Master Class with Vilmos Zsigmond Selected Bibliography

Transcription

1 The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Vilmos Zsigmond Bergery, Benjamin. Morning Variations: Vilmos Zsigmond, ASC. in Reflections: Twenty-One Cinematographers At Work. Benjamin Bergery (ed.). Hollywood: ASC Press, Caught on Tape Vilmos Zsigmond, ASC Revisits His Stylish Work on the 1981 Thriller Blow Out. American Cinematographer (2011): A Transcendent Career Foretold Vilmos Zsigmond, ASC Reflects Upon His Cinematic Achievements. American Cinematographer 80.2 (1999): 30. Fisher, Bob, and Ray Zone. New Wave King: The Cinematography of Laszlo Kovacs, ASC. Hollywood: ASC Press, Fauer, Jon. Cinematographer Style: The Complete Interviews Conducted from Hollywood: American Society of Cinematographers, Macklin, F.A. and Nick Pici. Voices from the Set: The Film Heritage Interviews. Lanham, MD: Scarecrow Press, Madsen, Roy Paul and Vilmos Zsigmond. The Cinematographer with Vilmos Zsigmond. in Working Cinema: Learning from the Masters. Belmont, CA: Wadsworth Publishing, Morton, Ray. Close Encounters of the Third Kind: The Making of Steven Spielberg's Classic Film. New York: Applause Theatre & Cinema Books, Oosterhout, Richard, Maarten Rossem, and Peter Verstraten. Shooting Time: Cinematographers on Cinematography. Rotterdam: Post Editions, Pizzello, Stephen. Darkest Noir. American Cinematographer 87.9 (September 2006): Rogers, Pauline B. More Contemporary Cinematographers on Their Art. Boston: Focal Press,

2 Schaefer, Dennis, and Larry Salvato. Masters of Light: Conversations with Contemporary Cinematographers. Berkeley: University of California Press, Zoller Seitz, Matt. Filming a Friendship, Founded on Film. The New York Times (November 13, 2009). Zsigmond, Vilmos. Darkest Noir Vilmos Zsigmond, ASC Investigates L.A. s Most Infamous Unsolved Murder in the Black Dahlia. American Cinematographer 87.9 (2006): Master of Light - Vilmos Zsigmond, ASC Offers Insights on the Art of Motion-Picture Lighting. American Cinematographer (2004): , Billy Williams, and Lajos Koltai. At the Masters Feet. American Cinematographer 77.2 (1996): 81. Cinematography Practice Bergery, Benjamin, and Jasper Johal. Reflections: Twenty-one Cinematographers at Work. Hollywood: ASC Press, Brown, Blain. Cinematography: Theory and Practice: Imagemaking for Cinematographers and Directors. Amsterdam: Elsevier/Focal Press, Ettedgui, Peter. Cinematography. Woburn, MA: Focal Press, Goodridge, Mike, and Tim Grierson. Cinematography. Amsterdam: Focal Press, Grierson, Tim, and Mike Goodridge. Filmcraft: Cinematography. Burlington, VT: Elsevier Science, Keating, Patrick. Cinematography. New Brunswick: Rutgers University Press, Malkiewicz, J.K., and M.D. Mullen. Cinematography. London: Simon & Schuster, Vagyóczky, Tibor, György Illés, and Vilmos Zsigmond. Handbook for Film and TV Professionals. Budapest: Hungarian Society of Cinematographers, Wheeler, Paul. Digital Cinematography. Oxford: Focal Press, High Definition Cinematography. Amsterdam: Elsevier/Focal, Practical Cinematography. Oxford: Elsevier/Focal Press,

