LESSON PLAN. S No Period Topics To Be Covered Academic Activity To Be Organized

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1 Name of the Teacher: Dr. Paramjeet Kaur Class: BA I (1st Sem) LESSON PLAN S No Period Topics To Be Covered Academic Activity To Be Organized July 1. Introduction of Instrument (Sitar) and its parts. 2. Teaching how to hold the instrument. 3. Introduce the seven swaras (Sa, Re, Ga, Ma, Pa, Dha, Ni, Sa) on sitar. 4. Teaching Bole of Mizraab Da, Ra, Dir. 5. Three Thaat based Alankars Bilawal, Kalyan and Kafi. 1. Short Notes on Sangeet, Naad, Shruti, Swar. 2. Structure of Sitar and its techniques. Special Work on : 1. Terminology and definition of different Musical Terms. 2. Symbols of Notation System. 3. Objective Type Questions to enhance musical vocabulary Aug 1. Practice of Alankars. 2. Study of detailed description of Raga Yaman. 3. Notation of Razakhani Gat in Raga Yaman. 4. Practice. 5. Todas and Jhala in Raga Yaman. 6. Practice. 1. Short Notes on Saptak, Gat, Jhala, Toda, Raag and Thaat. 2. Description and Write Thekas with dugun in 1. Oral Presentation by the students. 2. Group Discussion.

2 Sept Oct Teentaal. 3. Contribution towards music by Pt. Ravi Shakar. 1. Detailed description of Raga Alhaiya Bilawal. 2. Notation of Razakhani Gat in Raga Alhaiya Bilawal. 3. Practice. 4. Todas and Jhala in Raga Alhaiya Bilawal. 5. Practice. 6. Practice of Razakhani Gat of Raga Yaman. 7. Notation of Maseetkhani Gat in Raga Yaman. 8. Recitinng bols in Thah and Dugun laykaries by hand of Teentaal. 1. History of Indian Music from vedic period to 12 th century. 2. Write Thekas with dugun in Ektaal. 1. Detailed description of Raga Bhupali. 2. Notation of Razakhani gat in Raga Bhupali with Todas and Jhala. 3. Practice. 4. Notation of Razakhani Gat in Raga Bhupali. 5. Alap and Todas. 6. Practice 7. Playing National Anthem on sitar. 1. Relationship of folk and classical music. 2. Contribution towards music by Ustad Vilayat Khan and Ustad Allauddin Khan. 1. Presentation of Razakhani Gat of Raga Yaman and Raga Alhaiya Bilawal by students. 2. Presentation of Maseetkhani Gat also by students. 3. Extention Lecture. 1. Presentation of Raga Bhupali by the students individually 2. PPT Presentation on the instrument SITAR. 3. Workshop on Classical and folk instruments.

3 3. Write Thekas in dugun of Chautaal Nov 1. Revision and practice of Maseetkhani gat and Rzakhani gat. 1. Comparison of Ragas in tabular form for easy remembrance. 1. Discussion on the description of all ragas and taalas as prescribed in the syllabus. 2. Quiz Competition in intra department. Topics of Assignments/ Class Tests to be given to the Students: Assignment 1 Assignment 2 Class Test Structure of SITAR. Contribution towards music by Pt. Ravi Shankar OR Ustad Vilayat Khan OR Ustad Alauddin Khan. 1. Definition of sangeet, nad, shruti, swar, saptak,gat jhala and that. 3. History of indian musicfrom vedic period to 12 th century.

4 Name of the Teacher: Dr. Paramjeet Kaur Class: BA II (3rd Sem) LESSON PLAN S. No. Period Topics to be Covered Academic Activity to be Organized July 1. Practice of three Thaat based Alankars Khamaj, Bhairvi and Asavri. 2. Detailed description of Raga Chhayanat. Notation of Razakhani gat of Raga Chhayanat on sitar with Tora and Jhala. 1. Group Discussion 2. Oral presentation by Students. 1. Short Notes on Razakhani Gat and Mseetkhani Gat, Aipatva-Bahutva and Gram Aug 1. Practice of Raga Chhayanat (Razakhani Gat). 2. Notation of Maseetkhani Gat in Raga Chhayanat with Toras. 3. Detailed description and Notation of Raga Jaijaiwanti with Toras and Jhala. (Razakhani Gat and Mseetkhani Gat). 4. Description and reciting bols in Thah and Dugun Laykarees on hand of Taal Tivra. 5. Practice of above work. 1. Presentation of Raga Chhayanat by the Student individually. 2. Presentation of Raga Jaijaiwanti by the student individually. 3. PPT presentation on the instrument 4. Sitar OR Guitar. 5. Workshop on Classical Instruments OR Folk Instruments.

