Example 1. The theme of movement two, as stated in the first measures.
|
|
- Sharon Cross
- 6 years ago
- Views:
Transcription
1 My intention is to determine what Schubert s concept of his own death was, and how that is implied through his D Minor String Quartet (D 810), Death and the Maiden. This project is begging to be shared. Before I knew anything about Schubert, my peers suggested we work on this quartet for the Spring semester. I humored them; I listened to the beginning. It sounded fine, and I was happy to make a compromise, since my first choice with another amazing quartet, Shostakovich s No.8. I moved on. At the start of this semester s class, Music History II with Dr. Haefeli, I was tasked with deciding a research question. I was eager to write my paper on the impact of Hindustani raga on Western Classical and Romantic music. Yet again, I came across a stumbling block and had to make compromises. I moved on. I would like to say now that choosing this quartet to study for this semester both as a musicologist and performer has been a more gratifying experience than I could have hoped for. My results will come from the second movement, written as a theme and variations. This is the movement that gives the quartet its name, Death and the Maiden, because a song of the same name is the derivative from which the theme of this movement is based. In the second movement, there are nine variations on this simple tune, what is known as the Death theme. Indeed, Example 1 is the same as what would have been the piano part in the song. This theme is altered to tell the story, as demonstrated by Examples 2 and 3. Example 4 shows that, even outside of the Andante con moto, there is clear influence of the song on this quartet. The first movement begins with a chord voiced just like the opening of the second, the difference being that it is now in D minor, the key of the work. Nevertheless, the important similarities abound: the outer voices remain on one note while the trapped inner voices are the moving lines. As you can see, from one simple motive, taken from his own song from years prior, there is so much to explore. Yet there are copious other details of style, harmony, form, and other musical aspects that must be inspected. For instance, Example 5 shows the start of the final movement. The opening ascending line, ornamented with grace notes, repeated, and punctuated with biting eighth notes is rich with mysteries to uncover. Indeed, my results will come. I have not finished the course of my research. I would scarcely say that I have scratched the surface. My methodology is nevertheless manifest. I have just submitted my class s annotated bibliography assignment. The majority of my findings will come from critical reading of scholarly books, journals, articles, and the like. In particular, I will study the theory behind the four movements of this quartet, as well as texts about Schubert and some primary sources of his, and about the pitfalls and wonders of interpreting music. Moreover, I will be learning about this piece from a performance stance, guided by my chamber group s coach, Dr. Kyle Armbrust, and my studio teacher, Elizabeth Simkin. Furthermore, I have an idea regarding what this project means for myself, my collaborators, and potentially our college community. I ve already mentioned the impact this work had, is having, and will have on me. Essentially, this project will break down barriers for the audience in their experience of classical music. I envision this presentation to be something inviting. I can model the ways that I am able to interact with music. More importantly, this
2 discussion will make this music more accessible to today s listeners, showing that that music interpretation is not finite. Indeed, I can provide my thoughts on Schubert s concept of death and its depiction in music. At the same time, this research reveals that not everything has been said that must be said about this wonderful style of music, and such presentations keep classical music alive in this way. Example 1. The theme of movement two, as stated in the first measures. Example 2. The first variation on the theme in the second movement. This is an example of how Schubert characterizes the maiden through the violin line.
3 Example 3. This is another variation from the second movement. Instead of the violin line retaining the melodic interest, Schubert here gives voice to Death through the violoncello. Example 4. The very first measures heard of the first movement. Even though the second movement explicitly references the earlier song, there are traces of the song that can be
4 found throughout the quartet, and this is an example of that. Example 5. This is the beginning of the final movement, often called the Tarantella, or the dance of death. Bibliography Beach, David. Schubert s Mature Instrumental Music: A Theorist s Perspective. Rochester Press p. Berger, Melvin. Guide to chamber music. New York: Dodd, Mead & Company, Inc Pp Brown, Sams, and Winter. Schubert, Franz. New Grove Encyclopedia (Accessed 3 March 2018).
