2 Ontology and Oniontology Ontology: Where, Why, and How Oniontology: Facts, Processes, and Gestures... 8
|
|
|
- Silas Booker
- 5 years ago
- Views:
Transcription
1 Contents Part I Introduction 1 General Introduction by Guerino Mazzola Ontology and Oniontology Ontology: Where, Why, and How Oniontology: Facts, Processes, and Gestures Part II Realities 3 Physical Reality Physical Sound Anatomy Acoustics Fourier Frequency Modulation Wavelets Physical Modeling Hearing with Ear and Brain Hearing with the Ear Hearing with the Brain Neuroplasticity Music and the Brain Lobes Psychological Reality Emotions and Music Defining Emotions Langer s and Gabrielsson s Thesis Measuring Electrical Responses to Music Some Physiological Evidences ix
2 x Contents 4.4 Psychopathology and Music: van Gogh, Wölfli, Harrell, Tchaikovsky Renate Wieland on Gestures and Emotions Mental Reality The Role of the Mental Reality The Musical Score The Pitch Space Euler Space Zarlino s Symmetry The Hidden Symmetry of Counterpoint Euler s Gradus Suavitatis Function Part III Semiotics 6 Generalities About Signs Definition of Signs Neumes Musical Signs as Language De Saussure and Peirce: the Semiotic Architecture Pierce de Saussure Hjelmslev Barthes Riemannian Harmony and The HarmoRubette Software The Semiotic Structure of Music De Saussure s Six Dichotomies Defining the Dichotomies Signifier/Signified Arbitrary/Motivated The Digital Approach, Sampling Syntagm/Paradigm Speech/Language Synchrony/Diachrony Lexem/Shifter Speech and Language Examples: Bach and Schönberg Semiotics in Music Performance: the Example of Celibidache s Ideas The Babushka Principle in Semiotics: Connotation, Motivation, and Metatheory... 81
3 Contents xi Part IV Communication 11 What Is Art? John Cage Stockhausen s Klavierstücke Molino s Tripartition and Realities The Babushka Principle in Communication Examples of the Poetic Ego in Artistic Communication Art Ensemble of Chicago Alanis Morissette Angel Haze Michael Jackson Jackson Pollock François Villon Stolberg-Schubert Raffaello s School of Athens The Opera and Music for Movies Opera Garden State Satyricon Fellini s Onibaba The Infinite Production Miles Davis Bitches Brew Mazzola s Tetrade Group Recording The MIDI Code A Short History of MIDI MIDI Networks: MIDI Devices, Ports, and Cables Acoustics, Instruments, Music Software, and Creativity Time in MIDI, Standard MIDI Files Global Music The Synthesis Project on the Presto Software Time Hierarchies for Chopin s Impromptu op Mystery Child The Global Architecture of the Rubato Software Braxton s Cosmic Compositions Machover s Brain Opera The ipod and Tanaka s Malleable Mobile Music Wolfram s Cellular Music Automata Mazzola s and Armangil s Transcultural Morphing Software
4 xii Contents Part V Embodiment 14 Recapitulation of the First Three Dimensions Realities Semiotics Communication The Need for a Gesture Theory in Music Neumes and Musical Notation Lewin, Adorno, and Hatten David Lewin Theodor W. Adorno Robert S. Hatten Lang Lang and Marquese Nonstop Scott Performing Chopin s Etude no Mazzola s Contributions Teak Leaves at the Temples Movie Books About Gesture Theory in Music Frege s Prison of Functions Matrix Encapsulation of Geometric Rotation Dracula and the Imaginary Numbers Imaginary Time Other Hidden Concepts in Math The Density of Real Numbers Zeno s Paradox Music Without Scores Cecil Taylor: Burning Poles Artificial Embodied Intelligence: Cheap Design The Hand Computer Graphics as a Gestural Challenge Robotics for (Musical) Gestures: Asimo & Co Neuroscience and Gestures Vilayanur S. Ramachandran and Merlin Donald Mirror Neurons, Speech, and Hand Gestures The Neuroscience of Imagination Mazzola s Gestural Dancing Project: Dancing the Violent Body of Sound Mathematical Gesture Theory Historical Roots Tommaso Campanella Hugues de Saint Victor Paul Valéry
