UNITED KINGDOM & IRELAND

Transcription

1 UNITED KINGDOM & IRELAND (1) BY THE NUMBERS (A) MARKET STATISTICS AVERAGE Screens 3,671 3,767 3,817 3,867 3,909 3,806 Theatrical admissions (millions) Per capita attendance Box office (EUR millions) 1,100 1,019 1,092 1,303 1,458 1,194 Releases Domestic releases US releases European releases German releases Domestic market share 23% 24% 32% 21.4% 25.9% 25.3% German market share 0.39% 0.51% 0.37% 0.18% 0.42% 0.37% *EUR equivalents are calculated throughout at the exchange rate for December 31 of the year in question. 1 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

2 Percentage of annual box office UK & Ireland: Market Shares Domestic German UK & Ireland: Theatrical Releases Average Total Domestic US European German 2 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

3 (B) THEATRICAL RELEASES TITLE DISTRIBUTOR RELEASE DATE ADMISSIONS 2010 GERMAN FILMS (100% OR MAJORITY CO-PRODUCTIONS) KONFERENZ DER TIERE (Ger) Entertainment Film Distributors ,289 THE LAST STATION (Ger/Rus/UK) Optimum Releasing ,782 BLACK DEATH (Ger/UK) Revolver Entertainment ,528 WOMEN WITHOUT MEN (Ger/Aut/Fr) Artificial Eye ,281 STURM (Ger/Den/NL) Soda Pictures ,671 ANONYMA EINE FRAU IN BERLIN (Ger) Metrodome Distribution JASPER UND DAS LIMONADENKOMPLOTT (Ger/Fr) Soda Pictures JOHN RABE (Ger/Cn/Fr/It/Sp) Metrodome Distribution METROPOLIS (Ger, re) Eureka Entertainment n/a LIEBESLEBEN (Ger/Isr) Yellow Knife Releasing n/a 2010 GERMAN MINORITY CO-PRODUCTIONS RESIDENT EVIL: AFTERLIFE (UK/Ger/US) Sony Pictures Releasing ,955 THE GHOST (Fr/Ger/UK) Optimum Releasing ,720 MÄN SOM HATAR KVINNOR (Swe/Ger/Nor) Momentum Pictures ,459 FLICKAN SOM LEKTE MED ELDEN (Swe/Fr/Ger) Momentum Pictures ,396 LOURDES (Aut/Fr/Ger) Artificial Eye ,517 LE PÈRE DE MES ENFANTS (Fr/Ger) Artificial Eye ,991 ENTER THE VOID (Fr/Ger/It) Trinity Filmed Entertainment ,309 LEBANON (Isr/Fr/Ger) Metrodome Distribution ,299 EYES WIDE OPEN (Isr/Fr/Ger) Peccadillo Pictures ,981 HAPPY EVER AFTERS (Ire/Ger) Verve Pictures ,636 CARLOS (Fr/Ger) Optimum Releasing ,947 AJAMI (Isr/Ger/UK) Vertigo Films ,666 NIGHTWATCHING (NL/Fr/Ger/It/Pol/UK) Axiom Films International ,288 DOUBLE TAKE (Bel/Fr/Ger) Soda Pictures ,230 TOURNÉE (Fr/Ger) Artificial Eye ,004 SHE, A CHINESE (UK/Fr/Ger) Optimum Releasing ,053 3 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

