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1 Davide Andrea Mauro th Ave. Apt Huntington, WV, (USA) Mobile: +1 (304) Mobile: Personal Information Date and place of birth: November 19th, 1984, Milano (Italy). Research Profile OrcID My primary field of research is into music informatics, related to 3D audio, recording and reproduction techniques, with a specific interest for binaural spatialization. During my phd program I focused my research in the implementation of real-time spatialization systems combined with headtracking techniques in order to render an environment coherently with the position of the listener. I also used GPGPU (General Purpose computing on Graphic Processing Units) capabilities to realize a convolution engine on GPU. I am also interested in psychoacoustics and in understanding the perception of 3D audio. I carried out research for hearing aids and I cooperated in a study for assessing tinnitus in normal-hearing population. Besides I also carried out research in other topics related to computer music, such as the use of the IEEE 1599 format (developed at Laboratorio di Informatica Musicale - LIM) for transcription and encoding of live performances in sub-symbolic formats (e.g. MIDI). I applied this format also to application that aimed at the navigation of audio scenarios, new musical interfaces and streaming of multimedia contents over the web. Former member of the IEEE Technical Committee on Computer Generated Music (TC CGM). Served as peer-reviewer for AES, CIM, CMMR, ICAD, ICMC, MMM, NIME, SIVE, and SMC conferences, technical committee for XX CIM - Colloquio di Informatica Musicale conference. Co-organizer of the WIAMIS 2013 Special Session on 3D reconstruction, coding and transmission for audiovisual interactive services. Education Ph.D. Computer Science, Università degli Studi di Milano (Italy), March Title: ON BINAU- RAL SPATIALIZATION AND THE USE OF GPGPU FOR AUDIO PROCESSING. October December 2011: Visiting Scholar at LIMSI/CNRS Laboratoire d Informatique pour la Mécanique et les Sciences de l Ingénieur (Orsay, France) with dr. Brian F.G. Katz. July August 2011: Visiting Scholar at De Montfort University (Leicester, UK) in Fused-Media Lab with dr. Lorenzo Picinali. M.Sc. Information and Communication Technology, Università degli Studi di Milano (Italy), 2008, Cum Laude. B.A. Science and Technology applied to Musical Communication, Università degli Studi di Milano (Italy), 2006, Cum Laude. Musical Education Electric Bass. Diploma at Civic School of Music, Cinisello Balsamo (MI), Italy, 2009.

2 Award and Prizes Italo Barducci Young Acoustician Prize from the Italian Association of Acoustics (AIA) in March Research Experience Assistant Professor Marshall University 1 John Marshall Drive, Huntington WV September 2016 Present (USA) Assistant Professor of Computer Science. Department of Computer and Information Technology IUAV University of Venice Dorsoduro 2196, Venice (Italy) 07 January January 2016 Sonic Interaction Design, Sound Synthesis, Voice Analysis, in the framework of SkAT-VG FP7 FET EU Project ( Institut Mines-Télécom, TÉLÉCOM ParisTech, CNRS-LTCI rue Dareau, Paris (France) 07 January January D Audio, Binaural spatialization in the framework of REVERIE FP7 EU Project ( reveriefp7.eu/). Laboratorio di Informatica Musicale (LIM), Universitá degli Studi di Milano Via Comelico 39/41, 20135, Milan (Italy) 01 January December D Audio, Psychoacoustics, Music Informatics. Researcher Ing. Luca Del Bo, Fondazione Ascolta e Vivi (Milan, Italy) September 2006 August 2007 Audiology and Audioprothesis. Psychoacoustics. Development and testing of hearing aids. Teaching Experience I supervised more than 20 thesis (B.Sc. and M.Sc.) in the field of music informatics. Teaching Assistant, Laboratory of Music Informatics (B.Sc.), Università degli Studi di Milano, Teaching Assistant, Laboratory of Multimedia I (B.Sc.), Università degli Studi di Milano, Seminaries, Psychophysiology of Hearing and Music Perception (B.Sc.), Università degli Studi di Milano, Seminaries, General Informatics (B.Sc.), Università degli Studi di Milano, Seminaries, Music Informatics (B.Sc.), Università degli Studi di Milano, Publication List Book Chapters: Feature Extraction and Synchronization Among Layers, A. D Aguanno, G. Haus, D.A. Mauro, in: Music Navigation With Symbols and Layers From Binary Audio to Interactive Musical Forms, Wiley-IEEE Computer Society Press, 2013.

