(S)ITOR PRESS RELEASE (S)ITOR presents: Dominique Lebrun, All My Movies. Exhibition from January 31st to February 5th, 2017
|
|
- Gordon Price
- 5 years ago
- Views:
Transcription
1 (S)ITOR PRESS RELEASE (S)ITOR presents: Dominique Lebrun, All My Movies Exhibition from January 31st to February 5th, 2017 Opening by invitation on Tuesday January 31st, 5pm to 9 pm Dominique Lebrun, All My Movies 1/10
2 Faces, abstractions, action scenes whatever the subject, movement is always omnipresent, in the hollows of the rips or in the voluntary ridges of the marouflage. The layers are not randomly assembled collages gradually eroded overtime but vibrant coloured compositions treated like paint, impetuous abrasions that bring gestures to life. In this Cinemascope of life, the timeless drawings from posters from the 50s 60s 70s awaken and action takes place in front of our twinkling eyes. It is indeed a complete movie that Dominique Lebrun presents to his viewers, not a frozen picture shot by a photographer but an entire scene in which every detail counts, where back sides transparency can say as much as front sides, mythical logos appeal to our imagination, abstraction becomes life beyond pure and simple lines, and unexpected assemblages disrupt our minds and thoughts. Lebrun is an architect of the image, an inspired editor who knows movies and knows how to create his own with paper and glue and no added artefacts; paper that has absorbed ink and gives back its lustre and glue which links together the various pages of the partition. Moreover, he is a scriptwriter, a photographer, and a musician behind the artist-producer-director. Movies are the passion, the meaning of life, the operating mode of this shrewd collector even in his gestures when he rips apart his posters. It s this passion I invite you to discover in Dominique Lebrun, All My Movies bad boys, comedies, dramas, femmes fatales, handsome boys, icons, peplums, Rin Tin Tin, sagas, spies, superheroes Alongside 20th Century Fox, Cineriz, Cocinor, Columbia, Eastmancolor, EMI, Luxe, MGM, Pathé, Rank, Technicolor, Titanus, United Artists, Warner Bros Sitor Senghor January 2017 Mond (2014) H100 x L100 cm Modèle B (2014) H100 x L100 cm Dominique Lebrun, All My Movies 2/10
3 Dominique Lebrun In 2010, he makes his first collage, using his precious collection of «Mon Ciné» 1920 s movie magazines he carefully kept for almost 40 years. Thrilled by this experience, he decides to continue exploring this path, turning this time to his collection of movie posters. Guided by colours, shapes, movement, he tears up, scatters, pastes, superimposes, dislocates, assembles to recompose imaginary scenes, landscapes and portraits, sometimes on the verge of abstraction. Exhibitions follow one after the other at Galerie Flora Jansem, Purgatoire, Galerie Origine, Gallery By Châtel, at La Vigne de Ramatuelle and soon at the Hôtel de Paris in Saint Tropez. «When I was 9, I used to cut photos out of «Cinémonde» movie magazines and paste them in my school notebooks. When I was a teenager, I reclaimed film posters from local theaters playing movies I loved. Today, experiencing the freedom of tearing up and recomposing these treasured items is to follow and transgress at the same time the circle of my life, with passion. Suddenly, deep inside of me, everything feels right and makes sense, at last.» - a 4mn30s film Steve (2014) H97 x L146 cm Dominique Lebrun, All My Movies 3/10
4 Dominique Lebrun, Rips, by Frédéric Junqua. Over many years, Dominique Lebrun has collected posters of films mostly unbeknownst to us. The fathomless pit of world cinema is a treasure trove of garish graphics, exultant fonts, hieratic poses and stationary vistas. Dominique Lebrun embraces this vast material, standing as it does the test of time and sight, splits it into fragments only to reassemble it in its whole and in its parts. Acting on inspiration, he brings on new shapes, raises fresh swathes of colour, lends impetus to playful congruities and guilty associations out of the accretion and juxtaposition of shreds from which flow