Andrew Mall. 360 Huntington Avenue, 351 Ryder Hall (fax) Boston, Massachusetts 02115, U.S.A.

Transcription

1 Andrew Mall Northeastern University Department of Music (phone) 360 Huntington Avenue, 351 Ryder Hall (fax) Boston, Massachusetts 02115, U.S.A. EDUCATION University of Chicago 2012 Ph.D. in Ethnomusicology, dissertation: The Stars Are Underground : Undergrounds, Mainstreams, and Christian Popular Music 2003 M.A. in Social Sciences, thesis: Building Nothing out of Something: Constructing Trans- Local Community through Independent Music Subcultures Lehigh University 2002 M.S. in Computer Science 2002 B.A. in Music, departmental honors, Phi Beta Kappa 2001 B.S. in Computer Science, cum laude, Tau Beta Pi EMPLOYMENT 2015 present Assistant Professor, Northeastern University Department of Music Visiting Assistant Academic Specialist, Northeastern University Department of Music , 13 Adjunct Instructor, University of Chicago Department of Music Adjunct Instructor, DePaul University School of Music PUBLICATIONS Books Under review Marginalia: Niche Markets, Christian Rock, and Popular Music. Book proposal under review. Under contract Studying Congregational Music: Key Issues, Methods, and Theoretical Perspectives. Co-edited with Jeffers Engelhardt and Monique M. Ingalls. Under contract with Routledge. Refereed Articles Submitted Submitted Submitted Introduction: Festivals and Musical Life. Under peer review: 2,300 words. Music Festivals, Ephemeral Places, and Scenes: Attending and Producing Cornerstone Festival. Under peer review: 4,400 words. Selling Out or Buying In? CCM Magazine Responds to Christian Record Label Consolidation. Under peer review: 6,800 words. Last updated January 2019

2 2018 Worship Capital: On the Political Economy of Worship Music. American Music 36, no. 3: Concentration, Diversity, and Consequences: Privileging Independent over Major Record Labels. Popular Music 37, no. 3: What Would the Community Think: Communal Values in Independent Music. voicexchange: A Graduate Music Student Journal of the University of Chicago 2, no. 1: Book Chapters In preparation Patterns of Corporate Consolidation: Christian Record Labels In, But Not Of Music Industries. In The Oxford Handbook to the Global Music Industries, edited by K. E. Goldschmitt and Jayson Beaster-Jones. Edited volume under contract with Oxford University Press. In preparation Introduction: Defining Congregational Music Studies. Co-authored with Jeffers Engelhardt and Monique M. Ingalls. In Studying Congregational Music: Key Issues, Methods, and Theoretical Perspectives. In preparation Access, Privilege, and Capital in Congregational Music Studies. In Studying Congregational Music: Key Issues, Methods, and Theoretical Perspectives. In preparation Pick Your Brother Up : Punk, Politics, and Secularization at Christian Festivals. In Christian Punk: Identity and Performance, edited by Ibrahim Abraham. Edited volume under contract with Bloomsbury Academic Tuning in to Locality: Participatory Musicking at a Community Radio Station. In The Routledge Companion to the Study of Local Musicking, edited by Suzel A. Reily and Katherine Brucher, Routledge: This is a chance to come together : Subcultural Resistance and Community at Cornerstone Festival. In Congregational Music-Making and Community in a Mediated Age, edited by Anna E. Nekola and Thomas Wagner, Ashgate Publishing: We Can Be Renewed : Resistance, Renewal, and Worship at the Anchor Fellowship. In The Spirit of Praise: Music & Worship in Pentecostal-Charismatic Christianity, edited by Monique M. Ingalls and Amos Yong, The Pennsylvania State University Press: Invited Articles Forthcoming Emo ; Subculture. Entries in The SAGE Encyclopedia of Ethnomusicology, edited by Janet Sturman, SAGE Publications: 1,100 words; 2,500 words Christian Popular Music, U.S.A. Co-authored with Monique M. Ingalls and Anna E. Nekola. Entry in The Canterbury Dictionary of Hymnology, edited by J. R. Watson, Carlton R. Young, Colin Gibson, Margaret Leask, and Jeremy Dibble, Canterbury Press: 11,600 words Billy Ray Hearn. Entry in The Canterbury Dictionary of Hymnology: 750 words Christian Rock. Entry in The Continuum Encyclopedia of Popular Musics of the World, Volume VIII: Genres in North America, edited by John Shepherd and David Horn, Continuum: Andrew Mall, Curriculum Vitae, Page 2 of 13

