HAL LEONARD NEW MUSIC FOR CONCERT BAND, JAZZ ENSEMBLE & STRING ORCHESTRA

Transcription

1 HAL LEONARD 2016 NEW MUSIC FOR CONCERT BAND, JAZZ ENSEMBLE & STRING ORCHESTRA

2 Manhasset Simply The Best Music Stands HAL LEONARD NEW MUSIC FOR CONCERT BAND JAZZ ENSEMBLE & STRING ORCHESTRA CONCERT BAND PAGE 4 JAZZ ENSEMBLE PAGE 22 ORCHESTRA PAGE 27 WHERE TO BUY? Manhasset stands and all publications mentioned in this can be purchased at all music shops right here in Australia. Here are a list of great local stores we d love you to support! LIFETIME WARRANTY ON ALL STANDS* & 5 YEAR WARRANTY ON ALL ACCESSORIES! SYMPHONY MUSIC STAND Manhasset s most popular music stand. Perfect for orchestras, school bands, and individual musicians that demand high quality and durability. Dimensions: Desk is 50.8cm wide x 31.8cm high. Height varies from 66cm to 122cm (lip to floor), with a maximum overall height of 153cm. BEST SELLER! Single Stand M4801 RRP $ Stands M4806 RRP $ M2501 RRP $ MANHASSET CLEAR DESK STAND The model 4701 Clear Desk Symphony Stand is designed for maximum visibility of the musician and the director. The Clear Desk Symphony Stand offers a bold new look in music stands. Construction of the desk is polycarbonate sheet plastic which is as clear as glass and is 250 times more resistant to breakage than glass. *Stands purchased from Year warranty on stands purchased prior to 2015 M3200U RRP $59.95 UNIVERSAL TABLET HOLDER The model 3200-U works with professional software that transforms a MANHASSET music stand shaft/base unit (sold separately) to a digital music stand bringing music and technology together. The Table Holder s V shaped lower support holds the table firmly and securely, and the upper hook and twist-lock easily secures it in either orientation portrait or landscape. ORCHESTRAL LED LAMP CHARGER Provides glare-free, full-width, audience-shielded illumination, and offers the ultimate in attractive design and simplicity. The lamp head is able to be pivoted to vary the position of the light bar for optimum light coverage. It is battery operated and delivers a uniform level of light for over 8 hours on a charge (charger included). Designed and rigorously tested to provide many years of trouble-free service. Designed for Aus/NZ voltage and plug configuration. M1050 RRP $94.95 QLD Animato Strings Brisbane Artie s Music Superstore Townsville Townsville Bandland Toowoomba Brass Music Specialists Education Brisbane Energetic Music Queensland Music Express Upper Mt. Gravatt Simply for Strings Brisbane WA Sound Centre Morley SA Presto Musical Repairs Park Holme Size Music Parkside TAS Barratts Music Launceston Launceston NSW Action Music Roseville Dural Music Centre Dural Dural Engadine Music Sydney Sydney Musos Corner/Foley s Pianos Newcastle Sydney String Centre Sydney Zephyr Music Sydney VIC Cranbourne Music Education Victoria Fine Music Hawthorn Future Music Australia Melbourne Pat s Music Oakleigh South Sonic Drop Melbourne ACT Better Music Canberra Prices listed are Australian RRP (inc GST). Retailers are not obliged to comply with the recommendation. Prices are subject to change without notice.

3 Concert Band Popular Concert Band Popular FIRST CONCEPTS GRADE 0.5 TO 1 DISCOVERY SERIES GRADE 1.5 FLEX BAND SERIES 3 Simplified Instrumentation Unison Bass Lines Optional Advanced Snare Drum Accompaniment Optional Piano Accompaniment 1. ESCAPADE Michael Oare Michael Oare s Escapade is a mischievous and fun-filled romp for beginning players. Using creative effects including trombone glisses, slide whistles, mouthpiece screeches, and dissonant crunches, your players will have blast with this, and the audience will too! $ BANDROOM ROCK Michael Sweeney Using only limited rhythms and ranges, Bandroom Rock is a great way to get your beginning players energised and motivated. The low brass starts things off, following the rest of the band and short feature spots for the percussion section. Fun for all! $ OGOPOGO (LEGENDARY LAKE CREATURE) Robert Buckley Based on the legendary lake creature that lives in Okanagan Lake in Canada, Ogopogo uses quirky orchestration and rhythms to bring the monster to life. The enormous creature rises from the depths, plays in the waves and then suddenly disappears back into the darkness. Ideal for a unique change of pace, Ogopogo uses the first 6 notes of the B-flat scale and is written in the Phrygian mode $ CAPTAIN AMERICA MARCH Alan Silvestri/ arr. Johnnie Vinson Originally composed for the 2011 film Captain America: The First Avenger, Alan Silvestri s dynamic and expansive theme has taken on a life of its own. Johnnie Vinson has skillfully retained the excitement of the original in this very playable version for young players $ THE HANGING TREE (FROM THE HUNGER GAMES - MOCKINGJAY, PART 1) Jeremiah Fraites, Wesley Schultz, Suzanne Collins/arr. Robert Here s a very easy setting of this popular hit song by Jennifer Lawrence from The Hunger Games: Mockingjay Part 1. Opening with a flute solo (or soli) playing the haunting melody, this arrangement then builds nicely to a powerful finish $ SHAKE IT OFF Max Martin/ Taylor Swift/ Shellback / arr. Robert This recent hit by pop superstar Taylor Swift features a catchy melody that adapts nicely for very young players. Here is a solid arrangement that your students and audience are sure to enjoy $ COUNTING STARS Ryan Tedder /arr. Robert This smash hit recorded by OneRepublic is effectively arranged here for second year players opening with a brief, slow introduction that features an optional solo for alto sax or trumpet. This is followed by a moderate dance tempo featuring a driving pulse and interesting parts for all sections of the band $ THE CUP OF LIFE Desmond Child/Robi Rosa / arr. Johnnie Vinson Recorded by Ricky Martin for the 1998 WIFA World Cup, this familiar hit features a driving Latin rock style and repetitive rhythms that are exciting yet easy to learn. Your percussion section in particular will enjoy playing this one! $ FEED THE BIRDS (FROM MARY POPPINS) Richard Sherman / arr. Robert Here s the tender ballad from Disney s beloved film Mary Poppins nicely arranged for second year players. The clarinets are featured initially, later joined by the trumpets, and even the low brass get their turn with the melody. Sure to be enjoyed by students and parents alike $74.00 Perfect for incomplete or unbalanced instrumentation Scored with just five parts Playable with combinations of woodwinds, brass, or strings Includes traditional percussion parts 10. WEST SIDE STORY (SELECTIONS FOR FLEX- BAND) Leonard Bernstein/ arr. Michael Sweeney The landmark musical West Side Story introduced a masterful musical score by Leonard Bernstein. This dynamic medley for young players is scored for flexible instrumentation and includes the timeless songs: Maria; Tonight; One Hand, One Heart; America; and Somewhere $ COLDPLAY CLASSICS arr. Michael Brown The music of the popular band Coldplay continues to be an enduring force in the contemporary pop music scene. Here is a well-paced and great-sounding medley of their biggest hits. Includes: Clocks, Paradise, and Viva La Vida $ VALDRES (CONCERT MARCH) Johannes Hanssen/arr.James Curnow Here is the classic Norwegian march skilfully adapted for flexible instrumentation by James Curnow. Featuring stirring melodies and a nice variety in scoring textures, this unique march is a welcome addition to the repertoire $ OUR KINGSLAND SPRING Samuel R. Hazo Samuel Hazo s very successful work for younger players features a balance between light and delicate writing contrasted with broad chorale-like