Theme and Variations
|
|
- Bernice Fields
- 6 years ago
- Views:
Transcription
1 Sonata Form Grew out of the Baroque binary dance form. Binary A B Rounded Binary A B A Sonata Form A B development A B Typically, the sonata form has the following primary elements: Exposition: This presents the opening ideas of the piece. The first theme is usually in the home key. The second theme is in another key, often the dominant or relative Major. The exposition is followed by a development section which tends to be more chromatic, and works with the motivic elements of the exposition. The recapitulation brings back the themes from the exposition. However, this time the second theme is usually in the home key as well. and Trio The minuet and trio was made of two binary form dances A B or rounded binary A B A of which the first is played first with repeats after which the second dance (trio) is played Trio Many multi-movement pieces would have 3-4 movements. The first and last were likely to be in Sonata form though they might also be a theme and variations or a Sonata Rondo, less likely a fugato. The Slow movement would be free or ABA. The other movement would be a minuet and trio. The following is a list of multi movement works. (those in italics normally omit the minuet and trio movement) Concerto, Piano Quintet, Piano Sonata, Piano Trio, Sonata for solo instrument and piano, String Quartet, String Quintet, String Trio, Symphony. Followed once again by the first dance, this time without repeats. A B Rondo Form: (While there are many types of Rondo forms, this is the most classical. Note how simi lar it is to the sonata form) A B A C A B A I V I? I I I (Sonata Form) (exposition) (development) (recapitulation) A B C A B A Rondo consists of a main theme (A) in the tonic key that alternates with other themes. In the sonata rondo form the B musical theme takes the place of the second theme in the exposition. The C theme is the development section. Some examples of movements in the Rondo form include Theme and Variations The theme and variations form continued in popularity from the Baroque era. In this form there is a principal theme, with at least a period structure (two phrases: the first usually ends on a half cadence. The second ends on a full cadence). The composer then does a series of variations on the theme, altering rhythms and textures, as well as mode and sometimes harmony. Some examples of pieces in the Theme and variations include Beethoven s Diabelli variations and Mozart s
2 The previous page shows the look of the finished form chart. Copy each of these pages (they may be copied on white paper or on a light color for some variation). Cut out each of the squares. Each form has a cover page explaining the form followed by two pages with examples from the literature. Glue the second of these literature examples in the appropriate box on the chart. Glue the first page of these two pages to the form description in such a way that when the page is folded up the printing will still be right side up. Glue this description page along the top only to the chart. and Trio Followed once again by the first dance, this time without repeats. of which the first is played first with repeats after which the second dance (trio) is played The minuet and trio was made of two binary form dances A B or rounded binary A B A A B Trio Theme and Variations Rondo Form: (While there are many types of Rondo forms, this is the most classical. Note how simi lar it is to the sonata form) The theme and variations form continued in popularity from the Baroque era. In this form there is a principal theme, with at least a period structure (two phrases: the first usually ends on a half cadence. The second ends on a full cadence). The composer then does a series of variations on the theme, altering rhythms and textures, as well as mode and sometimes harmony. Some examples of pieces in the Theme and variations include Beethoven s Diabelli variations and Mozart s piano sonata k284. A B A C A B A I V I? I I I (Sonata Form) (exposition) (development) (recapitulation) A B C A B A Rondo consists of a main theme (A) in the tonic key that alternates with other themes. In the sonata rondo form the B musical theme takes the place of the second theme in the exposition. The C theme is the development section. Some examples of movements in the Rondo form include
