Let All That Hath Breath. An organ album for the 50 th anniversary of the Association of Anglican Musicians

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1 Let All That Hath Breath An organ album for the 50 th anniversary of the Association of Anglican Musicians

2 Introduction In 2012, the Association of Anglican Musicians received a generous and unrestricted bequest from the estate of Bishop Chilton Poell and his ife Elizabeth Both Poells ere natives of small North Dakota tons He studied at Carleton College and at Seabury-Western Theological Seminary, she at Denison University They met early in their professional lives, hen he became Curate of Gethsemane Church in Minneapolis, here she as the Organist Married in 191, they soon moved to Trinity Cathedral, Omaha, here he as called as Dean He as elected Bishop Coadutor of Oklahoma in 1951, and they lived out their days in Oklahoma City Bishop Poell died in 1997, at age 8, and Mrs Poell in 2011, at 96 As a clerical spouse, Betty Poell did not abandon her musical vocation, but, as the expectations of the time required, she channeled it discreetly, teaching hymnody for decades, and orking ith the Evergreen Conference School of Music One can only guess at her influence upon the shape, character, and musical rubrics of the 1979 Book of Common Prayer, hich as developed during her husband s thirteen years as Chairman of the Standing Liturgical Commission Bishop Poell as also long associated ith the Evergreen Conference, and served as its Chaplain for a number of years In accepting the Poells gift, the Board of Directors decided to allocate it toard a future observance of the Association s fiftieth anniversary As that milestone dre nearer, the Board decided to dedicate the gift to the publication of a collection of organ music, composed by AAM members across the past half-century AAM members David Schaap, of Selah Publishing, and Marilyn Keiser oined me in its assembly, and I am deeply grateful for their isdom and labors No such volume could ever be comprehensive, of course, and, indeed, practicality dictated that the scope of the collection be relatively modest But e are pleased to have compiled a cross-section of orks by musicians hose names are idely familiar through their engagement ith AAM across its first five decades They range from pieces that had passed out of print (including an entry by one of our three founders, Gerre Hancock, and others by esteemed colleagues no longer among us) to pieces freshly composed for this collection, or published here for the first time This Association takes as its purpose the elevation, stimulation, and support of music and the allied arts in all their aspects in the Anglican church, and especially in their relationship to liturgy We believe that this collection orthily expresses that aim, and hope that it ill inspire those ho play from it, and those ho hear its contents, to the deeper orship of Almighty God Alan Leis Past President Association of Anglican Musicians

3 An organ album marking the 50 th anniversary of the Association of Anglican Musicians in 2016 Air Gerre Hancock 9 Introduction Fanfare on Helmsley Bruce Nesick 10 Variations on Good Christians, All, Reoice Sing Marilyn Keiser 1 Fantasia on Wondrous Love David Hurd 20 The Women at the Tomb Dorothy Papadakos 25 Shalom (Peace), from The Aeolian Sonata Dan Locklair 0 Prelude on Fight On, My Soul Robert Poell Sacred Dance on Holy Manna anette Fishell 8 A Love So Fierce and Free: A Litany David Ashley White 2 Trumpet Tune in D Sam Batt Oens 6 Fanfare Alec Wyton 5 Prelude on Engelberg Craig Phillips

4 b b b b b b f S: Solo Stop 8' Gt: Foundation Stops 8', ' ( ) Ch: Fl 8', ' Ped: Soft 16', 8', Ch to Ped Sloly and sustained (q = ca 72) for udy Air Gerre Hancock S P Ch p for udy Air Gerre Hancock ( ) 5 b b b b b b n n n n n b b b Let All That Hath Breath Copyright 196 HW Gray, reneed 1981 Oxford University Press Inc, 2000 Assigned to Oxford University Press 2010 Reproduced by permission All rights reserved

5 b b 8 bn b b n b b b b b n n bb n b b b 52 b b b b b b b b b b n ẇ n Off Reed ' Add soft 16', 8' rit U U Add soft 2' U Let All That Hath Breath 7