3 Journal Papers: Organizing a sonic space through vocal imitations, D. Rocchesso, D.A. Mauro, C. Drioli, JAES Volume 64 Issue 7/8 pp ; July IEEE 1599 for Live Musical and Theatrical Performances, A. Baratè, G. Haus, L.A. Ludovico, D.A. Mauro. Journal of Multimedia, Vol. 7 No. 2:170178, Tinnitus aurium in persons with normal hearing: 55 years later, L. Del Bo, S. Forti, U. Ambrosetti, S. Costanzo, D. Mauro, G. Ugazio, B. Langguth, and A. Mancuso. Otolaryngology-Head and Neck Surgery, (139): , Conference Papers: mimic: The microphone as a pencil D. Rocchesso, D.A. Mauro, and S. Delle Monache. 10th International Conference on Tangible, Embedded and Embodied Interaction (TEI), Eindhoven (The Netherlands), February Analyzing and organizing the sonic space of vocal imitation D.A Mauro, and D. Rocchesso. Audio Mostly 2015, Thessaloniki (Greece), October, To Sketch a Scratch A. Del Piccolo, S. Delle Monache, D. Rocchesso, S. Papetti, D.A. Mauro. 12th Sound & Music Computing conference (SMC), Maynooth (Ireland), July 26 - August 01, TRAP: Transient Presence detection exploiting Continuous Brightness Estimation (CoBE) G. Presti, D.A. Mauro, G. Haus. 12th Sound & Music Computing conference (SMC), Maynooth (Ireland), July 26 - August 01, Towards a not-yet existing practice of vocal sketching S. Delle Monache, D. Rocchesso, S. Baldan, D.A. Mauro. 21st International Conference on Auditory Display (ICAD2015), Graz (Austria), July, Music-Related Media-Contents Synchronization over the Web: the IEEE 1599 Initiative A. Baraté, S. Baldan, D.A. Mauro, G. Haus, L.A. Ludovico. 1st Web Audio Conference (WAC), Paris (France), January, Self-organizing the space of vocal imitation D. Rocchesso, and D.A. Mauro. XX CIM Colloquio di Informatica Musicale, Rome (Italy), October, A design exploration on the effectiveness of vocal imitations S. Delle Monache, S. Baldan, D.A. Mauro, D. Rocchesso. 40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Athens (Greece), September, Visualization and manipulation of stereophonic audio signals by means of IID and IPD G. Presti, D.A. Mauro, G. Haus. 40th International Computer Music Conference (ICMC) joint with the 11th Sound & Music Computing conference (SMC), Athens (Greece), September, Continuous Brightness Estimation (CoBE): Implementation and its possible applications G. Presti, D.A. Mauro. 10th International Symposium on Computer Music Multidisciplinary Research (CMMR), Marseille (France), October, Binaural Spatialization for 3D immersive audio communication in a virtual world D.A. Mauro, R. Mekuria, M. Sanna. Audio Mostly a Conference on Interaction with Sound, Piteå (Sweden), September, Advancements and challenges towards a collaborative framework for 3D tele-immersive social networking, D.A. Mauro, N.E. O Connor, D. Monaghan, M. Gowing, P. Fechteler, P. Eisert, J. Wall, E. Izquierdo, D.S. Alexiadis, P. Daras, R. Mekuria, P. Cesar. 4th IEEE International Workshop on Hot Topics in 3D (Hot3D), San Jose (California, USA), July, 2013.

