David K. Blake Curriculum Vitae (revised December 5, 2016) Education Employment Publications Books Articles
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1 David K. Blake Curriculum Vitae (revised December 5, 2016) University of Akron School of Music, Akron, OH (631) Education 2014 Ph.D., Music History and Theory, Stony Brook University 2010 Graduate Certificate, Cultural Studies and Comparative Literature, Stony Brook University 2008 M.A., Music History and Theory, Stony Brook University 2006 B.A. with Honors, Music, Syracuse University Employment 2017 Instructor of Music, Crane School of Music, State University of New York at Potsdam 2016 present Senior Lecturer of Music History, University of Akron Visiting College Lecturer of Music History, University of Akron Lecturer, Stony Brook University Publications Books Educational Recreations: Popular Music in American College Student Life (submitted to University of Michigan Press) Long Playing Records: A History of Rock Music (submitted to Oxford University Press) Articles 2016 University Geographies and Folk Landscapes: Students and Local Folksingers at the University of Illinois at Urbana-Champaign, , Journal of Musicology 33, no. 1: Between a Rock and a Popular Music Survey Course: Technological Frames and Historical Narratives in Rock Music (MUS 109), Journal of Music History Pedagogy 5, no. 1: Introduction: Towards a Critical Pedagogy for Undergraduate Popular Music History Courses in the Twenty-First Century, Journal of Music History Pedagogy 5, no. 1: Timbre as Differentiation in Indie Music, Music Theory Online 18, no. 2 Musicological Omnivory in the Neoliberal University (submitted to Journal of Musicology) Everybody Makes up Folksong : Pete Seeger s 1950s College Concerts and the Democratic Potential of Folk Music (submitted to Journal for the Society of American Music) Blake CV Page 1
2 Book Chapters Forthcoming Timbre, in Oxford Handbook to Key Concepts in Music Theory, eds. Steven Rings and Alexander Rehding. New York: Oxford University Press 2017 (co-authored with Brad Osborn) Triangulating Timbre in Sigur Rós s Iceland, in Sounding Iceland, eds. Tony Mitchell, Nicola Dibben, Þorbjörg Daphne Hall, and Árni Heimir Ingólfsson. Sheffield, UK: Equinox Reviews Forthcoming Religion and Hip Hop: Mapping the New Terrain in the US, edited by Monica R. Miller, Anthony B. Pinn, and Bernard Bun B Freeman, Popular Music 2016 Sweet Air: Modernism, Regionalism, and American Popular Song, by Edward P. Comentale, Popular Music 35, no. 1: French Moves: The Cultural Politics of le hip hop, by Felicia McCarren, Popular Music 33, no. 3: The Ashgate Companion to Popular Musicology, edited by Derek B. Scott, Musicology Australia 34, no. 1: Encyclopedia Articles 2015 The Band, The Byrds, MC5, and Simon and Garfunkel, in The 100 Greatest Bands of All Time: A Guide to the Legends Who Rocked the World, edited by David Moskowitz. Santa Barbara, CA: ABC-CLIO Publishing. Grants, Fellowships, and Awards 2016 Geraldine E. and Corinne L. Parsons Award, American Folklife Center, Library of Congress Joyce Tracy Fellow, American Antiquarian Society 2015 Finalist, Wiley Housewright Dissertation Award, Society for American Music 2014 Gladys Krieble Delmas Visiting Scholar, Rock and Roll Hall of Fame Library and Archives 2014 American Music Research Center Fellowship, University of Colorado 2012 Hewitt Pantaleoni Prize for Outstanding Graduate Student Paper, Mid-Atlantic Chapter of the Society for Ethnomusicology 2010 Andrew W. Mellon Foundation Dissertation Seminar Fellowship, Stony Brook University Humanities Institute 2010 Ackerman Prize for Excellence in Music, Stony Brook University 2009 Outstanding Graduate Student Paper Prize, International Association for the Study of Popular Music US Chapter Annual Conference 2006 William Sowers Prize for Outstanding Honors Thesis in the Humanities, Syracuse University Blake CV Page 2
3 Conference Papers and Presentations 2017 Society for American Music Annual Meeting, Montreal: Minstrelsy and the Yale College Man, Society for American Music Annual Meeting, Montreal: Chair, Folk Revivals panel 2016 American Musicological Society Annual Meeting, Vancouver: Minstrelsy and the Yale College Man, What We Talk About When We Talk About New Music Conference, University of Massachusetts Amherst: The Omnivorous Tastes of Roomful of Teeth 2015 Society for Ethnomusicology Annual Meeting, Austin: Pete Seeger s College Concerts and the Historiography of the American Folk Revival 2015 North American Conference on Nineteenth-Century Music, Merrimack University: The Sacralized Popular Music of American College Students, Society for American Music Annual Meeting, Sacramento: Pete Seeger s College Concerts and the Historiography of the College Folk Revival 2015 International Association for the Study of Popular Music US Chapter Annual Conference, Louisville: Notes on Deconstructing the Elite Popular: Higher Education, Omnivory, and Neoliberalism in Vampire Weekend s Cape Cod Kwassa Kwassa 2015 International Association for the Study of Popular Music US Chapter Annual Conference, Louisville: Chair, (Mis)Appropriations and Collective Identity and Genre Formation and Circulation panels 2015 Hearing Landscape Critically: Music, Place, and the Spaces of Sound, Harvard University: Chair, Identity and Community Politics panel 2014 Society for Music Theory Annual Meeting, Milwaukee: Anna s Ghost All Around: Timbre and Meaning in Neutral Milk Hotel s In the Aeroplane over the Sea 2014 Provost s Graduate Student Lecture Series, Stony Brook University: Homo omnivorus: The Inclusion of Popular Culture and the Class