mvb Verdigris Pro 2 of 24
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- Jasmin Lester
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2 vb Verdigris Pro 2 of 24 Garalde: the word itself sounds antique and arcane to anyone who isn t fresh out of design school, but the sort of typeface it describes is actually quite failiar to all of us. Despite its age born fairly early in printing s history the style has fared well; Garaldes are still the typefaces of choice for books and other long reading. And so we continue to see text set in old favorites Garaond, Sabon, and their Venetian predecessor, Bebo. Yet any new books don t feel as handsoe and readable as older books printed in the original, etal type. The proble is that digital type revivals are typically facsiiles of their etal predecessors, erely duplicating the letterfors rather than capturing the ipression both physical and eotional that the typefaces once left on the page. vb Verdigris is a Garalde text faily for the digital age. Inspired by work of 16th-century punchcutters Robert Granjon, Hendrik van den Keere, and Pierre Haultin, vb Verdigris celebrates tradition but is not beholden to it. Originally created to deliver good typographic color as text, Mark van Bronkhorst s updated design eets the needs of today s designer using today s paper and press. Now a full-featured OpenType release with an added titling copanion, it s optiized for the latest typesetting technologies too. vb Verdigris Standard fonts released 2003 Reissued as vb Verdigris Pro Text (OpenType) 2010 vb Verdigris Pro Big (OpenType) 2012 Mark van Bronkhorst, designer Linnea Lundquist, production vbfonts.co 2012 vb fonts
3 vb Verdigris Pro Text 3 of 24 love 95 who was invited to the singing-school rties cooed. By and know where to find eplores as incident e y reverence for elations. But now I rds. For persons are e debt of the young t being tepted to ocial instincts. For y upon those of tenor coparison and thirty years, yet the ces, and is a wreath ay see to any r page in their life s affection contrived wn truth, to a parward they ay find ality to this groping e our experience in of that power to his the dawn in hi of nt with purple light, single tone of one ustance associatecae all eye when the youth becoes bon, or the wheels silent, for hi who oughts than any old friends, though best and purest, can give hi; for the figures, the otions, the words of the beloved object are not like other iages written in water, but, as Plutarch said, enaelled in fire, and ake the study of idnight. Thou art not gone; being gone, where er thou art, Thou leav st in hi thy watchful eyes, in hi thy loving heart. In the noon and the afternoon of life we still throb at the recollection of days when happiness was not happy enough, but ust be drugged with the relish of pain and fear; for he touched the secret of the atter who said of love All other pleasures are not worth its pains; and when the day was not long enough, but the night too ust be consued in keen recollections; when the head boiled all night on the pillow with the generous deed it resolved on; when the oonlight was a pleasing fever and the stars were letters and the flowers ciphers and the air was coined into song; when all business seeed an ipertinence, and all the en and woen running to and fro in the streets, ere pictures. The passion rebuilds the world for the youth. It akes all things alive and significant. Nature grows conscious. Every bird on the boughs of the tree sings now to his heart and soul. The notes are alost articulate. The clouds have faces as he looks