4 CHASSEURS DE DRAGONS (Fr/Ger/Lux) Miracle Communications BANANAS! (Swe/Den/Ger/US) Dogwoof Pictures THIS PRISON WHERE I LIVE (UK/Ger) Dogwoof Pictures n/a 2011 GERMAN FILMS (100% OR MAJORITY CO-PRODUCTIONS) THE THREE MUSKETEERS (Ger/Fr/UK/US) Entertainment One UK ,670 PINA (Ger/Fr) Artificial Eye ,944 THE FUTURE (Ger/US) Picturehouse ,463 DAS LETZTE SCHWEIGEN (Ger) Soda Pictures ,691 DEEP END (re, BRD/US) British Film Institute ,177 LIFE, ABOVE ALL (Ger/SA) Peccadillo Pictures ,909 KÖPRÜDEKILER (Ger/Tur/NL) Verve Pictures TAXI ZUM KLO (re, BRD) Peccadillo Pictures THE GREEN WAVE (Ger) Dogwoof Pictures CROSS OF IRON (re, BRD/UK) Optimum Releasing TANZTRÄUME (Ger) Soda Pictures GERMAN MINORITY CO-PRODUCTIONS TINKER TAILOR SOLDIER SPY (UK/Fr/Ger) Studiocanal ,332,261 UNKNOWN (US/Ger/UK/Fr) Optimum Releasing ,080,245 HANNA (US/UK/Ger) Universal Pictures International ,268 CHALET GIRL (UK/Ger/Aut) Paramount Pictures/Momentum Pictures ,529 CAVE OF FORGOTTEN DREAMS (US/Fr/Ger/Can) Picturehouse Cinema ,738 MELANCHOLIA (Den/Swe/Fr/Ger) Artificial Eye ,519 ANONYMOUS (UK/Ger) Sony Pictures Releasing ,083 LE QUATTRO VOLTE (It/Ger/Swz) New Wave Films ,227 LA PRINCESSE DE MONTPENSIER (Fr/Ger) Optimum Releasing ,052 LA RAFLE (Fr/Ger) Revolver Entertainment ,596 BAL (Tur/Ger) Verve Pictures ,328 SVET-AKE (Fr/Kyrg/Ger/NL) Soda Pictures ,989 POST MORTEM (Chile/Ger/Mex) Network Releasing BLOOD IN THE MOBILE (Den/Ger) Dogwoof Pictures BOY MIR - TEN YEARS IN AFGHANISTAN (UK/Ger) Seventh Art Productions n/a 4 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

5 2012 GERMAN FILMS (100% OR MAJORITY CO-PRODUCTIONS) RESIDENT EVIL: RETRIBUTION (Ger/Can) Sony Pictures Releasing ,751 A DANGEROUS METHOD (Ger/Can/UK/Swz) Lionsgate UK ,685 BARBARA (Ger) Soda Pictures ,402 ALS DER WEIHNACHTSMANN VOM HIMMEL FIEL (Ger/Aut) Munro Film Services ,484 DER FALL CHODORKOWSKI (Ger) Trinity Filmed Entertainment ,422 EL BULLI: COOKING IN PROGRESS (Ger) Artificial Eye ,349 DESPAIR (re, Ger/Fr) Park Circus WER WENN NICHT WIR (Ger) Soda Pictures WIR SIND DIE NACHT (Ger) Momentum Pictures WOMB (Ger/Hun/Fr) Arrow Films n/a 2012 GERMAN MINORITY CO-PRODUCTIONS THE VOW (US/Brz/Fr/Aus/UK/Ger) Sony Pictures Releasing ,572 HODEJEGERNE (Nor/Den/Ger) Momentum Pictures ,837 CARNAGE (Fr/Ger/Pol) Studiocanal ,348 AMOUR (Fr/Ger/Aut) Artificial Eye ,192 EN KONGELIG AFFÆRE (Den/Cz/Swe/Ger) Metrodome Distribution ,566 LE HAVRE (Fin/Fr/Ger) Artificial Eye ,645 W CIEMNOSCI (Pol/Ger/Can) Metrodome Distribution ,658 2 DAYS IN NEW YORK (Fr/Ger/Bel) Network Releasing ,424 BERBERIAN SOUND STUDIO (UK/Ger) Artificial Eye ,397 NOSTALGIA DE LA LUZ (Chil/Fr/Ger) New Wave Films ,027 INTO THE ABYSS (US/UK/Ger) Revolver Entertainment ,621 UN AMOUR DE JEUNESSE (Fr/Ger) Artificial Eye ,372 IRON SKY (Fin/Ger/Aus) Revolver Entertainment ,624 ELLES (Fr/Pol/Ger) Artificial Eye ,324 STELLA DAYS (Ire/Nor/Ger) Eclipse Films ,499 I, ANNA (UK/Ger/Fr) Artificial Eye ,491 TABU (Por/Ger/Brz/Fr) Dogwoof Pictures ,921 HYSTERIA (UK/Fr/Ger/Lux) Sony Pictures Releasing ,231 BERLIN KAPLANI (Tur/Ger) Kinostar ,820 A TORINÓI LÓ (Hun/Fr/Ger/Swz) Artificial Eye ,576 5 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