3 Sonata Form Grew out of the Baroque binary dance form. Binary A B Rounded Binary A B A Sonata Form A B development A B Typically, the sonata form has the following primary elements: Exposition: This presents the opening ideas of the piece. The first theme is usually in the home key. The second theme is in another key, often the dominant or relative Major. The exposition is followed by a development section which tends to be more chromatic, and works with the motivic elements of the exposition. The recapitulation brings back the themes from the exposition. However, this time the second theme is usually in the home key as well. Theme A cm Measure 43 Theme B EbM Measure 61 Theme A returns in cm Exposition Beethoven Sonata Rondo Pathetique Sonata in cm Measure 79 Theme C Development Section Measure 120 A returns Measure 154 B theme in cm Recapitulation Measure 171 A theme in cm
4 Beethoven and Trio from Sonata fm Op. 2#1 Sonata Form Mozart Sonata in FM K280 Theme A in FM Exposition Measure 27 Theme B in CM (Dominant)
5 Development section (measure 57) Measure 83 Theme A returns in F Major Measure 109 Theme B returns in FM Recapitulation Mozart Piano Sonata in D Major K.284 movement 3
6 Sonata form here and Trio here Many multi-movement pieces would have 3-4 movements. The first and last were likely to be in Sonata form though they might also be a theme and variations or a Sonata Rondo, less likely a fugato. The Slow movement would be free or ABA. The other movement would be a minuet and trio. The following is a list of multi movement works. (those in italics normally omit the minuet and trio movement) Concerto, Piano Quintet, Piano Sonata, Piano Trio, Sonata for solo instrument and piano, String Quartet, String Quintet, String Trio, Symphony. Rondo here Theme and Variations here
The Classical Period
The Classical Period How to use this presentation Read through all the information on each page. When you see the loudspeaker icon click on it to hear a musical example of the concept described in the
More informationA cadence is a harmonic formula used to end a musical (sub)phrase. We distinguish:
Cadences A cadence is a harmonic formula used to end a musical (sub)phrase. We distinguish: the authentic cadence: ends with V - I (dominant going to tonic); two subtypes: the perfect authentic cadence
More informationMu 110: Introduction to Music
Attendance/Reading Quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2017 Sections J2 (Tuesdays 3:10-6) and C3A (Wednesdays 9:10-12) Recap Employment
More informationChapter 13. Key Terms. The Symphony. II Slow Movement. I Opening Movement. Movements of the Symphony. The Symphony
Chapter 13 Key Terms The Symphony Symphony Sonata form Exposition First theme Bridge Second group Second theme Cadence theme Development Recapitulation Coda Fragmentation Retransition Theme and variations
More informationMu 110: Introduction to Music
Attendance/Reading Quiz! Mu 110: Introduction to Music Queensborough Community College Instructor: Dr. Alice Jones Spring 2018 Sections H2 (T 2:10-5), H3 (W 2:10-5), L3 (W 5:10-8) Recap Midterm optional
More informationMu 101: Introduction to Music
Attendance/Reading Quiz! Mu 101: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2018 Sections F2 (T 12:10-3) and J2 (3:10-6) Reading quiz Religion was the most important
More informationChapter 13. The Symphony
Chapter 13 The Symphony!1 Key Terms symphony sonata form exposition first theme bridge second group second theme cadence theme development retransition recapitulation coda fragmentation theme
More informationClassical Time Period
Classical Time Period 1750-1825 Return to Greek ideas General Characteristics Expanded middle class Conflict between classes Age of the enlightenment-used reason to reform society Patronage system-support
More informationL van Beethoven: 1st Movement from Piano Sonata no. 8 in C minor Pathétique (for component 3: Appraising)
L van Beethoven: 1st Movement from Piano Sonata no. 8 in C minor Pathétique (for component 3: Appraising) Background information and performance circumstances The composer Ludwig van Beethoven was born
More informationBINGO. Divide class into three teams and the members of each team with one of the three versions of the Bingo boards.
BINGO Copy information cards onto cardstock paper, or glue them on to 3x5 cards. Divide class into three teams and the members of each team with one of the three versions of the Bingo boards. Supply beans
More informationThe Classical Period-Notes
The Classical Period-Notes The Classical period lasted from approximately 1750 1810. This was a fairly brief period but contains the work of three of the greatest composers of all time. They were... Joseph
More informationCarnegie Mellon University School of Music Piano Literature & Repertoire II, Classical Spring Semester, 2015
Carnegie Mellon University School of Music Piano Literature & Repertoire II, Classical Spring Semester, 2015 lec Chien, Professor School of Music, College of Fine rts Room CF 160 Tuesdays, 12:30-2:20 PM
More informationPart IV. The Classical Period ( ) McGraw-Hill The McGraw-Hill Companies, Inc. All rights reserved.