3 Reviews In preparation Review of Shout to the Lord: Making Worship Music in Evangelical America, by Ari Y. Kelman. Musica Judaica Online Reviews. Edited Journal Issues Submitted Special issue on Festivals and Musical Life, Journal of the Society for American Music. Articles under peer review. REFEREED CONFERENCE PRESENTATIONS 2018 Selling Out or Buying In? Archival Research of Consumer Discourse about Christian Record Label Consolidation. Paper presentation, Music and Entertainment Industry Educators Association annual conference. Los Angeles, California, March 23. Published as Archival Research Methods and Music Industry Pedagogy in the Proceedings of the 2018 MEIEA International Summit: As for me and my house : Nashville, the Home of Christian Music. Roundtable moderator, International Association for the Study of Popular Music, United States branch annual conference. Nashville, Tennessee, March Sound as Religion. Roundtable panelist, American Academy of Religion annual conference. Boston, Massachusetts, November Resistance, Renewal, and Congregation at Christian Music Festivals. Paper presentation, American Academy of Religion annual conference. Boston, Massachusetts, November The Ethnomusicology of Religion: Fieldwork Methods and Ethics. Roundtable panelist, Society for Ethnomusicology annual conference. Denver, Colorado, October Abandoning Shelters: Christian Popular Music and Crossover Strategies. Paper presentation, International Association for the Study of Popular Music, United States branch annual conference. Cleveland, Ohio, February Worship Capital, Evangelicalism, and the Political Economy of Congregational Music. Paper presentation, Society for Christian Scholarship in Music annual conference. Boston, Massachusetts, February Music Festivals as Scenes: Producing Ephemeral Space Annually at Cornerstone Festival. Paper presentation, Society for Ethnomusicology annual conference. Austin, Texas, December Capital, Class, and Congregational Matters: The Political Economy of Worship Music. Paper presentation, Christian Congregational Music biennial conference. Ripon College Cuddesdon, Oxford, England, August From the Margins to the Mainstream: Two Crossover Cases. Paper presentation, Embracing the Margins: Counter-Mainstream Perspectives in Popular Music conference. Chapel Hill, North Carolina, March Subculture as Liturgy: Resistance and Worship among Subcultural Christians. Paper presentation, Christian Congregational Music biennial conference. Ripon College Cuddesdon, Oxford, England, August 3. Andrew Mall, Curriculum Vitae, Page 3 of 13