Borders of University Taste 2013 American Musicological Society Annual Meeting, Pittsburgh: Homo omnivorus: Inclusiveness, Popular Music, and the Class Borders of University Taste 2013 Society for Music Theory Popular Music Interest Group Annual Meeting, Charlotte: Sonic Cartographies and Cultural Geographies: Canonizing the Athens Sound 2013 Musicology and the Present, Lewis and Clark University: Homo academicus, Homo omnivorus: Recasting the Relationship between Higher Education and Musical Taste 2013 Music and Diplomacy, Tufts University and Harvard University: This Is Not an Indian Show : 1970s Ethnomusicology, Native American Musical Performance, and the Diplomacy of Indigeneity 2012 Mid-Atlantic Chapter of the Society for Ethnomusicology Annual Conference, College of William & Mary: Educational Soundscapes: Producing Student Ethnographers and Community Folksingers in the Green Fields of Illinois 2012 Teaching Music History Day Conference, Rider University: Is the Rock Music Survey Course the Popular Music Survey Course? Blake CV Page 3
4 2012 International Association for the Study of Popular Music Canada Chapter Annual Conference, Acadia University: Down home they called us a bunch of hillbillies, but up here we re known as folksingers : Educating Urban Students through Rural Musicians at Midwestern College Campuses, Hearing Landscape Critically: Sense, Text, Ideology, Oxford University: University Landscapes and Educational Epistemologies: Students and Local Folksingers at the University of Illinois at Urbana-Champaign, Indiana University Archives of Traditional Music Friday Noon Concert and Lecture Series: Campus Folksong Clubs at Indiana and Illinois as Folk Music Curators 2011 Early Modern Women in the Arts Symposium, West Chester University: Putting Madrigal Performance in Perspective: Wert s Vezzosi augelli and the concerto delle donne 2010 International Association for the Study of Popular Music US Chapter Annual Conference, Loyola University, New Orleans: Whiteness, Childhood, and Indie Politics: The Decemberists Sixteen Military Wives 2009 International Association for the Study of Popular Music US Chapter Annual Conference, University of California-San Diego: Internet Music Criticism as Archive: Pitchfork Media and Neutral Milk Hotel s In the Aeroplane over the Sea 2009 CUNY Graduate Studies in Music Conference, and McGill Music Graduate Symposium: Robert Schumann s Kind im Einschlummern : Schlafe or Tod? Invited Papers and Presentations 2014 University of Colorado College of Music Colloquium Series: The Cultivated and the Disreputable: Songs of Yale (1853) and the Music of College Students 2013 American Musicological Society Popular Music Study Group Meeting, Pittsburgh: Technologies and Periodicities: Towards a 2010s Pop Music Pedagogy 2012 Music Theory Online Webinar: Timbre as Differentiation in Indie Music Teaching Experience University of Akron Music Literature I (undergraduate music major survey course) Music Literature II (undergraduate music major survey course) Music History I (undergraduate music major survey course) Music History II (undergraduate music major survey course) Exploring Music- Bach to Rock (online undergraduate non-major course) Crane School of Music, State University of New York at Potsdam Music in America (graduate seminar) Crane Live! (undergraduate non-major lecture) Blake CV Page 4
5 Stony Brook University History of Independent Popular Music (graduate seminar) Music and Copyright (graduate seminar) Popular Music, Technology, and Society (graduate seminar) History of Jazz (upper-division course for majors and non-majors) Contemporary Traditions in American Music (upper-division seminar for majors and non-majors) Rock Music (undergraduate non-major lecture) Introduction to Music (undergraduate non-major lecture) Elements of Music (undergraduate non-major lecture) Introductory Writing Workshop (undergraduate non-major seminar) Professional Service Program Committee, International Association for the Study of Popular Music US Canada Chapters Joint Meeting, Calgary 2015 Conference co-organizer, Embracing the Margins: Counter-Mainstream Sensibilities in Popular Music, University of North Carolina Chapel Hill 2013 Program Committee, Mid-Atlantic Chapter of the Society for Ethnomusicology Annual Meeting, University of Richmond Program Committee Chair, American Musicological Society Popular Music Study Group meeting, New Orleans 2011 Local Arrangements Chair, American Musicological Society Greater New York Chapter Winter meeting, Stony Brook University Manhattan Center Secretary, American Musicological Society Greater New York Chapter Outside Referee Journal of the American Musicological Society Journal of Music History Pedagogy University Service University of Akron 2016 Adjudicator, University of Akron Concerto Competition Stony Brook University Middle States Commission on Higher Education Decennial Review, Graduate Student Representative Chair, Stony Brook Graduate Music Symposium Blake CV Page 5
6 th-Century Music Scholar Search, Graduate Student Representative Steering Committee, Stony Brook Graduate Music Symposium Graduate Studies Committee, Department of Music, Music History Representative Music Library Committee, Graduate Student Representative Miscellaneous Published Material Conference Reports 2011 Conference Roundup: Popular Music at AMS 2011, IASPM-US.NET, Program Notes 2009 Stony Brook Opera: Mozart, Così fan tutte Stony Brook Baroque Ensemble: works by Hilton and Reincken Stony Brook Symphony Orchestra: assorted symphonic repertoire Blake CV Page 6
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