5 Contents xiii Jean Cavaillès Maurice Merleau-Ponty Definition of a Gesture Hypergestures A Gesture Suite for Piano Creativity Theory Defining Creativity Example of Creative Processes in Beethoven s op. 109, Third Movement The Creative Strategy in Ornette! Part VI References, Index References Index...183
6
Computational Music Science
Computational Music Science Series Editors Guerino Mazzola Moreno Andreatta More information about this series at http://www.springer.com/series/8349 Guerino Mazzola Maria Mannone Yan Pang Margaret O Brien
The Composer s Materials
The Composer s Materials Module 1 of Music: Under the Hood John Hooker Carnegie Mellon University Osher Course September 2018 1 Outline Basic elements of music Musical notation Harmonic partials Intervals
Chapter 1 Overview of Music Theories
Chapter 1 Overview of Music Theories The title of this chapter states Music Theories in the plural and not the singular Music Theory or Theory of Music. Probably no single theory will ever cover the enormous
The Composer s Materials
The Composer s Materials Module 1 of Music: Under the Hood John Hooker Carnegie Mellon University Osher Course July 2017 1 Outline Basic elements of music Musical notation Harmonic partials Intervals and
COMPUTER ENGINEERING SERIES
COMPUTER ENGINEERING SERIES Musical Rhetoric Foundations and Annotation Schemes Patrick Saint-Dizier Musical Rhetoric FOCUS SERIES Series Editor Jean-Charles Pomerol Musical Rhetoric Foundations and
SYSTEM AND STRUCTURE. Essays in Communication and Exchange. Second Edition
SYSTEM AND STRUCTURE Essays in Communication and Exchange Second Edition ANTHONY WILDEN Contents PREFACE TO THE FIRST EDITION PREFACE TO THE SECOND EDITION ACKNOWLEDGEMENTS Introduction (1980): The Scientific
A Model of Musical Motifs
A Model of Musical Motifs Torsten Anders Abstract This paper presents a model of musical motifs for composition. It defines the relation between a motif s music representation, its distinctive features,
A Model of Musical Motifs
A Model of Musical Motifs Torsten Anders torstenanders@gmx.de Abstract This paper presents a model of musical motifs for composition. It defines the relation between a motif s music representation, its
PRIYADARSHINI COLLEGE OF ENGINEERING CRPF CAMPUS HINGNA ROAD, NAGPUR DATABASES 1. CD S OF VIDEO LECTURES BY CET IIT KHARAGHPUR
PRIYADARSHINI COLLEGE OF ENGINEERING CRPF CAMPUS HINGNA ROAD, NAGPUR DATABASES 1. CD S OF VIDEO LECTURES BY CET IIT KHARAGHPUR Sr. No Course Name Faculty Name Approx Duration Mechanical No. of Courses
CHAPTER II LITERATURE REVIEW
CHAPTER II LITERATURE REVIEW This chapter intends to describe the theories that used in this study. This study also presents the result of reviewing some theories that related to the study. The main data
TRANSFER FUNDAMENTALS Mark Obert-Thorn. CHARM Transfer Symposium 20 April 2006
TRANSFER FUNDAMENTALS Mark Obert-Thorn CHARM Transfer Symposium 20 April 2006 What we will examine: Obtaining good source material Cleaning the records Finding the best stylus fit Centering and pitching
GRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY
McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required
A Bibliography of Bagpipe Music
Roderick Cannon s A Bibliography of Bagpipe Music John Donald Publishers Ltd Edinburgh 1980 An update by Geoff Hore 2008 The writing in black font is from A Bibliography of Bagpipe Music. The update comments
Music 281: Music Theory III
Music 281: Music Theory III Fall 2017 (T-Th, 9:30-10:45, Bixler 150) Steve Saunders Office: 235 Bixler Phone: x5677; email: sesaunde@colby.edu Class Web Site: http://www.colby.edu/music/saunders/mu281
XYNTHESIZR User Guide 1.5
XYNTHESIZR User Guide 1.5 Overview Main Screen Sequencer Grid Bottom Panel Control Panel Synth Panel OSC1 & OSC2 Amp Envelope LFO1 & LFO2 Filter Filter Envelope Reverb Pan Delay SEQ Panel Sequencer Key
Concepts and Theory Overview of Music Theories p. 3 The Representation of Music p. 7 Types of Representation p. 7 Symbolic Representation of Music p.
