GRAAD 12 NATIONAL SENIOR CERTIFICATE GRADE 12

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1 GR 12 NTIONL SENIOR ERTIFITE GRE 12 MUSI P1 NOVEMER 2015 MRKS: 120 TIME: 3 hours ENTRE NUMER: EXMINTION NUMER: This question paper consists of 21 pages and 1 page of manuscript paper.

2 Music/P1 2 E/November 2015 INSTRUTIONS N INFORMTION This question paper consists of FIVE sections, namely SETIONS,,, and E. SETIONS and are compulsory. SETION : WESTERN RT MUSI (WM), SETION : JZZ and SETION E: INIGENOUS FRIN MUSI (IM) are choice questions. nswer only ONE of these sections (SETION or or E). Write all music notation in SETION in pencil and all written text in blue or black ink on this question paper. nswer SETION and SETION or or E in blue or black ink in the NSWER OOK provided. Number the answers correctly according to the numbering system used in this question paper. The last page of this question paper is manuscript paper intended for rough work. andidates may remove this page. andidates may NOT have access to any musical instrument for the duration of this examination. Write neatly and legibly.

3 Music/P1 3 E/November 2015 MRKING GRI SETION QUESTION MRKS MRKER MOERTOR : THEORY OF MUSI 1 20 (OMPULSORY) 2 15 : GENERL MUSI KNOWLEGE (OMPULSORY) SUTOTL 60 N 5 20 SUTOTL 20 N : WM SUTOTL 40 OR : JZZ SUTOTL 40 OR E: IM SUTOTL 40 GRN TOTL 120

4 Music/P1 4 E/November 2015 SETION : THEORY OF MUSI (OMPULSORY) (90 minutes) nswer QUESTION 1 N QUESTION 2.1 OR 2.2 N QUESTION 3.1 OR 3.2 N QUESTION 4.1 OR 4.2. nswer the questions in the spaces provided on this question paper. QUESTION 1 (25 minutes) Study the extract below and answer the questions that follow. 1.1 Name the main key of this piece. (1)

5 Music/P1 5 E/November Name the intervals at and according to type and distance, for example Perfect 5 th (2) 1.3 Name triads at and according to type and inversion, for example Major, second inversion. (onsider only the notes in the block.) (2) 1.4 ircle the last FOUR notes (tetrachord) of an ascending melodic minor scale on the score. (1) 1.5 Transpose bar 2 of the solo part a major second higher. dd a new key signature. 1.6 Transcribe bar 3 of the bass part for viola at the same pitch. Use the correct clef. (3) 1.7 Rewrite bar 4 of the solo part, but double the note values. dd a new time signature. (3) 1.8 dd FOUR notes to the following to form a orian mode: (3) 1.9 Write an ascending sequence of the given melodic fragment. (2) 1.10 hange the final chord of this extract on the score to form a tierce de Picardie (major chord). (1) [20] (2)

6 Music/P1 6 E/November 2015 QUESTION 2 (25 minutes) nswer EITHER QUESTION 2.1 OR QUESTION omplete the opening motif below to form a twelve-bar melody in ternary form for any single-line melodic instrument of your choice. Name the instrument for which you are writing. Indicate the tempo and add dynamic and articulation marks. Instrument: The melody will be marked according to the following criteria: ESRIPTION MRK LLOTION NITE'S MRKS Form and cadential points 3 orrectness Note stems, beats per bar, accidentals, spacing, layout Quality - Quality of melody and suitability for chosen instrument - ppropriateness of dynamic and articulation indications - Musicality TOTL OR [15]

7 Music/P1 7 E/November omplete the opening motif below to form a twelve-bar melody in ternary form for any single-line melodic instrument of your choice. Name the instrument for which you are writing. Indicate the tempo and add dynamic and articulation marks. Instrument: The melody will be marked according to the following criteria: ESRIPTION MRK LLOTION NITE'S MRKS Form and cadential points 3 orrectness Note stems, beats per bar, accidentals, spacing, layout Quality - Quality of melody and suitability for chosen instrument - ppropriateness of dynamic and articulation indications - Musicality TOTL [15]

8 Music/P1 8 E/November 2015 QUESTION 3 (10 minutes) nswer EITHER QUESTION 3.1 OR QUESTION Study the horale by JS ach below and answer the questions that follow.