Part IV The Classical Period (1750-1820) Time-Line Seven Years War-1756-1763 Louis XVI in France-1774-1792 American Declaration of Independence-1776 French Revolution-1789 Napoleon: first French consul-1799
More informationMusical Form. Module 2 of Music: Under the Hood. John Hooker Carnegie Mellon University. Osher Course September 2018
Musical Form Module 2 of Music: Under the Hood John Hooker Carnegie Mellon University Osher Course September 2018 1 Outline Musical forms Sonata allegro form Example Mozart Eine kleine Nachtmusik 2 The
More informationExample 1. Beethoven, Piano Sonata No. 9 in E major, Op. 14, No. 1, second movement, p. 249, CD 4/Track 6
Compound Part Forms and Rondo Example 1. Beethoven, Piano Sonata No. 9 in E major, Op. 14, No. 1, second movement, p. 249, CD 4/Track 6 You are a pianist performing a Beethoven recital. In order to perform
More informationMu 110: Introduction to Music
Reading/Attendance quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Spring 2017 Sections F1 (Mondays 12:10-3) and F4 (Thursdays 12:10-3) Recap Meter is the
More information17. Beethoven. Septet in E flat, Op. 20: movement I
17. Beethoven Septet in, Op. 20: movement I (For Unit 6: Further Musical understanding) Background information Ludwig van Beethoven was born in 1770 in Bonn, but spent most of his life in Vienna and studied
More informationAP Music Theory
AP Music Theory 2016-2017 Course Overview: The AP Music Theory course corresponds to two semesters of a typical introductory college music theory course that covers topics such as musicianship, theory,
More informationMartijn Hooning. WHERE IS THE BEGINNING OF THE SECOND THEME? or: what about the sonata form, really?
Martijn Hooning WHERE IS THE BEGINNING OF THE SECOND THEME? or: what about the sonata form, really? this text has been written because of the first tentamen analysis-class (2008, December), mainly because
More informationMusic Theory Review I, Summer 2010 (MUSI 6397 sec 25173) Professor: Andrew Davis ( )
Page 1 of 14 Music Theory Review I, Summer 2010 (MUSI 6397 sec 25173) Professor: Andrew Davis (email) copy of the course syllabus (in case of conflict this copy supersedes the one I handed out in class)
More informationThe Classical Period (1825)
The Classical Period 1750-1820 (1825) 1 Historical Themes Industrial Revolution Age of Enlightenment Violent political and social upheaval Culture 2 Industrial Revolution Steam engine changed the nature
More informationYear 11 SOW MUSIC Autumn Week. Lesson Objectives/ PLC Activities Assessment Resources Key words Focus Group/
Year 11 SOW MUSIC Autumn Week. Lesson Objectives/ PLC Activities Assessment Resources Key words Focus Group/ Week 1 Lesson 1 Theory- AOS 1 introduction Week 1 lesson 2 Coursework- Solo Identify key words
More informationAdditional Theory Resources
UTAH MUSIC TEACHERS ASSOCIATION Additional Theory Resources Open Position/Keyboard Style - Level 6 Names of Scale Degrees - Level 6 Modes and Other Scales - Level 7-10 Figured Bass - Level 7 Chord Symbol
More informationBrahms Piano Quintet in F minor - 3 rd Movement (For Unit 3: Developing Musical Understanding)
Brahms Piano Quintet in F minor - 3 rd Movement (For Unit 3: Developing Musical Understanding) Background information and performance circumstances Biography Johannes Brahms was born in Hamburg, Germany
More informationCopyright 2009 Pearson Education, Inc. or its affiliate(s). All rights reserved. NES, the NES logo, Pearson, the Pearson logo, and National
Music (504) NES, the NES logo, Pearson, the Pearson logo, and National Evaluation Series are trademarks in the U.S. and/or other countries of Pearson Education, Inc. or its affiliate(s). NES Profile: Music
More informationChapter 14. Other Classical Genres
Chapter 14 Other Classical Genres Key Terms Sonata Fortepiano Rondo Classical concerto Double-exposition form Orchestra exposition Solo exposition Cadenza String quartet Chamber music Opera buffa Ensemble
More information3 against 2. Acciaccatura. Added 6th. Augmentation. Basso continuo
3 against 2 Acciaccatura One line of music may be playing quavers in groups of two whilst at the same time another line of music will be playing triplets. Other note values can be similarly used. An ornament