5 1. Parmel Praveshak Raag 2. Swambhunaad. 3. Method of tuning of the instrument and description of the instrument. 4. Detailed description of the inst. Guitar Sept 1. Detailed description of Raga Bhairvi. 2. Notation of Razakhani Gat in Raga Bhairvi with Toras and Jhala. 3. One Dhun in Raga Piloo. 4. Detailed description and notation of Razakhani Gat in Raga Bhairav with toras and Jhala in Ektaal. 5. Description and reciting bols in Thah and Dugun Laykarees of Taal Ada-Chautal and Chautal. 6. Practice of above work. 1. Presentation of Raga Bhairvi and one Dhun by the student individually. 2. PPT Presentation on the instrument Santoor and Raag descriptions. 3. Lecture and Demonstration by the subject expert. 1. Different style of sitar vadan. 2. Detailed description of the instrument Santoor Description and Notation of Taal Dadra and Deepchandi Oct 1. Revision of Raga Bhairav of Razakhani Gat. 2. Notation of Maseetkhani Gat in Raga Bhairav. 3. Aalap and Toras in Maseetkhani Gat. 4. Practice of Razakhani Gat and Maseetkhani Gat. 1. Presentation of Razakhani Gat and Maseetkhani Gat in Raga Bhairav. 2. Group Discussion. 3. Quiz Competition. (Intra Department).

6 5. Practice of Taal Tivra, Adachautal and Chautal. 1. Life sketch of Musicians and their contribution towards music by the following- Ustaad Abdul Haleem Jafar Khan Pt. Panna Lal Ghosh Nov Revision and Practice of all Ragas on sitar. Comparison of Ragas in tabular form for easy remembrance. Discussion on the description of all Ragas as prescribed in the Syllabus. Oral Presentation by the students. Topics of Assignments/ Class Tests to be given to the Students: Assignment 1 Assignment 2 Class Test Detailed Description of any instrument: Sitar, Guitar and Santoor. Contribution towards music by Pt. Pannalal Ghosh Or Ustad Haleem Jafar Khan. 1. Write a Notation of Razakhani Gat of any one Raga of your syllabus. 2. Short notes on the following: a. Parmel Praveshak Raag b. Alpatva Bahutva c. Maseetkhani Gat d. Razakhani Gat e. Gram.

7 Name of the Teacher: Dr. Paramjeet Kaur Class: BA III (5th Sem) LESSON PLAN S.No Period Topics To Be Covered Academic Activity To Be Organized July 1. Practice of four Thaat based Alankars Todi, Purvi Bhairvi and Bhairav. 2. Detailed description of Raga Todi, Notation of Razakhani gat and Maseetkhani Gat of Raga Todi on sitar with Alap, Tora and Jhala. 1. Group Discussion. 2. Presentation of Raga Todi by the students. 1. Study of detailed description of Raga Todi. 2. Origin and development of Notation System Aug 1. Practice of Raga Todi (Maseetkhani Gat and Razakhani Gat). 2. Study of detailed description and Notation of Razakhani Gat and Mseetkhani Gat of Raga Miyan ki Malhar with Alap, Toras and Jhala. 3. Description and reciting bols in Thah and Dugun Laykarees on hand of Dhamar and Teental. 4. Practice of above work. 1. Origin and development of Indian Orchestra. 1. Presentation of Raga Todi by the Student individually. 2. Presentation of Raga Miyan ki Malhar by the students individually. 3. PPT presentation on: Indian Orchestra, Description of Taalas and Description of Ragas. 4. Workshop on Classical Instruments Or Folk Instruments.

8 2. Write the following Taalas in Thah, Dugun and Tigun Laykaries; Dhamar and Teentaal Sept 1. Detailed description of Raga Puriya Dhanashree. 2. Notation of Maseet Gat in Raga Puriya Dhanashri with Alap and Toras. 3. Detailed description and notation of Razakhani Gat in Raga Puriya Dhanashri with toras and Jhala. 4. One Dhun in Raga Pahari. 5. Description and reciting bols in Thah and Dugun Laykarees of Taal Dhamar and Teentaal. 6. Practice of above work. 1. Presentation of Raga Puriya Dhanashri by the students. 2. Presentation of Dhun by the students individually. 3. PPT Presentation on related to Raga Miyan ki Malhar and Puriya Dhanashri. 4. Lecture and Demonstration by the subject expert. 1. Write the Jhaptaal in Thah, Dugun, Tigun and Chaugun Laykarees. 2. The contribution towards the development of sitar playing of Mustak Ali Khan Oct Revision of Raga Puriya Dhanashree of Razakhani Gat. Notation of Maseetkhani Gat in Raga Puriya Dhanashree. Aalap and Toras in Maseetkhani Gat. Practice of Razakhani Gat and Maseetkhani Gat. Practice of Taal Jhaptaal, Dhamar and Teentaal. 1. Presentation of Razakhani Gat and Maseetkhani Gat in Raga Puriya Dhanashree. 2. Group Discussion. 3. Quiz Competition. (Intra Department)

9 Nov 1. Life sketch of Musicians and their contribution towards music by the following- Mushtaq Ali Khan Nikhil Banerjee 2. Role of music in international cultural exchange. Revision and Practice of all Ragas on sitar. Comparison of Ragas in tabular form for easy remembrance. 1. Discussion on the description of all Ragas as prescribed in the Syllabus. 2. Oral Presentation by the students. Topics of Assignments/Class Tests to be given to the Students: Assignment 1 Assignment 2 Class Test Origin and development of Notation System. Contribution towards music by Mushtaq Ali Khan OR Nikhil Banerjee. 1. Write a Notation of Razakhani Gat and Maseetkhani Gat of any one Raga of your syllabus. 2. Raag description. 3. Role of music in International Cultural Exchange.