on the. The trees of the forest, the waving grass and the peeping flowers have grown intelligent; and he alost fears to trust the with the secret which they see to invite. Yet nature soothes and sypathizes. In the green solitude he finds a dearer hoe than with en. Fountain-heads and pathless groves, Places which pale passion loves, Moonlight walks, when all the fowls Are safely housed, save bats and owls, A idnight bell, a passing groan, These are the sounds we feed upon. Behold there in the wood the fine adan! He is a palace of sweet sounds and sights; he dilates; he is twice a an; he walks with ars akibo; he soliloquizes; he accosts the grass and the trees; he feels the blood of the violet, the excerpt, love, fro essays: first series (1841) by ralph waldo eerson verdigris pro text regular & italic, 10 pt. vbfonts.co 2012 vb fonts
4 vb Verdigris Pro Text Regular 4 of 24 12/18 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s world, and the coldest philosopher cannot recount the debt of the young soul wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering all analysis or coparison and putting us quite beside ourselves we can seldo see after thirty years, yet the reebrance of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a strange fact; it ay see to any en, in revising their experience, that they have no fairer page in their life s book than the delicious eory of soe passages wherein affection contrived to give a witchcraft, surpassing the deep attraction of its own truth, to a parcel of accidental and trivial circustances. In looking backward they ay find that several things which were not the char have ore reality to this groping eory than the char itself which ebaled the. But be our experience in particulars what it 9/12 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s world, and the coldest philosopher cannot recount the debt of the young soul wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering all analysis or coparison and putting us quite beside ourselves we can seldo see after thirty years, yet the reebrance of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a strange fact; it ay see to any en, in revising their experience, that they have no fairer page in their life s book than the delicious eory of soe passages wherein affection contrived to give a witchcraft, surpassing the deep attraction of its own truth, to a parcel of accidental and trivial I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s world, and the coldest philosopher cannot recount the debt of the young soul wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering all analysis or coparison and putting us quite beside ourselves we can seldo see after thirty years, yet the reebrance of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a strange fact; it ay see to any en, in revising their experience, that they have no fairer page in their life s book than the delicious eory of soe passages wherein affection contrived to give a witchcraft, surpassing the deep attraction of its own truth, to a parcel of accidental and trivial circustances. In looking backward they ay find that several things which 7/10 pt excerpt, love, fro essays: first series (1841) by ralph waldo eerson vbfonts.co 2012 vb fonts