passages for the entire ensemble. This adaptation by the composer now allows smaller bands to experience the beauty of Our Kingsland Spring $ THE HANGING TREE (FROM THE HUNGER GAMES - MOCKINGJAY, PART 1) Jeremiah Fraites, Wesley Schultz, Suzanne Collins/arr. Michael Brown This haunting melody from The Hunger Games: Mockingjay Part 1 was recorded by film score composer James Newton Howard and features actress Jennifer Lawrence singing it in the movie. This setting starts with a quiet solo (flexible options) then builds throughout to a stunning and powerful climax $ THE SAINTS HALLELUJAH (CANADIAN BRASS VERSION) arr. Luther Henderson/ adapted by Michael Brown Jazz great Luther Henderson created a number of classic settings for the Canadian Brass, and this is one of his best! Skilfully adapted by Michael Brown directly from the quintet version, here is the clever pairing of When the Saints Go Marching In with The Hallelujah Chorus. This unique and entertaining production number is sure to be a showstopper! $ HOOKED ON A FEELING Mark James/arr. Paul Murtha Featured prominently in the blockbuster movie Guardians of the Galaxy, this enjoyable arrangement for flexible instrumentation is based on the 70s recording by Blue Swede $ SHAKE IT OFF Max Martin, Taylor Swift, Shellback/arr. Michael Brown Taylor Swift is on top of the charts again with this catchy and energetic pop hit. Even with the limited 5-part scoring, this arrangement features a good mix of melody in each of the parts along with solid writing for the entire ensemble $ RADIOACTIVE arr. Paul Murtha Not many contemporary rock songs exhibit the staying power of this recent hit recorded by Imagine Dragons. Here s a great-sounding version for flexible instrumentation that goes together easily $ PETER GUNN Henry Mancini/arr. Paul Murtha Effectively arranged here in a flexible instrumentation format, this Henry Mancini masterpiece is one of the most recognised television themes of all time! For added fun, this version also includes an optional repeated section for solos. Jazzy written samples are included for a variety of instruments $93.00

4 Concert Band Popular DISCOVERY PLUS SERIES Concert Band Popular CONCERT BAND SERIES 20. ALL ABOUT THAT BASS Meghan Trainor, Kevin Kadish/arr. Paul Murtha This mega hit from recording artist Meghan Trainor features a catchy upbeat melody and even a doo-wop flavour at times. This solid arrangement for young bands gives the bass line instruments particular prominence, however every section of the band plays melody at some point. Sure to be easy to learn and fun to perform $ RUDE arr. Robert With its distinctive reggae beat and dance-like percussion groove, this contemporary hit recorded by the group Magic! adapts nicely for band in this effective setting for young players $ BANG BANG Savan Kotecha, Max Martin, Onika Maraj, Rickard Göransson/ arr. Robert Recorded by the dynamic trio of Jessie J, Ariana Grande & Nicki Minaj, this rockin pop hit features a driving tempo, strong melodies with stop-time accompaniment, and plenty of energy throughout! $ LIPS ARE MOVIN Meghan Trainor, Kevin Kadish/ arr. Johnnie Vinson Featuring a bright dance tempo and catchy melodies, this arrangement of Meghan Trainor s pop hit is easy to learn and fun to play. Horns and saxes take the lead in the beginning, but the low brass and trumpets get into the act as well $ A THOUSAND YEARS (FROM THE TWILIGHT SAGA: BREAKING DAWN, PART 1) Christina Perri, David Hodges/ arr. Paul Murtha Initially featured in the blockbuster movie The Twilight Saga: Breaking Dawn, Part 1 and recorded by Christina Perri, this powerful ballad enjoys continued popularity. A rare pop tune in 3/4 time, this effective arrangement for band features lyrical melodies, careful pacing, and nicely varied textures $ SESAME STREET CELEBRATION Michael Brown No matter how old you are, the familiar melodies from this popular television series never fail to raise a smile. Here s a delightful and entertaining medley for young players that includes Sesame Street Theme, C Is for Cookie, Bein Green, and Sing $ INSPECTOR CLOUSEAU THEME (FROM THE PINK PANTHER HENRY MANCINI STRIKES AGAIN) Henry Mancini/ arr. James Kazik Ever the master at composing the perfect theme for any given situation, Henry Mancini created this gem that clearly brings to mind the bumbling antics of Peter Sellers as he portrays the hapless inspector from the various Pink Panther films. Sure to be an enjoyable and entertaining novelty number $ CUPID SHUFFLE Bryson Bernard/arr. Johnnie Vinson With a catchy riff and infectious beat, this hit from 2007 has become a widely popular line dance at clubs, parties, and even wedding receptions. This solid arrangement cleverly passes fragments of the melody from section to section accompanied by the driving dance pulse $ LIVIN ON A PRAYER Desmond Child, Jon Bon Jovi, Richie Sambora/arr. Paul Murtha Originally released in 1986, Livin on a Prayer has become the signature song for rock group Bon Jovi. Thanks to continued usage in pop culture, sporting events and video games, this classic rock tune remains as popular today as ever. Here s a hard-hitting arrangement for the concert stage $ SUMMERTIME (FROM PORGY AND BESS) Dorothy Heyward/ arr. Robert This timeless ballad from Gershwin s Porgy & Bess is beautifully arranged here for young bands in a bluesy swing style setting. Robert uses rich harmonies, varied scoring and creative accompaniment figures throughout in this arrangement sure to be enjoyed by audiences of all ages $ CRAZY TRAIN Bob Daisley, Ozzy Osbourne, Randy Rhoads/arr. Johnnie Vinson Featuring a signature bass line riff and powerful rock beat, this Ozzy Osbourne hit remains one of the classic rock anthems of all time. The trumpets take centre stage at the beginning, and are then joined by the rest of the ensemble in this great-sounding arrangement for young players $ THE SWEETHEART TREE (FROM THE GREAT RACE) Henry Mancini/ arr. Robert Originally written for the zany and outrageous Blake Edwards comedy The Great Race, this beautifully melodic ballad became a popular and endearing song on its own. Nicely arranged here for young bands by Robert $ AVENGERS: AGE OF ULTRON (HEROES) Danny Elfman, Alan Silvestri/ arr. Michael Brown From the blockbuster film and latest adventures of the Avengers, Danny Elfman has created a suitably powerful and dramatic soundtrack. Here is the main theme ready to explode onto the concert stage! $ HIGHLIGHTS FROM INTO THE WOODS Stephen Sondheim/ arr.michael Brown Stephen Sondheim s masterful Broadway musical struck a resounding chord with a new audience thanks to the recent movie adaptation and all-star cast. This impressive and well-paced medley for band includes Into the Woods, Giants in the Sky, Children Will Listen, Last Midnight, and No One Is Alone $ SOUNDTRACK HIGHLIGHTS FROM GUARDIANS OF THE GALAXY Michael Brown Rarely does a blockbuster movie include a soundtrack that becomes such an important element of the film itself. With songs from character Peter Quill s Awesome Mix here is a dynamic medley for band that features the Marvel Studios Fanfare, Hooked on a Feeling, Come and Get Your Love, Groot Cocoon (lyric theme from the score), Cherry Bomb, and Ain t No Mountain High Enough $ MUSIC FROM THE THEORY OF EVERYTHING Johann Johannsson/ arr.robert The acclaimed movie The Theory of Everything is a poignant look at the life of renowned scientist Stephen Hawking. The accompanying award-winning soundtrack by Johann Johannsson beautifully sets the tone and mood for the film. Exploring a variety of scoring techniques and tonal colours, here is a marvellous adaptation for the concert stage $ MORE COWBELL! Michael Brown The use (or overuse) of the cowbell in pop music of the 70s MICHAEL BROWN was famously portrayed on a Saturday Night Live skit with Christopher Walken and Will Ferrell. Here is an entertaining medley of cowbell-laden classics including (Don t Fear) The Reaper, Low Rider, Drive My Car, and Oye Como Va. For added theatrics be sure to invite a guest (local dignitary, principal, etc.) onstage to perform with the band on cowbell. Sure to be a YouTube moment! $