6 SKOONHEID (SA/Fr/Ger) Peccadillo Pictures ,111 FAUST (Rus/Ger) Artificial Eye ,547 LA MORT EN DIRECT (re, Fr/Ger) Park Circus ,732 THE HOUSE I LIVE IN (NL/UK/Ger/Jap/Aus/US) Dogwoof Pictures ,495 BABYCALL (Nor/Ger/Swe) Soda Pictures ,415 HADEWIJCH (Fr/Ger) New Wave Films ,205 ATLETU (US/Ger/Eth) Ball Park Film AURORA (Rom/Fr/Swz/Ger) New Wave Films BIG BOYS GONE BANANAS!* (Swe/Den/Ger/US/UK) Dogwoof Pictures GERMAN FILMS (100% OR MAJORITY CO-PRODUCTIONS) CLOUD ATLAS (Ger/US) Warner Bros. Entertainment ,746 LORE (Ger/Aus/UK) Artificial Eye ,915 HANNAH ARENDT (Ger/Lux/Fr/Isr) Soda Pictures ,527 AGUIRRE, DER ZORN GOTTES (re, BRD) British Film Institute ,530 NOSFERATU, EINE SYMPHONIE DES GRAUENS (re, Ger) Eureka Entertainment ,660 NOSFERATU: PHANTOM DER NACHT (re, BRD/Fr) British Film Institute ,927 JEDER FÜR SICH UND GOTT GEGEN ALLE (re, BRD) British Film Institute ,829 V TUMANE (Ger/Lat/NL/Belar) New Wave Films ,710 DER ATMENDE GOTT - EINE REISE ZUM URSPRUNG DES MODERNEN YOGA (Ger/Ind) Blue Dolphin Films ,465 DER MONDMANN (Ger/Fr/Ire) Wildcard Films ,284 VIVAN LAS ANTIPODAS! (Ger/NL/Arg) Filmhouse Cinema THIS AIN T CALIFORNIA (Ger) Luxin Films CAMP 14 TOTAL CONTROL ZONE (Ger) Kaleidoscope Film Distribution n/a 2013 GERMAN MINORITY CO-PRODUCTIONS RUSH (US/UK/Ger) Studiocanal ,543,328 HANSEL & GRETEL: WITCH HUNTERS (US/Ger) Paramount Pictures International ,305 SONG FOR MARION (UK/Ger) Entertainment One UK ,077 DEN SKALDEDE FRISØR (Den/Swe/It/Fr/Ger) Arrow Films ,903 WADJDA (Saudi/Ger) Soda Pictures ,695 THE GATEKEEPERS (Isr/Fr/Ger/Bel) Metrodome Distribution ,672 6 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

7 POST TENEBRAS LUX (Mex/Fr/NL/Ger) Independent Cinema Office ,857 PARADIES: LIEBE (Aut/Ger/Fr) Soda Pictures ,224 DIE WAND (Aut/Ger) New Wave Films ,954 LA RELIGIEUSE (Fr/Ger/Bel) Metrodome Distribution ,442 PARADIES: HOFFNUNG (Aut/Ger/Fr) Soda Pictures PARADIES: GLAUBE (Aut/Ger/Fr) Soda Pictures MORE THAN HONEY (Swz/Ger/Aut) Eureka Entertainment SNABBA CASH 2 (Swe/Den/Ger) Lionsgate UK n/a SLOVENKA (Slvn/Ger/Serb/Cro) Curzon Film World n/a 2014 GERMAN FILMS (100% OR MAJORITY CO-PRODUCTIONS) TARZAN 3D (Ger) Entertainment One ,665 LOVE, ROSIE (Ger/UK) Lionsgate UK ,543 HECTOR AND THE SEARCH FOR HAPPINESS (Ger/Can) Koch Media ,050 CITIZENFOUR (Ger/US) Artificial Eye ,576 MR. MORGAN S LAST LOVE (Ger/Bel/Fr/US) Arrow Films ,103 THE GREEN PRINCE (Ger/Isr/UK) Artificial Eye ,551 M (re, Ger) BFI ,184 DAS CABINET DES DR. CALIGARI (re, Ger) Eureka Entertainment ,221 KREUZWEG (Ger) Arrow Films ,020 CATHEDERALS OF CULTURE (Ger/Den/Nor/US) Metrodome Distribution ,573 GOLD (Ger) Vertigo Films OH BOY (Ger) ICA NIGHT TRAIN TO LISBON (Ger/Swz/Por) Bulldog Film GERMAN MINORITY CO-PRODUCTIONS THE GRAND BUDAPEST HOTEL (US/Ger) 20th Century Fox UK ,642,005 THE MONUMENTS MEN (US/Ger) 20th Century Fox UK ,225 THE BOOK THIEF (US/Ger) 20th Century Fox UK ,975 POMPEII (Can/Ger) Entertainment One UK ,707 A MOST WANTED MAN (UK/US/Ger) Entertainment One UK ,699 A LONG WAY DOWN (UK/Ger) Lionsgate UK ,297 THE LUNCHBOX (Ind/Fr/Ger) Curzon Film World ,230 7 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