5 vb Verdigris Pro Text Italic 5 of 24 12/18 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s world, and the coldest philosopher cannot recount the debt of the young soul wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering all analysis or coparison and putting us quite beside ourselves we can seldo see after thirty years, yet the reebrance of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a strange fact; it ay see to any en, in revising their experience, that they have no fairer page in their life s book than the delicious eory of soe passages wherein affection contrived to give a witchcraft, surpassing the deep attraction of its own truth, to a parcel of accidental and trivial circustances. In looking backward they ay find that several things which were not the char have ore reality to this groping eory than the char itself which ebaled the. But be our experience in particulars what it ay, no an ever forgot the visitations of that power to his heart and brain, which created all things anew; which was the dawn in hi of usic, poetry, and art; which ade the 9/12 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s world, and the coldest For persons are love s world, and the coldest philosopher cannot recount philosopher cannot recount the debt of the young soul wandering the debt of the young soul wandering here in nature to the power of here in nature to the power of love, without being tepted to unsay, love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering all analysis or coparison and putting us quite beside ourselves we can beauty overpowering all analysis or coparison and putting us quite seldo see after thirty years, yet the reebrance of these visions beside ourselves we can seldo see after thirty years, yet the reebrance outlasts all other reebrances, and is a wreath of flowers on the of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a strange fact; it ay see to any en, in revising their experience, that they have no fairer page oldest brows. But here is a strange fact; it ay see to any en, in revising their experience, that they have no fairer page in their life s book than the delicious eory of soe passages wherein affection contrived to give a witchcraft, surpassing the deep attraction of its in their life s book than the delicious eory of soe passages wherein own truth, to a parcel of accidental and trivial circustances. In affection contrived to give a witchcraft, surpassing the deep attraction looking backward they ay find that several things which were not of its own truth, to a parcel of accidental and trivial circustances. In looking backward they ay find that several things which were not the char have ore reality to this groping eory than the char itself the char have ore reality to this groping eory than the char itself which ebaled the. But be our experience in particulars 7/10 pt excerpt, love, fro essays: first series (1841) by ralph waldo eerson vbfonts.co 2012 vb fonts
6 vb Verdigris Pro Text Bold 6 of 24 12/18 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s world, and the coldest philosopher cannot recount the debt of the young soul wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering all analysis or coparison and putting us quite beside ourselves we can seldo see after thirty years, yet the reebrance of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a strange fact; it ay see to any en, in revising their experience, that they have no fairer page in their life s book than the delicious eory of soe passages wherein affection contrived to give a witchcraft, surpassing the deep attraction of its own truth, to a parcel of accidental and trivial circustances. In looking backward they ay find that several things which were not the char have ore reality to this groping eory than the 9/12 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons reebrance of such disparaging words. For persons are are love s world, and