5 Concert Band Popular CONCERT BAND SERIES Concert Band Festival and Concert FJH STARTER SERIES GRADE 0.5 SOUND FOUNDATIONS GRADE UPTOWN FUNK! Bruno Mars, Devon Gallaspy, Jeff Bhasker, Mark Ronson, Nicholaus Williams, Philip Lawrence/arr. Jay Bocook Recorded by Mark Ronson and featuring Bruno Mars, here s a funky throwback tune that continues to light up the airwaves. You re sure to energise any concert with this effective and dynamic arrangement for band $ DOWNTON ABBEY John Lunn/arr. Robert The distinctive theme for this popular television series is both haunting and rhythmically intense. In creating this very effective adaptation for band, Robert skilfully trades the active background figure from section to section, and contrasts this with the flowing lyric melody $ COUNTING STARS Ryan Tedder/arr. Sean O Loughlin Recorded by the band OneRepublic, this catchy pop hit has already demonstrated staying power in popularity and also on the charts. Sean O Loughlin uses the up-tempo dance groove from the original and trades the melody between woodwinds and brass in an effective version for band $ GLORY (FROM SELMA) Che Smith, Lonnie Lynn, John Stephens/ arr. Johnnie Vinson From the acclaimed film Selma about the civil rights marches of 1965, this soaring ballad recorded by John Legend & Common captures the power and emotion of the story and garnered the Academy Award for best song from a movie. This stirring arrangement by Johnnie Vinson also includes an optional rap section taken from the original recording $ I GOT YOU (I FEEL GOOD) James Brown/arr. Michael Brown In this high-energy arrangement of the signature hit from the Godfather of Soul the low brass start out on the theme with the band answering with the familiar riffs. The saxes are featured on the breakdown section along with the rest of the woodwinds. A nice blast of nostalgia for any audience $ THE HEART S CRY (FROM RIVERDANCE) Bill Whelan/ arr. Sean O Loughlin The music and spectacle of Bill Whelan s Riverdance forever changed how we look at Celtic music. The Heart s Cry is one of the most magical and lush ballads from the production, beautifully scored here for winds by Sean O Loughlin. The opening solo flute statement is answered by the ensemble in chorale style with the distinctive and close harmonies of the original. Boosey & Hawkes $ LIVE AND LET DIE Paul McMartney, Linda McCartney/ arr. Paul Murtha Of all the James Bond movies through the years, Live and Let Die, recorded by Paul McCartney and Wings, provided one of the most dynamic and powerful theme songs. Mixing a variety of styles from pop ballad, reggae, to driving rock, this explosive arrangement will light up any concert stage $ BRAVADO TANGO Jack Wilds This charismatic new work for beginning band is accessible to the youngest of players. Using a few well-placed accents and driving bass lines, this piece captures all of the drama of a fiery tango while using only 6 notes! B1624 $ EARTH SHOCK Mekel Rogers Strong and intense melodies combine with modal harmonies and driving rhythms to create a piece for beginners that is accessible yet powerful. A variety of percussion timbres contrast with various styles in the winds to make this piece a great teaching tool to develop more musical playing skills. A superb choice for beginning bands. B1625 $ FORTITUDE William Owens Bring your beginning musicians to the forefront with fortitude! Your students will quickly embrace this fresh concert march and greatly benefit from its endless teaching opportunities. Advanced snare drum and optional timpani parts are at the ready to enhance your performance even further. Big-time excitement with only six notes! 47. BLAZON! David Shaffer In this exciting fanfare, the brass and woodwinds proclaim majestic excitement through the use of interesting harmonies and crisp rhythmic motion. Aggressive percussion writing adds to the intensity of the performance. Written for the very youngest ensembles, Blazon! is the perfect selection to open your next concert $ CELESTIAL FANFARE Robert W. Smith This concert fanfare by Robert W. Smith will send your beginning band to new heights! Bold and majestic, Celestial Fanfare is written and scored to make your ensemble sound musically mature. Composed using the first six notes introduced in most band methods, the piece is accessible to all bands in their first year of instruction. A powerful piece to open your next concert! $ CONFLUENCE Jonathan McBride Confluence conveys the majesty and power of converging rivers while using just the first six notes taught in most band methods. Bringing together two distinct melodic ideas over powerful harmonic rhythms, Confluence is a mature-sounding work that is very accessible for your beginning band. The flowing middle section gives each instrument group a chance to shine before both themes return for a final, mighty Confluence $ SOAR WITH THE DRAGONS Rob Romeyn Capture your beginning bands imagination with this aggressive concert opener using only the first six notes introduced in most band methods. Each part is written with melodic interest. Memorable themes, changing textures and contrasting styles make this an outstanding teaching piece suitable for concert and festival use. A superb addition to the beginning band repertoire! $ THE GIFT OF HOPE James Swearingen Based on the everpopular folk song Simple Gifts, this beautiful setting has been created through the use of only six different notes. Swearingen s ability to make a band sound mature beyond their years is a talent that we ve all come to appreciate. You can be certain that audiences of all ages will be deeply touched by this highly expressive work. Simply breathtaking! $97.00 B1651 $

6 Concert Band Festival and Concert Concert Band Festival and Concert MEASURES OF SUCCESS PERFORMANCE SERIES GRADE CONCERTO FOR TWO HANDS Brian Balmages Feature anyone (musical or not!) in this clever and hilarious concerto that features a soloist who... claps! Set the stage with a grand piano, xylophone, bells or other keyboard instrument out front. Your audience will be amazed to see your principal, custodian or other special guest about to play a concerto. Imagine their surprise when the soloist simply claps on cue. Then, let your soloist really showcase some personality with the improvised cadenza. So much fun! B1646 $ READY TO ROCK Timothy Loest Remember when rock was BIG and the arenas were even BIGGER? Electrify your audience with this original rock n roll anthem reminiscent of the 1970s and 80s. The heart-pounding beat and gritty bass line are sure to captivate the crowd, and the optional drum set part is guaranteed to bring down the house. Put on your black concert t-shirt and GET READY TO ROCK! B1623 $80.00 MUSICWORKS GRADE ANCIENT STONE CIRCLES Robert Buckley Inspired by the mysterious stone formations of Stonehenge, Ancient Stone Circles creates an atmosphere of ancient times using modal melodies, rich scoring and exotic percussion. You ll hear the huge stones being transported, follow a Druid procession, and