3 Cinematography History Cormack, Michael J. Ideology and Cinematography in Hollywood, New York: St. Martin's Press, Coe, Brian. The History of Movie Photography. Westfield, NJ: Eastview Editions, Fauer, Jon. Cinematographer Style: The Complete Interviews Conducted from Hollywood: American Society of Cinematographers, Macklin, F.A. and Nick Pici. Voices from the Set: The Film Heritage Interviews. Lanham, MD: Scarecrow Press, Madsen, Roy P. Working Cinema: Learning from the Masters. Belmont, CA: Wadsworth Pub. Co, Misek, Richard. Chromatic Cinema: A History of Screen Color. Chichester, U.K: Wiley-Blackwell, Oosterhout, Richard, Maarten Rossem, and Peter Verstraten. Shooting Time: Cinematographers on Cinematography. Rotterdam: Post Editions, Sears, Roger. Making Pictures: A Century of European Cinematography. New York: Abrams, Sterling, Anna K. Cinematographers on the Art and Craft of Cinematography. Metuchen, NJ: Scarecrow Press, New Hollywood / American New Wave Cinema Altman, Robert, and David Sterritt. Robert Altman: Interviews. Jackson: University Press of Mississippi, Altman, Robert, and David Thompson. Altman on Altman. London: Faber and Faber, Armstrong, Rick. Robert Altman: Critical Essays. Jefferson, NC: McFarland & Co, Bach, Steven. Final Cut: Dreams and Disaster in the Making of Heaven's Gate. New York: W. Morrow, Bailey, Peter J. and Sam B. Girgus (eds). A Companion to Woody Allen. Hoboken, NJ: Wiley, Belton, John. American Cinema / American Culture. New York: McGraw-Hill,

4 Berliner, Todd. Hollywood Incoherent: Narration in Seventies Cinema. Austin: University of Texas Press, Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock-'n'-Roll Generation Saved Hollywood. New York: Simon & Schuster, Boorman, John, and Walter Donohue. Film-makers on Film-Making. London: Faber and Faber, Ciment, Michel. John Boorman. Boston: Faber and Faber, Cook, David A. Auteur Cinema and the Film Generation in 1970s Hollywood. in The New American Cinema. Jon Lewis (ed.). Durham: Duke University Press, Crawford, Travis. Criterion: American Lost and Found: The BBS Story. Filmmaker Magazine (December 6, 2010). Accessed November 7, De Palma Brian and Laurence F. Knapp. Brian De Palma: Interviews. Jackson: University Press of Mississippi, Dumas, Chris. Un-American Psycho: Brian De Palma and the Political Invisible. Bristol: Intellect, Hoyle, Brian. The Cinema of John Boorman. Lanham: Scarecrow Press, Inc., James, David E. Allegories of Cinema: American Film in the Sixties. Princeton, NJ: Princeton University Press, Knapp, Laurence F. Brian De Palma: Authorship As Survival. Ann Arbor: UMI, Kolker, Robert P. A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. Oxford: Oxford University Press, Morris, Nigel. The Cinema of Steven Spielberg: Empire of Light. London: Wallflower, Peretz, Eyal. Becoming Visionary: Brian De Palma's Cinematic Education of the Senses. Stanford: Stanford University Press, Schatz, Thomas A. The New Hollywood. in Film Theory Goes to the Movies. Jim Collins, Hilary Radner, and Ava Collins (eds). New York: Routledge, Self, Robert T. Robert Altman's Subliminal Reality. Minneapolis: University of Minnesota Press, Zuckoff, Mitchell. Robert Altman: The Oral Biography. New York: Alfred A. Knopf,

5 Hungarian Revolution of 1956 History Adam, Christopher. The 1956 Hungarian Revolution: Hungarian and Canadian Perspectives. Ottawa, ON: University of Ottawa Press, Békés, Csaba, Malcolm Byrne, and M.J. Rainer. The 1956 Hungarian Revolution: A History in Documents. Budapest: Central European University Press, Korda, Michael. Journey to a Revolution: A Personal Memoir and History of the Hungarian Revolution of New York: HarperCollins, Sebestyen, Victor. Twelve Days: The Story of the 1956 Hungarian Revolution. New York: Pantheon Books,