5 Chusid, Martin. Schubert s chamber music: before and after Beethoven. The Cambridge Companion to Schubert. Ed. Christopher Gibbs. Cambridge: Cambridge University Press, Pp Curtis Institute of Music. The World of the String Quartet: Nuts and Bolts: Slow Movement-- Schubert, "Death and the Maiden. Mia Chang. Time: 9:27. Site address: (Accessed 28 February 2018). Deutsch, Otto. The Chronology of Schubert s String Quartets Music and Letters Pp Ferguson, Donald N. Image and Structure in Chamber Music. Minneapolis: University of Minnesota Press Pp Gibbs, Christopher. Schubert s Tombeau De Beethoven. Franz Schubert and His World. Bard Music Festival Series Pp Gresham College. European Capitals of Music: Vienna and Schubert: 'Death and the Maiden' String Quartet. Professor Chris Hogwood CBE, Jubilee Quartet. Time: 56:00. Site address: (Accessed 28 February 2018). Hefling, Stephen E. and Tartakoff, David S "Schubert's Chamber Music." Nineteenth Century Chamber Music. Ed. Stephen Hefling. New York: Prentice Hall International. Pp Kessler, Deborah. "Motive and Motivation in Schubert's Three-Key Expositions." Structure and Meaning in Tonal Music: Festschrift in Honor of Carl Schachter. Ed. Burstein and Gagné. Hillsdale, New York: Pendragon Press, Kramer, Lawrence. Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion s The Portrait of a Lady. Critical Inquiry, 29, No. 1. Chicago: The University of Chicago Press Pp Schubert, Franz. Death and the Maiden. St. Paul Chamber Orchestra. Patricia Kopatchinskaja, conductor Time: 59:04. Schubert, Franz. Franz Schubert s Letters and Other Writings Ed. Otto Deutsch. Westport, Connecticut: Greenwood Press, pp. Schubert, Franz. Streichquartett: D moll- D.810. London: Philharmonia, Pp. 60. Schubert, Franz. Quartet for 2 violins, viola, and violoncello, D minor/d Moll/Re mineur: D 810= Death and the maiden= Der Tod und das Machen.
Samantha M. Inman. Curriculum Vitae
inmans@sfasu.edu Curriculum Vitae University Positions 2017-present Stephen F. Austin State University, Assistant Professor of Music Theory 2014-2017 University of North Texas, Lecturer of Music Theory
More informationABSTRACT THE DEVELOPMENT OF PIANO VARIATIONS IN THE ROMANTIC ERA. Professor Larissa Dedova School of Music
ABSTRACT Title of dissertation: THE DEVELOPMENT OF PIANO VARIATIONS IN THE ROMANTIC ERA Hyun-Jin Kwon, Doctor of Musical Arts, 2005 Dissertation directed by: Professor Larissa Dedova School of Music The
More informationGRADUATE PLACEMENT EXAMINATIONS - COMPOSITION
McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS - COMPOSITION All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required
More informationArkansas All-State Orchestra and All-Region Orchestra Audition Music for (Set 1) Violin Page 1 of 4
Arkansas All-State Orchestra and All-Region Orchestra Audition Music for 2017-2018 (Set 1) Violin Page 1 of 4 Each instrument set includes two etudes and three orchestral excerpts. The 2 etudes below may
More informationCopyright 2009 Pearson Education, Inc. or its affiliate(s). All rights reserved. NES, the NES logo, Pearson, the Pearson logo, and National
Music (504) NES, the NES logo, Pearson, the Pearson logo, and National Evaluation Series are trademarks in the U.S. and/or other countries of Pearson Education, Inc. or its affiliate(s). NES Profile: Music
More informationString Quartet Ensemble Techniques Explained on the Basis of the First Movement of Haydn s String Quartet in D minor, Op. 42
String Quartet Ensemble Techniques Explained on the Basis of the First Movement of Haydn s String Quartet in D minor, Op. 42 Zhenqi Li University of the Arts Helsinki Sibelius Academy Master s Degree Thesis
More informationL van Beethoven: 1st Movement from Piano Sonata no. 8 in C minor Pathétique (for component 3: Appraising)
L van Beethoven: 1st Movement from Piano Sonata no. 8 in C minor Pathétique (for component 3: Appraising) Background information and performance circumstances The composer Ludwig van Beethoven was born
More informationSymphony No. 101 The Clock movements 2 & 3
Unit Study Symphony No. 101 (Haydn) 1 UNIT STUDY LESSON PLAN Student Guide to Symphony No. 101 The Clock movements 2 & 3 by Franz Josef Haydn Name: v. 1.0, last edited 3/27/2009 Unit Study Symphony No.