gesture and movement. It is a joyous collage, full of vitality, and also the cuneiform and intimate reinvention of familiar forms, of the idea or the perception which we have or even the recollection: sizes are shuffled, proportions are inverted. The surface is broken and the symmetries it harnessed before are undone: Dominique Lebrun summons a shattered subjectivity, where a detail measures up to the whole. He spreads before the view those facets hidden from the foreground. He introduces forbidden angles. He combines shot and reverse shot and takes us backstage, where the secret and vibrant drama of the set may well unfurl. Non sono (2016) - H100 x L73 cm While Dominique Lebrun has an exacting eye for detail, which he so enjoys transmuting fantasy faces concocted from a diversity of sources; limbs quartered and augmented; horizons stretched out or curbed short, he also speaks from the whole, infuses it with a painterly expression, either relying on an abstract dominant colour or on such elicited shapes as harbour the profusion of signs and volumes. And so we recognise the language of the director, conjuring up on the canvas the heightened stuff of an imagination once confined to reverie and phantasm, in combination with that of the painter, for whom broken images serve as colour, and the life of others, as a pulse. Dominique Lebrun, All My Movies 4/10
5 (S)ITOR Practical information 28, rue Beaurepaire Paris Jacques Bonsergent (ligne 5) / République (lignes ) parking : Exhibition from Tuesday to Sunday 12 noon to 8pm High definition pictures (300 dpi) available on request Photo Credits : Jean-Philippe Laraque Contact Sitor Senghor (S)ITOR sitor.senghor@orange.fr +33.(0) Euston (2016) H130 x L192 cm Dominique Lebrun, All My Movies 5/10
6 (S)ITOR 007 (2016) H116 x L89 cm Dominique Lebrun, All My Movies 6/10
7 One (2016) H116 x L89 cm Dominique Lebrun, All My Movies 7/10
8 Nu Ma (2016) H130 x L80 cm Dominique Lebrun, All My Movies 8/10
9 (S)ITOR Crwash (2016) H100 x L73 cm Dominique Lebrun, All My Movies 9/10
10 Rice (2015) H130 x L89 cm Dominique Lebrun, All My Movies 10/10
Dominique Lebrun, Rips. (S)ITOR director s cut. Ia Films (2011) Uomo (2014) Onio (2012)
Paris III 58, rue des Tournelles PRESS RELEASE 17.12.2015 Dominique Lebrun, Rips (S)ITOR director s cut Exhibition from January 16 th to February 14 th, 2016 Ia Films (2011) Uomo (2014) Onio (2012) Opening
More informationINTRODUCTION. NASS is an action sports & music festival that celebrates the very best of alternative culture, bringing you three days of:
BRAND GUIDELINES INTRODUCTION NASS is an action sports & music festival that celebrates the very best of alternative culture, bringing you three days of: PRO SKATE + BMX COMPETITIONS WITH THE WORLD S BEST
More informationVisual Arts Prekindergarten
VISUAL ARTS Prekindergarten 1.0 ARTISTIC PERCEPTION Processing, Analyzing, and Responding to Sensory Information Through the Language and Skills Unique to the Visual Arts Students perceive and respond
More information2016 HSC Visual Arts Marking Guidelines
2016 HSC Visual Arts Marking Guidelines Section I Question 1 Demonstrates a well-developed understanding of how Wolseley has depicted aspects of Australia in this artwork The source material is used in
More informationBrand Guidelines. January 2015
Brand Guidelines January 2015 Table of Contents 1.0 What s a brand? 3 1.1 The logo 4 1.2 Colour 1.2.1 Spot & Process 1.2.2 Black & White 5 5 6 1.3 Logo Sizing 1.3.1 Minimum Clear Space 1.3.2 Positioning
More informationLearning Opportunities
High School Visual Arts Art 2 (Honors) This full year art course is for motivated students who want to advance their skills and create more personal work. Both semesters include drawing, painting, and
More informationFull-Contact Ceramics: Sculptor Brie Ruais on Wrestling Conceptual Statements From Mountains of Clay
Full-Contact Ceramics: Sculptor Brie Ruais on Wrestling Conceptual Statements From Mountains of Clay By Dylan Kerr Aug. 27, 2015 SIGN UP FOR OUR EMAIL & GET 10% OFF YOUR FIRST ORDER CONTACT US SIGN IN