the coldest philosopher cannot love s world, and the coldest philosopher cannot recount recount the debt of the young soul wandering here in nature the debt of the young soul wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering all analysis or coparison though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering and putting us quite beside ourselves we can seldo see all analysis or coparison and putting us quite beside ourselves we can seldo see after thirty years, yet the reebrance of these visions outlasts all other reebrances, after thirty years, yet the reebrance of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a strange fact; it ay and is a wreath of flowers on the oldest brows. But see to any en, in revising their experience, that they have no fairer page in their life s book than the delicious here is a strange fact; it ay see to any en, in revising eory of soe passages wherein affection contrived their experience, that they have no fairer page in their life s book than the delicious eory of soe passages wherein affection contrived to give a witchcraft, surpassing the deep to give a witchcraft, surpassing the deep attraction of its own truth, to a parcel of accidental and trivial circu- 7/10 pt excerpt, love, fro essays: first series (1841) by ralph waldo eerson vbfonts.co 2012 vb fonts
7 vb Verdigris Pro Text Bold Italic 7 of 24 12/18 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s world, and the coldest philosopher cannot recount the debt of the young soul wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering all analysis or coparison and putting us quite beside ourselves we can seldo see after thirty years, yet the reebrance of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a strange fact; it ay see to any en, in revising their experience, that they have no fairer page in their life s book than the delicious eory of soe passages wherein affection contrived to give a witchcraft, surpassing the deep attraction of its own truth, to a parcel of accidental and trivial circustances. In looking backward they ay find that several things which were not the char have ore reality to this groping eory than the char itself which ebaled the. But be our experience in particulars what it ay, no an ever forgot the 9/12 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s of such disparaging words. For persons are love s world, and the world, and the coldest philosopher cannot recount the debt coldest philosopher cannot recount the debt of the young soul of the young soul wandering here in nature to the power wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although a beauty overpowering all of heaven seizes only upon those of tender age, and although a analysis or coparison and putting us quite beside ourselves beauty overpowering all analysis or coparison and putting us we can seldo see after thirty years, yet the reebrance quite beside ourselves we can seldo see after thirty years, yet the reebrance of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a of these visions outlasts all other reebrances, and is a wreath of flowers on the oldest brows. But here is a strange fact; it ay see to any en, in revising their experience, that they have no fairer page in their life s book than the delicious eory of soe passages wherein affection contrived strange fact; it ay see to any en, in revising their experience, that they have no fairer page in their life s book than the to give a witchcraft, surpassing the deep attraction of its delicious eory of soe passages wherein affection contrived to give a witchcraft, surpassing the deep attraction of its own truth, to a parcel of accidental and trivial circustances. In own truth, to a parcel of accidental and trivial circustances. In looking backward they ay find that several things 7/10 pt excerpt, love, fro essays: first series (1841) by ralph waldo eerson vbfonts.co 2012 vb fonts