4 2013 Last Year s Lineup Was Better : Shifting Social Geographies and Collectivities at Chicago Music Festivals. Paper presentation, International Association for the Study of Popular Music biennial conference. Gijón, Asturias, Spain, June We Are Called Here to Worship Together : Ethnographic Outsiderness and Insiderness in Religious and Popular Culture. Paper presentation, Society for Ethnomusicology annual conference. New Orleans, Louisiana, November The Price of Profit?: Changing and Challenging Priorities in the Christian Recording Industry. Paper presentation, Society for Ethnomusicology annual conference. Philadelphia, Pennsylvania, November Is This the Blessing or the Curse? Christian Popular Music s Parallel History. Paper presentation, International Association for the Study of Popular Music, United States branch annual conference. Cincinnati, Ohio, March We Are the Music Makers: Converging and Diverging Practices among Christian Major and Independent Record Labels. Paper presentation, Society for Ethnomusicology annual conference. Los Angeles, California, November Lost in the Sound of Separation: Mainstreams and Alternatives at a Christian Rock Festival. Paper presentation, Society for Ethnomusicology annual conference. Mexico City, D.F., Mexico, November Never Mind What s Been Selling, It s What You re Buying : Capital Exchange in Buying, Collecting, and Selling Vinyl Records. Paper presentation, International Association for the Study of Popular Music, United States branch annual conference. San Diego, California, May I Heard You Have a Compilation of Every Good Song Ever Done by Anybody : Subjectivity, Exchange, and Interaction at Record Fairs. Paper presentation, Midwest Chapter of the Society for Ethnomusicology annual conference. Minneapolis, Minnesota, May Steady Diet of Nothing: Affinities, Sacrifices, and Change at Record Fairs. Paper presentation, Society for Ethnomusicology annual conference. Honolulu, Hawaii, November Tell Everyone We re Dead : Underground Rock and Its Canon. Paper presentation, Midwest Chapter of the Society for Ethnomusicology annual conference. Columbus, Ohio, April 30. INVITED TALKS 2019 Beer and Hymns and Redemption: Reimagining and Reclaiming Religious Identity through Participatory Sing-alongs. Research presentation at the Sound and Secularity symposium. Stony Brook University, Stony Brook, New York, April Discussant to Origins and Evolution. Panel at the Chanting the Word of God: Cantillation in the World s Religious Traditions symposium. Northeastern University, Boston, Massachusetts, May 8. Andrew Mall, Curriculum Vitae, Page 4 of 13

5 2017 Research Methods in Music Festival Studies. Guest lecture in course Music Festivals, Lecturer Luis-Manuel Garcia. University of Birmingham Department of Music, Birmingham, England, February Discussion co-moderator to guest lecture by the Romero Quartet. Northeastern University Department of Music, February Studying Worship Capital: Cultural Insiderness, Religious Outsiderness, and Political Economy in Evangelical Worship. Fellows Lunch presentation, Yale University Institute of Sacred Music. New Haven, Connecticut, November Worship Capital: At the Intersection of Music Industry and Congregational Music Studies. Research presentation, Food for Thought: A Faculty Lunchtime Colloquium. Northeastern University College of Arts, Media and Design, October Chicago Blues and Record Collecting. Guest lecture in course American Roots Music, Associate Professor Kiri Miller. Brown University Department of Music. Providence, Rhode Island, March Popular Music Margins Becoming Mainstreams: Amy Grant, Elliott Smith, and the Political Economy of Niche Markets. Colloquium presentation, Brown University Department of Music. Providence, Rhode Island, March Histories and Industries: Music and Research in the Age of Digital Reproduction. Invited roundtable panelist of Being a Musician in the Digital Age, Humanities and the Arts in the Integrated Knowledge University conference. Philadelphia, Pennsylvania, September Studying Christian Popular Music: Mainstreams, Niche Markets, and Fields of Cultural Production. Research presentation, interactions. Northeastern University College of Arts, Media and Design, October The Balancing Act: Archetypal and Peripheral Record Label Practices and Priorities. Workshop presentation, EthNoise! The Ethnomusicology Workshop. University of Chicago, February Why Should the Devil Have All the Good Music? : Contemporary Christian Music s Underground Roots in the Jesus People Movement. Workshop presentation, EthNoise! The Ethnomusicology Workshop. University of Chicago, May Spin the Black Circle : Exchange, Motivation, and Value in Vinyl Record Circulation. Workshop presentation, EthNoise! The Ethnomusicology Workshop. University of Chicago, May Discussant to Piracy in Practice: Technology, Circulation and Exchange. Workshop presentation by Jayson Beaster-Jones, EthNoise! The Ethnomusicology Workshop. University of Chicago, January Popular Music in Chicago. Roundtable panel organizer and discussant in course Explore the Arts in Chicago, Instructor Tim Mazurek. DePaul University First-Year Program, November Invited roundtable panelist of Workshopping Zines, annual Allied Media Conference. Bowling Green, Ohio, June 20. Additional guest lectures at Columbia College Chicago, DePaul University, Northeastern University, the University of Chicago, and the University of St. Francis. Andrew Mall, Curriculum Vitae, Page 5 of 13