4 A Framework for Realistic 3D Tele-Immersion, P. Fechteler, P. Eisert, A. Hilsmann, D.A. Mauro, S. Broeck, F. Kuijk, D. Monaghan, P. Cesar, P. Daras, J. Wall, T. Zahariadis, R. Mekuria, M. Sanna, D. Alexiadis, C. Stevens. MIRAGE 6th International Conference on Computer Vision / Computer Graphics Collaboration Techniques and Applications, Berlin (Germany), June, Further evidence of the contribution of the ear canal to directional hearing: design of a compensating filter, A. Martelloni, D.A. Mauro, A. Mancuso. 21th International Congress on Acoustics (ICA 2013), Montreal (Canada), June, Audio convolution on GPUs: a follow-up, D.A. Mauro, In: AIA-DAGA Conference on Acoustics, Merano (Italy), March, Tone-2 Tones Discrimination Task Comparing Audio and Haptics, L. Picinali, C. Feakes, D.A. Mauro, B. F.G. Katz. IEEE 2012 International Symposium on Haptic Audio Visual Environments and Games (HAVE 2012). Spectral Discrimination Thresholds Comparing Audio and Haptics for Complex Stimuli, L. Picinali, C. Feakes, D.A. Mauro, B. F.G. Katz. The Seventh International Workshop on Haptic and Audio Interaction Design (HAID 2012), Lund (Sweden), Influence of the listening context on the perceived realism of binaural recordings, D.A. Mauro, F. Vitale. International Conference on Music Perception and Cognition (ICMPC 2012), Thessaloniki (Greece), July, Musica sull acqua : A motion tracking based sonification of an aquarium in real time, S. Baldan, L.A. Ludovico, D.A. Mauro. 8th Sound and Music Computing Conference (SMC 2012), Copenhagen (Denmark), Audio convolution by the mean of GPU: CUDA and OpenCL implementations, D.A. Mauro, In: Proceedings of Acoustics2012, Nantes (France), April, Wii Remote-based Collaborative Interfaces for Music, A. Baraté, L.A. Ludovico, D.A. Mauro. In: Proceedings of the AIMI Workshop on Sound and Music Computing for Human-Computer Interaction 2011 (SMC4HCI 2011), Alghero (Italy), Managing Multiple Media Streams in HTML5: the IEEE Case Study, S. Baldan, L.A. Ludovico, D.A. Mauro. In: Proceedings of the International Conference on Signal Processing and Multimedia Applications (SIGMAP 2011), Seville (Spain), A Web-oriented Multi-layer Model to Interact with Theatrical Performances, A. Baraté, G. Haus, L.A. Ludovico, D.A. Mauro. In: Proceedings of the International Workshop on Multimedia for Cultural Heritage (MM4CH 2011), Modena (Italy), Prospettive: un modello di fruizione evoluta per gli spettacoli teatrali in rete, A. Baraté, G. Haus, L.A. Ludovico, D.A. Mauro. In: CoOperare. Turin (Italy), Automatic media segmentation within IEEE , A. D Aguanno, L.A. Ludovico, D.A. Mauro. Semantic Media Adaptation and Personalization (SMAP 2010). Limassol (Cyprus), Ri-vivificazione di materiali multimediali in rete: prospettiva 2009, A. Baraté, L.A. Ludovico, D.A. Mauro. GARR Welcome to the Future Internet!. Turin (Italy), Head in space : a head-tracking based binaural spatialization system, L.A. Ludovico, D.A. Mauro, D. Pizzamiglio. Sound and Music Conference (SMC 2010). Barcelona (Spain), Tecnologie basate su XML per la fruizione avanzata dei contenuti musicali, A. Baraté, L.A. Ludovico, D.A. Mauro. GARR 09 Selected papers: Atti del Congresso Network Humanitatis: linguaggi, risorse, persone Algorithms for an Automatic Transcription of Live Music Performances into Symbolic Format, S. Baldan, L.A. Ludovico, D.A. Mauro, Auditory Display. Genesis of Meaning in Sound and Music. 6th International Symposium, CMMR/ICAD 2009, Copenhagen, Denmark, May 18-22, 2009, Revised Papers., Lecture Notes in Computer Science, vol. 5954, pp , Springer Berlin / Heidelberg, 2010.

5 Nuove tecnologie per la fruizione on-line di contenuti multimediali, G. Haus, A. Baraté, A. D Aguanno, L.A. Ludovico, D.A. Mauro. GARR : Network Humanitatis. Naples (Italy), Sound and the City: Multi-Layer Representation and Navigation of Audio Scenarios, L.A. Ludovico, D.A. Mauro. 6th Sound and Music Computing Conference (SMC 2009), Oporto (Portugal), PureMX: Automatic transcription of MIDI live music performances into XML format, S. Baldan, L.A. Ludovico, D.A. Mauro. 6th International Symposium on Computer Music Modeling and Retrieval, CMMR Auditory Display, Copenhagen (Denmark), Distance effects of auditory event in binaural spatialization, A. Mancuso, D.A. Mauro, and G. Vercellesi. DSP Application Day, Milan (Italy), 2007.