Concepts and Theory Overview of Music Theories p. 3 The Representation of Music p. 7 Types of Representation p. 7 Symbolic Representation of Music p. 9 Electronic Scores p. 10 MIDI p. 13 Musical Representation
Figure 1 Definitions of Musical Forces from Larson (2012) Figure 2 Categories of Intentionality
1 Intentional Actions: Identifying Musical Agents in Schubert s Piano Sonata in A, D. 959 John Peterson peter2jr@jmu.edu James Madison University SMT 2014 (Milwaukee, WI) Figure 1 Definitions of Musical
Qualitative Design and Measurement Objectives 1. Describe five approaches to questions posed in qualitative research 2. Describe the relationship betw
Qualitative Design and Measurement The Oregon Research & Quality Consortium Conference April 11, 2011 0900-1000 Lissi Hansen, PhD, RN Patricia Nardone, PhD, MS, RN, CNOR Oregon Health & Science University,
World of Music: A Classroom and Home Musical Environment
World of Music: A Classroom and Home Musical Environment A complement of software packages and a website Making Music Software Series existing: stand alone (MM, MMM, PM, HM) classroom new: Application
SONG LITERATURE SEMINAR MUL 4602 Fall 2018 Mondays, 7 th Period and Wednesdays, 7 th and 8 th Period Room 144
SONG LITERATURE SEMINAR MUL 4602 Fall 2018 Mondays, 7 th Period and Wednesdays, 7 th and 8 th Period Room 144 Dr. Brenda Smith Office: 302 Music Building Email: gesang@ufl.edu Phone: (352) 273-3174 Office
Using the Creative Process for Sound Design Based on Generic Sound Forms
Musical Metacreation: Papers from the 2013 AIIDE Workshop (WS-13-22) Using the Creative Process for Sound Design Based on Generic Sound Forms Guerino Mazzola, Florian Thalmann School of Music, University
Computing, Artificial Intelligence, and Music. A History and Exploration of Current Research. Josh Everist CS 427 5/12/05
Computing, Artificial Intelligence, and Music A History and Exploration of Current Research Josh Everist CS 427 5/12/05 Introduction. As an art, music is older than mathematics. Humans learned to manipulate
Elements of Music. How can we tell music from other sounds?
Elements of Music How can we tell music from other sounds? Sound begins with the vibration of an object. The vibrations are transmitted to our ears by a medium usually air. As a result of the vibrations,
University of Huddersfield Repository
University of Huddersfield Repository Glover, Richard Phenomenology and temporality in the composition of experimental minimal music Original Citation Glover, Richard (2012) Phenomenology and temporality
Introductions to Music Information Retrieval
Introductions to Music Information Retrieval ECE 272/472 Audio Signal Processing Bochen Li University of Rochester Wish List For music learners/performers While I play the piano, turn the page for me Tell
Merleau-Ponty Final Take Home Questions
Merleau-Ponty Final Take Home Questions Leo Franchi (comments appreciated, I will be around indefinitely to pick them up) 0.0.1 1. How is the body understood, from Merleau-Ponty s phenomenologist-existential
Gestural Composition with Arbitrary Musical Objects and Dynamic Transformation Networks
Gestural Composition with Arbitrary Musical Objects and Dynamic Transformation Networks A Dissertation Submitted to the Faculty of the Graduate School of the University of Minnesota by Florian Thalmann
Charles Taylor s Langue/Parole and Alasdair MacIntyre s Networks of Giving and Receiving as a Foundation for a Positive Anti-Atomist Political Theory
Charles Taylor s Langue/Parole and Alasdair MacIntyre s Networks of Giving and Receiving as a Foundation for a Positive Anti-Atomist Political Theory 49 It is often taken to be a truism of contemporary
Mathematics Music Math and Music. Math and Music. Jiyou Li School of Mathematical Sciences, SJTU