More information17. Beethoven. Septet in E flat, Op. 20: movement I
17. Beethoven Septet in, Op. 20: movement I (For Unit 6: Further Musical understanding) Background information Ludwig van Beethoven was born in 1770 in Bonn, but spent most of his life in Vienna and studied
More informationBeethoven: Violin Concerto (Cambridge Music Handbooks) By Robin Stowell
Beethoven: Violin Concerto (Cambridge Music Handbooks) By Robin Stowell Books by Robin Stowell (Author of The Cambridge - Books by Robin Stowell. The Historical Performance of Music: An Introduction by
More informationScore Oboe Quartet for oboe, violin, viola, and cello James M. Stephenson www.stephensonmusic.com JAMES STEPHENSON - COMPOSER The collection of Jim Stephenson s music represents many different styles in
More informationVienna: The Capital of Classical Music
Vienna: The Capital of Classical Music DIS Fall 2017 European Humanities 1 Credit Course Fridays 14:50 16:10 F24 406 Course starts September 29 th Introduction A music appreciation course focusing on selected
More informationBeethoven: Pathétique Sonata
Beethoven: Pathétique Sonata Key words 1) Instrumentation and Sonority 2) Structure 3) Tonality 4) Harmony 5) Rhythm, Metre and Tempo 6) Melody 7) Texture At the top of your Beethoven Score write each
More informationAnalysis (MUSI 4211), Spring 2006 Professor: Andrew Davis ( )
Page 1 of 6 Analysis (MUSI 4211), Spring 2006 Professor: Andrew Davis (email) Home page and syllabus Daily schedule Reserve list Daily schedule Click here for the current week (assuming I keep the link
More informationSymphony No. 4 In C Minor, D 417 "Tragic": Study Score
Symphony No. 4 In C Minor, D 417 "Tragic": Study Score Symphony No. 4, Op.98 (Brahms, Johannes) - - Nov 18, 2014 Complete Score * #34543-4.64MB, Symphony No.3 in F, Op.90; Symphony No.4 in E minor, Op.98;
More informationWriting a Thesis Methods of Historical Research
History 398-002: Junior Honors Colloquium Dr. Derek Peterson Thursdays, 1:00-4:00 pm 1135 North Quad Writing a Thesis Methods of Historical Research Email: drpeters@umich.edu Tel: (734) 615-3608 Office
More informationPart IV. The Classical Period ( ) McGraw-Hill The McGraw-Hill Companies, Inc. All rights reserved.
Part IV The Classical Period (1750-1820) Time-Line Seven Years War-1756-1763 Louis XVI in France-1774-1792 American Declaration of Independence-1776 French Revolution-1789 Napoleon: first French consul-1799
More informationLISTENING GUIDE. FORM: SONATA ALLEGRO EXPOSITION 1st Theme. 1st Theme. 5. TRANSITION ends with 2 CHORDS.
LISTENING GUIDE Ludwig van Beethoven (1770 1827) Symphony No. 5 in C minor, Opus 67 Composed 180 1808 1st Performance in Vienna, December 22, 1808 Movement I Allegro con brio FORM: SONATA ALLEGRO EXPOSITION
More information30 Celebrated Quartets For Two Violins, Viola And Cello - Volume Ii For Viola By Haydn
30 Celebrated Quartets For Two Violins, Viola And Cello - Volume Ii For Viola By Haydn If you are searched for a ebook by Haydn 30 Celebrated Quartets for Two Violins, Viola and Cello - Volume Ii for Viola
More informationGRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY
McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required
More informationAn Interpretive Analysis Of Mozart's Sonata #6
Back to Articles Clavier, December 1995 An Interpretive Analysis Of Mozart's Sonata #6 By DONALD ALFANO Mozart composed his first six piano sonatas, K. 279-284, between 1774 and 1775 for a concert tour.
More informationThe Classical Period (1825)
The Classical Period 1750-1820 (1825) 1 Historical Themes Industrial Revolution Age of Enlightenment Violent political and social upheaval Culture 2 Industrial Revolution Steam engine changed the nature
More informationThe Tour-of-Keys Model and the Prolongational Structure in Sonata-Form Movements by Haydn and Mozart SMT standing on the dominant
The Tour-o-Keys Model and the Prolongational Structure in Sonata-Form Movements by Haydn and Mozart SMT 2018 Nicholas Stoia ns72@duke.edu Examle 1. Tour o keys with one develoment key Haydn, String Quartet
More informationABSTRACT. Professor Cleveland Page, Piano Division, School of Music. Johannes Brahms ( ) and Robert Schumann ( ) were two
ABSTRACT Title of Document: SELECTED WORKS: JOHANNES BRAHMS AND ROBERT SCHUMANN Matthew T. Bachman, Doctor of Musical Arts, 2014 Directed By: Professor Cleveland Page, Piano Division, School of Music Johannes
More informationMTO 18.4 Examples: Goldenberg, The Interruption-Fill and Corollary Procedures
1 of 16 MTO 18.4 Examples: Goldenberg, The Interruption-Fill and Corollary Procedures (Note: audio, video, and other interactive examples are only available online) http://www.mtosmt.org/issues/mto.12.18.4/mto.12.18.4.goldenberg.php
More informationUSE OF VARIATION TECHNIQUE FROM HAYDN THROUGH RACHMANINOFF
USE OF VARIATION TECHNIQUE FROM HAYDN THROUGH RACHMANINOFF by YOUNG-JI KIM Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment
More informationBOOK REVIEW: The Counter-Cinema of the Berlin School, by Marco Abel; Christian Petzold, by Jaimey Fisher
UC Berkeley TRANSIT Title BOOK REVIEW: The Counter-Cinema of the Berlin School, by Marco Abel; Christian Petzold, by Jaimey Fisher Permalink https://escholarship.org/uc/item/82x3n1f7 Journal TRANSIT, 9(2)
More informationCOMPARISON AND ANALYSIS OF THE VIVALDI BASSOON CONCERTO IN C MAJOR, RV 477, AND THE WEBER CONCERTO IN F MAJOR, OP. 75 A CREATIVE PROJECT
COMPARISON AND ANALYSIS OF THE VIVALDI BASSOON CONCERTO IN C MAJOR, RV 477, AND THE WEBER CONCERTO IN F MAJOR, OP. 75 A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS
More informationSunday, May 21, :00 p.m. Anne-Sophie Paquet. Certificate Recital. DePaul Recital Hall 804 West Belden Avenue Chicago
Sunday, May 21, 2017 4:00 p.m Anne-Sophie Paquet Certificate Recital DePaul Recital Hall 804 West Belden Avenue Chicago Sunday, May 21, 2017 4:00 p.m. DePaul Recital Hall PROGRAM Anne-Sophie Paquet, violin
More informationCHAPTER 1 ANTONIN DVORAK S SERENADE IN D MINOR, OP. 44, B.77. Czech composer, Antonin Dvořák is well known for his orchestral repertoire.