8 vb Verdigris Pro Text Basic Characters 8 of 24 regular ABCDEFGHIJKLMNOPQQQRSTUVWXY&Z abcdefghijklnopqqrstuvwxy&z abcdefghijklnopqrstuvwxyz {([?!])} * italic ABCDEFGHIJKLMNOPQQRSTUVWXY&Z abcdefghijklnopqqrstuvwxy&z abcdefghijklnopqrstuvwxyz {([?!])} * bold ABCDEFGHIJKLMNOPQQQRSTUVWXY&Z abcdefghijklnopqqrstuvwxy&z abcdefghijklnopqrstuvwxyz {([?!])} * bold italic ABCDEFGHIJKLMNOPQQRSTUVWXY&Z abcdefghijklnopqqrstuvwxy&z abcdefghijklnopqrstuvwxyz {([?!])} * vbfonts.co 2012 vb fonts
9 vb Verdigris Pro Text Roan Characters 9 of 24 uppercase sall caps lowercase figure sets figure-related sybols tabular sybols punctuation, etc. ligatures extended uppercase ABCDEFGHIJKLMNOPQQQRSTUVWXY&Z ABCDEFGHIJKLMNOPQQRSTUVWXY&Z abcdefghijklnopqrstuvwxyz $$ ƒ Rp #% $$ ƒ.,:;!? '" - _ l TTTWTYThVhWhßfiflffffifflfbffbfhffhfjffjfkffkftffttt ÁÀÂÄÃÅĂĀĄǺÇĆČĈĊĎĐÉÈÊËĔĚĖĒĘĞĜĢĠĦĤÍÌÎÏĬİĪĮĨIJĴ ĶĹĽĻĿŁÑŃŇŅŊÓÒÔÖÕŎŐŌØǾŔŘŖŠŚŞŜȘŦŤŢȚÚÙÛÜŬŰ ŪŲŮŨẂŴẄẀÝŸŶỲŽŹŻÐÞÆǼŒƏ uppercase variants extended lowercase - ƒ Rp #% áàâäãåăāąǻçćčĉċďđéèêëĕěėēęğĝģġħĥíìîïĭīįĩijıĵȷķĸĺľļŀłñńňņŋʼn óòôöõŏőōøǿŕřŗšśşŝșŧťţțúùûüŭűūųůũẃŵẅẁýÿŷỳžźżðþæǽœə extended sall caps ÁÀÂÄÃÅĂĀĄǺÇĆĈČĊĎĐÉÈÊËĔĚĖĒĘĞĢĠĜĦĤÍÌÎÏĬİĪĮĨIJĴĶĹĽĿĻŁÑŃŇŅŊ ÓÒÔÖÕŎŐŌØǾŔŘŖŠŚŞŜȘŦŤŢȚÚÛÜŬŰŪŲŮŨẂŴẄẀÝŸŶỲŽŹŻÐÞÆǼŒƏ sall-cap variants floating accents super- and subscript fractions superscript inuscules ath bullets & arrows!? $ ƒ Rp `ˆ ˇ ˇ `ˆ ˇ ˇ `ˆ ˇ ˇ ($ #%.,-) ⁰¹²³⁴⁵⁶⁷⁸⁹₀₁₂₃₄₅₆₇₈₉ ½ ¼ ¾ ⅓ ⅔ ⅛ ⅜ ⅝ ⅞ abdehilⁿorst + = ±<> ~^ µπ Ω note access to soe characters is subject to application support. languages supported Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, Galician, Geran, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokål, Norwegian Nynorsk, Oroo, Polish, Portuguese, Roanian, Slovak, Slovenian, Soali, Spanish, Swahili, Swedish, Turkish, and Welsh vbfonts.co 2012 vb fonts
10 vb Verdigris Pro Text Italic Characters 10 of 24 uppercase sall caps lowercase figure sets figure-related sybols tabular sybols punctuation, etc. ligatures extended uppercase ABCDEFGHIJKLMNOPQQRSTUVWXY&Z ABCDEFGHIJKLMNOPQQRSTUVWXY&Z abcdefghijklnopqrstuvwxyz $$ ƒ Rp #% $$ ƒ.,:;!? '" - _ l TTThVhWhßfiflffffifflfbffbfhffhfjffjfkffkfrffrftfftggggygytt ÁÀÂÄÃÅĂĀĄǺÇĆČĈĊĎĐÉÈÊËĔĚĖĒĘĞĜĢĠĦĤÍÌÎÏĬİĪĮĨIJĴĶ ĹĽĻĿŁÑŃŇŅŊÓÒÔÖÕŎŐŌØǾŔŘŖŠŚŞŜȘŦŤŢȚÚÙÛÜŬŰŪŲŮŨ ẂŴẄẀÝŸŶỲŽŹŻÐÞÆǼŒƏ uppercase variants extended lowercase - ƒ Rp #% áàâäãåăāąǻçćčĉċďđéèêëĕěėēęğĝģġħĥíìîïĭīįĩijıĵȷķĸĺľļŀłñńňņ ŋʼnóòôöõŏőōøǿŕřŗšśşŝșŧťţțúùûüŭűūųůũẃŵẅẁýÿŷỳžźżðþæǽœə extended sall caps ÁÀÂÄÃÅĂĀĄǺÇĆĈČĊĎĐÉÈÊËĔĚĖĒĘĞĢĠĜĦĤÍÌÎÏĬİĪĮĨIJĴĶĹĽĿĻŁÑŃŇŅŊ ÓÒÔÖÕŎŐŌØǾŔŘŖŠŚŞŜȘŦŤŢȚÚÛÜŬŰŪŲŮŨẂŴẄẀÝŸŶỲŽŹŻÐÞÆǼŒƏ sall-cap variants floating accents super- and subscript fractions superscript inuscules ath bullets & arrows!? $ ƒ Rp `ˆ ˇ ˇ `ˆ ˇ ˇ `ˆ ˇ ˇ ($ #%.,-) ⁰¹²³⁴⁵⁶⁷⁸⁹₀₁₂₃₄₅₆₇₈₉ ½ ¼ ¾ ⅓ ⅔ ⅛ ⅜ ⅝ ⅞ abdehilⁿorst + = ±<> ~^ µπ Ω note access to soe characters is subject to application support. languages supported Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, Galician, Geran, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokål, Norwegian Nynorsk, Oroo, Polish, Portuguese, Roanian, Slovak, Slovenian, Soali, Spanish, Swahili, Swedish, Turkish, and Welsh vbfonts.co 2012 vb fonts