Math and Music Jiyou Li lijiyou@sjtu.edu.cn School of Mathematical Sciences, SJTU 2016.07.21 Outline 1 Mathematics 2 Music 3 Math and Music Mathematics Mathematics is the study of topics such as numbers,
Key Stage: 4. Subject: Music. Aims of the subject:
Key Stage: 4 Subject: Music Aims of the subject: Whether we are listening to our ipods, watching the TV or playing computer games, music is everywhere. Some people really enjoy making music as singers
ACE: ACE 7 Arts. Prerequisites: Good standing in the University Honors Program or by. Prerequisite for: MUSC 166; MUSC 166A
Music (MUSC) 1 MUSIC (MUSC) MUSC 125 English and Italian Diction and Literature Description: The correct pronunciation and diction for singing in Italian and English. Some of the art songs that comprise
Music Appreciation: The Enjoyment of Listening
Course Syllabus Music Appreciation: The Enjoyment of Listening Course Code: EDL023 Course Description Have you ever heard a piece of music that made you want to get up and dance? Cry your heart out? Sing
ESP: Expression Synthesis Project
ESP: Expression Synthesis Project 1. Research Team Project Leader: Other Faculty: Graduate Students: Undergraduate Students: Prof. Elaine Chew, Industrial and Systems Engineering Prof. Alexandre R.J. François,
MUSIC (MUS) Music (MUS) 1
Music (MUS) 1 MUSIC (MUS) MUS 2 Music Theory 3 Units (Degree Applicable, CSU, UC, C-ID #: MUS 120) Corequisite: MUS 5A Preparation for the study of harmony and form as it is practiced in Western tonal
Music Understanding and the Future of Music
Music Understanding and the Future of Music Roger B. Dannenberg Professor of Computer Science, Art, and Music Carnegie Mellon University Why Computers and Music? Music in every human society! Computers
Delta-Sigma Modulators
Delta-Sigma Modulators Modeling, Design and Applications George I Bourdopoulos University ofpatras, Greece Aristodemos Pnevmatikakis Athens Information Technology, Greece Vassilis Anastassopoulos University
Evolutionary Sketches. by Youngmi Cho. Department of Music Duke University. Date: Approved: Scott Lindroth, Supervisor. Stephen Jaffe.
Evolutionary Sketches by Youngmi Cho Department of Music Duke University Date: Approved: Scott Lindroth, Supervisor Stephen Jaffe Anthony Kelley Timothy Lenoir Rodney Waschka II Dissertation submitted
Symmetry and Transformations in the Musical Plane
Symmetry and Transformations in the Musical Plane Vi Hart http://vihart.com E-mail: vi@vihart.com Abstract The musical plane is different than the Euclidean plane: it has two different and incomparable
DE
DE 1619 0 13491 16192 1 BABY needs LULLABYS Carol Rosenberger, piano 1. Schumann: About Faraway Lands and People (Scenes from Childhood, Op. 15) (1:48) 2. Romance in F-Sharp, Op. 28, No. 2 (4:14) 3. Evening
biv In Theory and Chopin: Analytical Examples
biv In Theory and Chopin: Analytical Examples Timothy L. Jackson timothy.jackson@unt.edu Justin Lavacek justin.lavacek@unt.edu University of North Texas National Meeting of the Society for Music Theory,
Music: An Appreciation, Brief Edition Edition: 8, 2015
Music: An Appreciation, Brief Edition Edition: 8, 2015 Roger Kamien Connect Plus Music (All Music, ebook, SmartBook, LearnSmart) o ISBN 9781259154744 Loose Leaf Text + Connect Plus Music o ISBN 9781259288920
Personal Development Stream Course Contents
Personal Development Stream 2018 Course Contents Please note that where a courses is shown as having more than one session, students should plan to attend all the sessions. Fundamental vocal techniques
JASON FREEMAN THE LOCUST TREE IN FLOWER AN INTERACTIVE, MULTIMEDIA INSTALLATION BASED ON A TEXT BY WILLIAM CARLOS WILLIAMS
JASON FREEMAN THE LOCUST TREE IN FLOWER AN INTERACTIVE, MULTIMEDIA INSTALLATION BASED ON A TEXT BY WILLIAM CARLOS WILLIAMS INTRODUCTION The Locust Tree in Flower is an interactive multimedia installation