1 CHAPTER 1 ANTONIN DVORAK S SERENADE IN D MINOR, OP. 44, B.77 Czech composer, Antonin Dvořák is well known for his orchestral repertoire. His works encompass a variety of genres including, but not limited
More informationString Quartet No. 73 In F Major, Op. 74, No. 2: Miniature Score (Miniature Score) By Franz Joseph Haydn READ ONLINE
String Quartet No. 73 In F Major, Op. 74, No. 2: Miniature Score (Miniature Score) By Franz Joseph Haydn READ ONLINE If you are searched for a book by Franz Joseph Haydn String Quartet No. 73 in F Major,
More informationGustav Mahler: Symphonies Nos. 1 And 2 In Full Score PDF
Gustav Mahler: Symphonies Nos. 1 And 2 In Full Score PDF Often regarded as the last great composer in the Austro-Germanic tradition, Gustave Mahler (1860â 1911) exerted a major influence on 20th-century
More informationGraduate Conducting Classical Spring 2013 Syllabus MUS
Graduate Conducting Classical Spring 2013 Syllabus MUS 552-100 Instructor Randall Hooper Office: Music Building 196 Phone: 903-886-5284 Email: randall.hooper@tamuc.edu Course Purpose Intended for graduate
More informationTo: Joint Steering Committee for Development of RDA. From: Damian Iseminger, Chair, JSC Music Working Group
page 1 of 23 To: Joint Steering Committee for Development of RDA From: Damian Iseminger, Chair, JSC Music Working Group Subject: Revisions to 6JSC/MusicWG/13, Numeric Designation of a Musical Work (6.16)
More informationString Symphony No.1 In C Major, MWV N 1: Full Score [A7741] By Felix Mendelssohn READ ONLINE
String Symphony No.1 In C Major, MWV N 1: Full Score [A7741] By Felix Mendelssohn READ ONLINE Mendelssohn: Symphonies 4 & 5, Mendelssohn began work on the score with the intent of it being performed in
More informationMHST 336 PHIL 231. Philosophy of Music
MHST 336 PHIL 231 Philosophy of Music Instructors: James O Leary, Kohl 322, jolearly@oberlin.edu Katherine Thomson Jones, King 120D, kthomson@oberlin.edu Office Hours: Thomson Jones, King 120D: Monday,
More informationTRàUMEREI SCHUMANN STRING QUARTET DOWNLOAD
16 May, 2018 TRàUMEREI SCHUMANN STRING QUARTET DOWNLOAD Document Filetype: PDF 308.84 KB 0 TRàUMEREI SCHUMANN STRING QUARTET DOWNLOAD Felix Mendelssohn Bartholdy did not compose his six mature string
More informationThe Classical Period
The Classical Period How to use this presentation Read through all the information on each page. When you see the loudspeaker icon click on it to hear a musical example of the concept described in the
More informationThe Versatility of the Cello: From Bach to Barber
Bard College Bard Digital Commons Senior Projects Spring 2015 Bard Undergraduate Senior Projects 2015 The Versatility of the Cello: From Bach to Barber Nicholas John Wetherell Bard College Recommended
More informationDOWNLOAD OR READ : CLASSICAL SYMPHONY OP 25 IN FULL SCORE DOVER MUSIC SCORES PDF EBOOK EPUB MOBI
DOWNLOAD OR READ : CLASSICAL SYMPHONY OP 25 IN FULL SCORE DOVER MUSIC SCORES PDF EBOOK EPUB MOBI Page 1 Page 2 classical symphony op 25 in full score dover music scores classical symphony op 25 pdf classical
More information21M.350 Musical Analysis Spring 2008
MIT OpenCourseWare http://ocw.mit.edu 21M.350 Musical Analysis Spring 2008 For information about citing these materials or our Terms of Use, visit: http://ocw.mit.edu/terms. Simone Ovsey 21M.350 May 15,
More informationUnit Outcome Assessment Standards 1.1 & 1.3
Understanding Music Unit Outcome Assessment Standards 1.1 & 1.3 By the end of this unit you will be able to recognise and identify musical concepts and styles from The Classical Era. Learning Intention
More informationActive learning will develop attitudes, knowledge, and performance skills which help students perceive and respond to the power of music as an art.