6 PERFORMANCE 2013 present Gamelan Laras Tentrem (formerly Boston Village Gamelan), voice and various traditional Javanese percussion instruments (bronze gamelan Rinengga Sih Tentrem) Friends of the Gamelan / University of Chicago Central Javanese Gamelan Ensemble, voice and various traditional Javanese percussion instruments (bronze gamelan Sri Sedånå and iron gamelan Nyai Panjang Sari) Lehigh University Jazz Ensemble, alto saxophone Lehigh University Concert Band and Wind Ensemble, alto and tenor saxophones GRANTS, FELLOWSHIPS, AND AWARDS External (funded) 2018 Conference Travel Grant, Music and Entertainment Industry Educators Association ($500): Selling Out or Buying In?: Archival Research of Consumer Discourse about Christian Record Label Consolidation Research Grant, Music and Entertainment Industry Educators Association ($1000): Marginalia: Niche Markets, Christian Rock, and Popular Music 2013 Conference Travel Grant, International Association for the Study of Popular Music 2013 Conference Bursary (grant), Christian Congregational Music Conference 2010 Lise Waxer Student Paper Prize, Popular Music Section of the Society for Ethnomusicology External (not funded) 2018 Summer Stipend Program, National Endowment for the Humanities (Northeastern nominated, not funded): Marginalia: Niche Markets, Christian Rock, and Popular Music Internal (funded) Mutual Mentoring Advancement Program, ADVANCE Office of Faculty Development, Northeastern University ($3000): Music Faculty Writing and Peer Mentoring Group 2018 Research, Scholarship and Creative Activity Dissemination Grant, College of Arts, Media and Design, Northeastern University ($1000): As for me and my house : Nashville, the Home of Christian Music Faculty Site Visit Grant, Global Experience Office, Northeastern University ($1700): Birmingham, England, United Kingdom Dialogue of Civilizations 2016 Faculty Research and Creative Activity Incentive Grant, College of Arts, Media and Design, Northeastern University ($3000, deferred to 2017): Marginalia: Niche Markets, Christian Rock, and Popular Music Mellon Foundation Dissertation-Year Fellowship, University of Chicago Affiliated Doctoral Fellow, Franke Institute for the Humanities, University of Chicago Stuart Tave Teaching Fellowship, University of Chicago (declined) Andrew Mall, Curriculum Vitae, Page 6 of 13

7 2009, 10 Lowell C. Wadmond Fund Research Grant, Department of Music, University of Chicago 2009 Doolittle-Harrison Fellowship Travel Grant, University of Chicago Century Fellowship, Division of the Humanities, University of Chicago COURSES TAUGHT Northeastern University Introduction to Music Industry (Spring 2019, 38 students; Fall 2018, 19 student; Fall 2017, 29 students) Ethnography in Creative Industries (Spring 2019, 20 students; Spring 2018, 14 students) Music Industry Research Methodology (Fall 2018, 9 students; Fall 2017, 13 students; Fall 2016, 20 students) Punk Rock (Spring 2018, 30 students; Spring 2015, 20 students) Music Industry Co-op Seminar (Fall 2017, 4 students) Historical Traditions: America (Fall 2016, 14 students; Spring 2016, 10 students; Fall 2015, 19 students; Spring 2015, 20 students; Fall 2014, 19 students; Spring 2014, 17 students; Fall 2013, 15 students) Seminar in Music Industry (Fall 2015, 22 students; Spring 2015, co-taught, 42 students; Fall 2014, cotaught, 25 students; Spring 2014, 36 students; Fall 2013, co-taught, 23 students) Music, Technology, and Audiences (Summer , overload, 6 students) Disruptions in the Music Industry (Spring 2014, 10 students) University of Chicago Music of Southeast Asia (Spring 2013) Introduction to World Music (Spring 2010, Spring 2009) Introduction to World Music TA (Spring 2008) DePaul University Discover Chicago Music Scene (Fall 2012, co-taught; Fall 2011, co-taught; Fall 2009, co-taught; Fall 2008, co-taught; Fall 2007; Fall 2006) Explore Chicago Music Scene (Fall 2011, Fall 2009, Fall 2008) Focal Point Seminar: Punk & Politics (Spring 2012, Spring 2010, Spring 2009, Winter 2009) Sophomore Seminar: World Music (Winter 2012, Winter 2010) Discover/Explore Chicago: Peer Education Theory and Practice (Fall 2004, co-taught) Old Town School of Folk Music Beginning Javanese Gamelan (Spring 2012, co-taught) Andrew Mall, Curriculum Vitae, Page 7 of 13