8 MAPS TO THE STARS (Can/US/Fr/Ger) Entertainment One UK ,341 ONLY LOVERS LEFT ALIVE (UK/Ger/Fr/Cyp) Soda Pictures ,936 KVINDEN I BURET (Den/Ger/Swe) Picturehouse Cinema ,857 NYMPHOMANIAC: VOLUME 1 (Den/Ger/Fr/Swe/Bel) Curzon Film World ,567 KIS UYKUSU (Tur/Ger/Fr) New Wave Films ,613 THE CONGRESS (Isr/Ger/Pol/Fr/Bel) Studiocanal ,500 WAKOLDA (Arg/Sp/Ger/Fr) Peccadillo Pictures ,541 NYMPHOMANIAC: VOLUME 2 (Den/Ger/Fr/Swz/Bel) Curzon Film World ,271 HROSS Í OSS (Ice/Ger) Axiom Films ,885 KON-TIKI (Nor/UK/Den/Ger) Soda Pictures ,528 LES SALAUDS (Fr/Ger) Artificial Eye ,252 PIONIER (Nor/Ger/Swe/Fr/Fin) Arrow Films ,120 GRZELI NATELI DGEEBI (Geo/Ger/Fr) Artificial Eye ,116 TEENAGE (US/Ger) Soda Pictures THE RETURN TO HOMS (Syr/Ger) Journeyman Pictures DIPLOMATIE (Fr/Ger) Studiocanal MICHAEL KOHLHAAS (Fr/Ger) Artificial Eye SALVO (It/Ger/Fr) Peccadillo Pictures HELI (Mex/Ger/NL/Fr) Network Releasing THE GALAPAGOS AFFAIR: SATAN CAME TO EDEN (US/Ecu/Ger/Nor) November Films THIRD PERSON (US/UK/Ger/Bel) Sony Pictures Releasing DER RÄUBER (Lux/Ger/Bel) Filmhouse Cinema (C) TOP 10 GERMAN FILMS IN THE UK & IRELAND ADMISSIONS BOX OFFICE (EUR) THE THREE MUSKETEERS (2011) 573,670 4,197,749 TARZAN 3D (2014) 370,665 3,427,877 KONFERENZ DER TIERE (2010) 297,289 3,229,813 RESIDENT EVIL: RETRIBUTION (2012) 292,751 2,260,861 CLOUD ATLAS (2013) 256,746 1,832,638 A DANGEROUS METHOD (2012) 208,685 1,534,100 LOVE, ROSIE (2014) 175,543 1,559,869 8 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

9 PINA (2011) 109, ,113 THE LAST STATION (2010) 102, ,067 HECTOR AND THE SEARCH FOR HAPPINESS (2014) 74, ,795 Average admissions for a German film in the UK & Ireland, : 47,601 Average box office for a German film in the UK & Ireland, : EUR 384,110 (2) DISTRIBUTORS OF GERMAN FILMS IN THE UK & IRELAND (A) STUDIO AFFILIATES Sony Pictures Releasing (UK) 2012 RESIDENT EVIL: RETRIBUTION Warner Bros. Entertainment UK 2013 CLOUD ATLAS (B) INDEPENDENTS 7 TITLES Soda Pictures 2010 JASPER UND DAS LIMONADENKOMPLOTT; STURM 2011 DAS LETZTE SCHWEIGEN; TANZTRÄUME 2012 BARBARA; WER WENN NICHT WIR 2013 HANNAH ARENDT 6 TITLES Artificial Eye 2010 WOMEN WITHOUT MEN 2011 PINA 2012 EL BULLI COOKING IN PROGRESS 9 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