More informationThe Lion Who Saw Himself in the Water
1.0 ARTISTIC PERCEPTION Processing, Analyzing, and Responding to Sensory Information Through the Language and Skills Unique to the Students perceive and respond to works of art, objects in nature, events,
More informationSALLY GALL. looking up
SALLY GALL looking up STEVE MILLER: I saw your show Aerial and it blew me away. No one would guess that it s laundry. Without any context for the series, a number of people guess sea creatures first. Was
More informationFINE ART. Transition Pack. Course Guide and Summer Work. Exam Board: AQA Course Title: Fine Art Course Code:
+ FINE ART Transition Pack Course Guide and Summer Work Exam Board: AQA Course Title: Fine Art Course Code: 7202 www.aqa.org.uk + Introduction Skills you will need to develop A Level Components Component
More informationINTRODUCTION AND FEATURES
INTRODUCTION AND FEATURES www.datavideo.com TVS-1000 Introduction Virtual studio technology is becoming increasingly popular. However, until now, there has been a split between broadcasters that can develop
More informationMechanical Revolution, Luo Fan, Donghua University, China 2019 COMPETITION ENTRY GUIDE E ER OUR 櫓ORLD
Mechanical Revolution, Luo Fan, Donghua University, China 2019 COMPETITION ENTRY GUIDE E ER OUR 櫓ORLD THERE ARE 櫓 ORLDS ONLY THE IMAGINATION CAN REACH. INSPIRING. RICH. A VE. CAPTIVATING E ER OUR 櫓 ORLD
More informationA thousand words. If a picture is worth that, what happens if a sculpture is made of just as many? random inspiration 36 JUNE 09
random inspiration image courtesy of the artist and packer schopf gallery A thousand words If a picture is worth that, what happens if a sculpture is made of just as many? TEXT HUANG NICKMATUL 36 JUNE
More informationModernization. Isolation. Connection. (Iftin Abshir Critical Comment #2)
Modernization. Isolation. Connection. (Iftin Abshir Critical Comment #2) Filmed in 70mm in an entirely manufactured set, Play Time s Tati-ville set is a continuation of Tati s idea of modernization that
More informationCONTENTS CREST CREST COLOUR PALETTE TIPOGRAFHY PARTNER ARCHITECTURE IMAGERY
BOOK 2015.16 The VCF crest is both a symbol of the football club and the City of Valencia. Instantly recognisable it is a powerful representation of our identity and it should be treated with respect.
More informationStyleguide All the music from across the BBC in one place. BBC Music Styleguide 2017 Page: 1
Styleguide 2017 All the music from across the BBC in one place BBC Music Styleguide 2017 Page: 1 Contents Contact... 3 AV Toolkit Assets... 3 Wipe... 24 BBC Music Context... 4 Online Openers... 25 Logo...
More informationone brand. one face. one voice.
one brand. one face. one voice. In essence, the Brand Manual is a set of rules followed by the company to maintain the brand s identity. These rules play an indispensable part in the overall representation
More informationPROPORTIONS AND THE COMPOSER'
PROPORTIONS AND THE COMPOSER' HUGO WORDED 11 Mendelssohn St., Roslindale, SVIassaohusefts Music is a combinatorial a r t It is a combinatorial art operating in time. Music is not, technically., a creative
More informationone M2M Logo Brand Guidelines
one M2M Logo Brand Guidelines July 2012 Logo Design Explanation What does the one M2M logo symbolize? The number 2 in the middle part of the logo symbolizes the connection between the two machines, the
More informationLogo Standards. Use of the Logo. The Salem Identity
Logo Standards The Salem Identity The Salem Communications brand name and logo are the most important elements we use to identify and distinguish us from the competition, help create the positive impressions
More informationThe Other Shore NIKITA PIROGOV ADDITIONAL READINGS INSTALLATION VIEWS OF VARIOUS EXHIBITIONS
The Other Shore NIKITA PIROGOV ADDITIONAL READINGS INSTALLATION VIEWS OF VARIOUS EXHIBITIONS // NIKITA PIROGOV: THE OTHER SHORE. THE TELEGRAPH, 2011. The Other Shore is a poetic diary charting moments
More informationVisual texts. Comprehension. Film still. Closely examine the following visual texts and answer the questions that follow.