8 Friends of the Gamelan Beginning Central Javanese Gamelan (Fall 2012, Fall 2011, Fall 2010, Fall 2009) Intermediate Central Javanese Gamelan (Winter 2011) Lehigh University Jazz History TA (Spring 2002, Fall 2001) Students Supervised Daniel Lim, WRBB History: How College Radio at Northeastern Tells a Larger Story (candidate for B.S. in Business Administration with a concentration in Marketing, directed study, Spring 2018) Allison Gurland, Roll Credits (candidate for B.S. in Music with a concentration in Music Industry, Honors in the Discipline, Fall 2017) Frederick O Neal, Music Industry Course Design (candidate for M.S. in Music Industry Leadership, directed study, Summer ) Eddie Chow, The Christian Music Industry (candidate for M.S. in Music Industry Leadership, directed study, Spring 2016) Elizabeth Rae Fagin, Depictions of Feminism in the Modern Music Industry (candidate for B.S. in Music with a concentration in Music Industry, Honors in the Discipline, Spring 2016) SERVICE TO THE INSTITUTION Northeastern University Fall present Music Industry Faculty Search Committee, Department of Music (59 applicants) Coordinator, Music Faculty Writing Group, Department of Music and ADVANCE Office of Faculty Development, Northeastern University Coordinator, M.S. in Music Industry Leadership, Department of Music and College of Arts, Media and Design 2015 present Spring 2018 Fall 2017 Spring 2017 Faculty advisor, FM WRBB Graduate Admissions Committee chairperson, Department of Music (40 applicants) Ethnomusicology Faculty Search Committee, Department of Music (48 applicants) Graduate Admissions Committee chairperson, Department of Music (42 applicants) Lead author, comprehensive curricular revisions, M.S. in Music Industry Leadership and undergraduate Music Industry programs (B.S. concentration, combined major, and minor), Department of Music Music Industry Faculty Search Committee, Department of Music (47 applicants) Summer 2016 Visiting Assistant Professor Search Committee, Department of Music (21 applicants) Spring 2016 Spring 2016 Graduate Admissions Committee, Department of Music (45 applicants) Merit Review Committee, Department of Music Andrew Mall, Curriculum Vitae, Page 8 of 13