10 2013 LORE 2014 CITIZENFOUR; THE GREEN PRINCE 5 TITLES British Film Institute 2011 DEEP END (re) 2013 AGUIRRE, DER ZORN GOTTES (re); JEDER FÜR SICH UND GOTT GEGEN ALLE (re); NOSFERATU, PHANTOM DER NACHT (re) 2014 M (re) 3 TITLES Arrow Film Distributors 2012 WOMB 2014 KREUZWEG; MR. MORGAN S LAST LOVE Eureka Entertainment 2010 METROPOLIS (re) 2013 NOSFERATU, EINE SYMPHONIE DES GRAUENS (re) 2014 DAS CABINET DES DR CALIGARI (re) Metrodome Distribution 2010 ANONYMA EINE FRAU IN BERLIN; JOHN RABE 2014 CATHEDRALS OF CULTURE 2 TITLES Entertainment One UK (see also Momentum Pictures) 2011 THE THREE MUSKETEERS 2014 TARZAN 3D Lionsgate UK 2012 A DANGEROUS METHOD 2014 LOVE, ROSIE 10 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

11 Optimum Releasing - now Studiocanal (UK) 2010 THE LAST STATION 2011 CROSS OF IRON (re) Peccadillo Pictures 2011 LIFE, ABOVE ALL; TAXI ZUM KLO (re) OTHERS 2010 Entertainment Film Distributors KONFERENZ DER TIERE Revolver Entertainment BLACK DEATH Yellow Knife Releasing LIEBESLEBEN 2011 Dogwoof THE GREEN WAVE Picturehouse Entertainment THE FUTURE Verve Pictures KOPRUDEKILER 2012 Momentum Pictures now Entertainment One UK WIR SIND NIE NACHT Munro Film Services ALS DER WEIHNACHTSMANN VON HIMMEL FIEL Park Circus DESPAIR (re) Trinity Filmed Entertainment DER FALL CHODORKOWSKI 2013 Blue Dolphin Films DER ATMENDE GOTT - EINE REISE ZUM URSPRUNG DES MODERNEN YOGA Filmhouse Cinema VIVAN LAS ANTIPODES! Kaleidoscope Film Distribution CAMP 14 TOTAL CONTRL ZONE Luxin Limited THIS AIN T CALIFORNIA 11 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

12 New Wave Films V TUMANE Wildcard Distribution DER MONDMANN 2014 Bulldog Film Distribution NIGHT TRAIN TO LISBON ICA Films OH BOY Koch Media HECTOR AND THE SEARCH FOR HAPPINESS Vertigo Films GOLD (3) VOD AND DVD IN THE UK & IRELAND 2500 United Kingdom: Video spend per platform in millions of Euros DVD Blu-Ray Digital video TVOD 12 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

13 UK:'International' VOD titles by country of origin India China/Hong Kong Australia France Nigeria Germany Other Europe Other Titles classified as International on Netflix s UK platform. Other Europe = Austria, Belgium, Denmark, Finland, Greece, Iceland, Ireland, Italy, Netherlands, Norway, Sweden and the UK; Other = Argentina, Brazil, Chile, Colombia, Egypt, Guatemala, Iran, Israel, Japan, Korea, Mexico, New Zealand, Palestine, South Africa, the UK, the US and Uruguay. German titles: BERLIN 36, CAMP 14: TOTAL CONTROL ZONE, CAPITAL C, FREIER FALL, HANNAH ARENDT, PRINZESSIN LILLIFEE UND DAS KLEINE EINHORN, ROMEOS, SCHULTZE GETS THE BLUES, DIE SÜNDEN MEINES VATER, THIS AIN T CALIFORNIA and DER UNTERGANG. 13 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