Visual texts 11 Comprehension Closely examine the following visual texts and answer the questions that follow. Film still 77 78 Complete English Basics 4 Reading for understanding 1 What does the costume
More informationHistoric Memphis FILM ROW
Historic Memphis FILM ROW...a bit of Hollywood on the Mississippi Location! Location! Location! Located at the center of the Mid-South with access to major roads, bridges, and railroads, Memphis was very
More informationGETTING UMSU BRAND BASICS RIGHT
GETTING UMSU BRAND BASICS RIGHT UMSU Brand Guidelines 2017 UMSU BRAND GUIDELINES 2017 CONTENTS INTRODUCTION 4 UMSU BRAND: AN OVERVIEW 6 UMSU LOGO 7 UOM LOGO 8 CORRECT USE OF THE LOGO 9 INCORRECT USE OF
More informationComparative Study. Martin VIllalpando
Comparative Study Martin VIllalpando Introduction This comparative study focuses on the ideas that two artists have made to define the ideas of urban culture that we know today. Each of these two artists
More informationMYTH TODAY. By Roland Barthes. Myth is a type of speech
1 MYTH TODAY By Roland Barthes Myth is a type of speech Barthes says that myth is a type of speech but not any type of ordinary speech. A day- to -day speech, concerning our daily needs cannot be termed
More informationPearsons A Level Art and Design Themes 2018 Resource Pack Freedom and/ or Limitations
Pearsons A Level Art and Design Themes 2018 Resource Pack Freedom and/ or Limitations fences barriers borders human rights locked up confined stress air free expression freedom of speech discussion protest
More informationResearch. Drama/Comedy Films
Research Drama/Comedy Films Art of Title Art of the Title Research: The Man in the High Castle opening credits: The credits fade into the screen as the film shows black and white war imagery The first
More informationVideo Production. Daily independent reading: Pgs in Video Production Handbook. Read silently 10 min. Notes led by Mr.
Video Production Daily independent reading: Pgs. 32-37 in Video Production Handbook Read silently 10 min. Notes led by Mr. Hiller Focused Learning Target: We will be able to develop a plan to help organize
More information>> 0 >> 1 >> 2 >> 3 >> 4 >> Film Studies. The 1950s
Film Studies The 1950s 8 >> 0 >> 1 >> 2 >> 3 >> 4 >> 7 >> 0 >> 1 >> 2 >> 3 >> 4 >> 6 >> 0 >> 1 >> 2 >> 3 >> 4 >> 5 >> 0 >> 1 >> 2 >> 3 >> 4 >> 4 >> 0 >> 1 >> 2 >> 3 >> 4 >> 3 >> 0 >> 1 >> 2 >> 3 >> 4 >>
More informationUsability Comparison of
1 Usability Comparison of IMDb.com and RottenTomatoes.com Janae Francese, Evelyn Johnson, Jacob Morrison, Aaron Sklar Overview This project is about comparing how users interact with two different, yet
More informationTHE HEROIC AGE OF EXPLORATION. Sample file
POLAR This Enrichment4You E-guide gives you: *A Brief History about mystery stories *Suggestions on how create a Polar Mystery Box based on the Polar Exploration series ENRICHMENT4YOU Published by Henrich
More informationBrand Guidelines 2017 Version 1.0
Brand Guidelines 2017 Version 1.0 OwnLocal 2017. ALL RIGHT RESERVED OwnLocal Headquarters 205 W 9th Street Suite 600 Austin, TX 78701 www.ownlocal.com TABLE OF CONTENTS 01 Introduction Our Mission Core
More informationContinuity and Montage
AD61600 Graduate Video Art & Critique Prof. Fabian Winkler Spring 2016 Continuity and Montage There are two basically different approaches to editing, CONTINUITY EDITING and MONTAGE THEORY. We will take
More informationPRACTICE Midterm Examination SWU 252: Aesthetics for Life
Part I:. /18 Part II:. /15 Part III:. /10 20 20V1 30V2 40V3 Total Score:. /43 PRACTICE Midterm Examination SWU 252: Aesthetics for Life - 2018 Name:....................................... Student ID.....................
More information2015 VCE Studio Arts examination report
General comments The 2015 Studio Arts examination offered a range of questions that required students to use their knowledge of the theory component of the study as well as to incorporate their broader
More informationBRAND. Standards LOGO GUIDE
BRAND Standards LOGO GUIDE TABLE OF CONTENTS INTRODUCTION Why a Brand Standards Manual?... 4 The Big Picture....5-7 TRADEMARK STANDARDS Logo Variations... 9-13 Correct Logo Usage... 14 Incorrect Logo Usage...
More informationfred forest 23 june - 5 august 2017 press release
fred forest 23 june - 5 august 2017 press release galeriepact.com - info@galeriepact.com 70 rue des Gravilliers 75003 Paris Mardi - Samedi de 11h à 19h @galerie_pact pact Fred Forest Space Media, extract
More informationEdouard Malingue Gallery
Edouard Malingue Gallery Sixth floor, 33 Des Voeux Road Central, Hong Kong edouardmalingue.com Jeremy Everett He Yida Phillip Lai Handiwirman Saputra Tao Hui one second ago Opening 8 July 2017 11AM - 1PM
More informationBackground Information
Background Information Contents Introduction... 2 Why do film companies need to use trailers?... 3 Why is the trailer important?... 3 What types of trailer are there?... 4 When is the trailer made?...