feel the awe and wonderment of this mystical place. Dur: 2:15 MusicWorks $ GOLD MEDAL MARCH Paul Murtha In this piece for second-year players, Paul Murtha masterfully adapts the traditional military march form for young musicians. The first strain is carried by trumpets and upper woodwinds, while the low brass take the lead on the second strain. After a brief percussion break, the legato trio melody features the woodwind section. A call and response break strain is followed by the full band on the rousing finish. Keep the march alive with this marvellous piece! Dur: 2:50 Musicworks $ ILLUSIONS Michael Oare An illusion can be defined as something that seems different than it really is. In this unique piece for very young players, Michael Oare uses shifting tonal centres to intentionally deceive the listener in order to create a musical illusion. It provides an opportunity for careful use of notes from the chromatic scale in a striking and fun setting! Dur: 1:55 MusicWorks $84.00 Touring in 2016 Richard L. Saucedo! Don t miss Richard at ANBOC in Sydney, September 23-26th 2016 For more information visit: openacademy.sydney.edu.au 57. POEM ROMANTIC NO. 1 (IN G MINOR) Richard L. Saucedo This lyric work RICHARD L. SAUCEDO provides an opportunity for your band to experience the musical style of Chopin in an effective setting for second year players. Featuring legato phrases, darker sonorities, and an engaging harmonic progression, Poem Romantic No. 1 offers musical rewards for the young level. Dur: 2:40 MusicWorks $ SELKIE Johnnie Vinson In Celtic folklore, a selkie is a mythical creature appearing as a seal in water, but JOHNNIE VINSON taking human form on land. In this striking setting for second-year players the first movement, in a lyric and melancholy style, portrays the selkie as a baby seal. The second movement depicts a young boy on land and employs a number of characteristics of traditional Scottish folk tunes. This marvellous work provides opportunities for musical and cross-curricular exploration. Dur: 3:50 MusicWorks $ SOUTHWIND Michael Sweeney Composed in the 1700s, this traditional Irish ballad was a lament of homesickness by its author, and is now a tender and beloved melody appearing on countless recordings. Also known as The Wind from the South or An Gaoth Aneas, this setting for second year players provides melody for all sections of the band along with subtle and tasteful harmonic variants. Dur: 2:35Dur: 2:35 MusicWorks $ EXCELSIOR! James Curnow With its Latin title translated as onward and upward this brief JAMES CURNOW yet energetic overture for second year players captures the spirit of adventure found in Henry Wadsworth Longfellow s 1841 poem of the same name. The energetic pulse and powerful melodies will engage the imagination of your young players. Dur: 2:20 MusicWorks $84.00 FJH BEGINNING BAND GRADE FANFARE ON A THEME OF IMAGINATION Brian Balmages Knowledge BRIAN BALMANGES is limited. Imagination encircles the world. This powerful quote by Albert Einstein provides the inspiration behind this fanfare that celebrates creativity in schools. A majestic opening leads into a dynamic and fast-paced section that continues to build in energy until the final massive series of chordal statements. Powerful and inspiring! B1619 $ STARRY NIGHT Timothy Loest Breathtaking harmonies meet the simple innocence of the beloved tune TIMOTHY LOEST Twinkle, Twinkle, Little Star in this lush, lyrical arrangement for young band. A wondrous teaching opportunity for phrasing and expression, Starry Night goes far beyond an arrangement and will be a welcome contrasting work on your next program. B1650 $ WHEN ROBOTS RULE THE WORLD Timothy Loest It s man versus machine in this robotic dubstep thriller. Cordless drill, toy voice changer, and optional synthesised bass create a futuristic soundscape that will be the hit of your next concert. Incredibly approachable, yet full of drama with powerful imagery. B1634 $ WHIRLING NOVAS Jack Wilds Buckle up and take your audience on a flight into the turbulent heart of a nebula! Booming percussion and sparkling woodwind lines conjure images of celestial bodies spinning and crashing together in the chaos of an interstellar star factory. Fabulous music for young musicians! B1622 $ THE WOODWORK FACTORY Mekel Rogers A very different selection for your next concert! The Woodwork Factory MEKEL ROGERS uses a variety of wooden percussion instruments to evoke the mechanical operations of a woodworking shop. Easy rhythms layer together to create a complex web of percussion colours while wind players give wonderful stylistic and dynamic contrasts. A composition that sounds a lot more difficult than it is to play, this piece will leave a great impression on students and audiences alike. B1635 $

7 Concert Band Festival and Concert Concert Band Festival and Concert SOUND FOUNDATIONS GRADE 1 FJH DEVELOPING BAND GRADE 1.5 RISING BAND GRADE 1.5 MUSICWORKS 66. MIGHTY TOWERS Matt Conaway The majestic support towers of Sydney s Harbour Bridge gave MATT CONAWAY motivation to this powerful concert opener by Matt Conaway. Young bands will sound mature and impressive thanks to expert scoring, tuneful melodies, and thunderous percussion statements. An excellent way to open your concert or festival program! $ BAND ROCKS! Ed Huckeby The percussion section - and your entire band - will love the driving and infectious rhythms of Band Rocks! A perfect selection for that first spring concert or recruiting performances to show how much fun band is! With limited ranges and difficulty but maximum appeal, Band Rocks! will be a sure hit with your young musicians and audiences alike $ DYNAMO Larry Neeck Dynamo is a little powerhouse that has it all - the perfect showcase for your young band! Sparkling melodies are balanced with forceful themes in this bright, upbeat composition. A contrasting minor key theme in the lower voices gives those instruments a rare opportunity to play melody. Plenty of percussion parts both propel and animate. A superb concert selection! $ OCTOBER SKY Rob Romeyn An impressive lyrical selection for beginning band, October Sky has sophistication and musicality uncommon at this grade level. A beautiful and memorable melody is presented amid varied textures with wonderful sensitivity. The melody develops into a glorious full ensemble and then to a climax invoking images of a breathtaking fall sunset. It then subsides, ending with a heart-warming, soft touch creating a spell to be long remembered. An outstanding lyrical selection! $ THUNDER DRUMS David Shaffer Written as a conversation between the winds and percussion, as DAVID SHAFFER the title suggests, this composition utilises many voices within the metallic, pitched and drummed instruments of the percussion section. Flowing melodies in the winds are answered by intense percussion punctuation. Simple but very effective, this composition will be a hit in any concert setting $ MUSICWORKS GRADE AZTALAN (CITY OF MYSTERY) Michael Sweeney The ancient city of Aztalan existed around a thousand years ago in southern Wisconsin, but disappeared mysteriously by around A.D Through careful use of tone clusters, haunting melodies and creative percussion effects, this very easy work for band portrays a sense of mystery and drama $ THE BIG MAMBO Timothy Loest Discover the electrifying sounds of old Havana with this original, fiery mambo. Experience the thrill of irresistible syncopation supported by a variety of Latin percussion instruments including timbales, agogo bells, cowbell, claves, and samba whistle. Authentic, yet