Musical Form. Module 2 of Music: Under the Hood. John Hooker Carnegie Mellon University. Osher Course September 2018
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1 Musical Form Module 2 of Music: Under the Hood John Hooker Carnegie Mellon University Osher Course September
2 Outline Musical forms Sonata allegro form Example Mozart Eine kleine Nachtmusik 2
3 The main point is not the specific form The main point is that the music must be intelligible The listener should not get lost Musical Forms 3
4 Most common musical structure Exposition Introduce the main musical ideas Tonic key Development Explore implications of main ideas Other keys Recapitulation Musical Forms Return to original ideas with sense of closure Tonic key 4
5 Some basic forms Binary AB Musical Forms Common in dances, pop music (verse-chorus) Sonata allegro AABA with B = development Best known form in Western music Chorus-verse-chorus in pop music Rondo ABACA Theme and variations Passacaglia/chaconne Variations over repeating bass For example, Richard Rogers Blue Moon 5
6 Block structure common in classical period Haydn, Mozart, etc. Organic development more common in Baroque period Blocks correspond to keys Makes for easy listening Still the standard today Sonata Allegro form is best known Musical Forms 121 of Beatles 211 songs have more or less this form 6
7 AABA structure Sonata Allegro Form AA: Exposition, repeated Main theme in tonic Secondary theme in dominant B: Development Multiple keys, usually minor A: Recapitulation Main theme returns in tonic Secondary theme in dominant Many variations! 7
8 Sonata Allegro Form Diagram of sonata allegro form I V V Various keys I V I I 8
9 Basic contradiction? Sonata Allegro Form Secondary theme in recapitulation is in dominant key. How to return to tonic? 9
10 Example Mozart s Eine kleine Nachtmusik (1787) A little serenade 1 st movement (Allegro) 10
11 Modulate to dominant key 2 nd theme in dominant key Variations in dominant key, etc. Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 11
12 0:00 Modulate to dominant key 2 nd theme in dominant key Variations in dominant key, etc. Audio file Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 12
13 Modulate to dominant key 0:30 2 nd theme in dominant key Variations in dominant key, etc. Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 13
14 Modulate to dominant key 2 nd theme in dominant key 0:48 Variations in dominant key, etc. Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 14
15 1:36 Modulate to dominant key 2 nd theme in dominant key Variations in dominant key, etc. Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 15
16 Modulate to dominant key 2:07 2 nd theme in dominant key Variations in dominant key, etc. Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 16
17 Modulate to dominant key 2 nd theme in dominant key 2:24 Variations in dominant key, etc. Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 17
18 Modulate to dominant key 2 nd theme in dominant key Variations in dominant key, etc. 3:12 Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 18
19 Modulate to dominant key 2 nd theme in dominant key Variations in dominant key, etc. 3:47 Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 19
20 Modulate to dominant key 2 nd theme in dominant key Variations in dominant key, etc. Modulate to dominant key but end up in tonic! 4:17 2 nd theme in tonic key Closing section 20
21 Modulate to dominant key 2 nd theme in dominant key Variations in dominant key, etc. Modulate to dominant key but end up in tonic! 2 nd theme in tonic key 4:31 Closing section 21
22 Modulate to dominant key 2 nd theme in dominant key Variations in dominant key, etc. Modulate to dominant key but end up in tonic! 2 nd theme in tonic key Closing section 5:11 22
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