Music Music education is an integral part of aesthetic experiences and, by its very nature, an interdisciplinary study which enables students to develop sensitivities to life and culture. Active learning
More informationMUSIC (MUS) Music (MUS) 1
MUSIC (MUS) MUS 110 ACCOMPANIST COACHING SESSION Corequisites: MUS 171, 173, 271, 273, 371, 373, 471, or 473 applied lessons. Provides students enrolled in the applied music lesson sequence the opportunity
More information38. Schubert Der Doppelgänger (for Unit 3: Developing Musical Understanding)
1 38. Schubert Der Doppelgänger (for Unit 3: Developing Musical Understanding) Background information and performance circumstances Biography Franz Schubert was born in 1797 in Vienna. He died in 1828
More informationMu 110: Introduction to Music
Attendance/Reading Quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2017 Sections J2 (Tuesdays 3:10-6) and C3A (Wednesdays 9:10-12) Recap Employment
More informationFlute & Piccolo. with Julie Blum, Clarinet and Dr. Scott Crowne, Piano. The Sunderman Conservatory of Music. presents
The Sunderman Conservatory of Music At Gettysburg College presents Senior Recital Alice Broadway, Flute & Piccolo with Julie Blum, Clarinet and Dr. Scott Crowne, Piano Saturday, November 16, 2013 7:00pm
More informationDOWNLOAD OR READ : STRING THEORY STRING QUARTET PDF EBOOK EPUB MOBI
DOWNLOAD OR READ : STRING THEORY STRING QUARTET PDF EBOOK EPUB MOBI Page 1 Page 2 string theory string quartet string theory string quartet pdf string theory string quartet The String Quartet No. 15 in
More informationThursday 10 January 2013 Morning
Thursday 10 January 2013 Morning AS GCE MUSIC G353/01 Introduction to Historical Study in Music *G324340113* Candidates answer on the Question Paper and on the Insert. OCR supplied materials: Insert (G353/01/I)
More informationA&M Commerce Graduate Conducting Romantic and Contemporary Spring 2019 Syllabus MUS
A&M Commerce Graduate Conducting Romantic and Contemporary Spring 2019 Syllabus MUS 552-100 Instructor Randall Hooper Office: Music Building 196 Phone: 903-886-5284 Email: randall.hooper@tamuc.edu Course
More informationTechnical and Musical Analysis of Trio No: 2 in C Major for Flute, Clarinet and Bassoon by Ignaz Joseph Pleyel
Technical and Musical Analysis of Trio No: 2 in C Major for Flute, Clarinet and Bassoon by Ignaz Joseph Pleyel Sabriye Özkan*, Burçin Barut Dikicigiller** & İlkay Ak*** *Associate professor, Music Department,
More informationThe Development of Modern Sonata Form through the Classical Era: A Survey of the Masterworks of Haydn and Beethoven B.
