Trio super Herr Jesu Christ, dich zu uns wend
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1 Trio super Herr Jesu Christ, dich zu uns wend J. S. Bach BWV 6, No. of the Eighteen Chorales for Organ Arranged by Peter Billam ForFlute and Piano Peter J Billam, 00 This score may be freely photocopied, and redisibuted in paper form. It may be freely performed to live audiences; performing rights are waived. It may not be redisibuted in eleconic form, and all other rights, such as those of recording and broadcast, remain reserved by the composer,peter Billam, GPO Box 669, Hobart TAS 700, Ausalia. This edition 8 September 00.
2 Trio super Herr Jesu Christ, dich zu uns wend Johann Sebastian Bach probably wrote the Great Eighteen Chorales, soon after 708, when he moved toweimar. Hethen revised them, during the years 79-7 and 76-77, while he was in Leipzig, and they are sometimes known as the Eighteen Leipzig Chorales. Both versions can be seen in the Bach-Gesellschaft edition, or reprinted in the Dover edition, and they confirm Forkel s observation "comparing together many copies of his principal works, written in different years, I confess that I have often felt both surprise and delight at the means which heemployed to make, little by little, the faulty good, the good better, and the better perfect... Even commonplace passages are frequently changed into the most elegant by changing, taking away, or adding a single note." Number of the Eighteen Chorales is a io on the hymn-tune Herr Jesu Christ, dich zu uns wend, BWV 6. It fits particularly well onto flute and piano. The top two voices share the same register, and frequently cross, so they need different tone-colours. Just a few beats in bars 0 and need to be exchanged between voices; if this arrangement is being played on violin and piano the original in small notes can be played. The running semiquaver scales are Bach s characteristic motif expressing happiness, as is the quaver rhythm in the bass, for example from bar 6 to bar 7. The flute ill in bar 6 should start from below, starting with def#e. For more practical performance, a separate piano part is supplied, with a convenient page turn. The piano fingering may be disregarded with a clear conscience. Bach s SATB setting of the hymn is included. Johann Sebastian Bach,Albert Schweizer,Breitkopf and Härtel Johann Sebastian Bach,Albert Schweizer,anslated by Ernest Newmann, Dover Johann Sebastian BachOrgan Music,970, DoverPress Johann Sebastian Bach,Christoph Wolff, 00, Oxford University Press J. S. Bach, 88 Four-Part Chorales edited by János Dobra, Editio Musica Budapest Peter J Billam,
3 Johann S. Bach Flute Trio super Herr Jesu Christ, dich zu uns wend Piano 0
4 Trio super Herr Jesu Christ, dich zu uns wend, J. S. Bach 0 () 0
5 Trio super Herr Jesu Christ, dich zu uns wend, J. S. Bach ( ) 0
6 6 Trio super Herr Jesu Christ, dich zu uns wend, J. S. Bach 0 60
7 Trio super Herr Jesu Christ, dich zu uns wend, J. S. Bach
8 8 Flute Trio super Herr Jesu Christ, dich zu uns wend Johann S. Bach 0 0 0
9 Trio super Herr Jesu Christ, dich zu uns wend, J. S. Bach
10 0 Piano Trio super Herr Jesu Christ, dich zu uns wend Johann S. Bach 0
11 Trio super Herr Jesu Christ, dich zu uns wend, J. S. Bach 0 () 0 ( )
12 Trio super Herr Jesu Christ, dich zu uns wend, J. S. Bach 0 0
13 Trio super Herr Jesu Christ, dich zu uns wend, J. S. Bach
14 Herr Jesu Christ, dich zu uns wend, BWV, J. S. Bach BWV Herr Jesu Christ, dich zu uns wend Herr Jesu Christ, dich zu uns wend, dein heilgen Geist du zu uns send, 8 mit Hilf und Gnad, Herr uns regier und uns den Weg zur Wahrheit führ. 8 Typeset by Peter J Billam.