More informationDeconstructing Images. Visual Literacy ad Metalanguage
Deconstructing Images Visual Literacy ad Metalanguage Visual Literacy Metalanguage for Year 11 1. Denotation and Connotation 2. Context 3. Symbol 4. Line 5. Vector 6. Size 7. Reading Path 8. Focaliser
More informationThe process of animating a storyboard into a moving sequence. Aperture A measure of the width of the opening allowing light to enter the camera.
EXPLORE FILMMAKING NATIONAL FILM AND TELEVISION SCHOOL Glossary 180 Degree Rule One of the key features of the continuity system to which most mainstream film and television has tended to adhere. A screen
More informationDISTRIBUTION B F I R E S E A R C H A N D S T A T I S T I C S
BFI RESEARCH AND STATISTICS PUBLISHED J U LY 2017 The UK theatrical marketplace is dominated by a few very large companies. In 2016, the top 10 distributors generated over 1.2 billion in box office revenues,
More informationbrand guidelines version 3
brand guidelines version 3 the background The Year of Young People 2018 aims to inspire Scotland through its young people celebrating their achievements, valuing their contribution to communities and creating
More informationGeneral 4-H. Judging Sheets. Contest Page # General 4-H Entry 2 Cloverbuds 3 Collections 4 Displays 5 Notebooks 6 Posters 7 Reports 8
General 4-H Judging Sheets If you want to print just one score sheet, advance to that page by either scrolling down or using the page indicator window in the lower left corner of your screen to advance
More informationBeauty and Revolution The Poetry and Art of Ian Hamilton Finlay
Beauty and Revolution The Poetry and Art of Ian Hamilton Finlay Teachers Resource Ian Hamilton Finlay (1925 2006) was a Scottish poet, gardener and artist. Widely regarded as Britain s foremost concrete
More informationSample Poster (Visual Text) Analysis
Sample Poster (Visual Text) Analysis This resource is designed to be used as a sample of how to write a visual text analysis. Students should create their own analysis during the relevant learning experience.
More informationAN EXCLUSIVE INTERVIEW WITH RINUS VAN DE VELDE // EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT PAINTINGS
Marx, Cécile. An Exclusive Interview With Rinus Van de Velde // Everything You Always Wanted to Know About Paintings. Motel Magazine. 14 September 2014. AN EXCLUSIVE INTERVIEW WITH RINUS VAN DE VELDE //
More informationDigital Cinema Specification. Agenda
Digital Cinema Specification Jerry Pierce, Universal Pictures NAB 2005 4/16/05 1 Agenda Short E-Cinema discussion Historical (?) view of the Path to Digital Cinema Why does the spec make sense? The DCI
More informationacca education P R I M A R Y K I T Nathan Coley Appearances
P R I M A R Y K I T Nathan Coley Appearances Nathan Coley Appearances Who? Nathan Coley was born in Glasgow, Scotland, in 1967 where he lives and works. The artist graduated from Glasgow School of Art
More informationIntroduction. Creating a Publication. Publisher 2010 Producing a Publication. Page Layout. Page 1
Publisher 2010 Producing a Publication Introduction Page 1 Before you create a publication, you should already have an idea of what you want to do with it when it s finished. Will you print and distribute
More informationGraphical Perception. Graphical Perception. Graphical Perception. Which best encodes quantities? Jeffrey Heer Stanford University
CS448B :: 7 Oct 2010 Graphical Perception Graphical Perception Jeffrey Heer Stanford University Graphical Perception The ability of viewers to interpret visual (graphical) encodings of information and
More informationPAINTING CINEMAPH C OT O OGR M APHY IDIGITALCILLUSTRASTIONAMATEUR
THREE-YEAR COURSE IN VISUAL ARTS The programs below describe the activities, educational goals, contents and tools and evaluation criteria of each subject into detail. ACTIVITY GOALS CONTENTS TESTS ARTISTIC
More informationAsia-Europe Meeting (ASEM)
Version 1.0 / October 2013 www.aseminfoboard.org Asia-Europe Meeting (ASEM) Logo Guidelines Information on how to apply the ASEM logo 1.0 The ASEM Logo The core element of the brand identity is the logo.