The Development of Modern Sonata Form through the Classical Era: A Survey of the Masterworks of Haydn and Beethoven B. Michael Winslow B. Michael Winslow is a senior music composition and theory major,
More informationMonday 12 May 2014 Afternoon
Monday 12 May 2014 Afternoon AS GCE MUSIC G353/01 Introduction to Historical Study in Music *1065823163* Candidates answer on the Question Paper and on the Insert. OCR supplied materials: Insert (G353/01/I
More informationThe Classical Period-Notes
The Classical Period-Notes The Classical period lasted from approximately 1750 1810. This was a fairly brief period but contains the work of three of the greatest composers of all time. They were... Joseph
More informationMusic Education. Test at a Glance. About this test
Music Education (0110) Test at a Glance Test Name Music Education Test Code 0110 Time 2 hours, divided into a 40-minute listening section and an 80-minute written section Number of Questions 150 Pacing
More informationBeginner (John Thompsons Modern Course for The Piano). Willis Music,
-John Thompson, Teaching Little Fingers to Play: A Book for the Earliest Beginner (John Thompsons Modern Course for The Piano) (Willis Music, 2005), 79. Short Reference Footnote/Endnote:
More informationSonate In A Minor For Cello And Piano. By JAELL Marie
Sonate In A Minor For Cello And Piano By JAELL Marie Cello sonata - Wikipedia, the free encyclopedia - Sonate de Concert, Op. 47 Violin and cello sonata in a minor Op tries to place the major sonatas and
More informationMUS1. General Certificate of Education January 2007 Advanced Subsidiary Examination. Understanding Music. Time allowed: 2 hours 30 minutes
Surname Other Names For Examiner s Use Centre Number Candidate Number Candidate Signature General Certificate of Education January 2007 Advanced Subsidiary Examination MUSIC Unit 1 Understanding Music
More informationOBOE METHOD. a classical method for beginners. Elaine Reid
OBOE METHOD a classical method for beginners by Elaine Reid Thank you for downloading the free pdf sample pages from Elaine Reid s new 54 page Oboe Method for beginner oboe. Elaine s distinguished 44 year
More informationOCR GCSE (9-1) MUSIC TOPIC EXPLORATION PACK - THE CONCERTO THROUGH TIME
OCR GCSE (9-1) MUSIC TOPIC EXPLORATION PACK - THE CONCERTO THROUGH TIME Abstract [Draw your reader in with an engaging abstract. It is typically a short summary of the document. When you re ready to add
More informationArgus Quartet Jason Issokson and Clara Kim, violins Dana Kelley, viola Joann Whang, cello
Blair School of Music Presents Argus Quartet Jason Issokson and Clara Kim, violins Dana Kelley, viola Joann Whang, cello Wednesday, September 19, 2018 Steve and Judy Turner Recital Hall Argus Quartet Jason
More informationJOURNAL OF THE INTERDENOMINATIONAL THEOLOGICAL CENTER
JOURNAL OF THE INTERDENOMINATIONAL THEOLOGICAL CENTER The Journal of the Interdenominational Theological Center (JITC) is published biannually, in the Fall and Spring. It is dedicated to the advancement
More informationThe concert will conclude at approximately 5pm
The concert will conclude at approximately 5pm From The President The ACMS is an association of people who love playing chamber music. We hope to be able to provide a range of music for your enjoyment,
More informationWESTFIELD PUBLIC SCHOOLS Westfield, New Jersey
WESTFIELD PUBLIC SCHOOLS Westfield, New Jersey Office of Instruction Course of Study 8th GRADE STRING ORCHESTRA School... Intermediate School Department... Visual and Performing Arts Length of Course...
More information19th/20th Centuries 34, Edvard Grieg: The Unfinished Chamber Music By Edvard Grieg READ ONLINE
19th/20th Centuries 34, Edvard Grieg: The Unfinished Chamber Music By Edvard Grieg READ ONLINE If you are looking for the ebook 19th/20th Centuries 34, Edvard Grieg: The Unfinished Chamber Music by Edvard
More informationFirst Movement: Allegro con brio; sonata-allegro form, 2/4 meter, C minor. Allegro con brio. & bb b 4 2 œœœ. ƒ S S
istening Guide CD: CHR/STD 4/32 56, SH 2/8 32 Beethoven: Symhony No. 5 in C minor, O. 67 DATE OF WORK: 1807 8 MOVEMENTS: I. Allegro con brio; sonata-allegro form, C minor II. Andante con moto; theme and
More informationTEXAS MUSIC TEACHERS ASSOCIATION Student Affiliate World of Music
Identity Symbol TEXAS MUSIC TEACHERS ASSOCIATION Student Affiliate World of Music Grade 11 2012-13 Name School Grade Date 5 MUSIC ERAS: Match the correct period of music history to the dates below. (pg.42,43)
More informationSYMPHONY NO.3/3 D MINOR WAGNER- SYMPHONIE 1889 VERSION STUDY SCORE (Edition Eulenburg) READ ONLINE
SYMPHONY NO.3/3 D MINOR WAGNER- SYMPHONIE 1889 VERSION STUDY SCORE (Edition Eulenburg) READ ONLINE Free sheet music : Beethoven, Ludwig van - Op. 67 - Symphony No. 9 in D Minor Symphony No. 5 in C Minor
More informationSPECIALISATION in Master of Music Professional performance with specialisation (4 terms, CP)
University of Music Franz Liszt Weimar Special requirements for the audition SPECIALISATION in Master of Music Professional performance with specialisation (4 terms, 90 + 30 CP) Specialisation Early Music
More informationCreating an Annotated Bibliography
In this video we'll see how to do an annotated bibliography. We'll look at what an annotated bibliography is, how to select good sources for one, and how to write one. Page 1 of 8 First, let's look at
More informationChapter 13. Key Terms. The Symphony. II Slow Movement. I Opening Movement. Movements of the Symphony. The Symphony
Chapter 13 Key Terms The Symphony Symphony Sonata form Exposition First theme Bridge Second group Second theme Cadence theme Development Recapitulation Coda Fragmentation Retransition Theme and variations
More informationExample 1. Beethoven, Piano Sonata No. 9 in E major, Op. 14, No. 1, second movement, p. 249, CD 4/Track 6
Compound Part Forms and Rondo Example 1. Beethoven, Piano Sonata No. 9 in E major, Op. 14, No. 1, second movement, p. 249, CD 4/Track 6 You are a pianist performing a Beethoven recital. In order to perform
More informationBINGO. Divide class into three teams and the members of each team with one of the three versions of the Bingo boards.