approachable. Mambo! B1621 $ MARCH TO BUCKINGHAM PALACE Mekel Rogers Looking for a high quality march for young bands that is clever, tasteful, and different? March to Buckingham Palace provides all the pageantry and tradition of Great Britain in one charming, accessible package. Based on several popular melodies including March of the Grenadiers and Rule Brittania, the music features careful scoring and limited technical demands. A perfect choice for a concert opener or festival performance! B1630 $ PALO DURO SUNRISE Jack Wilds Experience an idyllic sunrise over Palo Duro Canyon in Texas, the second largest painted canyon in the United States. A gentle melody in the flute depicts the first rays of sunlight peaking over the edges of the canyon before the music builds, becoming an exciting depiction of the landscape at a faster tempo. A wonderful opportunity to play with musicality and confidence in an exciting piece. B1644 $ KOALA ROCK Russell Bauer With driving rhythms and an instantly memorable melody, Koala Rock by Russell Bauer will give every section a chance to excel! It s a great opportunity to introduce syncopated rhythms to young musicians, and the middle section has colourful harmonies to help teach the concept of balance. The modulation near the end will give your concert an exciting conclusion! Fun from start to finish! $ LOOK TO THE SKIES James Swearingen Music that is highly inspirational and well-scored best describes the reasons why you would want to perform this outstanding new work for band. An introduction consisting of driving percussion and powerful chords leads us to a very expressive theme that musically illuminates the strong message of hope. The powerful ending will leave a lasting impact for your audience to remember. A great way to start the concert! $ ROCK, RIVER, TREE Michael Sweeney Drawing inspiration from American poet MICHAEL SWEENEY Maya Angelou s inspirational poem On the Pulse of Morning, this unique work for band offers challenges and rewards for young players. Using the imagery of a rock, a river, a tree, Angelou challenges us all to work for unity and peace. The music ranges from an energetic percussive pulse (rock) that utilizes plastic buckets played throughout the ensemble, to a flowing chorale theme (river) that s heard near the beginning and again at the end. Throughout, the piece grows and intensifies (tree) as various musical elements are combined and varied. Dramatic music with important cross-curricular opportunities! Dur: 4:10 MusicWorks $ (RISK) EVERYTHING FOR A DREAM Richard L. Saucedo This beautiful and sensitive composition was written to celebrate the beginning of UNITED SOUND, an organisation whose purpose is to put instruments into the hands of special needs students. The beginning section features optional solo opportunities for flute, alto sax and trumpet. From there the piece adds layers of sonorities as the full ensemble builds to the emotional and powerful final strains. Dur: 2:10 MusicWorks $ KINGDOM OF THE SUN AND MOON Robert Buckley Inspired by an exhibition of historic Peruvian art, Kingdom of the Sun and Moon takes us on a mythical journey reflecting the ancient Inca Empire. This imaginary movie score uses modal melodies, exotic percussion and dramatic orchestration to create an epic music experience. In cinematic style, this work opens with a panoramic picture of the great Inca city of Machu Picchu and ends with a colourful procession towards the Temple of the Sun. Though written for young band, Kingdom of the Sun and Moon s effective scoring gives it the sophisticated sound and intensity of a much more advanced piece $ CROSSROADS Michael Oare By contrasting a bold and majestic statement with an invigorating mixed-metre faster section, Crossroads portrays two divergent musical paths in an appealing and very attainable work for young bands $ LEGEND OF OLD ABE James Curnow Legend of Old Abe is a marvellously descriptive work for young bands that takes the listener on a journey of Old Abe s exploits. From a peaceful and serene opening the work progresses through the sounds of conflict and battle. The mood turns reflective and then triumphant as the music celebrates this amazing true story. Combine cross curricular teaching in your bandroom as you bring history to life through music $

8 Concert Band Festival and Concert Concert Band Festival and Concert MUSICWORKS FJH YOUNG BAND BARNHOUSE COMMAND SERIES BARNHOUSE RISING BAND MITROPA MUSIC SUITE FROM WATER MUSIC George Frideric Handel/arr. Johnnie Vinson The music of Handel is considered the culmination of the Baroque period of music history, and his Water Music (1717) has endured in popularity for nearly 300 years! Performed from a barge traveling on the River Thames, King George I is said to have liked the music so much that he ordered it repeated several times. Originally three suites each consisting of multiple movements, Johnnie Vinson has skilfully adapted this arrangement for young players using Alla Hornpipe from the Suite in D Major, and the Air and Allegro from the Suite in F Major. Dur: 4:20 MusicWorks $ FANFARE FOR THE THIRD PLANET Richard L. Saucedo Characteristic of Richard s distinctive style, this impressive piece features a rhythmic vitality throughout, along with fresh harmonies and skilled orchestrational devices. Amid the powerful fanfare-like phrases, Richard creates a brief calm section using the woodwinds and a unique layering effect before building to the dynamic ending. Great sounds for young players - all in one tempo throughout! Dur: 2:30 MusicWorks $ HORKSTOW GRANGE Percy Aldridge Grainger/arr. Michael Sweeney From Grainger s masterwork for band Lincolnshire Posy, here is the second movement smartly adapted for young level by Michael Sweeney. This edition uses a lower key for range considerations, yet retains all of the charm and beauty of the original. What a terrific opportunity to instil an appreciation of Grainger in your young players! MusicWorks $ ST. PETERSBURG MARCH Johnnie Vinson St. Petersburg is today considered the cultural heart of modern day Russia. This original march from Johnnie Vinson is evocative of this city s rich and exciting history of intrigue, revolution and mystery. Expertly scored for young bands, this unique and freshsounding work paints a musical picture of frigid winters, magnificent castles and imposing cathedrals. A wonderful addition to the march repertoire for band. MusicWorks $ BERIATO MUSIC THE SOLDIER & THE PRINCESS Bert Appermont This work is based on the story of the soldier and the princess from the film Cinema Paradiso. Long ago a poor soldier fell in love with a beautiful princess. He had nothing to offer her, but managed to meet her and declare his love. The princess was very taken by his emotional plea, and told him that if he were to wait under her balcony for one hundred days and nights, she would be his. Waiting patiently, the soldier endured all manner of torment from weather, wildlife and starvation. Finally on the next-to-last night, the soldier took up his chair and disappeared. The music evokes the atmosphere of the poignant story, and the work is divided into three different movements. Dur: 5:00 Beriato Music $ EPIC VENTURE Tyler S. Grant This vibrant and colourful fanfare for young bands is based around a single melodic idea while the surrounding textures constantly change and grow in complexity. Beginning with a declarative fanfare, the music takes the listener on a journey across the Atlantic along with early European settlers on their way to North America. A powerful