More informationUnit Outcome Assessment Standards 1.1 & 1.3
Understanding Music Unit Outcome Assessment Standards 1.1 & 1.3 By the end of this unit you will be able to recognise and identify musical concepts and styles from The Classical Era. Learning Intention
More informationMusic 231 Motive Development Techniques, part 1
Music 231 Motive Development Techniques, part 1 Fourteen motive development techniques: New Material Part 1 (this document) * repetition * sequence * interval change * rhythm change * fragmentation * extension
More informationWestern Classical Tradition. The concerto
Western Classical Tradition The concerto Classical! The word classical is often used in a general way to refer to any music that is not pop music! However, the term also has a more precise meaning, and
More informationBeethoven: Pathétique Sonata
Beethoven: Pathétique Sonata Key words 1) Instrumentation and Sonority 2) Structure 3) Tonality 4) Harmony 5) Rhythm, Metre and Tempo 6) Melody 7) Texture At the top of your Beethoven Score write each
More information$20 SCHOOLS TICKETS PROGRAM RESOURCES LEONSKAJA MOZART MOZART. Piano Concerto No.9 in E major Jeunehomme
$20 SCHOOLS TICKETS PROGRAM RESOURCES LEONSKAJA MOZART MOZART Piano Concerto No.9 in E major Jeunehomme AUSTRALIAN CHAMBER ORCHESTRA One of the world s most lauded chamber ensembles, the Australian Chamber
More informationStephen Schwartz Defying Gravity (from Wicked) Name: PLC. score
Stephen Schwartz Defying Gravity (from Wicked) I know the plot of Wicked and how the song fits into the musical I can describe the setting of the words, and understand vocables I can identify how the voices
More informationMusic of the Classical Period
Music of the Classical Period 1750 1825 A new style in architecture, literature, and the arts developed. Sought to emulate the ideals of Classical Antiquity, especially Classical Greece Called Classicism
More informationCOURSE OUTLINE MUS103
COURSE OUTLINE MUS103 Course Number Intro to Music Course title 3 3 lecture/0 lab Credits Hours Catalog description: Designed to enhance the student's knowledge and enjoyment of music of a variety of styles
More informationTheory D-examination 1
Theory D-examination 1 1. Metre 1.1. Simple and compound metre, composite metre 1.2. Afterbeat 2. Pitch: chords 2.1. Triads and seventh chords 3. Theory of form 3.1. Binary and ternary form 3.2. Pop song
More informationEdexcel A Level Syllabus Analysis
M USIC T EACHERS.CO.UK the internet service for practical musicians. Edexcel A Level Syllabus Analysis Mozart: Piano Sonata in B-flat K333, first movement. 2000 MusicTeachers.co.uk Mozart: Piano Sonata
More informationMu 110: Introduction to Music
Reading/Attendance quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Spring 2017 Sections F1 (Mondays 12:10-3) and F4 (Thursdays 12:10-3) Recap Meter is the
More informationChapter 11. The Art of the Natural. Thursday, February 7, 13
Chapter 11 The Art of the Natural Classical Era the label Classical applied after the period historians viewed this period as a golden age of music Classical also can refer to the period of ancient Greece
More informationCARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS FALL 2011
CARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS 57408 FALL 2011 Class times: Tuesday, Thursday 9:30-10:20, MM #127 Tuesday, Thursday 10:30-11:20, MM #127 INSTRUCTOR Dr. Marilyn Taft Thomas
More informationrhinegold education: subject to endorsement by ocr Mozart: Clarinet Concerto in A, K. 622, first movement Context Scores AS PRESCRIBED WORK 2017
94 AS/A LEVEL MUSIC STUDY GUIDE AS PRESCRIBED WORK 2017 Mozart: Clarinet Concerto in A, K. 622, first movement Composed in 1791 (Mozart s last instrumental work, two months before he died), dedicated to
More informationThe Development of Modern Sonata Form through the Classical Era: A Survey of the Masterworks of Haydn and Beethoven B.
The Development of Modern Sonata Form through the Classical Era: A Survey of the Masterworks of Haydn and Beethoven B. Michael Winslow B. Michael Winslow is a senior music composition and theory major,
More informationAn Introduction to the Orff Process...5 Rhythm...7. Tips for Interesting Rhythmic Expression... 8 Ontogenesis of the Rhythm...14 Ostinato...