11 vb Verdigris Pro Text Features 11 of 24 all caps ABCDEFGHIJKabcdefghijk ABCDEFGHIJKabcdefghijk all caps sall caps ABCDEFGHIJK&abcdefghijkl ABCDEFGHIJK&abcdefghijkl all sall caps ABCDEFGHIJKabcdefghijkl ABCDEFGHIJKabcdefghijkl all sall caps Abc? def & 123 GHijk $12 38 Abc? def & 123 GHijk $12 38 ligatures Offer Muffin LIttle Think Offer Muffin LIttle Think oldstyle figures (default) ABCDEabcde ABCDEabcde tabular oldstyle figures ABCDEabcde ABCDEabcde stylistic set lining figures ABCDEabcde ABCDEabcde tabular lining figures ABCDEabcde ABCDEabcde all-cap figures ABCDEabcde ABCDEabcde fractions 1/2 23/87 8/5 239/348 1/2 23/87 8/5 239/348 superscript / superior 1o 1a 1st 2nd $8.95 footnote.18 1o 1a 1st 2nd $8.95 footnote.18 subscript / inferior H2O Polo Tournaent H2O Polo Tournaent notes features shown available in regular, italic, bold, and bold italic fonts. access to use of opentype features is subject to application support. vbfonts.co 2012 vb fonts
12 vb Verdigris Pro Text Optional Caps Font 12 of 24 For those occasional, typographical situations when uppercase characters see too large, and sall caps see too sall (such as with acronys), vb Verdigris provides an optional Caps font with id-caps (typed as uppercase) and sall caps (lowercase), with full caps builtin as a stylistic set. Settings of full caps to id-caps, and id-caps to sall caps are thereby possible for titles and headings. The Caps font is available in Regular only. The Quick Brown Fox Jups over a LAZ 123 vb verdigris pro text regular, all caps with all-cap figures The Quick Brown Fox Jups Over a Lazy Do 123 vb verdigris pro text regular caps, stylistic set 2 (full caps and id-caps) with proportional lining figures the quick brown fox jups over a lazy dog 123 vb verdigris pro text regular caps, id-caps with proportional lining figures The Quick Brown Fox Jups Over a Lazy Dog vb verdigris pro text regular, full caps and sall caps with oldstyle figures The Quick Brown Fox Jups Over a Lazy Dog vb verdigris pro text regular caps, id-caps and sall caps with oldstyle figures For those occasional, typographical situations when uppercase characters see too large, and sall caps see too sall (such as with ACRONYMS), vb Verdigris provides an optional Caps font with id-caps (typed as uppercase) and sall caps (lowercase), with full caps built-in as a stylistic set. all caps for acronys For those occasional, typographical situations when uppercase characters see too large, and sall caps see too sall (such as with acronys), vb Verdigris provides an optional Caps font with id-caps (typed as uppercase) and sall caps (lowercase), with full caps built-in as a stylistic set. sall caps for acronys For those occasional, typographical situations when uppercase characters see too large, and sall caps see too sall (such as with acronys), vb Verdigris provides an optional Caps font with id-caps (typed as uppercase) and sall caps (lowercase), with full caps built-in as a stylistic set. id-caps (caps font) for acronys the quick brown fox jups over a lazy dog vb verdigris pro text regular, sall caps with oldstyle figures vbfonts.co 2012 vb fonts
13 vb Verdigris Pro Text Caps Characters 13 of 24 uppercase (id-caps) lowercase (sall caps) alternates (full caps) figure sets figure-related sybols tabular sybols punctuation, etc. extended uppercase (id-caps) ABCDEFGHIJKLMNOPQQQRSTUVWXY&Z ABCDEFGHIJKLMNOPQQRSTUVWXY&Z ABCDEFGHIJKLMNOPQQQRSTUVWXY&Z $ ƒ Rp #% $ ƒ.,:;!? - _ l ÁÀÂÄÃÅĂĀĄǺÇĆČĈĊĎĐÐÉÈÊËĔĚĖĒĘĞĜĢĠĦĤÍÌÎÏĬİĪĮĨIJĴĶ ĹĽĻĿŁÑŃŇŅŊÓÒÔÖÕŎŐŌØǾŔŘŖŠŚŞŜȘŦŤŢȚÚÙÛÜŬŰŪŲŮŨ ẂŴẄẀÝŸŶỲŽŹŻÞÆǼŒƏ uppercase variants (id-caps) extended lowercase (sall caps) áàâäãåăāąǻæǽçćčĉċďđéèêëĕěėēęğĝģġħĥíìîïĭīįĩijıĵȷķĺľļŀł ñńňņŋóòôöõŏőōøǿœŕřŗšśşŝșŧťţțúùûüŭűūųůũẃŵẅẁýÿŷỳ žźżðþə extended alternates (full