opener that will not overly tax your musicians! B1649 $ EXTREMIS Randall D. Standridge This aggressive work will make a dramatic musical statement at any concert! Trombone glissandi, extended chime effects, and tribal chanting combine to create a dark, brooding soundscape that will keep your audience and players on the edge of their seats. Perfect for opening or closing your next concert, this is truly extreme! B1652 $ HAMMER AND RAIL Travis J. Weller Relive the story of John Henry racing against a steam drill in this new setting of the folk song This Old Hammer. An expressive opening gives way to whistles of steam and the pounding hammer. All wind instruments encounter important melodic lines and the percussion section provides exciting colours including brake drum and towing chain. A final, powerful statement brings the work (and race) to an exciting conclusion. B1632 $ RIPPLING WATERCOLOURS Brian Balmages While many often underestimate the extensive colours, harmonies, and emotional ranges available to younger ensembles, this stunning lyrical work sets out to explore those very qualities. While playable by middle school bands, this fully expressive work is equally at home with mature ensembles. A gorgeous and colourful new work. B1628 $ BEEP BEEP! Steve Frank Capture your audience s attention and set their toes to tapping with this fun-filled novelty selection! Joyful melodies, humorous musical effects, and a relaxed, swinging groove all come together to create a lighthearted composition that your band will absolutely love to perform. Guaranteed to put a smile on everyone s face! $ IN SEARCH OF THE LOST SHIP James Swearingen History is the hook in this composition that, from start to finish, is full of non-stop excitement. The use of one s vivid imagination is a great tool for inspiration. Following the first reading of this work, your students will undoubtedly want to raise their hands and, when called upon, enthusiastically share their interpretation as to the meaning of the music. This piece also provides a wonderful opportunity to introduce the musical understanding of a fugue. Wellcrafted and fun to perform! $ SKELETON DANCE Todd Phillips Make no bones about it - this mysterious sounding novelty piece is sure to lift your audience s spirits! Optional use of whirly tubes will add a haunting effect that your performers and audience will remember long after the concert! Sure to be a performance favourite! $ CALL OF CHAMPIONS Rob Romeyn Look no further for an authoritative concert opener for your young band! A dynamic opening fanfare simply commands attention. A memorable melodic theme is then presented amid varied textures and instrument groupings leading to a forceful and stately full ensemble. Perfect for concert or festival use, Call of Champions is also very appropriate for assemblies and sporting events. A true winner! $ HEART AND HOME Andrew Poor Reminiscent of folk songs of the past, Heart and Home is a beautiful original lyrical work for developing bands. Tuneful melodies, flowing countermelodies, lush harmonies with the opportunity to showcase optional solos/soli, are hallmarks of this lovely work. Every section in the band has a chance to shine on this beautiful composition. Perfect for any festival or concert performance $ MALLET MAMBO Robert W. Smith Featuring your percussion section on mallet instruments and other latin accessories, Mallet Mambo is a fun and educational experience for the full band! Composed in the classic Cuban dance and musical style, Mallet Mambo provides multiple teaching opportunities for percussion and winds alike. Ritmos calientes! $ WRATH OF THE TITANS Larry Neeck Drawing inspiration from Greek mythology, using bold and aggressive themes, this Larry Neeck work depicts the awesome power of the titans who once ruled the earth. Varied auxiliary percussion colours add an extra sparkle to both the lyrical and forceful motifs. With plenty of teachable musical moments, Wrath of the Titans provides an exciting and musically rewarding experience for all $ STRATOSPHERE Otto M. Schwarz What do the American Joseph Kittinger and the Austrian Felix Baumgartner have in common? They both jumped from over 30km high with a parachute. While Kittinger s attempt on 16 August 1960 was from a height of only 31,333 meters, Felix Baumgartner broke this record on 14 October 2012 with a breath-taking 38,969 meters. This composition Stratosphere describes the adventure, from climbing into the capsule with help of a balloon, to the short pause in the stratosphere, and the jump, the turbulence during the free-fall descent, and finally the opening of the parachute and the safe landing. Mitropa Music M $ DE HASKE RIVER CITY Jacob de Haan Sacramento, California is also known as River City which is also the name of the concert band that commissioned Jacob de Haan to write this sonorous, lyrical work on the occasion of the 37th Annual ACB National Convention, which took place in 2015 in Rancho Cordova. All of the fun that the musicians will have with the rich melodic material provided for all instrument groups will immediately radiate into the audience! Dur: 3:10 De Haske Concert & Contest Collection $

9 Concert Band Festival and Concert FJH YOUNG BAND.5 BARNHOUSE COMMAND SERIES.5 Concert Band Festival and Concert MUSICWORKS 97. HEAVENWARDS William Owens As the loss of a loved one is always hard to face, this sensitive lyrical work strives to offer a measure of comfort during this most difficult time. Solemn at moments and uplifting at others, the music explores the full range of emotions when life finds us all at our most vulnerable. B1638 $ INTO THE ARCTIC Brian Balmages This hauntingly aggressive work investigates the legends surrounding the exploration of Antarctica. Inspired by the recent brutal winters involving the polar vortex, the music depicts magical scenery as well as treacherous terrain. Eventually, the legends of Antarctica take centre stage as the music becomes restless and increasingly aggressive. Powerful and exciting! B1645 $ MISSION: APOLLO Tyler S. Grant Relive the adventure and excitement of the historic Apollo 11 mission in TYLER S. GRANT this evocative PHOTO: MORGEN MYERS work inspired by the legendary space-race between the United States and the Soviet Union in the 1960s. After an ethereal opening, music builds as the rockets ignite and the astronauts start their rapid ascent into space. A brief slower section signifies the careful process of landing on the moon before the music picks up speed once again to depict the spacecraft hurling back to earth. Fantastic! B1640 $ SOLSTICE DANCE Jack Wilds Experience a magical winter solstice ceremony JACK WILDS at the Megalithic Newgrange site in Ireland. A smooth, mystical introduction leads to a hypnotic dance groove as open fifths, driving drones and percussion ostinatos give the piece an ancient feel. Eventually the music builds one final time as it barrels to the powerful conclusion! B1643 $ FESTIVE PROCLAMATION William Owens Beautifully woven melodic lines, brilliant harmonic colours and engaging percussion parts are at the heart of this dynamic concert fanfare! Strategically written cues are designed not only to replace missing parts but to enhance ensemble tone if desired. A powerful opening statement quickly blossoms into an exciting up-tempo section that is sure to evoke a celebratory mood. A great way to announce the start of your concert! B1637 $ CHAIN REACTION David Shaffer Opening with a declarative fanfare, the composition immediately evolves into a mysterious melody in the woodwinds