More informationSAATCHI GALLERY. Name. Year. GESAMTKUNSTWERK New Art From Germany Student Activity Pack
SAATCHI GALLERY GESAMTKUNSTWERK New Art From Germany 2011-2012 Student Activity Pack Name. Year. Imagine Imagine that the Saatchi Gallery has been transformed into an enchanted forest... This weird and
More informationPress Release May 2017
Press Release May 2017 P R E S S R E L E A S E Lumière! Le cinéma inventé [Lumière! The invention of the cinema] From June 13, 2017 to February 25, 2018 The exhibition Lumière! Le cinéma inventé is dedicated
More informationGAGOSIAN GALLERY. Gregory Crewdson
Vogue Italia January 8, 2016 GAGOSIAN GALLERY Gregory Crewdson An interview by Alessia Glaviano with Gregory Crewdson on show at Gagosian from January 28th with the new series Cathedral of the Pines Alessia
More informationThe Perverted Photography of Torbjørn Rødland
The Perverted Photography of Torbjørn Rødland By Bob Nickas, Torbjørn Rødland June 30, 2009 Although Torbjørn Rødland recalls having a camera from the age of 11, as a teenager his passion was drawing.
More informationValues and Beliefs: Connecting Deeper With Your Client. The articles in Lessons From The Stage: Tell The Winning Story are
Values and Beliefs: Connecting Deeper With Your Client The articles in Lessons From The Stage: Tell The Winning Story are designed to help you become a much more effective communicator both in and out
More informationDavid CARSON Contemporary International - Deconstructivism
David CARSON Contemporary International - Deconstructivism Cover for Surf in Rico magazine - 1998 WHEN THE MAGAZINE Beach Culture was launched a decade ago, the name of art director David Carson became
More informationASPECT RATIO WHAT AND WHY
Photzy ASPECT RATIO WHAT AND WHY Quick Guide Written by David Veldman ASPECT RATIO WHAT AND WHY // PHOTZY.COM 1 Photo by Björn Bechstein If someone asked me to compile a list of topics photographers enjoy
More informationVISUAL ARTS K-12 LEARNING OUTCOMES & BENCHMARKS
VISUAL ARTS K-12 LEARNING OUTCOMES & BENCHMARKS Learning Outcomes and Benchmarks Below you will find the Learning Outcomes and Benchmarks for the International Baccalaureate Primary Years Programme, Middle
More informationContinuity and Montage
AD30400 Video Art Prof. Fabian Winkler Spring 2014 Continuity and Montage There are two basically different approaches to editing, CONTINUITY EDITING and MONTAGE THEORY. We will take a look at both techniques
More informationA Finding Aid to the Robin Tewes Papers, , in the Archives of American Art
A Finding Aid to the Robin Tewes Papers, 1950-2016, in the Archives of American Art Hilary Price 2017 March 3 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001
More informationGUIDELINES FOR SUBMISSIONS OF FILMS
GUIDELINES FOR SUBMISSIONS OF FILMS ALL SUBMISSIONS MUST BE INSPIRED BY THE CREATIVE PROMPTS TIME, LEGACY, DEVOTION AND ASPIRATION FILMS The Film Festival will encourage entries from artists interested
More informationCondensed tips based on Brad Bird on How to Compose Shots and Storyboarding the Simpson s Way
Storyboard Week 3 Condensed tips based on Brad Bird on How to Compose Shots and Storyboarding the Simpson s Way 1. Adjust down on the action. Avoid empty space above heads Lower the horizon 2. Make the
More informationIn groups, evaluate last year s book. Find what was done well. Determine what could be better. Let this be your guide for the year.
BOOK EVALUATION In groups, evaluate last year s book. Find what was done well. Determine what could be better. Let this be your guide for the year. Theme and voice Does the theme/concept reflect the school
More informationSECONDARY SCHOOL EDUCATION RESOURCE
SECONDARY SCHOOL EDUCATION RESOURCE ABOUT THIS RESOURCE This resource has been created for use by teachers and secondary students to engage with artworks and themes in The Mnemonic Mirror exhibition at
More informationLes glaneurs et la glaneuse: Transcript
Les glaneurs et la glaneuse: Transcript What does it mean to live in France when you have little money for food or clothes? What happens to furniture or possessions, which people leave out for recycling
More informationCurriculum Standard One: The student will use his/her senses to perceive works of art, objects in nature, events, and the environment.