Table of Contents An Introduction to the Orff Process 5 Rhythm 7 Tips for Interesting Rhythmic Expression 8 Ontogenesis of the Rhythm 14 Ostinato 22 Melody Phenomenological Characteristics of Intervals
More informationAcknowledgements... ii Preface... iii CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER 6...
Contents Acknowledgements... ii Preface... iii CHAPTER 1... 1 Theory of music... 1 CHAPTER 2... 27 Harmony... 27 CHAPTER 3... 52 Non-chordal notes and ornaments... 52 CHAPTER 4... 68 Secondary dominants
More informationTexas Tech University School of Music
Texas Tech University School of Music DOCTORAL QUALIFYING EXAM IN MUSIC THEORY Study guide This guide is meant to help current graduate students prepare for the Music Theory portion of the DMA and PhD
More informationBeethoven: Sonata no. 7 for Piano and Violin, op. 30/2 in C minor
symphony, Piano Piano Beethoven: Sonata no. 7 for Piano and Violin, op. 30/2 in C minor Gilead Bar-Elli Beethoven played the violin and especially the viola but his writing for the violin is often considered
More informationLasted from approximately 1775 to 1825.
1730-1820 Lasted from approximately 1775 to 1825. Lasted from approximately 1775 to 1825. The name Classical is applied to the time period. People were taking an interest in the classical artistic and
More informationGCSE Music Revision Guide Edexcel Music. Name... Class... LG...
GCSE Music Revision Guide Edexcel Music Name... Class... LG... Contents Success criteria...3 Area of Study 1- facts...4 Handel...5 Mozart...6 Chopin...7 Area of Study 2- facts...8 Schoenberg...9 Bernstein...10
More informationLesson One. New Terms. Cambiata: a non-harmonic note reached by skip of (usually a third) and resolved by a step.
Lesson One New Terms Cambiata: a non-harmonic note reached by skip of (usually a third) and resolved by a step. Echappée: a non-harmonic note reached by step (usually up) from a chord tone, and resolved
More informationBeethoven s Violin Concerto and his Battle with Form. Presented by Akram Najjar STARK Creative Space
Beethoven s Violin Concerto and his Battle with Form Presented by Akram Najjar STARK Creative Space A Collaboration between JML, STARK Creative Space and Karaz w Laimoon Agenda 1) Placing the Concerto
More informationLESSON ONE. New Terms. a key change within a composition. Key Signature Review
LESSON ONE New Terms deceptive cadence meno piu modulation V vi (VI), or V7 vi (VI) less more a key change within a composition Key Signature Review 1. Study the order of sharps and flats as they are written
More informationA History of Western Music
A History of Western Music 9 th Edition J. Peter Burkholder Donald Jay Grout Claude V. Palisca Chapter 22 Instrumental Music: Sonata, Symphony, and Concerto Instruments and Ensembles Mid-to-late-eighteenth-century
More informationHaydn: London Symphony, No.104 (Movement one)
Background information The following materials are essential for use with this resource: Eulenberg score of the London Symphony by Haydn (ISBN: 978-3-7957-6523-1) Recording of the symphony Preparatory
More informationLESSON ONE. New Terms. sopra above
LESSON ONE sempre senza NewTerms always without sopra above Scales 1. Write each scale using whole notes. Hint: Remember that half steps are located between scale degrees 3 4 and 7 8. Gb Major Cb Major
More informationElements of Music. How can we tell music from other sounds?
