Daily Warm-Up. Baritone Saxophone. Inhale. From Selected Vandercook Studies Edited by S. Williams, Fall F Warm-up 1. Expanding Intervals

Transcription

1 aritone axophone Daily Warm-Up F Warm-up 1 9 Expanding Intervals 1 From elected Vandercook tudies Edited by. Williams, Fall Octaves & welfths 1 7 reath Drill ( Goal: Play measures 4-12 in one breath) 1 Exhale Hold Inhale 8 ection Chorale in b 1

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3 (aritone Only)

4 ari ax Westover Warm-Up & # # # # 4 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 5& # # # # n # # # œ œ œ œ œ œ œ œ œ œ œ œ w œ œ œ œ œ œ œ œ œ œ œ œ œ œ & # # # n # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w # 10 Concert G Concert C 15 & # # 19 Concert F œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Concert b & # # n # œ œ œ œ œ œ œ œ œ œ œ œ w œ œ œ œ œ œ œ œ œ œ œ œ œ œ 24 & # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w n 29 & Concert Eb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 33 & b œ œ œ œ œ œ œ Concert b œ œ œ œ œ w œ œ œ œ œ œ œ œ œ œ œ œ œ œ

5 2 Westover Warm-Up 38 & b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w bb 43 & b b Concert Db œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 47 & b b b b b œ œ œ œ œ œ œ Concert Gb œ œ œ œ œ w œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 52 œ & bb œ œ œ œ œ b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ n n n # œ œ w 2 57 & # 2 2 Chromatic Exercise œ # œ œ # œ œ œ # œ œ # œ œ # œ œ œ œ # œ œ # œ œ # œ œ œ# œ œ # œ 65 & # œ # œ œ # œ œ œ # œ œ # œ œ œ # œ œ # œ œ # œ œ œ # œ œ # œ œ # œ œ w 73 & # œ œ nœ œ bœ œ bœ œ œ bœ œ bœ œ bœ œ œ bœ œ bœ œ œ nœ œ bœ 81 & # œ bœ œ bœ œ œ nœ œ bœ œ bœ œ bœ œ bœ 4 œ œ œ œ nœ œ nœ œ bœ œ bœ œ œ bœ œ bœ œ bœ œ bœ w œ

6 89 & # 4 4 F Warm-up w Westover Warm-Up # w w w w w w bw 3 97 & # w w w bw w w w 104 & # Expanding Interval w w w w 116 & # w w w 124 & # Octaves & 12ths w w w w nw nw w w & # bw w # # 4 3 bw w w. 132 reath Exercise œœ œ œœœœœ œ œœ œ œ œ œ œ œ œ 139 & # œ œ œ œ œ œ œ œ œ # 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ 4 3 œ œ œ œ œ œ œ œ œ œ œ œ 142 & # œœœœœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœœ # 4 œ œ œ œœœ œ œœ œ œ œ œ œ œ œ n # 4

7 4 Westover Warm-Up b Warm-Up Chorale 146 & # 4 4 w w w w w w w w 154 & # w w w w w w w w n 162 & Elsa's Procession w. b œ. œ w w w 168 & w w w w w 173 & w w w # w Ó # w

8 GEORGI MUIC EDUCOR OCIION YMPHONIC ND (GRDE11-12) RIONE XOPHONE q = 144 & # # # # c œ œœœœœœ œœœœœœœ œ œœœœœœ œœœœœœ œ œ œ œœ œœ œ œœœ œ œ w 8& # # # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w 12 & # # 19 & # œ œ œ œ œœœ œ œœœœœœ œœœœ œ œ œ œœœœ œ œ œ œ œ œ œ œœ œ œœœ œ œ w œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w 23 & œ œœœœœœ œœœœœ œ œ œ œ œ œœœœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w 30 & b œ œœœœœœ œœœœœ œ œ œ œ œ œœœœ œœœœœœœ œ œ œ œ œ œ œ œ œ œ œ œ w 37 & b b 44 & bb b œ œ œœœœœ œœœœœœ œ œ œ œœœœœ œœœœœœ œ œ œ œ œ œ œ œ œ œ œ œ œ w œ œ œœœœœ œœœœœœ œ œ œ œœœœœ œœœœœœ œ œ œ œ œ œ œ œ œ œ œ œ œ w

9 2 GEORGI MUIC EDUCOR OCIION 51 & b b b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w 55 & b b b b b œ œœœœœœ œœœœœ œ œ œ œ œ œœœœ œœœœœœœ œ œ œ œ œ œ œ œ œ œ œ œ w 62 & # # # # # # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w 66 & # # # # # œ œ œœœœœ œœœœœœ œ œ œ œœœœœ œœœœœœ œ œ œ œ œ œ œ œ œ œ œ œ œ w

10 I IV V I

11 lto axophone aritone axophone 36 Chorales For and y aron Cole Version 1.0 Decoygrape Productions