9 Musicology Faculty Search Committee, Department of Music (237 applicants) Undergraduate admissions portfolio review, Department of Music Fall 2015 Fall 2015 DePaul University Spring 2013 Interim coordinator, B.S. in Music with a concentration in Music Industry, Department of Music Curriculum Committee, Department of Music Academic Assistant Search Committee, School of Music International Committee, School of Music Summer 2005 Admissions Assistant Search Committee, School of Music University of Chicago Co-coordinator, EthNoise! The Ethnomusicology Workshop Student Representative and Budget Review Committee, Humanities Division Graduate Student Council Treasurer, Graduate Music Society SERVICE TO THE PROFESSION Conference Organizing 2019 Co-organizer, Big Questions in 21st Century Popular Music Studies pre-conference symposium, American Musicological Society Popular Music Study Group. Boston, Massachusetts, October As for me and my house : Nashville, the Home of Christian Music. Roundtable organizer, International Association for the Study of Popular Music, United States branch annual conference. Nashville, Tennessee, March The Ethnomusicology of Religion: Fieldwork Methods and Ethics. Roundtable organizer, Society for Ethnomusicology annual conference. Denver, Colorado, October Festivals and Musical Life. Seminar panel convener, chair, and moderator at the Society for American Music annual conference. Montreal, Québec, Canada, March Local Arrangements Coordinator, European Network of Cultural Administration Training Centers study tour (jointly sponsored by the Association for Arts Administration Educators). Boston, Massachusetts, June Legacy: Aging and Popular Music. Panel chair at the International Association for the Study of Popular Music, United States branch annual conference (held jointly with Canada branch). Calgary, Alberta, Canada, May Program Committee, International Association for the Study of Popular Music, United States branch annual conference (held jointly with Canada branch). Calgary, Alberta, Canada, May Andrew Mall, Curriculum Vitae, Page 9 of 13

10 2015 Music Festivals as Temporary and Permanent. Panel organizer at the Society for Ethnomusicology annual conference. Austin, Texas, December Transnationalism ; Ritual and Reflexivity. Panels chair at the Christian Congregational Music biennial conference. Ripon College Cuddesdon, Oxford, England, August Contradictions of Faith. Panel chair at the International Association for the Study of Popular Music, United States branch annual conference. Chapel Hill, North Carolina, March Program Committee, International Association for the Study of Popular Music, United States branch annual conference. Austin, Texas, February 28 March On the Ethnomusicology of Religion: Past Contributions, Present Challenges, and Future Directions. Roundtable co-organizer and co-moderator at the Society for Ethnomusicology annual conference. Indianapolis, Indiana, November Negotiating Musical Binaries ; Local Music-Making in Australia and New Zealand. Panels chair at the Christian Congregational Music biennial conference. Ripon College Cuddesdon, Oxford, England, August 1 and Audio/Visual Culture. Panel chair at the International Association for the Study of Popular Music biennial conference. Gijón, Asturias, Spain, June Ethnomusicology within Music Industries. Panel organizer at the Society for Ethnomusicology annual conference. Philadelphia, Pennsylvania, November Chicago: Mapping the Urban Sound World. Panel chair at the Midwest Chapter of the Society for Ethnomusicology annual conference. Chicago, Illinois, April Program Committee, Midwest Chapter of the Society for Ethnomusicology annual conference. Chicago, Illinois, April Conflating the Sacred and Profane: Theorizing Present-Day Christian Popular Music Practices. Panel organizer at the Society for Ethnomusicology annual conference. Mexico City, D.F., Mexico, November Rethinking Capital and Ethnography in Popular Music Studies. Panel organizer at the International Association for the Study of Popular Music, United States branch annual conference. San Diego, California, May Co-organizer, EthNoise! Symposium: Musical Meaning and Its Media[tion], Chicago, Illinois, May Consuming Music in Community. Panel chair at the International Association for the Study of Popular Music, United States branch annual conference. Iowa City, Iowa, April Anonymous peer referee of symposia proposals, Midwest Graduate Music Consortium. Editorial Peer review: Bloomsbury Academic, Ethnomusicology, Routledge, Oxford University Press Editorial Board, voicexchange: A Graduate Music Student Journal of the University of Chicago Andrew Mall, Curriculum Vitae, Page 10 of 13