punctuated by bursts of brass and percussion. Interesting harmonic and rhythmic sound effects are written throughout and the wide percussion scoring will keep this section busy. Chain Reaction is an exciting and educationally rewarding piece that will complement any concert setting $ FURY OF THE GODS Rob Romeyn This dynamic concert/festival work for young band is inspired by the warriors of Greek mythology. A bold and dramatic opening immediately engages the audience. The intensity begins with vibrant rhythms and bold contrasts. The musical intensity builds dramatically, leading to a powerful conclusion. Accessible to a wide range of bands, Fury of the Gods offers many teaching opportunities, and is a valuable addition to the young band repertoire $ LET HOPE REIGN Larry Neeck This impressive Larry Neeck overture features energetic, upbeat themes, colours, and rhythms. A beautiful slow section provides a lovely contrast to the driving themes. With plenty of percussion, and a multitude of teaching opportunities, Let Hope Reign is an excellent choice for your band s next contest or concert. Inspirational! $ SAXES ON THE SEAS Matt Conaway This light-hearted selection of sea chanteys provides a great opportunity for even the saltiest saxophone section to shine! Tunes including Blow the Man Down, Drunken Sailor, A-Roving, and Sailor s Hornpipe provide great teaching moments as well as great fun for your audiences! A delightful selection designed to feature your saxophone section in a fun and crowd-pleasing way! $ THE ADVENTURE BEGINS! Matt Conaway Uplifting and celebratory, this charming concert work by Matt Conaway is a sure hit for your concert or festival program! Starting quietly and quickly building to a powerful rhythmic statement, the work weaves through a variety of melodic settings before retreating to a quiet conclusion. A beautiful opportunity for your students to shine! Our highest recommendation! $ VISIONS OF GLORY David Shaffer An opening fanfare gives the listener an immediate burst of energy before transitioning to a melodic dialogue that quickly evolves into an exciting rhythmic collaboration between all the instruments of the ensemble. A slower lyrical middle section weaves the melody seamlessly between the choirs of instruments. Flowing melodies, contemporary harmonies and effective percussion writing will make Visions of Glory a perfect festival selection $ FJH YOUNG BAND WITH VALOR AND BRAVE HEART William Owens This heartfelt work was written for a school in Texas and remembers the tragedy at Fort Hood in November The lyrical lines mix with a whispering military drum cadence and concludes with a haunting version of Echo Taps, which is followed by a sensitive harmonic treatment of the melody. A final dissonant, soft fanfare in the trumpets leaves the audience with a sense of awe. Extremely thought provoking $ A ZILLION NICKELS Samuel R. Hazo When you look out at the ocean, what does it resemble? This unique, driving composition paints that picture. The upper Atlantic beaches hold many stories, from beautifully scenic sunrises to the wrath of Hurricane Sandy. Three high schools in Toms River, New Jersey commissioned the musical depiction of their celebrated shore, from joy to turbulence. The heavy emphasis on percussion only adds to the exciting build and powerful ending. Dur: 4:15 MusicWorks $ KINESIS Michael Sweeney Drawing its title from the Greek word for motion this marvellously paced work from Michael Sweeney explores various forms of motion within the concert band setting. The fanfare-like opening uses interplay between the brass, percussion and woodwinds and is followed by a driving main theme. The slow motion middle section uses a striking harmonic scheme stated first by the woodwinds and some unusual orchestration devices, before returning to an expanded version of the main theme and dramatic ending. This rewarding and fresh-sounding composition will leave a lasting impression on players and listeners alike. Dur 5:50 MusicWorks $ MUSIC FROM CARMINA BURANA Carl Orff/arr. Jay Bocook One of the most recognisable and oftenquoted symphonic passages in modern times is from this grand work for chorus and orchestra by Carl Orff. Combining elements from Movements I and II, Jay Bocook vividly captures the intense spirit of the original in this concise and impressive work for band. Dur: 4:30 (Includes full performance CD) Schott Music MusicWorks $ EQUILIBRIUM Michael Oare Propelled throughout by a constant driving pulse, Michael Oare s exciting work pits opposing elements of harmony and rhythm against each other, portraying a sense of musical equilibrium. Creative interplay between winds and percussion, along with shifting meters and changing textures, adds to the effectiveness of this unique piece. MusicWorks $ FALLING WATER Timothy Broege Taking inspiration from the lakes of northern New York state, as well as Niagara Falls, Falling Water is composed in the form of a fantasia, featuring multiple sections of varied textures, restless tonality, and dramatic energy. Breaking free from some of the usual conventions of traditional concert band writing, this work is fresh sounding and a welcome addition to the repertoire for young bands. Dur: 4:45 MusicWorks $ MUSICWORKS 114. FROM GOLD Samuel R. Hazo Glistening chords, soaring melodies, broad fanfares and gorgeous chorales will fill your concert hall with this evocative work. Best of all, From Gold sounds much harder than it actually is. Mr. Hazo s background as a music educator is evident in how quickly directors and students will get to the music making. Written entirely in B-flat with few accidentals, the runs are split between instruments for playability, and parts are doubled/cued to build confidence. Young bands will sound mature, and mature bands will be breathtaking. Dur: 4:35 MusicWorks $139.00

10 Concert Band Festival and Concert Concert Band Festival and Concert MUSICWORKS MITROPA MUSIC FJH CONCERT BAND BARNHOUSE CONCERT BAND HEROES NEAR AND FAR Richard L. Saucedo Each of the five movements of this innovative work is designed to invoke a particular type of emotion associated with leadership. Courage is stately in nature and played in a marcato style. Vision has a playful sense and focuses on mixed meters as well as mixed emotions. The lyric and sensitive Compassion is meant to stir the soul, while the contrasting Selflessness offers some of the most intense and demanding music of the set. The energetic final movement, Heroes, will bring to mind your own favourite superhero! Each movement and accompanying curriculum can stand on its own, allowing the director the flexibility of using as much or as little as desired. A tremendous resource for today s teacher! Dur: 9:20 Accompanying curricula and materials available at $ MEMENTO Robert Buckley Starting with a simple and reverent solo trumpet and introducing other brass instruments one by one, the introduction has the sound of a brass band. The woodwinds join in and, with the use of rich textures and dynamic scoring, the work builds to a powerful climax and then resolves once again with the solo trumpet. Ideal for festival use, Memento will give your ensemble an opportunity to explore expression and nuance $ BANDQUEST 119. LETTER FROM SADO Jodie Blackshaw 117. ON THE TAMIAMI TRAIL James Curnow The Tamiami Trail (U.S. Highway 41) provides over 260 miles of scenic Florida beauty between Tampa and Miami. On the Tamiami Trail reflects on this journey. The opening fanfare sets the mood and leads to the energetic first theme. Subsequently a Latin influence is