caps) ÁÀÂÄÃÅĂĀĄǺÇĆČĈĊĎĐÐÉÈÊËĔĚĖĒĘĞĜĢĠĦĤÍÌÎÏĬİĪĮĨ IJĴĶĹĽĻĿŁÑŃŇŅŊÓÒÔÖÕŎŐŌØǾŔŘŖŠŚŞŜȘŦŤŢȚ ÚÙÛÜŬŰŪŲŮŨẂŴẄẀÝŸŶỲŽŹŻÞÆǼŒƏ floating accents super- and subscript fractions superscript inuscules ath bullets & arrows `ˆ ˇ ˇ `ˆ ˇ ˇ `ˆ ˇ ˇ ($ #%.,-) ⁰¹²³⁴⁵⁶⁷⁸⁹₀₁₂₃₄₅₆₇₈₉ ½ ¼ ¾ ⅓ ⅔ ⅛ ⅜ ⅝ ⅞ abdehilⁿorst + = ±<> ~^ µπ Ω notes caps font available in regular only. access to soe characters is subject to application support. languages supported Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, Galician, Geran, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokål, Norwegian Nynorsk, Oroo, Polish, Portuguese, Roanian, Slovak, Slovenian, Soali, Spanish, Swahili, Swedish, Turkish, and Welsh vbfonts.co 2012 vb fonts
14 vb Verdigris Pro Text Caps Features 14 of 24 stylistic set 2 (full cap & id-cap) The Quick Brown Fox The Quick Brown Fox all caps (id-cap) ABCDEFGHIJKabcdefghijk ABCDEFGHIJKabcdefghijk all caps (id-cap) (ABC)?def123GH@ijk$ 38 (ABC)?def123gh@ijk$ 38 default (id-cap & sall cap) The Quick Brown Fox The Quick Brown Fox all sall caps The Quick Brown Fox The Quick Brown Fox oldstyle figures (default) ABCDEabcde ABCDEabcde tabular oldstyle figures ABCDEabcde ABCDEabcde stylistic set lining figures ABCDEfghijk ABCDEfghijk tabular lining figures ABCDEfghijk ABCDEfghijk fractions 1/2 23/87 8/5 239/348 1/2 23/87 8/5 239/348 superscript / superior 1o 1a 1st 2nd $8.95 note.18 1o 1a 1st 2nd $8.95 note.18 subscript / inferior H2O Polo Tournaent H2O Polo Tournaent notes features shown available in caps font only. access to use of opentype features is subject to application support. vbfonts.co 2012 vb fonts
15 vb Verdigris Pro Big 15 of 24 Originally designed for use as book text, vb Verdigris was in need of a ore refined titling copanion. Inspired by the 7-line Pica Roan by 16th-century punchcutter Hendrik van den Keere, Mark van Bronkhorst has expanded the vb Verdigris faily to include two Big titling weights for headings and titles. vb Verdigris Big 2012 Mark van Bronkhorst, designer Linnea Lundquist, production vbfonts.co 2012 vb fonts
16 vb Verdigris Pro Big Regular 16 of 24 30/34 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s world, and the coldest philosopher cannot recount the debt of the young soul wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of tender age, and although excerpt, love, fro essays: first series (1841) by ralph waldo eerson vbfonts.co 2012 vb fonts
17 vb Verdigris Pro Big Regular 17 of 24 the verdigris collection of old aster paintings The Verdigris Collection of Old Master Paintings big regular (with tapered dash scaled to 200% width) vbfonts.co 2012 vb fonts
18 vb Verdigris Pro Big Bold 18 of 24 30/34 pt I have been told that in soe public discourses of ine y reverence for the intellect has ade e unjustly cold to the personal relations. But now I alost shrink at the reebrance of such disparaging words. For persons are love s world, and the coldest philosopher cannot recount the debt of the young soul wandering here in nature to the power of love, without being tepted to unsay, as treasonable to nature, aught derogatory to the social instincts. For though the celestial rapture falling out of heaven seizes only upon those of excerpt, love, fro essays: first series (1841) by ralph waldo eerson vbfonts.co 2012 vb fonts
19 vb Verdigris Pro Big Bold 19 of 24 the verdigris collection of old aster paintings The Verdigris Collection of Old Master Paintings big bold (with tapered dash scaled to 200% width) vbfonts.co 2012 vb fonts