Elements of Music How can we tell music from other sounds? Sound begins with the vibration of an object. The vibrations are transmitted to our ears by a medium usually air. As a result of the vibrations,
More informationDevelopment of the Sonata
University of Arkansas, Fayetteville ScholarWorks@UARK Music Undergraduate Honors Theses Music 5-2015 Development of the Sonata Christine Annie Hsu University of Arkansas, Fayetteville Follow this and
More informationContextual Melodic Dictations Solutions by Gilbert DeBenedetti
Contextual Melodic Dictations Solutions by ilbert DeBenedetti Listen to a melody and write it down! 1. Download the "Blank Answer Sheets" (pdf) from www.gmaormusictheory.org/meldict 2. Click and play one
More informationMusic Appreciation, Dual Enrollment
East Penn School District Secondary Curriculum A Planned Course Statement for Music Appreciation, Dual Enrollment Course # 770D Grade(s) 9, 10, 11, 12 Department: Music Length of Period (mins.) 40 Total
More informationGREAT STRING QUARTETS
GREAT STRING QUARTETS YING QUARTET At the beginning of each session of this course we ll take a brief look at one of the prominent string quartets whose concerts and recordings you will encounter. The
More informationSonata Form. Prof. Smey MSC 1003 Music in Civilization Fall Class Notes. Session 15, Thurs Oct 19. In this session we discussed three things:
Prof. Smey MSC 1003 Music in Civilization Fall 2017 Class Notes Session 15, Thurs Oct 19 In this session we discussed three things: I. Sonata Form II. Beethoven, Part I III. Metric Subdivisions Sonata
More informationMUSIC (MUS) Music (MUS) 1
Music (MUS) 1 MUSIC (MUS) MUS 2 Music Theory 3 Units (Degree Applicable, CSU, UC, C-ID #: MUS 120) Corequisite: MUS 5A Preparation for the study of harmony and form as it is practiced in Western tonal
More informationBLUE VALLEY DISTRICT CURRICULUM & INSTRUCTION Music 9-12/Honors Music Theory
BLUE VALLEY DISTRICT CURRICULUM & INSTRUCTION Music 9-12/Honors Music Theory ORGANIZING THEME/TOPIC FOCUS STANDARDS FOCUS SKILLS UNIT 1: MUSICIANSHIP Time Frame: 2-3 Weeks STANDARDS Share music through
More informationCambridge International Examinations Cambridge International General Certificate of Secondary Education. Published
Cambridge International Examinations Cambridge International General Certificate of Secondary Education MUSIC 040/ Paper Listening MARK SCHEME Maximum Mark: 70 Published This mark scheme is published as
More informationSurvey of Music Theory II (MUSI 6397)
Page 1 of 6 Survey of Music Theory II (MUSI 6397) Summer 2009 Professor: Andrew Davis (email adavis at uh.edu) course syllabus shortcut to the current week (assuming I remember to keep the link updated)
More informationBand Study Guide. For ALL bands
Band Study Guide For ALL bands Notes and Rests Basic Music Theory Time Signatures: - tell us what note duration gets the beat and how many are in each measure. Examples below! Top number tell us how MANY
More informationCOLUMBUS STATE UNIVERSITY SCHWOB SCHOOL OF MUSIC GRADUATE STUDY GUIDE THEORY EXAM
GRADUATE STUDY GUIDE THEORY EXAM The Graduate Theory Exam is in three short portions: part-writing, analysis, and definitions. The exam assumes mastery of the following concepts: Part-writing: All standard
More informationMu 110: Introduction to Music
Reading/attendance quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2016 Sections C5A (Fridays 9:10-12) and F5A (Fridays 12:10-3) Recap Minimalism stripping
More informationMusic 001 Introduction to Music. Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55 pm
Instructor: Andrew Pau Fall 2006 Office: Music Building 207 Office Hours: T/Th, time TBA E-mail: apau@gc.cuny.edu Music 001 Introduction to Music Section CT3RA: T/Th 12:15-1:30 pm Section 1T3RA: T/Th 1:40-2:55
More information7. Stravinsky. Pulcinella Suite: Sinfonia, Gavotta and Vivo
7. Stravinsky Pulcinella Suite: Sinfonia, Gavotta and Vivo (For Unit 6: Further Musical Understanding) Background information and performance circumstances The Russian composer, Igor Stravinsky wrote the
More informationRobert Schuman "Novellette in F Major", Opus. 21 no. 1 (Part 1)
Cleveland State University From the SelectedWorks of Dan Rager 2016 Robert Schuman "Novellette in F Major", Opus. 21 no. 1 (Part 1) Dan Rager Available at: https://works.bepress.com/daniel_rager/35/ Composition
More informationGRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY
McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required
More informationGRADUATE PLACEMENT EXAMINATIONS - COMPOSITION
McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS - COMPOSITION All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required
More informationHS/XII/A. Sc. Com.V/Mu/18 MUSIC
Total No. of Printed Pages 9 HS/XII/A. Sc. Com.V/Mu/18 2 0 1 8 MUSIC ( Western ) Full Marks : 70 Time : 3 hours The figures in the margin indicate full marks for the questions General Instructions : Write
More informationBellwork Chapter 18 Vocabulary and Definitions
Bellwork Chapter 18 Vocabulary and Definitions Chapter 18 Classical and Romantic 18.1 Music of the Classical Period Classical Period 1750-1825 Era of intellectual enlightenment Rise of a new Middle Class
More informationSimple time Has 2, 3 or 4 as number of beats in a bar (top number of time signature)
AoS Rhythm & Metre Rhythm The combination and pattern of sounds around the beat Metre The pattern of the beats Can be regular, irregular or free Triplets 3 notes played where 2 notes should be. Time signature
More informationGRADE 11 MUSIC FIRST PAPER NOVEMBER 2009
Province of the EASTERN CAPE EDUCATION NATIONAL SENIOR CERTIFICATE GRADE 11 MUSIC FIRST PAPER NOVEMBER 2009 MARKS: 120 TIME: 3 hours NAME: This question paper consists of 33 pages. PLEASE LEAVE THIS PAGE
More informationMu 101: Introduction to Music
Attendance/reading Quiz! Mu 101: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Spring 2017 Sections J2 (Tuedsays 3:10-6) and C3A (Wednesdays 9:10-12) Recap Music was
More informationuse individual notes, chords, and chord progressions to analyze the structure of given musical selections. different volume levels.
Music Theory Creating Essential Questions: 1. How do artists generate and select creative ideas? 2. How do artists make creative decisions? 3. How do artists improve the quality of their creative work?
More informationrhinegold education: subject to endorsement by ocr Beethoven: Symphony No. 3 in Eb, Op. 55, Eroica, first movement
80 AS/A LEVEL MUSIC STUDY GUIDE Mozart: Symphony No. 41 in C, K. 551 Jupiter Composed in 1788 in Vienna It is not known if the symphony was performed in Mozart s lifetime it was not published until after
More informationMonday 12 May 2014 Afternoon
Monday 12 May 2014 Afternoon AS GCE MUSIC G353/01 Introduction to Historical Study in Music *1065823163* Candidates answer on the Question Paper and on the Insert. OCR supplied materials: Insert (G353/01/I
More informationCHAPTER 1 ANTONIN DVORAK S SERENADE IN D MINOR, OP. 44, B.77. Czech composer, Antonin Dvořák is well known for his orchestral repertoire.
1 CHAPTER 1 ANTONIN DVORAK S SERENADE IN D MINOR, OP. 44, B.77 Czech composer, Antonin Dvořák is well known for his orchestral repertoire. His works encompass a variety of genres including, but not limited
More informationLESSON 1 PITCH NOTATION AND INTERVALS
FUNDAMENTALS I 1 Fundamentals I UNIT-I LESSON 1 PITCH NOTATION AND INTERVALS Sounds that we perceive as being musical have four basic elements; pitch, loudness, timbre, and duration. Pitch is the relative
More information2015 SCHOOLS NOTES EGARR & THE GOLDEN AGE
2015 SCHOOLS NOTES EGARR & THE GOLDEN AGE Image: Gary Heery Schools Notes: Matthew Law ACO Schools Notes 2015 Program Title Repertoire YouTube Recording links for repertoire Egarr & The Golden Age J.S.
More informationFive Points of the CMP Model
Five Points of the CMP Model Excerpted from Chapter 10: CMP at a Glance Shaping Sound Musicians: An innovative approach to teaching comprehensive musicianship through performance GIA Publications, Inc.,
More informationCalifornia Subject Examinations for Teachers
California Subject Examinations for Teachers TEST GUIDE MUSIC SUBTEST I Sample Questions and Responses and Scoring Information Copyright 2015 Pearson Education, Inc. or its affiliate(s). All rights reserved.
More informationLevel 10 History. Practice Paper 1
Level 10 History Practice Paper 1 1 of 8 Maximum Marks Your answers must be written in pencil in the space provided. Il faut que vous écriviez vos réponses au crayon dans l espace donné. Confirmation Number
More informationCALIFORNIA STATE UNIVERSITY, NORTHRIDGE. Concerto and Recital Works by Tausig, Beethoven, Chopin, Schumann, Turina and Mozart.
