conflict is settled, play ends

4 Kinds of Plays A play may be a tragedy, a comedy, or, in modern drama, a mixture of the two. A tragedy depicts serious and important events that end unhappily. A comedy ends happily. Although most comedies are funny, they may also make us think and question.

5 Quick Check Kinds of Plays 1. A young woman wants to marry her love, but her mother disapproves of him. After many setbacks, the suitor wins the mother s approval and the lovers marry. Which plot would be a tragedy, and which would be a comedy? 2. A young man, blinded by passion, worsens a feud between his family and his lover s. The play ends with the deaths of the two lovers.

6 Tragedy Most classical tragedies deal with serious subjects fate, life, and death and center on a tragic hero. Tragic heroes are usually noble figures ambition rebelliousness have a tragic flaw, a personal failing that leads to their downfall passion excessive pride

7 Comedy In a comedy, the characters usually face humorous obstacles and problems that are resolved by the end of the play. Comic heroes may be ordinary people instead of nobility eventually overcome their flaws and achieve happiness

8 Comedy The conflict in comedies is usually romantic. Someone wants to marry but faces an obstacle opposing parents or rival suitors. Complications can involve misunderstandings, mistaken identities, disguises, or transformation. The obstacle is always overcome.

9 Modern Drama Many of today s dramas can t be neatly defined as either comedy and tragedy. Modern plays often mix the serious with the humorous focus on characters that audiences will identify with rather than look up to

10 Performance of a Play Plays are meant to be performed. A play comes to life in each unique performance. Stage Directions Playwright describes setting and actions Interpretation Actors, directors, and designers interpret these directions creatively Performance Audience experiences the story through the actors speech and actions

11 The Stage A stage is like a small world unto itself. upstage can be grand or intimate has its own coordinates that are the opposite from how it looks from the audience stage right downstage stage left

12 The Stage The stage s set might be realistic and detailed abstract or minimal A set can be changed from scene to scene some mes with machinery and sometimes with just a change in lighting.

13 The Stage Other important elements of set design are costumes and props. Costumes tell us about the characters and the time and place. They can be elaborate or minimal. Props are items that the characters carry or handle onstage.

14 The Characters The actors and director bring characters to life by deciding how to interpret and speak the lines of the play Mary: Can I make it on my own? building on the playwright s stage directions for actions and movements [Mary takes off her jacket and faces the audience.]

15 The Movies and Theater Movies are a medium of images. Movie-goers generally want to see action, vivid scenery, and movement on screen. Plays are a medium of words. Play-goers generally want to watch the subtle development of conflicts among a small group of people in one setting.

16 The Characters Characters speech takes the form of Dialogue conversation between characters Monologue a long speech by one character to one or more other characters Soliloquy a speech by a character alone onstage, speaking to himself or herself or to the audience

17 Aside Sometimes a character speaks to the audience or to another character in an aside, dialogue that is not supposed to be heard by the other characters onstage.

18 Review [Gwendolen and Cecily are at the window, looking out into the garden.] Gwendolen. The fact that they did not follow us at once into the house... seems to me to show that they have some sense of shame left. Cecily. They have been eating muffins. That looks like repentance. Gwendolen. [After a pause.] They don t seem to notice us at all. Couldn t you cough? from The Importance of Being Earnest by Oscar Wilde What are the stage directions in this passage? Is this more likely to be a comedy or a tragedy? Why?

19 What are the stage directions in this passage? [Gwendolen and Cecily are at the window, looking out into the garden.] Gwendolen. The fact that they did not follow us at once into the house... seems to me to show that they have some sense of shame left. Cecily. They have been eating muffins. That looks like repentance. Gwendolen. [After a pause.] They don t seem to notice us at all. Couldn t you cough? from The Importance of Being Earnest by Oscar Wilde

20 Shakespeare and His Theater William Shakespeare wrote his plays to make the best use of the theaters of his time. He relied on language to set the scenes move the play fluidly from one scene to another entertain audience members from different backgrounds from commoners to wealthy merchants to royalty

21 Early Elizabethan Theaters Before permanent theaters were built, touring acting companies performed in the courtyards of inns or wherever they could rent space on temporary platform stages to an audience who stood around the stage or sat in balconies surrounding the courtyard

22 The First Permanent Theater The first permanent theater in England was built by James Burbage in 1576 located outside the city walls of London called The Theater torn down in Its timbers were used by Shakespeare and his company to build the Globe

23 The Globe Shakespeare wrote most of his plays for the Globe Theater. The Globe Theater was: a round (or polygonal) three-story building called the wooden O in Henry V

24 The Globe s Stage The Globe s main stage was a platform stage that projected into a yard open to the sky had trapdoors in the floor main stage

25 The Globe s Stage Trapdoors could be used for entrances and exits for ghosts descents into hell

26 The Globe s Stage The Globe s inner stage was curtained off flanked by two doors for entrances and exits inner stage

27 The Globe s Stage The balcony or upper stage could be used as Juliet s balcony the high walls of a castle upper stage the bridge of a ship [End of Section]

28 A Performance at the Globe Plays were performed in the afternoon. No stage lighting was used. Very few sets scenery, furniture, etc. were used. Scenes were set by the playwright s language.... Look, love, what envious streaks Do lace the severing clouds in yonder east. Night s candles are burnt out, and jocund day Stands tiptoe on the misty mountaintops. from The Tragedy of Romeo and Juliet by William Shakespeare

29 A Performance at the Globe Plays were performed by all male medieval trade guilds. Female roles were played by boys. Actors often wore elaborate costumes.

30 Now click here to take a virtual tour of Shakespeare s Globe Theatre

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