M. A. Tabla Part I Semester I Paper I ( , ) Theoretical Survey: Critical Study of the Talas. Section A

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1 Part I Semester I Paper I Theoretical Survey: Critical Study of the Talas Time: 3 Hours Maximum Marks: 75 Internal Assessment: 25 Marks INSTRUCTIONS FOR PAPER SETTER The paper shall set four questions from each section A & B of 15 marks each. Section will consist of 5 short answer type questions of 3 marks each, covering whole the syllabus. INSTRUSTIONS FOR THE EXAMINEE Attempt 2 questions each from section A & B. Section C is compulsory. Section A 1. Technical Terminology : Peshkar, Quida, Palta (Baant), Rela, Tehhai, Tuikrha, Chakardar Tukrha, Bedam Tukrha, Mukhrha, Mohra, Kinaar-Ki-Gat, Gat (Khulle Bol), Chakardar Gat, Mohra, Ladant, Chaanti, Daab, Laag-Daab. 2. Comparative Study of Uttary & Dakhni Tala System. 3. Origin, modification & development of Tala-Vadayas of Northern and Sothern Music system. Section B 1. Aesthetic of Indian music with special reference to Tabla. 2. Importance of Tala and Laya in Hindustani Music. 3. Gayan, Vadan Aur Nritya Mein Tabla Ka Mahatava.

2 Part I Semester II Paper I Theoretical Survey: Critical Study of the Talas Time: 3 Hours Maximum Marks: 75 Internal Assessment: 25 Marks INSTRUCTIONS FOR PAPER SETTER The paper shall set four questions from each section A & B of 15 marks each. Section will consist of 5 short answer type questions of 3 marks each, covering whole the syllabus. INSTRUSTIONS FOR THE EXAMINEE Attempt 2 questions each from section A & B. Section C is compulsory. Section A 1. Knowledge of writing different talas and layakaris in Bhatkhande and Vishnu Digamber notation system. 2. Definition of Chhand and its various forms of its utility in Tabla Vadan. 3. Principles of formation of Tiha-is. Section B 1. Principles of Manch Pradarshan. 2. Taal Aur Ras. 3. Critical and Comparative study of prescribed talas : Teentaal, Tilwarha, Juhmrha, Arha- Chartaal, Dhamaar, Ektaal, Chaartaal, Jhaptaal, Sooltaal, Roopak, Tivra.

3 Part I Semester I Paper II History of Percussion Instruments and Tabla Time: 3 Hours Maximum Marks: 75 Internal Assessment: 25 Marks INSTRUCTIONS FOR PAPER SETTER The paper shall set four questions from each section A & B of 15 marks each. Section will consist of 5 short answer type questions of 3 marks each, covering whole the syllabus. INSTRUSTIONS FOR THE EXAMINEE Attempt 2 questions each from section A & B. Section C is compulsory. Section A 1. Evolution, structure, development of Tabla. 2. Gharana of Tabla & their role in Hindustani music tradition. 3. Contribution of following in field of Tabla : a. Mian Qadir Bakash, b. Alla Rakha, c. Ustad Bahadar Singh, d. Pandit Shanta Prashad, Section B 1. Detailed Study of Music Scriptures of Music : a. Natya Shastra (Bharat), b. Sangeet Ratnakar (Pdt. Sharangdev), c. Bhartiya TaaloN Kaa Shastriya Vivechan (Dr. Arun Kumar Sen),

4 Part I Semester II Paper II History of Percussion Instruments and Tabla Time: 3 Hours Maximum Marks: 75 Internal Assessment: 25 Marks INSTRUCTIONS FOR PAPER SETTER The paper shall set four questions from each section A & B of 15 marks each. Section will consist of 5 short answer type questions of 3 marks each, covering whole the syllabus. INSTRUSTIONS FOR THE EXAMINEE Attempt 2 questions each from section A & B. Section C is compulsory. Section A 1. Principles of Tabla accompaniment and solo performance in Tabla. 2. Origin & Concept of tala in Indian music. 3. Contribution of following in field of Tabla : a. Kudau Singh, b. Pandit Krishan Maharaj, c. Habib-ud-din Khan, d. Ahmad Jaan Thirkuwa. Section B 1. Detailed Study of Music Scriptures of Music : a. Table Ka Udgam Vikas Aur Vadan Shailyaan (Yogmaya Shukl), b. Bhartiya Sangeet Taal Aur Roop Vidhaan (Smt. Dr. Subhadra Chaudra Chaudhary), c. Musilmaan Aur Bhartiya Sangeet (Acharya Brahspati)

5 Part I Semester I Paper III STAGE PERFORMANCE Time: 3 Hours Maximum Marks: 100 INSTRUCTIONS FOR PRACTICAL EXAMINERS The practical examination will be conducted by a board of examiners consisting head of department/nominee, internal teacher and external experts as per decision of the syndicate ( , para 2.3) 1. Solo performance in any five talas prescribed in the course: (Peshkaar, Quida, Palta, Rela, Tihaai, Tukrhaa, Chakardaar, Tukrhaa, Mukhrhaa, Mohra, Gat and Paran.) Prescribed Talas: Teentaal, Tilwarha, Juhmrha, Arha-Chartaal, Ektaal, Jhaptaal, Roopak, 2. Ability to play thhekaas of prescribed talas in different layakaris. 3. Ability to elaborate the given Chhand, in a tala of your syllabus. 4. Ability to create Tihaai with given bols. 5. Ability to accompany Tabla with slow & fast Khyal and Gat.

6 Part I Semester II Paper III STAGE PERFORMANCE Time: 3 Hours Maximum Marks: 100 INSTRUCTIONS FOR PRACTICAL EXAMINERS The practical examination will be conducted by a board of examiners consisting head of department/nominee, internal teacher and external experts as per decision of the syndicate ( , para 2.3) 1. Solo performance in any five talas prescribed in the course: (Uthhaan, Gat, Paran, Chakardar, Laykaris etc.) Prescribed Talas: Dhamaar, Chaartaal, Sooltaal, Tivra, Amartal 2. Ability to play thhekaas of prescribed talas in different layakaris. 3. Ability to elaborate the given Chhand, in a tala of your syllabus. 4. Ability to create Tihaai with given bols. 5. Ability to accompany Tabla with, Maseet Khani Gat etc.

7 Part I Semester I Paper IV VIVA-VOCE Time: 3 Hours Maximum Marks: 100 INSTRUCTIONS FOR PRACTICAL EXAMINERS The practical examination will be conducted by a board of examiners consisting head of department/nominee, internal teacher and external experts as per decision of the syndicate ( , para 2.3) 1. Comparative Study of prescribed Talas with Samprakritik Talas.. (Teentaal, Tilwarha, Juhmrha, Arha-Chartaal, Ektaal, Jhaptaal, Roopak) 2. Formation of Quida & Rela with given bols in prescribed Talas. 3. Use of matter of a tala into another tala. 4. Ability to accompany Tabla with various music forms.

8 Part I Semester II Paper IV VIVA-VOCE Time: 3 Hours Maximum Marks: 100 INSTRUCTIONS FOR PRACTICAL EXAMINERS The practical examination will be conducted by a board of examiners consisting head of department/nominee, internal teacher and external experts as per decision of the syndicate ( , para 2.3) 1. Comparative Study of prescribed Talas with Samprakritik Talas. Prescribed Talas: Dhamaar, Chaartaal, Sooltaal, Tivra, Amartal 2. Formation of Quida & Rela in prescribed Talas. 3. Use of matter of a tala into another tala. 4. Ang Da Shabad, Paurhi Gayan, Khyal