11 Society Leadership 2018 present Liaison to the International Association for the Study of Popular Music, United States branch, Society for Ethnomusicology 2018 Sanjek Prize Committee (student paper prize), International Association for the Study of Popular Music, United States branch Student Paper Prize Committee, Religion, Music, and Sound Section, Society for Ethnomusicology President, Religion, Music, and Sound Section, Society for Ethnomusicology 2014 Student Paper Prize Committee, New England Chapter of the Society for Ethnomusicology Student Paper Prize Committee chairperson, Religion, Music, and Sound Section, Society for Ethnomusicology Secretary, Religion, Music, and Sound Section, Society for Ethnomusicology 2013 Lise Waxer Student Paper Prize Committee, Popular Music Section, Society for Ethnomusicology 2011 Program Committee, Sacred and Religious Music Special Interest Group, Society for Ethnomusicology Secretary, Sacred and Religious Music Special Interest Group, Society for Ethnomusicology Student Representative, Midwest Chapter of the Society for Ethnomusicology Society Membership 2017 present 2007 present 2006 present 2016 present 2006 present 2006 present American Academy of Religion American Musicological Society International Association for the Study of Popular Music Music and Entertainment Industry Educators Association (via institutional membership) Society for American Music Society for Ethnomusicology PROFESSIONAL DEVELOPMENT 2018 Workshop: Strategies for Equitable Faculty Searches, Strategies and Tactics for Recruiting to Improve Diversity and Excellence Committee. Northeastern University, October present Music Faculty Writing Group, Department of Music and ADVANCE Office of Faculty Development. Northeastern University Workshop: Dealing with Competing Priorities, ADVANCE Office of Faculty Development. Northeastern University, October Workshop: Preparing for Third Year Review, ADVANCE Office of Faculty Development. Northeastern University, October 16. Andrew Mall, Curriculum Vitae, Page 11 of 13

12 2016 Workshop: Grant Writing Panel, College of Arts, Media and Design. Northeastern University, November Junior Faculty Symposium, American Musicological Society Popular Music Study Group. Case Western Reserve University, Cleveland, Ohio, June Workshop: Building and Maintaining a Teaching Portfolio, College of Arts, Media and Design and Center for Advancing Teaching and Learning Through Research. Northeastern University, April Workshop: Discussions that Work: Engaging Structures and Practical Facilitation Moves, Center for Advancing Teaching and Learning Through Research. Northeastern University, February Workshop: Understanding Implicit Bias in Faculty Searches, Strategies and Tactics for Recruiting to Improve Diversity and Excellence (STRIDE) Committee. Northeastern University, December Interdisciplinary Faculty Writing Group, ADVANCE Office of Faculty Development. Northeastern University New Faculty Teaching and Learning Orientation, Center for Advancing Teaching and Learning Through Research. Northeastern University, August New Faculty Teaching and Learning Orientation, Center for Advancing Teaching and Learning Through Research. Northeastern University, August Pedagogies of Writing Training Seminar, Writing Program. University of Chicago, June 19 July 24. ARTS INDUSTRY EXPERIENCE 2018 present Vice President, Board of Directors, Gamelan Laras Tentrem 2012 Instructor, Old Town School of Folk Music, Chicago, Illinois Board of Directors and Education Coordinator, Friends of the Gamelan Disc Jockey, CHIRPradio.org 2010, 12 Volunteer, Cornerstone Festival, Bushnell, Illinois Volunteer, Old Town School of Folk Music, Chicago, Illinois Intern, Touch and Go Records, Chicago, Illinois Board of Directors, Human Resources Committee, and Programming Committee, Chicago Independent Radio Project 2006 Chicago Local Agent and Organizer, Perpetual Motion Roadshow 2006 Concert Manager, Rush Hour Concerts at St. James Cathedral, Chicago, Illinois Director of Promotions and Disc Jockey, 88.7 FM WLUW, Chicago, Illinois Street Team Organizer, The Reputation (rock band) , Admissions Assistant, DePaul University School of Music Assistant Manager, Play It Again Records, Bethlehem, Pennsylvania Andrew Mall, Curriculum Vitae, Page 12 of 13

13 Publications Director, Assistant Music Director, and Disc Jockey, 91.3 FM WLVR, Bethlehem, Pennsylvania Andrew Mall, Curriculum Vitae, Page 13 of 13