6 S: Full Gt: 8', ', S/Gt Ped: 2', 16', 8', S/Ped for the Association of Anglican Musicians 50th anniversary Introduction Introduction Fanfare Fanfare on Helmsley on HELMSLEY In the tempo of the hymn Solo tpt tune by Thomas Oliver, 176 Bruce Nesick for the Association of Anglican Musicians 50th anniversary Gt tune by Thomas Oliver, 176 arr Bruce Nesick 8 Gt + mixt Nely composed and copyright 2016 Selah Publishing Co, Inc All rights reserved Let All That Hath Breath 9

7 for Karen Holtkamp for Karen Holtkamp Variations on on Good Christians All, Reoice and Sing Pos: Fl 8', Oct 2' S: Oboe 8' Pos q =10 Gelobt sei Gott by Melchior Vulpius, 1609 Marilyn Keiser S tune by Melchior Vulpius, 1609 _ Marilyn Keiser 5 _ 9 _ apple 10 Let All That Hath Breath Copyright 2016 Selah Publishing Co, Inc All rights reserved

8 21 _ n _ Ped 25 Ped: Fl 8' Pos: Fl 8', ', 2-2/' S: Fl 8', ' Let All That Hath Breath 11

9 f Gt 5 Gt: Prin 8', ', 2' Ped: add Fl 16', Prin 8', ' Let All That Hath Breath

10 Gt: Fl 8', ' S: Fl 8', ', 2' Ped: ' Clairon in thanksgiving for my parents, David and Cecile Hurd Fantasia on Fantasia Wondrous on Love Wondrous Love Gently fluid q= 88 S 12 8 P Gt 12 8 melody from Wm Walker s Southern Harmony, melody 185 from Wm Walker s Southern Harmony, 185 David Hurd In thanksgiving for my parents, David and Cecile Hurd David Hurd Ped n 7 10 bbn n n b bbn n b 1 Let All That Hath Breath Nely composed and copyright 2016 Selah Publishing Co, Inc All rights reserved

11 S: Strings 8' Ch: Strings 8', S to Ch Gt: Solo Harmonic Fl 8' Ped: Soft 16', 8'; S, Ch to Ped dedicated to my dear friend oy Carol dedicated to my dear friend oy Carol The Women at the Tomb A Prelude on Hail Thee, Festival Day! Salve A festa Prelude Dies on by Hail Ralph Thee, Vaughan Festival Williams Day! Dorothy Papadakos Dorothy Papadakos 8 c Ch c p c p GtF Andante con moto q = ca 69 sempre legato b b bb b b b b b b Gt b b b b b b b Ch b b b b b b b 20 Let All That Hath Breath Copyright 2002 Dorothy Papadakos Used by permission

12 S: Celeste strings 8' Gt: Fl ' Ch: Solo reed 8' (or Diapason 8') Pd: Soft foundations 16', 8', manuals coupled to Ped 2 P Serene and unhurried and very expressive (h=ca 2) 2 Gt b b b alays very legato S P b b b b b b b dedication In remembrance of the darkness of September 11 from hich emerged hope for Peace and oy in Thanksgiving b Shalom (Peace) Shalom (Peace) from The Aeolian Sonata from The Aeolian Sonata Dan Locklair b 2 b P 2bb p Dan Locklair b b b b b b b b b b b b b b b b b b b bb b b b b b 8 (q=q sempre) b b 2 b 2 b b b b b b b 2 2 b b b b b b b b b b b b 2 b b b b 2 bb b p b from The Aeolian Sonata by Dan Locklair, copyright 2002 by Subito Music Publishing (ASCAP) Used by permission Let All That Hath Breath 25

13 Gt: 8', ' Diapason, Mixtures Prelude on Fight Prelude On, on My Fight Soul on, My Soul from Sacred Harp, 1902, tune by ohn Palmer Roes, 1859 Robert Poell arr Robert Poell from the Sacred Harp, 1902, tune by ohn Palmer Roes, Allegro q=76 f Let All That Hath Breath Copyright 196, assigned to Selah Publishing Co, Inc, 2016 All rights reserved