Chelmsford Public Schools Fine and Performing Arts Department Middle School General Music Curriculum Map by Standard Standard 1: SINGING
Standard 1: SINGING Students will sing, alone and with others, a varied repertoire of music. Sing alone & with others maintaining accurate intonation, steady beat, rhythmic accuracy, and appropriate expression
Mass Communication Theory
Mass Communication Theory 2015 spring sem Prof. Jaewon Joo 7 traditions of the communication theory Key Seven Traditions in the Field of Communication Theory 1. THE SOCIO-PSYCHOLOGICAL TRADITION: Communication
DJ Darwin a genetic approach to creating beats
Assaf Nir DJ Darwin a genetic approach to creating beats Final project report, course 67842 'Introduction to Artificial Intelligence' Abstract In this document we present two applications that incorporate
Measuring & Modeling Musical Expression
Measuring & Modeling Musical Expression Douglas Eck University of Montreal Department of Computer Science BRAMS Brain Music and Sound International Laboratory for Brain, Music and Sound Research Overview
Science in the News: Music and the Human Brain
Science in the News: Music and the Human Brain It doesn t matter whether you play a guitar, a piano, a horn, or a drum. And what kind of music you play is not important. Maybe you like to play classical
Title Body and the Understanding of Other Phenomenology of Language Author(s) Okui, Haruka Citation Finding Meaning, Cultures Across Bo Dialogue between Philosophy and Psy Issue Date 2011-03-31 URL http://hdl.handle.net/2433/143047
Music and Mathematics: On Symmetry
Music and Mathematics: On Symmetry Monday, February 11th, 2019 Introduction What role does symmetry play in aesthetics? Is symmetrical art more beautiful than asymmetrical art? Is music that contains symmetries
SENECA VALLEY SCHOOL DISTRICT CURRICULUM
SENECA VALLEY SCHOOL DISTRICT CURRICULUM Course Title: Course Number: 0960 Grade Level(s): 9 10 Periods Per Week: 5 Length of Period: 42 Minutes Length of Course: Full Year Credits: 1.0 Faculty Author(s):
Part II: Dipping Your Toes Fingers into Music Basics Part IV: Moving into More-Advanced Keyboard Features
Contents at a Glance Introduction... 1 Part I: Getting Started with Keyboards... 5 Chapter 1: Living in a Keyboard World...7 Chapter 2: So Many Keyboards, So Little Time...15 Chapter 3: Choosing the Right
CONTENTS. part 1: premises and inspirations. Acknowledgments
University of Michigan Press, 2012 CONTENTS Acknowledgments xiii Introduction: Human Behavior Is the Core Business of Theater 1 The Measures Taken 2 Theory and Practice 3 How We Solved Our Problems 4 Two
Sets, Symbols and Pictures: A Reflection on Euler Diagrams in Leonhard Euler s Tercentenary (2007)
Mediterranean Journal for Research in Mathematics Education Vol. 5, 2, 77-82, 2006 Sets, Symbols and Pictures: A Reflection on Euler Diagrams in Leonhard Euler s Tercentenary (2007) GIORGIO T. BAGNI: Department
Course Summary: Policies and Procedures. TEXTBOOK AND MATERIALS (used copies of the specified edition are acceptable):
University of Central Florida Department of Music Piano Literature class MUL 3400 (Fall 11) Instructor: Professor Laurent Boukobza Office: Music Building; Telephone: 407-823-1529 E-mail: Laurent.boukobza@ucf.edu
CHAPTER 6. Music Retrieval by Melody Style
CHAPTER 6 Music Retrieval by Melody Style 6.1 Introduction Content-based music retrieval (CBMR) has become an increasingly important field of research in recent years. The CBMR system allows user to query
"The mind is a fire to be kindled, not a vessel to be filled." Plutarch
"The mind is a fire to be kindled, not a vessel to be filled." Plutarch -21 Special Topics: Music Perception Winter, 2004 TTh 11:30 to 12:50 a.m., MAB 125 Dr. Scott D. Lipscomb, Associate Professor Office
DANIEL LIBESKIND Survey on artistic and cultural references that define the concept and design methodology.