Curriculum Standard One: The student will use his/her senses to perceive works of art, objects in nature, events, and the environment. 1. The student will analyze the aesthetic qualities of his/her own
More information!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! VCE_SAR_Annotation_Kinnersley_2013. VCE Studio Arts! Unit 3! Annotation
1 VCE Studio Arts Unit 3 Annotation Abstract Annotation is the written documentation of your ideas, concepts, influences, trials, experiments, and solutions. It describes the thought processes a student
More informationTHE AUDIENCE IS PRESENT
INTERVIEW 15 Unsuspecting exhibition visitors become part of Christian Falsnaes performances. In his work, he deals with the notions of ritual and group mentality, including himself and the role of the
More informationVersion 1 / February IADC Logo Usage Guidelines
Version 1 / February 2014 IADC Logo Usage Guidelines IADC / Logo Usage Guidelines 3/36 This document outlines correct use of the IADC logo for members, chapters and partners. For a set of full brand guidelines,
More informationWomen s wear 1-NEW EDGE SPRING / SUMMER / 2012
Women s wear 1-NEW EDGE / In New Edge, we represent a strong desire for modern shapes that we would like to be pure yet sensual. This modern outlook offers a radically simple, minimal aestheticis found
More informationArt and Design Curriculum Map
Art and Design Curriculum Map Major themes: Elements and Principles Media Subject Matter Aesthetics and Art Criticism Art history Applied Art Art and Technology 4k-Grade 1 Elements and Principles An understanding
More informationVersion 3:0 September 2015
Identity guidelines Version 3:0 September 2015 The Buxton logotype The new logotype embraces the concept of water - and a source of water. The focal point of the design is the letter O' where water emerges
More informationHigherMedia. The Key Aspects: Language
HigherMedia The Key Aspects: Language StudyingMedia When we look at media texts, we need to ask the following questions: How are texts shaped to meet needs, influence behaviour and achieve a purpose? What
More informationINTERVIEW WITH MANFRED MOHR: ART AS A CALCULATION
Pau Waelder, Manfred Mohr: Art as a Calculation, Arte y Cultura Digital, June 2012 INTERVIEW WITH MANFRED MOHR: ART AS A CALCULATION 22 junio 2012 by Pau Waelder in Entrevistas Manfred Mohr. Photo: bitforms
More informationICÔNE DU XXI E SIÈCLE
www.historial-jeannedarc.fr ICÔNE DU XXI E SIÈCLE CONTENTS P.4 Introduction to the Joan of Arc Historial P.6 Our offers P.8 Preparing for your visit P.10 Practical information 2 3 4 INTRODUCTION AN ORIGINAL
More informationBBC Television Services Review
BBC Television Services Review Quantitative audience research assessing BBC One, BBC Two and BBC Four s delivery of the BBC s Public Purposes Prepared for: November 2010 Prepared by: Trevor Vagg and Sara
More informationICSA LABS LOGO USAGE GUIDELINES
ICSA LABS LOGO USAGE GUIDELINES CONTENTS ICSA LABS LOGO THE LOGO UNACCEPTABLE USAGE ICSA LABS EVALUATED LOGO THE LOGO UNACCEPTABLE USAGE ICSA LABS CERTIFIED LOGO THE LOGO UNACCEPTABLE USAGE COLOR PALETTE
More informationCreating a Library Logo for an Academic Library. Jim Kapoun. Instruction Coordinator Library Minnesota State University, Mankato Mankato, MN 56001
Library Philosophy and Practice Vol. 8, No. 2 (libr.unl.edu:2000/lpp/lppv8n2.htm) ISSN 1522-0222 Creating a Library Logo for an Academic Library Jim Kapoun Instruction Coordinator Library Minnesota State
More informationChristopher Nolan: Director Extraordinaire. something that makes them want to go back and see the movie again. Stories have become
Christopher Nolan: Director Extraordinaire When people go to the movies, they want to see something new, something exciting, something that makes them want to go back and see the movie again. Stories have
More informationJizi and Domains of Space: Dao, Natural Environment and Self. By David A. Brubaker
Jizi and Domains of Space: Dao, Natural Environment and Self By David A. Brubaker How can Chinese ink painters contribute to global art in ways that are contemporary and authentically Chinese? The question
More informationCinema Pacific Film Festvial
