Contents. School, Composer, Title, Source. English School. ANONYMOUS, 18th century Voluntary in a 4

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1 Contents School, Composer, Title, Source Page English School ANONYMOUS, 18th century Voluntary in a MAURICE GREENE, 1695/ Voluntary in a (Telve Voluntaries, ca. 1779/80) 6 GEORGE FRIDERIC HANDEL, Adagio (Organ Concerto in F Maor, Op., No., Mvt. 3, 1738) 9 Flute Solo and Gigue (Sonata for a Musical Clock) 10 Fugue in C [1] (Six Fugues or Voluntaries for Organ or Harpsichord, Op. 3, 1735) 12 Fugue in C [2] (Six Fugues or Voluntaries for Organ or Harpsichord, Op. 3, 1735) 1 HENRY HERON, 18th century Voluntary in C (Ten Voluntaries for Organ or Harpsichord, 1760) 17 Voluntary in G (Ten Voluntaries for Organ or Harpsichord, 1760) 20 HENRY PURCELL, ca Fanfare in C 2 WILLIAM SELBY, Voluntary in D [Fugue] 25 OHN STANLEY, Voluntary in d/d (Ten Voluntaries for the Organ or Harpsichord, Op. VI, 1752) 29 Voluntary in e (Ten Voluntaries for the Organ or Harpsichord, Op. VII, 175) 32 Italian School ANONYMOUS, 18th century Offertorio Pastorale 36 ADRIANO BANCHIERI, Dialogo per Organo (L organo suonarino, Op. 13, 1611) 3 ANTONIO VIVALDI, ; transcried ohann Seastian Bach, Adagio (Concerto in a, BWV 593) DOMENICO ZIPOLI, Verso in d (Sonate d Intavolatura per Organo e Cimalo, Part I, 1716) 6 Verso in e (Sonate d Intavolatura per Organo e Cimalo, Part I, 1716) 7 Verso in g (Sonate d Intavolatura per Organo e Cimalo, Part I, 1716) 8 Toccata all Offertorio (Sonate d Intavolatura per Organo e Cimalo, Part I, 1716) 9

2 South German School OHANN KASPAR FERDINAND FISCHER, ca Praeludium in G (Ariadne musica, 1702) 52 OHANN KRIEGER, ca Praeludium in g (Anmuthige Clavier-Üung, 1699) 53 Fantasie in d (Anmuthige Clavier-Üung, 1699) 5 OHANN PACHELBEL, Fugue in C 55 Fugue in d 56 Praeludium in a 59 Toccata in F 60 Composer Biographies 66 Organs and Organ Registration 68 Types of Composition 70 Technical and Musical Difficulty Sequence 71 EDITOR S NOTE This compilation edition is offered as a resource for church organists as ell as student organists. Editorial articulation and ornamentation suggestions are indicated in parentheses. Registration suggestions are indicated in square rackets. Michael Burkhardt anuary 2011

3 Voluntary in a Allegro Cornet Anonymous 5 Ÿ Echo 9 Ÿ Cornet n n n Ÿ Echo Music: Anonymous (Late 18th century English collection y E. Kendall) All rights reserved. Printed in U.S.A MorningStarMusic.com

4 6 Voluntary in a Maurice Greene Largo [Diapasons] Ó.. n.. 8. n n Music: Maurice Greene, 1695/ ; from Telve Voluntaries (Posthumous Opus, ca ) (PD). All rights reserved. Printed in U.S.A MorningStarMusic.com

5 10 Flute Solo and Gigue George Frideric Handel 3 5 * Ÿ * g *Hemiola: a regrouping of to measures of three eats into three measures of to eats. Music: George Frideric Handel, ; Sonata for a Musical Clock (PD). All rights reserved. Printed in U.S.A MorningStarMusic.com

6 12 Fugue in C (1) George Frideric Handel n.. 11 n Ÿ n 21 Music: George Frideric Handel, ; Six Fugues or Voluntaries for Organ or Harpsichord, Op. 3; London, 1735 (PD). All rights reserved. Printed in U.S.A MorningStarMusic.com

7 1 Fugue in C (2) George Frideric Handel Ó. 8.. Ÿ. 11 Ó 15 Ÿ 18 Ÿ Ó Music: George Frideric Handel, ; Six Fugues or Voluntaries for Organ or Harpsichord, Op. 3; London, 1735 (PD). All rights reserved. Printed in U.S.A MorningStarMusic.com

8 20 3 Allegro [Gt.] { [Full Organ] Voluntary in G Henry Heron 5 7 [Solo] [Ch.] M 9 [Ch.] 11 [Solo] m Music: Henry Heron, 18th century; Ten Voluntaries for the Organ or Harpsichord, 1760 (PD). All rights reserved. Printed in U.S.A MorningStarMusic.com

11 3 (I) 3 Senza Pedale a due Clav.* piano Adagio Antonio Vivaldi Trans. y. S. Bach 5. (II) cantaile.. ( ) Ÿ. n (I) 9... ( Ÿ ). n n Ÿ. *Without pedal, on to keyoards Music: ohann Seastian Bach, , from Concerto in a, BWV 593; transcried from Antonio Vivaldi, , Concerto in a for To Violins, Op. 3, No. 8 (PD). All rights reserved. Printed in U.S.A MorningStarMusic.com

12 Toccata all' Offertorio 9 Domenico Zipoli [Allegro] [Ped.] 7 10 Ó Music: Domenico Zipoli, ; Sonate d'intavolatura per Organo e Cimalo, Part I, 1716 (PD). All rights reserved. Printed in U.S.A MorningStarMusic.com

Chapter 10. Instrumental Music Sunday, October 21, 12

Chapter 10. Instrumental Music Sunday, October 21, 12 Chapter 10 Instrumental Music 1600-1750 Instruments of the Baroque Era The Violin Baroque violin was similar to the modern violin but differed in ways that gave it a sweeter, more rounded tone Instruments