DANIEL LIBESKIND Survey on artistic and cultural references that define the concept and design methodology. Tesi di Laurea Triennale BIANCA PROCINO Relatore: Prof. MATTEO FRASCHINI Luglio 2011 Bernard
Foundations in Data Semantics. Chapter 4
Foundations in Data Semantics Chapter 4 1 Introduction IT is inherently incapable of the analog processing the human brain is capable of. Why? Digital structures consisting of 1s and 0s Rule-based system
The Science of Seeing
The Science of Seeing In order to begin to understand the potential of Bioarchitecture in terms of health and well-being, it makes sense to explore how the brain and nervous system respond to stimuli from
Mathematics & Music: Symmetry & Symbiosis
Mathematics & Music: Symmetry & Symbiosis Peter Lynch School of Mathematics & Statistics University College Dublin RDS Library Speaker Series Minerva Suite, Wednesday 14 March 2018 Outline The Two Cultures
SENSE AND INTUITION IN MUSIC (ARGUMENTS ON BACH AND MOZART)
SENSE AND INTUITION IN MUSIC (ARGUMENTS ON BACH AND MOZART) CARMEN CHELARU George Enescu University of Arts Iași, Romania ABSTRACT Analyzing in detail the musical structure could be helpful, but not enough
Is there a Future for AI without Representation?
Is there a Future for AI without Representation? Vincent C. Müller American College of Thessaloniki vmueller@act.edu June 12 th, 2007 - MDH 1 Brooks - a way out of our troubles? Brooks new AI to the rescue:
Music Curriculum Map Year 5
Music Curriculum Map Year 5 At all times pupils will be encouraged to perform using their own instruments if they have them. Topic 1 10 weeks Topic 2 10 weeks Topics 3 10 weeks Topic 4 10 weeks Title:
44 Iconicity in Peircean situated cognitive Semiotics
0 Joao Queiroz & Pedro Atã Iconicity in Peircean situated cognitive Semiotics A psychologist cuts out a lobe of my brain... and then, when I find I cannot express myself, he says, You see your faculty
Part I I On the Methodology oj the Social Sciences
Preface by H. L. VAN BREDA Editor's Note Introduction by MAURICE NATANSON VI XXIII XXV Part I I On the Methodology oj the Social Sciences COMMON-SENSE AND SCIENTIFIC INTERPRETATION OF HUMAN ACTION 3 I.
MATLAB & Image Processing (Summer Training Program) 4 Weeks/ 30 Days
(Summer Training Program) 4 Weeks/ 30 Days PRESENTED BY RoboSpecies Technologies Pvt. Ltd. Office: D-66, First Floor, Sector- 07, Noida, UP Contact us: Email: stp@robospecies.com Website: www.robospecies.com
Semi-automated extraction of expressive performance information from acoustic recordings of piano music. Andrew Earis
Semi-automated extraction of expressive performance information from acoustic recordings of piano music Andrew Earis Outline Parameters of expressive piano performance Scientific techniques: Fourier transform
Beethoven s Fifth Sine -phony: the science of harmony and discord
Contemporary Physics, Vol. 48, No. 5, September October 2007, 291 295 Beethoven s Fifth Sine -phony: the science of harmony and discord TOM MELIA* Exeter College, Oxford OX1 3DP, UK (Received 23 October
June 3, 2005 Gretchen C. Foley School of Music, University of Nebraska-Lincoln EDU Question Bank for MUSC 165: Musicianship I
June 3, 2005 Gretchen C. Foley School of Music, University of Nebraska-Lincoln EDU Question Bank for MUSC 165: Musicianship I Description of Question Bank: This set of questions is intended for use with
Zeynep Bulut Ph.D. Candidate Department of Music (Emphasis: Critical Studies/Experimental Practices) University of California, San Diego
1 Zeynep Bulut Ph.D. Candidate Department of Music (Emphasis: Critical Studies/Experimental Practices) University of California, San Diego Revisiting the phenomenon of sound as "empty container": The acoustic
Murrieta Valley Unified School District High School Course Outline February 2006
Murrieta Valley Unified School District High School Course Outline February 2006 Department: Course Title: Visual and Performing Arts Advanced Placement Music Theory Course Number: 7007 Grade Level: 9-12
Music Appreciation: The Enjoyment of Listening
Course Syllabus Music Appreciation: The Enjoyment of Listening Course Description Music is part of everyday lives and reflects the spirit of our human condition. To know and understand music, we distinguish
On the Music of Emergent Behaviour What can Evolutionary Computation bring to the Musician?