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13 able of Contents 1. I IV V I p Canon in D by Johann Pachelbel p Circle of Fifths Chorale p ugmented 6 th Cadence p allis Canon by homas allis p uspensions p Old Hundredth by Loys ourgeois p Ode to Joy by Ludwig Van eethoven p God Rest Ye Merry Gentlemen p mazing Grace by John Newton p Music for Queen Mary by Henry Purcell p e hou My Vision p In the leak Midwinter by Gustav Holst p Chester by William illings p ve Verum Corpus by Wolfgang madeus Mozart p Horkstow Grange in the style of Percy Grainger p Chaconne from the First uite in Eb by Gustav Holst p Finlandia by Jean ibelius p Prelude No. 20, Opus 28 by Frederic Chopin p o a Wild Rose by Edward McDowell p Nimrod from the Enigma Variations by Edward Elgar p lessed are hey hat Mourn by Johannes rahms p Chant Funaire by Gabriel Faure p Irish une from County Derry p Rhenish ymphony Mvmt. 4 Opening by Robert chumann p alvation is Created by Pavel chesnokov p ve Maria by ergei Rachmaninoff p rd une by homas allis p Largo from ymphony No. 9 by ntonin Dvorak p Come, weet Death by J.. ach p Chorale from Jupiter by Gustav Holst p In the Village by Modeste Mussorgsky p Mighty Fortress is our God arr. J.. ach p Christ Lay in Death s onds by J.. ach p ymphony No. 2 Vocal Chorale by Gustav Mahler p ymphony No. 2 rass Chorale by Gustav Mahler p. 31

14 How to use this book For alto saxophone players 1. he LO part is your main part 2. ometimes, the ENOR part works for you if you play the lower version (the upper version is for bari sax) 3. he OPRNO can work for you if it is in a high, yet reasonable range For baritone saxophone players 1. he part is your main part 2. he upper version of the ENOR part (cue notes) is generally in the correct range for your instrument 3. he OPRNO and LO parts are there so you can see what the others are playing For both 1. When a part gets too high or too low, little CUE NOE are provided so you can always play with a GOOD OUND 2. ometimes, you ll see a note in parenthesis ( ). You generally cannot play these notes because they are too low (ex. ari s w/o low ). Usually, they are there just to show you where the actual part should go.

15 1 I - IV - V - I ( ) simple chord progression Canon in D by Johann Pachelbel (ca. 1680) Circle of Fifths Chorale common sequence Written by aron Cole - Released for free through Decoygrape Productions under the Creative Commons License - CC Y-NC-ND (2011)

16 2 4 ugmented 6th Cadence special type of cadence allis Canon by homas allis (ca. 1560)

17 6 uspensions (Preparation uspension Resolution) 7 Old Hundredth by Loys ourgeois (1551)

18 4 8 Ode to Joy by Ludwig Van eethoven (1824)

19 9 God Rest Ye Merry Gentlemen (raditional) (First published in 1833)

20 6 10 mazing Grace by John Newton (1779) Music for Queen Mary by Henry Purcell (1694)

21 e hou My Vision (raditional originally titled "lane")

22 8 13 In the leak Midwinter Gustav Holst's setting (1906)

23 14 Chester by William illings (1778)

24 10 15 ve Verum Corpus by W.. Mozart (1791)

25 16 Horkstow Grange collected by Percy Grainger (1906) Horkstow Grange is a folk tune that Percy Grainger collected in 1906 by recording George Gouldthorpe. It is the tale of how a waggoner, John "teeleye" pan,and his foreman, John owlin', fell out and came to blows. Gouldthorpe informed Grainger that teeleye pan resented John owlin's harsh treatment and, burning with resentment, pan wrote this song. he words are set to the tune of a ballad about naval mistreatment "ndrew Rose, the ritish ailor". No other variants of this song have been found. Horkstow Grange is a house and range of farm buildings situated about half a mile north of axby ll aints. hose who have researched the songs have produced no written evidence of these men or indeed any local memory of them other than in this song. Grainger recorded Gouldthorpe singing "Horkstow Grange". Gouldthorpe had a strong North Lincolnshire accent and takes the song at a brisk pace. Grainger's arrangement of the song for his "Lincolnshire Posy uite" (1937) is very different. Grainger slows the song down considerably giving it a stately feel. his is arguably the greatest transformation of any Grainger arrangement and he deserves credit for creating such a fine piece from such as a fragmentary song. ( )

26 12 17 Chaconne from the First uite in Eb by Gustav Holst (1909) Finlandia by Jean ibelius Divisi (1900)

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28 14 19 Prelude No. 20 Opus 28 by Frederic Chopin (1839)

29 20 o a Wild Rose by Edward McDowell (1896)

30 16 21 Nimrod from the Enigma Variations by Edward Elgar (1899) lessed are hey hat Mourn by Johannes rahms (1868)

31 Chant Funeraire from the Op. 117 Cello onata by Gabriel Faure (1921)

32 18 24 Irish une from County Derry (Grainger's etting 1911)

33 Rhenish ymphony Mvmt. 4 Opening by Robert chumann (1850)

34 20 26 alvation is Created by Pavel chesnokov (1912)

35 27 ve Maria from Op. 37 Vespers by ergei Rachmaninoff (1915)

36 rd une from the 9 Psalm unes for rchbishop Parker's Psalter by homas allis (1567)

37 29 Largo from ymphony No. 9 by ntonin Dvorak (1893)

38 24 30 Come, weet Death Come lessed Rest by J.. ach (1736)

39 31 Chorale from Jupiter by Gustav Holst (1916)

40 26 32 In the Village by Modeste Mussorgsky (1880)

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42 28 33 WV 80.8 Ein Feste urg ist unser Gott ( Mighty Fortress is our God) J.. ach (1731)

43 34 WV 4.8 Christ lag in odesbanden (Christ lay in Death's onds) J.. ach (1707)

44 30 35 ymphony No. 2 Vocal Chorale from the Finale by Gustav Mahler (1894)

45 36 ymphony No. 2 rass Chorale from the Finale by Gustav Mahler (1894)

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