9 Music/P1 9 E/November This chorale modulates in bar 4. How is the new key in bar 4 related to the original key of the chorale? Identify the chords from (a) (f) and figure them on the score. Use EITHER figuring below the score OR chord symbols above the score. See the example in bar 1. (6) Name the type of non-chordal notes at (i) and (ii). (i) (ii) (2) Name the cadence in bar (1) [10] OR (1)

10 Music/P1 10 E/November Study the extract from You're reaking My Heart by Pat Genaro and Sunny Skylar below and answer the questions that follow Identify the chords from (a) (f) and figure them on the score. Use chord symbols above the score. See the example in bar 1. (6) Name the type of non-chordal notes at (i), (ii) and (iii). (i) (ii) (iii) (3) Name the cadence in bars (1) [10]

11 Music/P1 11 E/November 2015 QUESTION 4 (30 minutes) nswer EITHER QUESTION 4.1 OR QUESTION omplete the four-part vocal harmonisation below by adding the alto, tenor and bass parts. The harmonisation will be marked according to the following criteria: ESRIPTION hord progression hoice of chords, correct use of cadence orrectness Notation, doubling, spacing, voice leading Quality Musicality, non-chordal notes, awareness of style, creativity MRK LLOTION ( 8 x 3) NITE'S MRKS TOTL 15 [15] OR

12 Music/P1 12 E/November omplete the piece below by adding a suitable bass line and harmonic material in the open staves. ontinue in the style suggested by the given material in bars 1 and 2. Melody hords ass

13 Music/P1 13 E/November 2015 The answer will be marked according to the following criteria: ESRIPTION hord progression hoice of chords, correct use of cadence orrectness Notation, doubling, spacing, voice leading Quality Musicality, non-chordal notes, awareness of style, creativity MRK LLOTION ( 8 x 3) NITE'S MRKS TOTL 15 [15] TOTL SETION : 60

14 Music/P1 14 E/November 2015 SETIONS,,, E: GENERL MUSI KNOWLEGE (90 minutes) nswer SETION N SETION (Western rt Music) OR SETION (Jazz) OR SETION E (Indigenous frican Music). nswer these questions in the NSWER OOK provided. SETION : GENERL (OMPULSORY) QUESTION Four options are provided as possible answers to the following questions. hoose the answer and write only the letter ( ) next to the question number ( ) in the NSWER OOK, for example E iatonic music refers to music that is based on... the whole-tone scale. the chromatic scale. a major or minor scale. the orian mode Which ONE of the following is NOT an element of music? Perspective uration ynamics Texture Which ONE of the following is a tempo indication? Ossia on fuoco Stringendo Morendo The following term describes musical notes that sound detached when performed: Legato Staccato Rubato Pesante The term chorus refers to... two vocalists performing together. an instrumental introduction to a vocal piece. a group of traditional dancers. the refrain of a popular song.

15 Music/P1 15 E/November Ternary form refers to ONE of the following: cadence is... found at the beginning of a phrase. a chord progression. a improvisatory solo passage. a passage of successive fast notes Which ONE of the following is NOT a South frican recording company? SMRO Gallo Music EMI Universal clarinet is a... single-reed instrument. expressive chordophone. percussive wind instrument. non-transposing instrument Which type of form has two sections that start in related keys? Sonata form Ternary form Rondo form inary form (10 x 1) (10) 5.2 riefly describe any TWO of the following terms: Ostinato Texture hordophone Polyrhythm (2 x 2) (4) 5.3 What benefit does it have for you to register your composition with SMRO? (4) 5.4 rrange the following role-players in the music industry in the correct order according to their function in the process of producing a song. Write down only the letters in the correct order, for example EFGH. Sound engineer Songwriter Radio presenter Performer (2) TOTL SETION : 20

16 Music/P1 16 E/November 2015 nswer SETION (WM) OR SETION (JZZ) OR SETION E (IM). SETION : WESTERN RT MUSI (WM) QUESTION Name the title of any other Mozart opera besides the one that you have studied. (1) 6.2 Write down the name(s) and voice type(s) of the characters who sing the following arias: (a) (b) Ein Mädchen oder Weibchen O Isis und Osiris (2) (2) 6.3 Explain why the title, The Magic Flute, is a fitting description for this opera. (1) 6.4 Name ONE difference between opera buffa and opera seria. (2) 6.5 Name ONE difference between aria and recitative. (2) [10] QUESTION Name TWO lassical features/elements found in Mendelssohn's Fingal's ave. (2) 7.2 escribe TWO Romantic features/elements found in Mendelssohn's Fingal's ave. (2) 7.3 Which other title is also used for Mendelssohn's Fingal's ave? (1) [5]

17 Music/P1 17 E/November 2015 QUESTION 8 omplete the table below representing the schematic layout of the lassical sonata form by inserting the missing words. Write only the question number ( ) and the answer in the NSWER OOK, for example 8.6 adenza. Exposition First subject (tonic key) (Various keys) First subject (tonic key) 8.1 New material ridge Second subject (dominant/relative key) odetta [5] QUESTION 9 escribe the instrumentation of the standard lassical orchestra. [5] QUESTION 10 The fourth movement of eethoven's Symphony No. 6 Op. 68 is an unusual addition to the standard symphonic structure of the lassical period. Write an essay in which you describe and discuss this movement. Refer to the following aspects in your answer: Form Instrumentation Mood/tmosphere THREE marks will be awarded for the logical presentation of facts and the structure of your essay. (5) (2) (5) (3) [15] TOTL SETION : 40 OR

