TECHNICAL RIDER PA SYSTEM

Transcription

1 Hutsol Aleksandr Phone: (Viber/WhatsApp) Soundengineer Oleg Davidov Phone: +380 (66) Lighting engineer/designer TECHNICAL RIDER Dear event managers! All technical issues must be clarified with sound engineer not later than 3 days before the show. Technical rider must be agreed necessarily with letter approval of all items in the list to . Negotiations are mandatory. Dear technical crew!!! Please read tech rider carefully. All the details below are very important and are necessary to carry out!!! PA SYSTEM Preferred PA Systems are: D&B Audiotechnik, Meyer Sound, L Acoustics. Capacity of PA should be according to the sizes of the venue. Pre discussion of configuration and power rating of the system is necessary and very important for each venue. For large venues (stadiums etc.) is necessary to provide delay towers, side fills to achieve flat and same (as main) SPL & frequency response in every place (point) inside the venue. During sound check & the show qualified system engineers must be at FOH position. InFills (Front Fills) are really necessary for each venue! PA System must be configured with separate Subwoofer Buss & Main (L+R) Buss. FOH CONSOLE Preferred consoles are: Avid Venue Profile (Waves Plugins are required, not less than 3 DSP cards!) or Yamaha CL5. Using and offering any other consoles is strictly prohibited. PA System processing control must be placed at FOH mixing position. Talkback & Light bulb on the console are necessary. With CL5 you should provide WIFI access point and ipad for remote control. The mixing console should be placed in the center of the venue with same distance from left and right speakers. All other placing options like under the stairs (balcony), under the stage or on it s side are strictly prohibited. Near the FOH console must be some place for MacBook Pro (13 ) and mini jack cable connected to console (for PA test). For Profile & CL5 we ve got ready shows and presets.

2 WIRELESS SYSTEMS 3 х Shure UR (2 back Vocs girls,1 voc Loboda Spare); We bring our own wireless system Shure AXT (Voc Lead Loboda) H MHz, and In-Ear system Shure PSM1000 (INEAR LEAD VOC) L MHz. It s necessary to provide some place for all this wireless devices (mounted in case 2U 19 ). Very important to place it on the stage, not behind screen or in some other room! All wireless systems must be placed near the stage box! Local sound engineers must have a list of radio frequencies which are already used, to prevent any interferences. Local sound crew or event managers must certify bands of frequency range for our wireless systems. 4 x AA Batteries DURACELL Industrial (ONLY!) PLAYBACK 6 х Di-Box PlayBack connection; 6 x Jack>Jack (6.3 ) cables (Short cables, length less 1.2 meters); 6 Di-Boxes must be labeled accordingly to input list (see below). This Di-Boxes must be used by LOBODA band only! MIC/DI LIST 6 x Di-Box - All the same brand and model; 2 x Shotgun condenser mics - Ambience (L & R); 3 х Shure UR (2 back Vocs girls,1 voc Loboda Spare); AUX/MATRIX SENDS STANDS AUX 1,2 STEREO IN-EAR LEAD VOX XLR MALE CABLE (OUR IN-EAR SYSTEM); AUX 3 LINE LEAD VOC 4 x FLOOR WEDGES; MTX 1,2 MAIN L & R; MTX 3 FRON FILLS; MTX 4 SUBWOOFERS; 2 x AMBIENCE MIC STANDS; 4 x MIC STAND FOR OUR WIRELESS ANTENNAS; 3 x STRAIGHT MIC STANDS (ROUND BASE) K&M SOFT TOUCH (LIKE ON PICTURE BELOW!

3 INPUT LIST FOH FOH Channel name Mic / DI 1 Play Back L DI FOH 2 Play Back R DI FOH 3 Back L DI FOH 4 Back R DI FOH 5 Lead PB DI FOH 6 Voc Lead Split 7 Voc Lead LOBODA Mic Radio (свой) 8 Ambience L Mic 9 Ambience R Mic 10 Back 1 Mic Radio 11 Back 2 Mic Radio 12 Voc Lead Loboda Spare Mic Radio 13 SMPTE DI FOH STAGE PLAN

4 LIGHT Must be clarified with lighting designer of band. For our performans wee need: Beam moving head ( W) (Clay Paky Sharpy or Mythos, Martin Rush MH3 beam) 16 pcs. Led moving head with zoom (5-15W) - (Clay Paky B-EYE K10 or K20, JB lighting A8 или A12) 16 pcs. Spot moving head with ZOOM and IRIS ( W) (Clay Paky QWO800 or HPE 1500) 9 pcs. Strobe with light mode ( W) (Clay Paky Stormy CC, Martin Atomic 3000) 8 pcs. Blinder 4x line (4x650W) (DTS, Eurolite) 8 pcs. Followspot ( W) 1 pc. Hazer - DF50, Tour Hazer2, Haze fluid supply for 8 hours of continuous work 1 or 2 pc (like the optional for each individual venue) Lighting console - MAlighting GrandMA2 full size или GrandMA2 Light ONLY!!!!! With one free ArtNet port, for our video server. Lighting console should be placed in the center of the venue near sound console. Installation of light equipmant

5 VIDEO: Each show requires LED Screen and local tech crew, who will play all video content. Screen size according to the stage length and height. It must fully fill back wall of the stage and installed like on picture above. Organizer assumes full responsibility for safety and reliability of suspension system of the LED screen and other suspended structures. In cases, when reliability of constructions is quested, by safety services or technical crew of the band, the artist reserves the right to cancel the show, without returning the fee. All video content play from our video server. We need HDMI cable near the light console

6 SPECIAL EFFECTS AND ADDITIONAL EQUIPMENT: The show requires two metaphane (confetti)(silver colour) machines for the last song PORA DOMOI. Local tech crew controls this piece of equipment. It s necessary to provide 5 STAGE FANS (on the floor of the stage) located like on stage plan. Power supply: It is necessary to provide the electic power supply of all equipment which will be used during the performance. The power supply must be 3 phased with grounding, SOUND POWER INPUT MUST BE SEPARATE from which THE LIGHT is used! Note: All equipment must be installed, connected and checked before the band starts the tuning. All equipment and cables must be located in such a way for providing maximum of free space and not to affect the work of the staff and band on the stage. For the beginning of the sound-check, the system should be ready and adapted to sounding stage acoustic conditions of technical service of Your sound rental company. Technical workers and service staff should be on their work places during sound-check and whole performance. Please accord all the questions and issues with concert director and sound engineer of the band: Hutsol Aleksandr Phone: Soundengineer gytsol.sasha@gmail.com Oleg Davidov Phone: +380 (66) Lighting engineer/designer olegga.one@gmail.com