20 vb Verdigris Pro Big Basic Characters 20 of 24 ABCDEFGHIJKLMNO PQQQRSTUVWXY&Z abcdefghijklno pqq rstuvwxy&z abcdefghijklnopqrstuvwxyz regular ABCDEFGHIJKLMNO PQQQRSTUVWXY&Z abcdefghijklno pqq rstuvwxy&z abcdefghijklnopqrstuvwxyz bold vbfonts.co 2012 vb fonts
21 vb Verdigris Pro Big Roan Characters 21 of 24 uppercase sall caps lowercase figure sets figure-related sybols tabular sybols punctuation, etc. ligatures extended uppercase ABCDEFGHIJKLMNOPQQQRSTUVWXY&Z ABCDEFGHIJKLMNOPQQRSTUVWXY&Z abcdefghijklnopqrstuvwxyz $$ ƒ Rp #% $$ ƒ.,:;!? '" - _ l TTTWTYThVhWhßfiflffffifflfbffbfhffhfjffjfkffkftffttt ÁÀÂÄÃÅĂĀĄǺÇĆČĈĊĎĐÉÈÊËĔĚĖĒĘĞĜĢĠĦĤÍÌÎÏĬİĪĮĨIJ ĴĶĹĽĻĿŁÑŃŇŅŊÓÒÔÖÕŎŐŌØǾŔŘŖŠŚŞŜȘŦŤŢȚÚÙÛÜŬ ŰŪŲŮŨẂŴẄẀÝŸŶỲŽŹŻÐÞÆǼŒƏ uppercase variants extended lowercase - ƒ Rp #% áàâäãåăāąǻçćčĉċďđéèêëĕěėēęğĝģġħĥíìîïĭīįĩijıĵȷķĸĺľļŀłñńňņŋʼn óòôöõŏőōøǿŕřŗšśşŝșŧťţțúùûüŭűūųůũẃŵẅẁýÿŷỳžźżðþæǽœə extended sall caps ÁÀÂÄÃÅĂĀĄǺÇĆĈČĊĎĐÉÈÊËĔĚĖĒĘĞĢĠĜĦĤÍÌÎÏĬİĪĮĨIJĴĶĹĽĿĻŁÑŃŇŅŊ ÓÒÔÖÕŎŐŌØǾŔŘŖŠŚŞŜȘŦŤŢȚÚÛÜŬŰŪŲŮŨẂŴẄẀÝŸŶỲŽŹŻÐÞÆǼŒƏ sall-cap variants floating accents super- and subscript fractions superscript inuscules ath bullets & arrows tapered dashes!? $ ƒ Rp `ˆ ˇ ˇ `ˆ ˇ ˇ `ˆ ˇ ˇ ($ #%.,-) ⁰¹²³⁴⁵⁶⁷⁸⁹₀₁₂₃₄₅₆₇₈₉ ½ ¼ ¾ ⅓ ⅔ ⅛ ⅜ ⅝ ⅞ abdehilⁿorst + = ±<> ~^ µπ Ω note access to soe characters is subject to application support. languages supported Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, Galician, Geran, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokål, Norwegian Nynorsk, Oroo, Polish, Portuguese, Roanian, Slovak, Slovenian, Soali, Spanish, Swahili, Swedish, Turkish, and Welsh vbfonts.co 2012 vb fonts
22 vb Verdigris Pro Big Features 22 of 24 all caps ABCDEFGHIJKabcdefghijk ABCDEFGHIJKabcdefghijk all caps sall caps ABCDEFGHIJK&abcdefghijkl ABCDEFGHIJK&abcdefghijkl all sall caps ABCDEFGHIJKabcdefghijkl ABCDEFGHIJKabcdefghijkl all sall caps Abc? def & 123 GHijk $12 38 Abc? def & 123 GHijk $12 38 ligatures Offer Muffin LIttle Think Offer Muffin LIttle Think oldstyle figures (default) ABCDEabcde ABCDEabcde tabular oldstyle figures ABCDEabcde ABCDEabcde stylistic set lining figures ABCDEabcde ABCDEabcde tabular lining figures ABCDEabcde ABCDEabcde all-cap figures ABCDEabcde ABCDEabcde fractions 1/2 23/87 8/5 239/348 1/2 23/87 8/5 239/348 superscript / superior 1o 1a 1st 2nd $8.95 footnote.18 1o 1a 1st 2nd $8.95 footnote.18 subscript / inferior H2O Polo Tournaent H2O Polo Tournaent notes access to use of opentype features is subject to application support. vbfonts.co 2012 vb fonts
23 vb Verdigris Pro 23 of 24 Thanks Type Linnea Lundquist Type etrics & engineering Stephen Coles Consultant & copywriter This specien is set in vb Verdigris Pro Text Regular, Text Regular Caps, Text Italic, Text Bold, Big Regular, and Big Bold. Sans-serif headings and captions are set in vb Ebarcadero. Copyright 2012 Markanna Studios Inc. dba MVB Fonts. This PDF docuent is provided to you for evaluation purposes only. You ay reproduce this docuent on a personal printer, and you ay distribute this PDF docuent to others, provided that you do not alter the docuent and that the copyright and tradeark notices reain intact. MVB and Verdigris are registered tradearks of Markanna Studios Inc. dba MVB Fonts. OpenType is a registered tradeark of Microsoft Corporation. Sabon is a registered tradeark of Linotype Corp. Bebo is a registered tradeark of the Monotype Corporation. Other tradearks are the property of their respective owners. MVB Fonts assues no liability for unintended inaccuracies or typographical errors that ight be found in this docuent. Product characteristics and product availability are subject to change without notice. vbfonts.co 2012 vb fonts
24 vbfonts.co
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