On the Music of Emergent Behaviour What can Evolutionary Computation bring to the Musician? Eduardo Reck Miranda Sony Computer Science Laboratory Paris 6 rue Amyot - 75005 Paris - France miranda@csl.sony.fr
MUS 4711 History and Literature of Choral Music Monday/Wednesday - 12:30pm-3:00pm Room: Mus 120
Three-Summer Master of Music in Choral Conducting MUS 4711 History and Literature of Choral Music Monday/Wednesday - 12:30pm-3:00pm Room: Mus 120 Instructor: Joseph Schubert E-mail: schubert.csula3summer@gmail.com
Music 001 Introduction to Music. Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55 pm
Instructor: Andrew Pau Fall 2006 Office: Music Building 207 Office Hours: T/Th, time TBA E-mail: apau@gc.cuny.edu Music 001 Introduction to Music Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55
REVIEW III MUSIC 331: History of Jazz, Summer 2012
REVIEW III MUSIC 331: History of Jazz, Summer 2012 Short Answer Questions Characteristics of Free Jazz Highly dissonant Lack of formal harmonic or rhythmic structure Use of polytonal approach Emphasis
Music 111: Music Appreciation 1
Music 111: Music Appreciation 1 Course Information: Los Angeles Pierce College January 2 to February 4, 2018 Section 14921 3 units Canvas online Instructor: Jon Titmus E-mail: titmusjg@piercecollege.edu
Third Grade Music Curriculum
Third Grade Music Curriculum 3 rd Grade Music Overview Course Description The third-grade music course introduces students to elements of harmony, traditional music notation, and instrument families. The
Genius for Pure Beauty Module 13 of Music: Under the Hood
Genius for Pure Beauty Module 13 of Music: Under the Hood John Hooker Carnegie Mellon University Osher Course October 2018 1 Outline Biography of Frédéric Chopin Etude No. 3 in E major, Op 10 no 3 Prelude
The Experience of Knowing:
The Experience of Knowing: A hermeneutic study of intuitive emergency nursing practice. by Joy Irene Lyneham R.N., B.App.Sci., GradCert.E.N., GradDip.C.P., M.H.Sc., F.R.C.N.A. Submitted in fulfilment of
Escher s Tessellations: The Symmetry of Wallpaper Patterns. 27 January 2014
Escher s Tessellations: The Symmetry of Wallpaper Patterns 27 January 2014 Symmetry I 27 January 2014 1/30 This week we will discuss certain types of art, called wallpaper patterns, and how mathematicians
COURSE OUTLINE MUS103
COURSE OUTLINE MUS103 Course Number Intro to Music Course title 3 3 lecture/0 lab Credits Hours Catalog description: Designed to enhance the student's knowledge and enjoyment of music of a variety of styles
Escher s Tessellations: The Symmetry of Wallpaper Patterns
Escher s Tessellations: The Symmetry of Wallpaper Patterns Symmetry I 1/29 This week we will discuss certain types of art, called wallpaper patterns, and how mathematicians classify them through an analysis
Music Appreciation, Dual Enrollment
East Penn School District Secondary Curriculum A Planned Course Statement for Music Appreciation, Dual Enrollment Course # 770D Grade(s) 9, 10, 11, 12 Department: Music Length of Period (mins.) 40 Total
WAYNESBORO AREA SCHOOL DISTRICT CURRICULUM Vocal Music
WAYNESBORO AREA SCHOOL DISTRICT CURRICULUM Vocal Music COURSE NAME: HS Vocal Music Ensembles UNIT: Unit #1 -- Vocal Technique Performing carefully supervised warm-up exercises on a daily basis is essential
Postmodernism! Definition:! Characteristics:!