BINGO Copy information cards onto cardstock paper, or glue them on to 3x5 cards. Divide class into three teams and the members of each team with one of the three versions of the Bingo boards. Supply beans
More informationPiano Quartet No. 2 In A Major, Op. 26 (Kalmus Edition) By Johannes Brahms READ ONLINE
Piano Quartet No. 2 In A Major, Op. 26 (Kalmus Edition) By Johannes Brahms READ ONLINE If you are searched for the book by Johannes Brahms Piano Quartet No. 2 in A Major, Op. 26 (Kalmus Edition) in pdf
More informationBachelor i musik (BMus) / Bachelor of Music (BMus)
Bachelor i musik (BMus) / Bachelor of Music (BMus) Teaching and examination regulations August 2011, rev. 2017 Preface... 3 Sheet (ECTS and tuition)... 4 1. Principal study... 5 Composition... 5 AIM AND
More informationMusic 281: Music Theory III
Music 281: Music Theory III Fall 2017 (T-Th, 9:30-10:45, Bixler 150) Steve Saunders Office: 235 Bixler Phone: x5677; email: sesaunde@colby.edu Class Web Site: http://www.colby.edu/music/saunders/mu281
More informationReadings Assignments on Counterpoint in Composition by Felix Salzer and Carl Schachter
Readings Assignments on Counterpoint in Composition by Felix Salzer and Carl Schachter Edition: August 28, 200 Salzer and Schachter s main thesis is that the basic forms of counterpoint encountered in
More informationLISTENING GUIDE. p) serve to increase the intensity and drive. The overall effect is one of great power and compression.
LISTENING GUIDE LUDWIG VAN BEETHOVEN (1770 1827) Symphony No. 5 in C Minor Date of composition: 1807 8 Orchestration: two flutes, two oboes, two clarinets, two horns, two trumpets, timpani, strings Duration:
More information3 against 2. Acciaccatura. Added 6th. Augmentation. Basso continuo
3 against 2 Acciaccatura One line of music may be playing quavers in groups of two whilst at the same time another line of music will be playing triplets. Other note values can be similarly used. An ornament
More information6 Concertos, Op.2 (Concerto No.4 In D Major): Full Score [A3284] By Francesco Geminiani
6 Concertos, Op.2 (Concerto No.4 In D Major): Full Score [A3284] By Francesco Geminiani Arcangelo Corelli - Wikipedia, the free encyclopedia - such as Francesco Geminiani, a portion of the Christmas Concerto,
More informationBeethoven was known for his emotions, both in life and in his music. This is one of the qualities that sets his music apart from his predecessors.
LUDVIG van BEETHOVEN Beethoven was known for his emotions, both in life and in his music. This is one of the qualities that sets his music apart from his predecessors. Listen for Emotions Worksheet: With
More informationDescending- and ascending- 5 6 sequences (sequences based on thirds and seconds):
Lesson TTT Other Diatonic Sequences Introduction: In Lesson SSS we discussed the fundamentals of diatonic sequences and examined the most common type: those in which the harmonies descend by root motion
More informationAnton Bruckner s Slow Movements: Dialogic Perspectives
0 Anton Bruckner s Slow Movements: Dialogic Perspectives Gabriel Ignacio Venegas University of Arizona / Universidad de Costa Rica gabovenegas@email.arizona.edu Society for Music Theory 40th Annual Meeting
More informationEnsemble of St. Luke s
Ensemble of St. Luke s at Royal Liverpool Philharmonic Reviewed by Denis Joe October 2011 Aled Smith Czárdás (world premiere) & Shostakovich String Quartet No.8 Alexander Marks (violin), Kate Marsden (violin),
More information15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding)
15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding) Background information and performance circumstances Arcangelo Corelli (1653 1713) was one of the most
More informationCARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS FALL 2011
CARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS 57408 FALL 2011 Class times: Tuesday, Thursday 9:30-10:20, MM #127 Tuesday, Thursday 10:30-11:20, MM #127 INSTRUCTOR Dr. Marilyn Taft Thomas
More informationFrauenkäferln Walzer, Op.99: Keyboard Conductor Score (Qty 2) [A6554] By Johann Strauss Jr.