14 (4) UK & IRELAND: COMMENTARY While the Republic of Ireland has been an independent country since 1923, theatrical distributors continue to regard it as part of the UK market and all boxoffice data contains Irish receipts as well as those from the UK. Several of the major US companies maintain separate Irish operations and there are a small number of independent local distributors. A very few titles are released in Ireland only STELLA DAYS, released by Eclipse in 2012 is an example; DER MONDMANN, released by Wildcard in 2013 is another but the vast majority of films are released day-and-date in the UK and Ireland; and Irish admissions are not recorded separately. This historical quirk apart, the UK is a sophisticated and mature market that has changed dramatically over the past 20 years. Having operated for three quarters of a century as an offshore outlet for Hollywood, the UK market has embraced arthouse releases in the past decade, with the number of European openings doubling in the past five years. Screens have been modernised and new ones built (the screen count rose by 6.5% between 2010 and 2014), but other indicators have remained much the same, although box office, boosted by increased ticket prices especially for 3D and super-especially for 3D in the West End, where tickets can cost EUR 25 has risen by 32% over the period surveyed. The UK is characterised increasingly by a number of boutique distributors and a heavy release schedule, with an average of 14 films opening each week. In 2014, 117 different distributors (down from a 2013 high of 139) released films in the UK more than in either France or Germany, markets which wrote the rules for micro-distributors. Many of the smaller companies use a one-week theatrical window as a way of boosting VOD sales. Inevitably, few of the 712 films released in 2014 made much impact at the box office and, in commercial terms, the market remains Hollywood-dominated. Domestic films claim up to a 25% market share, but this has largely to do with one s interpretation of the word domestic, since Hollywood films produced and registered in the UK for tax purposes are counted as British. Independent British films average out annually at around 15-16%. As suggested above, the VOD market is highly developed. The UK is a major success story for Netflix, and the operator has responded by diversifying what was initially a heavily English-language line-up (see above). A number of other distributors have moved into the digital market, notably Curzon (owner of veteran theatrical exhibitor/distributor Artificial Eye), which regularly releases titles day-and-date in its London cinemas and on its VOD site. The British Film Institute also has a curated VOD site, BFI Player, which makes limited-market documentaries and foreign-language films available to cinéphiles, and there are a number of other similar sites. All in all, then, the UK has gone from being a very traditional, Hollywood-oriented theatrical territory to a much more open market, with multiple opportunities for adventurous digital distribution, albeit still on a scale which means limited returns to the producer. The potential is there, however, and anyone interested in how the delivery of films to audiences is likely to develop over the next half-decade would do well to keep an eye on the UK. 14 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

15 (5) GERMAN FILMS IN THE UK & IRELAND All the developments in and opportunities offered by the UK market have not been of much benefit to German-speaking films: the films which show up in the Top 10 German titles between 2010 and 2014 are the same English-language commercial films that have shown up in similar territories during the same period: the solid foundations laid by hits such as DAS LEBEN DER ANDEREN and DER UNTERGANG seem to have evaporated, and the market shares indicated in the second (box office) chart below show the lion s share going to mainstream English-language movies and children s films. Indeed, one of the more depressing things about the annual statistics shown in 2 (b) above is the way the figures drop off from hundreds of thousands of admissions to low five figures once the mainstream movies have been accounted for. LORE (45,915 admissions) and BARBARA (28,402) are with the exception of the multilingual PINA the only ones to sell more than 20,000 tickets. Veteran Artificial Eye and boutique newcomer Soda Pictures were the most active in buying German titles over the period surveyed, and Netflix has also recently added a dozen German titles to its site. But overall, German films in whatever language only take more than 0.5% of the UK market in one year of the five, 2011, thanks mainly to the THREE MUSKETEERS, and then by just 0.01%. To set things in perspective, MUSKETEERS, by far the most successful German film in the UK over the period surveyed, was the 76th most successful film of One area of the UK market that seems to be prospering, however, is new-print re-releases of classic films in the current case titles from the New German Cinema movement, with three movies by Werner Herzog selling over 15,000 tickets between them. Indeed, along with France, the UK is the only market in which classic re-releases have found a niche. To sum up, with 57 films released over the five-year period, the UK remains in the top bracket of European territories in terms of the number of German films made available to audiences, and registers about the same overall admissions as Poland. The charts below show numbers of releases and box office revenue for the key groups identified in the introduction to this Report. 15 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films

16 UK & Ireland: Titles released by category Festival & arthouse English-language Children's films German stories Classic re-releases UK & Ireland: Categories by box office Festival & arthouse English-language Children's films German stories Classic re-releases (6) UK AND IRELAND: SOURCES AND ACKNOWLEDGMENTS XE Currency Converter, British Film Institute, Cinema Exhibitors Association, Office for National Statistics (ONS), The Guardian, International Video Federation, European Audiovisual Observatory, Box Office Mojo, Cinando. 16 Market Study UK & Ireland , Oct 2015, by Split Screen for German Films