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Concerto and Recital Works by Tausig, Beethoven, Chopin, Schumann, Turina and Mozart A graduate project submitted in partial fulfillment of the requirements for
More informationSonata Form. Prof. Smey MSC 1003 Music in Civilization Spring Class Notes. Session 15 Thurs, March 21
Prof. Smey MSC 1003 Music in Civilization Spring 2019 Class Notes Session 15 Thurs, March 21 In this session we covered two topics, sonata form and metric subdivisions. Sonata Form Sonata Form (or Sonata-Allegro
More informationKing Edward VI College, Stourbridge Starting Points in Composition and Analysis
King Edward VI College, Stourbridge Starting Points in Composition and Analysis Name Dr Tom Pankhurst, Version 5, June 2018 [BLANK PAGE] Primary Chords Key terms Triads: Root: all the Roman numerals: Tonic:
More informationHartt School Community Division Oboe Audition Teacher Resource Packet
Hartt School Community Division Oboe Audition Teacher Resource Packet The following listings are meant as guides to help teachers who have students auditioning for a Hartt Community Division ensemble.
More informationBreaking Convention: Music and Modernism. AK 2100 Nov. 9, 2005
Breaking Convention: Music and Modernism AK 2100 Nov. 9, 2005 Music and Tradition A brief timeline of Western Music Medieval: (before 1450). Chant, plainsong or Gregorian Chant. Renaissance: (1450-1650
More informationPartimenti Pedagogy at the European American Musical Alliance, Derek Remeš
Partimenti Pedagogy at the European American Musical Alliance, 2009-2010 Derek Remeš The following document summarizes the method of teaching partimenti (basses et chants donnés) at the European American
More informationExam 2 MUS 101 (CSUDH) MUS4 (Chaffey) Dr. Mann Spring 2018 KEY
Provide the best possible answer to each question: Chapter 20: Voicing the Virgin: Cozzolani and Italian Baroque Sacred Music 1. Which of the following was a reason that a woman would join a convent during
More informationTEXAS MUSIC TEACHERS ASSOCIATION Student Affiliate World of Music
Identity Symbol TEXAS MUSIC TEACHERS ASSOCIATION Student Affiliate World of Music Grade 11 2012-13 Name School Grade Date 5 MUSIC ERAS: Match the correct period of music history to the dates below. (pg.42,43)
More information15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding)
15. Corelli Trio Sonata in D, Op. 3 No. 2: Movement IV (for Unit 3: Developing Musical Understanding) Background information and performance circumstances Arcangelo Corelli (1653 1713) was one of the most
More informationSymphony in C Igor Stravinksy
Symphony in C Igor Stravinksy One of the towering figures of twentieth-century music, Igor Stravinsky was born in Oranienbaum, Russia on June 17, 1882 and died in New York City on April 6, 1971. While
More informationGENERAL. Category A. Below 9 years (born after 23 September 2009) PRELIMINARY ROUND
GENERAL Category A Below 9 years (born after 23 September 2009) 1. J. KRIEGER: Menuet in A Minor frompartita No. 5 in A Major 2. L. MOZART: Menuet in G Major, No. 4 from Notebook for Nannerl 3. W.A. MOZART:
More informationBeethoven's Thematic Processes in the Piano Sonata in G Major, Op. 14: "An Illusion of Simplicity"
College of the Holy Cross CrossWorks Music Department Student Scholarship Music Department 11-29-2012 Beethoven's Thematic Processes in the Piano Sonata in G Major, Op. 14: "An Illusion of Simplicity"
More informationBeethoven, Ludwig Van's Fur Elise For Flute & Piano By Jonathon Robbins READ ONLINE
Beethoven, Ludwig Van's Fur Elise For Flute & Piano By Jonathon Robbins READ ONLINE If searched for a book Beethoven, Ludwig van's Fur Elise for Flute & Piano by Jonathon Robbins in pdf form, then you
More informationMUSIC (MUSI) MUSI 1200 MUSI 1133 MUSI 3653 MUSI MUSI 1103 (formerly MUSI 1013)
MUSIC (MUSI) This is a list of the Music (MUSI) courses available at KPU. Enrolment in some sections of these courses is restricted to students in particular programs. See the Course Planner - kpu.ca/
More information