Graphic Standards for Cinema Pacific Film Festvial Emma Hsu Fall 2013 Graphic Standards for Cinema Pacific Film Festvial 2 Table of Contents Introduction Glossary Logo watermark Color Typography Business
More informationSupervising Examiner's/Invigilator's initial:
Alternative No: Index No: 0 1 0 1 0 Supervising Examiner's/Invigilator's initial: English Paper II Writing Time: 3 Hours Reading and Literature Total Marks : 80 READ THE FOLLOWING DIRECTIONS CAREFULLY:
More informationDivider Motion heading graphics
6.31 8.0 Divider Motion heading graphics INTRODUCTION 4.1 STUDYING AT MACQUARIE OVERVIEW Overview OF ELEMENTS 8.1 4.2 Undergraduate 4.3 INTRO SEQUENCES Course guide 8.2 ENDFRAME International SEQUENCES
More informationVISUAL BRAND IDENTITY GUIDELINES
1 / 72 VISUAL BRAND IDENTITY GUIDELINES V 1.5 CONTACT Address National Supercomputing Centre (NSCC) Singapore 1 Fusionopolis Way, Connexis South, #17-01, Singapore 138632 Phone + 65 6714 9450 Email contact@nscc.sg
More informationKAJA LEIJON PORTFOLIO 2016
KAJA LEIJON PORTFOLIO 2016 ARTISTIC PRACTICE My work is dwelling on the mechanisms of imagery; photographs archived as memories in our consciousness; imagery constructed by our imagination and thus how
More informationFILM + MUSIC. Despite the fact that music, or sound, was not part of the creation of cinema, it was
Kleidonopoulos 1 FILM + MUSIC music for silent films VS music for sound films Despite the fact that music, or sound, was not part of the creation of cinema, it was nevertheless an integral part of the
More information2019 GAMA TRADE SHOW ADVERTISING AND PROMOTIONAL OPPORTUNITIES
2019 GAMA TRADE SHOW ADVERTISING AND PROMOTIONAL OPPORTUNITIES 1 2 AIRPORT $1,500 Have your company on display for all to see near baggage claim at the Reno-Tahoe International Airport Side-mounted banners
More informationCIEE Global Institute Paris Contemporary French Cinema (in English)
CIEE Global Institute Paris Course name: Contemporary French Cinema (in English) Course number: CINE 3001 PCFS (ENG) Programs offering course: Paris Open Campus (Communications, Journalism and New Media
More informationTeacher s. guide. The Terrible Red Racer
Teacher s guide The Terrible Red Racer The Terrible Red Racer By Lily Burgess Illustrated by Kate Hawthorne ISBN: 978-0-9922716-1-9 Teachers Notes Prepared and written by a teacher with experience in both
More informationArt Instructional Units
Art Instructional Units ART INSTRUCTIONAL UNITS TASK FORCE MEMBERS JANEEN LINDSAY SHARON COSLOP JILL CUCCI SMITH SABINA MULLER, CURRICULUM AND INSTRUCTION SUPERVISOR SEPTEMBER 2013 Unit 1 Art In Our World
More informationThe Gutenberg Bible: Landmark In Learning By James Thorpe READ ONLINE
The Gutenberg Bible: Landmark In Learning By James Thorpe READ ONLINE If searching for a ebook by James Thorpe The Gutenberg Bible: Landmark in Learning in pdf form, in that case you come on to the right
More informationArkansas. the natural state. Style Guide
Style Guide SINGLE PAGE STYLE GUIDE.indd 1 SINGLE PAGE STYLE GUIDE.indd 2 Table of Contents Page One Construction of Logotype Page Three Displaying the Logotype Correctly Page Four Displaying the Logotype
More informationParticipatory museum experiences and performative practices in museum education
Participatory museum experiences and performative practices in museum education Marco Peri Art Museum Educator and Consultant at MART, Museum of Modern and Contemporary Art of Trento and Rovereto (Italy)
More informationLiam Ranshaw. Expanded Cinema Final Project: Puzzle Room
Expanded Cinema Final Project: Puzzle Room My original vision of the final project for this class was a room, or environment, in which a viewer would feel immersed within the cinematic elements of the
More informationStage 5 unit starter Novel: Miss Peregrine s home for peculiar children
Stage 5 unit starter Novel: Miss Peregrine s home for peculiar children Rationale Through the close study of Miss Peregrine s home for peculiar children, students will explore the ways that genre can be
More information2013 HSC Visual Arts Marking Guidelines
2013 HSC Visual Arts Marking Guidelines Section I Question 1 Demonstrates a sound understanding of how one or more frames are used to interpret the artwork Interprets the source material in a reasoned
More information