Postmodernism! Postmodernism! Definition:! A reaction to intellectual traditions that attempt to explain the world using universal concepts such as Freudian models of the personality, Marxist theories
Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem
Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem Tsubasa Tanaka and Koichi Fujii Abstract In polyphonic music, melodic patterns (motifs) are frequently imitated or repeated,
MUSC 100 Class Piano I (1) Group instruction for students with no previous study. Course offered for A-F grading only.
MUSC 100 Class Piano I (1) Group instruction for students with no previous study. Course offered for A-F grading only. MUSC 101 Class Piano II (1) Group instruction for students at an early intermediate
MUSIC Hobbs Municipal Schools 6th Grade
Date NM State Standards I. Content Standard 1: Learn and develop the essential skills and technical demands unique to dance, music, theatre/drama, and visual art. A. K-4 BENCHMARK 1A: Sing and play instruments
BEETHOVEN MOONLIGHT SONATA NO 14 OP 27 2 URTEXT
BEETHOVEN MOONLIGHT SONATA NO 14 OP 27 2 URTEXT Page 1 Page 2 beethoven moonlight sonata no 14 op 27 2 urtext beethoven moonlight sonata no pdf beethoven moonlight sonata no 14 op 27 2 urtext The Piano
WHERE DOES LAP GO WHEN YOU STAND UP? MEANING MAKING, EXPRESSION AND COMMUNICATION BEYOND A LINGUISTIC CONSTRAINT
WOODWARD 176 WHERE DOES LAP GO WHEN YOU STAND UP? MEANING MAKING, EXPRESSION AND COMMUNICATION BEYOND A LINGUISTIC CONSTRAINT Martyn Woodward martyn.woodward@plymouth.ac.uk Embodied approaches to perception
Table of Contents. Foreword...xii. Preface... xv. Acknowledgment... xxxi. Section 1 Making a Visual Statement
Table of Contents Foreword...xii Preface... xv Acknowledgment... xxxi Section 1 Making a Visual Statement Chapter 1 Looking and Seeing: Communication through Art: Creating, Conveying, and Responding to
Vienna: The Capital of Classical Music
Vienna: The Capital of Classical Music DIS Fall 2017 European Humanities 1 Credit Course Fridays 14:50 16:10 F24 406 Course starts September 29 th Introduction A music appreciation course focusing on selected
MUSC 100 Class Piano I (1) Group instruction for students with no previous study. Course offered for A-F grading only.
MUSC 100 Class Piano I (1) Group instruction for students with no previous study. Course MUSC 101 Class Piano II (1) Group instruction for students at an early intermediate level of study. Prerequisite:
jsymbolic and ELVIS Cory McKay Marianopolis College Montreal, Canada
jsymbolic and ELVIS Cory McKay Marianopolis College Montreal, Canada What is jsymbolic? Software that extracts statistical descriptors (called features ) from symbolic music files Can read: MIDI MEI (soon)
Cyclophonic Music Generation
Cyclophonic Music Generation Draft 1 7-11-15 Copyright 2015 Peter McClard. All Rights Reserved. Table of Contents Introduction......................... 3 The Cosmic Wave.................... 3 Cyclophonic
Ludwig van Beethoven cresc.
Music is the wine which inspires one to new generative processes, and I am Bacchus who presses out this glorious wine for mankind and makes them spiritually drunken. Ludwig van Beethoven cresc. 15 mf THEORETICAL
GRADUATE PLACEMENT EXAMINATIONS - COMPOSITION
McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS - COMPOSITION All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required
Visualizing Euclidean Rhythms Using Tangle Theory
POLYMATH: AN INTERDISCIPLINARY ARTS & SCIENCES JOURNAL Visualizing Euclidean Rhythms Using Tangle Theory Jonathon Kirk, North Central College Neil Nicholson, North Central College Abstract Recently there