15 Peter Billam was born in London in 98, studied piano, and lived in Switzerland from 97 to 98, where he studied composition, classical guitar, flute and voice, worked as Musical Director of the Théâe Populaire Romand, and as recording engineer, record producer and computer programmer. He moved to Tasmania in 98, lectured in composition at the Conservatorium, conducted recorder ensembles and choirs, studied recorder, voice and harpsichord. He founded becoming the first composer to sell scores on-line, with on-line payment and on-line delivery, taking scores from Composer to Performer in one immediate step. In a unique special offer to promote the soon-to-be-announced opera November at the Carousel, all the pieces are currently being offered free! offers new approaches to funding composers and to music publishing. All scores published by are intended to be played by the amateur musician. These pieces are written to be read, made to be played! Compositions at include: Divisions on an Italian Ground, flute and guitar, 980; Three Violin Duets, 987; Fable, for piano, 987; To Erich Jantsch, SAATTB recorders, 988; A Suite of Curves, ombone (or horn) and piano, 990; Two Recorder Duets, alto recorders, or other melody insuments, 99; Trombone Quintet, ombone, flute, piano, bass, and percussion, 99; Three Songs, on poems by Jack Kerouac, Vikram Seth and Dylan Thomas, voice and piano (only the first and third of these songs are available), 99; Piano Study, piano, 99; Four Dances, various ensembles including recorder quartet, sing quartet, 99; The Poet in the Clouds, on a poem by S. T. Coleridge, SATB choir, 99; Tres Casidas del Diván del Tamarit, on poems by Federico García Lorca, voice and piano, 997; Three Suites, for the solo line, piano, and piano and a solo line, 000; Die Zeiten, onpoems by Kästner, Bachman and Jünger, choir (only the second and third of these songs are available), 000; Three Duets for flutes, 00; For Four Hands for piano four hands, 00; Three Preludes for piano, 00. Second Solo Suite for flute, violin, viola or cello, 00. Arrangements include: By J. S. Bach: Trio BWV 6, piano and flute; Vor deinen Thron BWV 668, piano; Fugue in F minor BWV 689, SATB recorders; Flute Sonata BWV 0 ansposed into G major for alto recorder and keyboard; Flute Sonata BWV 0 completed by Peter Billam and ansposed into C major for alto recorder and keyboard; Ricercare a,from the Musikalisches Opfer for keyboard; Ricercare a 6, for ssatbg recorders, or sings, or two keyboards; Fuga Canonica in Epidiapente for keyboard and melody insument; Conapunctus, from the Art of Fugue as completed by D. F. Tovey, for keyboard, or for SATB recorders, or for sings; Passacaglia and Fugue in c for piano four hands; Chorales with Descant for melody insument and piano. By Johannes Brahms: Fugue in Ab minor for organ, for SATB recorders and gamba, in A minor; Choralvorspiele for organ with previous settings by Isaac, Bach, Praetorius, recorders. By Franz Schubert: Four Songs, voice and guitar; Schubert Dances, recorders and guitar, Schubert Dances, piano hands. By other composers: G. F. Händel, Concerto Grosso in A minor op 6 no, harpsichord and recorders; Claudio Monteverdi, Ecco Mormorar l Onde, SSATB recorders; Twelve Italian Songs, voice and guitar; John Wilbye, Draw on sweet Night, SSATTB recorders, and for flute choir; Telemann, Twelve Flute Fantasias, recorder; John Carr, Divisions on an Italian Ground, flute or recorder and guitar; Fourteen Folk Dance Tunes,recorder and guitar; Easy Classical Pieces,Bbumpet and piano. offers innovative and unusually generous and useful licensing conditions: You may not redisibute the piece in eleconic form You may print out or photocopyasmanycopies as you wish You may give these copies to whoeveryou want You may freely perform the piece to live audiences; performing rights are waived These are exemely practical and generous copyright conditions, and have been devised so as to be as useful to you as possible. Feel free to visit...
Trio super Herr Jesu Christ, dich zu uns wend
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