14 I RH: Fl 8' (2-2/'), 2' * II LH: Oboe 8' (Fl ') Ped: Pr or Fl 8' to balance manuals, no 16' dedicated to Wilma ensen, mentor and friend Sacred Sacred Dance Dance on Holy on Manna Holy Manna tune attributed to William Moore anette Fishell anette Fishell h = 60 65, ith a graceful lilt ẇ _ ˉ _ ˉ 6 1st time: RH and Ped only 2nd time: add LH I ẇ n II ẇ sim n n 11 ẇ n ẇ n * manuals should have contrasting colors of equal intensity and volume The registration may be adapted as needed as long as balance and clarity is maintained beteen all parts Let All That Hath Breath Nely composed and copyright 2016 Selah Publishing Co, Inc All rights reserved

15 to David Henning A Love So Fierce and Free: A Litany David Ashley White 2 2 Expressively, h=ca P Solo P ẇ 2 p distantly 6 end solo F F 8 Let All That Hath Breath Nely composed and copyright 2016 Selah Publishing Co, Inc Tune Maryville College 199 Selah Publishing Co, Inc

16 p 58 end solo Solo n 2 2 rit to end U U 2 2 u Maryville College 6 March 2016 Houston n Tune: David Ashley White, Selah Publishing Co, Inc Let All That Hath Breath 1

17 ƒ f I: Solo Trumpet II: Principals 8', ', 2', Softer Ensemble Reed 8' Ped: 16', 8', ',, II to Ped f dedication Trumpet Tune in D Sam Batt Oens based on Lobe den Herren from Erneuerten Gesangbuch, 1665 Sam Batt Oens based on LOBE DEN HERREN from Eneuerten Gesangbuch, Boldly maestic; rhythmically detached I < < 11 < II > ˉ ˉ ˉ < >, ˉ ˉ < > simile < < 2 Let All That Hath Breath Music from To Trumpet Tunes by Sam Batt Oens Arr copyright 1999 Birnamood Publications (ASCAP), a division of MorningStar Music Publishers, Inc, St Louis, MO All rights reserved Used by permission

18 Man: Gt ith Mixtures coupled to Full S Fanfare Alec Wyton dedication Fanfare Alec Wyton b b b b b b b b b b b b b b b b b b non legato q=60 ƒ b n 7 b b b b b b n b b b bb b n n n b 6 Let All That Hath Breath Copyright 195 HW Gray, reneed 198 by Roger Dean Publishing Used by permisison of Lorenz Publishing

19 Gt: Principals 8', ', 2' S: Full ith reeds, S to Gt Pos: Full, Pos to Gt Solo: Solo Trumpet Ped: Full ith reeds 7 Gt ƒ _ b b n n _ rit _ Prelude Prelude on on Engelberg tune by Charles V ENGELBERG Stanford, 190 Allegro maestoso (q=126) n _ b _ a tempo simile Craig Phillips Solo (or Gt) n _ n _ n ENGELBERG, tune by Charles V Stanford, 190 arr Craig Phillips _ _ n n _ 1 n b n n Copyright 1996 Selah Publishing Co, Inc All rights reserved from Glad Praises We Sing: Four Preludes for Organ [Selah ] Let All That Hath Breath 5

20 102 n n 106 S Gt 58 Let All That Hath Breath

21 S Gt ß n molto rit b b n bn b n b Let All That Hath Breath 59

22 60 Let All That Hath Breath The Association of Anglican Musicians is a nonprofit organization of musicians and clergy serving in the orshiping communities of the Episcopal Church and the larger Anglican tradition Founded in the early 1970s as the successor to the American Cathedral Organists and Choirmasters Association (formed in 1966), AAM s membership today embraces musicians, clergy, and supporters of music in Anglican liturgical life Members ork and orship in cathedrals, parishes and missions large and small, theological seminaries, and church-related schools They are organists, pianists, bishops, guitarists, presbyters and deacons, directors and trainers of choirs, teachers of music, and friends of Anglicanism s musical tradition and practice of sung prayer The Association s ebsite is found at anglicanmusiciansorg

Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.

Please note that not all pages are included This is purposely done in order to protect our property and the ork of our esteemed composers If you ould like to see this ork in its entirety please order online