18 Music/P1 18 E/November 2015 SETION : JZZ QUESTION Name the instrument, other than the trumpet, that Feya Faku plays. (1) 11.2 Name ONE female marabi group from the 1930s. (1) 11.3 Name THREE characteristics that you would hear in the music of the kwela artist, Lemmy Mabaso. (3) 11.4 Which ONE of the following music elements can be treated as a cyclic pattern in a jazz standard? Write down only ONE term in the NSWER OOK. texture; harmony; tone colour; mood (1) 11.5 hoose jazz classifications from OLUMN that matches any FOUR artists/groups in OLUMN. Write only the letter of your choice ( F) next to the question number ( ) in the NSWER OOK, for example G OLUMN Sakhile OLUMN recent years Merry lackbirds New jazz Robbie Jansen marabi Todd Matshikiza ape jazz Moses Molelekwa E jazz at home Union of frica F jazz in exile (4 x 1) (4) [10] QUESTION riefly describe TWO of the elements below that are reflected in the music of hris McGregor's bands, The lue Notes and The rotherhood of reath. Timbre Melody Style (2) 12.2 Give TWO reasons why hris McGregor's music could be regarded as extremely progressive. (2) 12.3 Name any musician who influenced hris McGregor's style. (1) [5]

19 Music/P1 19 E/November 2015 QUESTION Name the style of Philip Tabane's music. (1) 13.2 riefly describe THREE style characteristics of Philip Tabane's music. lso refer to the instruments he uses. (4) [5] QUESTION Name an early keyboard-based style of South frican jazz. (1) 14.2 Write a paragraph in which you briefly describe the musical origin of the style of music named in QUESTION (4) [5] QUESTION 15 'Mbaqanga is a music style that was strongly influenced by South frica's political, social and economic climate during the early 1960s.' Write an essay in which you discuss this statement. Refer to the following aspects in your answer: Origins haracteristics Songs and artists THREE marks will be awarded for the logical presentation of facts and the structure of your essay. (5) (5) (2) (3) [15] TOTL SETION : 40 OR

20 Music/P1 20 E/November 2015 SETION E: INIGENOUS FRIN MUSI (IM) QUESTION Name the TWO guitar-playing styles used in maskandi. (2) 16.2 What is the difference between the two styles in QUESTION 16.1? (2) 16.3 Which South frican cultural group uses malombo and murundzi drums? (1) 16.4 With which style of music would you associate ukucothoza (dance style)? (1) 16.5 hoose cultural groups from OLUMN that match any FOUR instruments in OLUMN. Write only the letter of your choice ( I) next to the question number ( ) in the NSWER OOK, for example J OLUMN Sikhelekhele OLUMN abezulu Tshizambi atswana Lingcacu apedi Marhonge amaxhosa Morothlwane E amandebele Ifegwana F asotho Lengope G vhavenda Sekgobogobo H atsonga Umhubhe I amaswati (4 x 1) (4) [10] QUESTION State FOUR ways in which traditional kiba music influenced the music of Sello Galane. (4) 17.2 Name an artist/band that influenced Sello Galane's music. (1) [5]

21 Music/P1 21 E/November 2015 QUESTION 18 hoose ONE of the following types of song-dances. Write the letter of your choice (a) (e) and then answer the question. (a) (b) (c) (d) (e) Tshikona orankana Muchongolo Mohobelo Isitshikiza Write a short paragraph in which you link the type of song-dance to a cultural group. Refer to the following aspects: ultural group Features of the dance/music Function of the dance Instrumentation used [5] QUESTION 19 riefly describe the function of drumming and dance in indigenous frican communities. [5] QUESTION 20 'Mbaqanga is a musical style that was strongly influenced by South frica's political, social and economic climate during the early 1960s.' Write an essay in which you discuss this statement. Refer to the following aspects in your answer: Origins haracteristics Songs and artists THREE marks will be awarded for the logical presentation of facts and the structure of your essay. (5) (5) (2) (3) [15] TOTL SETION E: 40 GRN TOTL: 120

22 Music/P1 E/November 2015

GRAAD 12 NATIONAL SENIOR CERTIFICATE GRADE 12

GRAAD 12 NATIONAL SENIOR CERTIFICATE GRADE 12 GR 12 NTIONL SENIOR ERTIFITE GRE 12 MUSI P1 FERURY/MRH 2015 ENTRE NUMER: EXMINTION NUMER: MRKS: 120 TIME: 3 hours *MUSM1* This question paper consists of 22 pages and 1 page of manuscript paper. Music/P1