Frauenkäferln Walzer, Op.99: Keyboard Conductor Score (Qty 2) [A6554] By Johann Strauss Jr. If looking for the ebook Frauenkäferln Walzer, Op.99: Keyboard Conductor Score (Qty 2) [A6554] by Johann Strauss
More informationLESSON PLAN GUIDELINE Customization Statement
Hegarty Piano Studio 2011-2012 School Year LESSON PLAN GUIDELINE Customization Statement Every student is different. And every student s commitment to piano lessons is different. Therefore, the attached
More informationMu 110: Introduction to Music
Attendance/Reading Quiz! Mu 110: Introduction to Music Queensborough Community College Instructor: Dr. Alice Jones Spring 2018 Sections H2 (T 2:10-5), H3 (W 2:10-5), L3 (W 5:10-8) Recap Midterm optional
More informationMARK SCHEME for the May/June 2012 question paper for the guidance of teachers 0410 MUSIC
UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education www.xtremepapers.com MARK SCHEME for the May/June 2012 question paper for the guidance of teachers
More informationReflection on Final Project
Music Department Composition Reflection on Final Project Analysis of musical work The Mouse that ate Fingernails Greinargerð til M.Mus.-prófs í tónsmíðum Sohjung Park spring semester 2018 Table
More information1 Name. 3. What are the enlightenment preferences in social behavior? 14. List important steps toward public concerts.
1 Name Sonata, Symphony, and Opera in the Early Classic Period The Enlightenment 1. (420) What are the enlightenment preferences in religion? 2. What are the enlightenment preferences in philosophy and
More informationMUS 304 Introduction to Ethnomusicology Syllabus Fall 2010
MUS 304 Introduction to Ethnomusicology Syllabus Fall 2010 Class Time: Tuesday, Thursday 10:05 11:30 Room: FA 170 Instructor: Dr. James Burns Office: FA 116 Office Hours: Mondays 1 3PM. Contact: Email:
More informationBrahms Piano Quintet in F minor - 3 rd Movement (For Unit 3: Developing Musical Understanding)
Brahms Piano Quintet in F minor - 3 rd Movement (For Unit 3: Developing Musical Understanding) Background information and performance circumstances Biography Johannes Brahms was born in Hamburg, Germany
More information"The mind is a fire to be kindled, not a vessel to be filled." Plutarch
"The mind is a fire to be kindled, not a vessel to be filled." Plutarch -21 Special Topics: Music Perception Winter, 2004 TTh 11:30 to 12:50 a.m., MAB 125 Dr. Scott D. Lipscomb, Associate Professor Office
More informationThe Senior Learning Community in Music, : Music 400 (Senior Reflective Tutorial) and Music 491 (Senior Seminar):
Music 491 (fall 2011), p. 1 The Senior Learning Community in Music, 2011 12: Music 400 (Senior Reflective Tutorial) and Music 491 (Senior Seminar): Class meetings: Mondays and Wednesdays, 2:40 4:10 Instructor:
More informationSunday, June 3, :00 p.m. Jonathan LiVolsi. Graduate Recital. DePaul Concert Hall 800 West Belden Avenue Chicago
Sunday, June 3, 2018 3:00 p.m Jonathan LiVolsi Graduate Recital DePaul Concert Hall 800 West Belden Avenue Chicago Sunday, June 3, 2018 3:00 p.m. DePaul Concert Hall Jonathan LiVolsi, bassoon Graduate
More informationPiano Trio No. 4 In E Major (Piano Score) K542 - Piano Score Sheet Music (Piano Trio) By Wolfgang Amadeus Mozart READ ONLINE
Piano Trio No. 4 In E Major (Piano Score) K542 - Piano Score Sheet Music (Piano Trio) By Wolfgang Amadeus Mozart READ ONLINE If looking for a ebook by Wolfgang Amadeus Mozart Piano Trio No. 4 in E Major
More informationMUSIC (MUSI) MUSI 1200 MUSI 1133 MUSI 3653 MUSI MUSI 1103 (formerly MUSI 1013)
MUSIC (MUSI) This is a list of the Music (MUSI) courses available at KPU. Enrolment in some sections of these courses is restricted to students in particular programs. See the Course Planner - kpu.ca/
More informationrhinegold education: subject to endorsement by ocr Mozart: Clarinet Concerto in A, K. 622, first movement Context Scores AS PRESCRIBED WORK 2017
94 AS/A LEVEL MUSIC STUDY GUIDE AS PRESCRIBED WORK 2017 Mozart: Clarinet Concerto in A, K. 622, first movement Composed in 1791 (Mozart s last instrumental work, two months before he died), dedicated to
More information