introduced along with an expressive middle theme before returning to the energetic flavour of the opening strains. A dynamic and varied overture for winds $ ARIKARA James Meredith Inspired by the Arikara (uh-rik-a-rah) tribe of Native Americans based in North Dakota, this work by James Meredith is an evocative piece without portraying any specific event or story. Opening with a plaintive flute solo supported by an exotic percussion backdrop, the piece features a chorale-like statement in the winds before moving to the faster and more rhythmic main section. Mixing early American imagery with striking dissonances, this is an effective and unique offering with limited technical demands $ Letter from Sado is an exciting new piece for young band based on a Japanese haiku of the same name. Sado refers to Sado Island in Japan in which various artists, religious and military leaders were sent in exile many years ago. The island has historically had a strong community of taiko drummers and as such, the piece incorporates optional homemade taiko drums. Blackshaw writes: To capture the idea of interpretation and the concept of reading between the lines, the students are invited to become decision makers about particular sections in the music. For example, the opening and closing sections of the piece use the same material, which is a selection of repeated melodic figures. The students themselves decide how to play these figures as individuals, in small teams and then as a whole band. Their decisions include ideas regarding tempo (how fast?), dynamics (how loud?), and articulation (smooth, short, or hard?). To inspire them, we use the haiku poem; i.e., the opening section invites the students to play the material as if it were a stormy, wild sea and the closing section invites the students to play the same melodic figures but this time, draw their inspiration from Heaven s River, or as we know it, the Milky Way. In-between, there is an elaborate, heavily textured section that becomes increasingly powerful. The music doesn t rest harmonically until the whole band plays in unison. These multiple layers of sound represent the many thoughts and ideas that would have surrounded those individuals sent to Sado Island in exile, the final unison is representative of their own breakthrough experience sending them on a pathway to inner peace and acceptance. Embrace your players creativity, offer them your trust, and see how far Letter from Sado can take your band! $ FANFARE FOR A NEW HORIZON Thomas Doss This fanfare stands for progress and the discovery of new horizons. But it also represents an expanding awarenesss while nurturing traditional values $ FJH CONCERT BAND 121. BEYOND THE RIDGE Chris Ozley This short, energetic fanfare highlights the entire ensemble in dramatic and powerful fashion. The piece opens with a soaring theme in the brass, which is then passed around and developed alongside dancing rhythmic interludes. The exultancy in the music represents overwhelming joy and the promise of new and rewarding adventures. B1633 $ RUNAWAY CIRCUS TRAIN Erik Morales This highly programmatic work begins with an original waltz that sets a circus atmosphere. Soon after, the circus has packed up and the train begins to move to its next destination but trouble looms in the distance and chaos ensues. Using two familiar melodies (Camptown Races and Over the Waves), this colourful work uses a myriad of clever effects as it juxtaposes circus music with impending disaster. Unbelievably creative! B1648 $ THE SPIRIT OF ALOHA Brian Balmages Inspired by a trip to Honolulu, this music embodies the aloha spirit that so many discover when visiting the islands of Hawaii. Making use of a wealth of authentic percussion instruments (along with many options for substitutions), the piece truly captures the bright spirit of Hawaii. An optional ukulele part is cued in other instruments, and the piece concludes with a powerful rendition of Hawaii Aloha, an anthem of great pride to those who live in Hawaii. Magical! B1620 $ THAT WHICH BINDS US Brian Balmages Centred around the various stages of grief, the music cleverly uses theme and variations to take the audience on a roller coaster of emotions. From the everyday norm to moments of grief, anger, sorrow and acceptance, the powerful musical lines eventually lead into a massive ending reminiscent of Stravinsky s Firebird. Epic in every sense of the word. B1626 $ BARNHOUSE CONCERT BAND 125. FACTORY RIFFS Matt Conaway Edgy and rhythmic, this explosive work will excite your students and audiences! Thick harmonies and gritty percussion writing give the impression of playing inside a noisy factory. Powerful and energetic, this will be an unforgettable hit at your next festival or concert performance! A brilliant and unique work! $ RWS CONCERT BAND SERIES FULL THROTTLE Robert W. Smith With engines revving and starting lights descending, our car race begins with all of the energy your musicians can deliver. Powerful and biting harmonies combined with mixed meters and flowing melody make Full Throttle a musical experience that will captivate your concert band. Teaching opportunities abound in a programmatic setting that will engage concert bands of all ages. RWS Music Company $ CELEBRATION AND TRIBUTE James Swearingen After performing this work, you ll want to add it to the extended list of dramatic and impactful works that composer James Swearingen has successfully created. His writing style touches upon a variety of musical emotions that are always powerful with regards to their effect on the musicians and audience alike. In addition, his ability to orchestrate will add to the ensemble s desire to sound their absolute best. Very Impressive! $ ON THE BANKS Matt Conaway Your ensemble will shine with this beautiful and energetic work by Matt Conaway. A lush, sensitive introduction gives way to alternatively aggressive and celebratory rhythmic passages that will leave your audiences uplifted and impressed. Destined for inclusion on many contest and festival lists, this is a sure hit for any performance! $ QUEST TO THE SUMMIT Benjamin Yeo Energetic and uplifting, this compelling work will captivate your audience on the edge of their seats! Quest to the Summit is an overture for wind band that is inspired by the composer s friend s arduous journey to the peak of Indonesian volcano, Mount Semeru. Ample cross-cueing of parts have been carefully considered to allow your band to exploit the music to its fullest. Known for his distinctive lyrical writing, Benjamin Yeo s slow and heartwarming middle section offers excellent opportunities for your flute soloist and the band to showcase their best in tone, balance and phrasing. This masterfully crafted work is unbelievable at this grade level and will definitely take the spotlight in your next band concert, contest or festival performances. Most outstanding! $

11 The ultimate online music education resource Essential Elements Interactive is the ultimate online resource for music teachers to connect with students and parents...anywhere, anytime, and on any device. Hosted by the powerful Charms Office, EEi introduces the first-ever, easy set of online learning tools for Essential Elements beginning band and string students. BOOK 1 BOOK 2 ESSENTIAL TECHNIQUE Student books (with online play-along, video and more)* Flute Oboe $ Bassoon Bb Clarinet Eb Alto Clarinet Bb Bass Clarinet Eb Alto Saxophone Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet F Horn $ Trombone Baritone (B.C.) Baritone (T.C.) Tuba Electric Bass Percussion (Incl. Keyboard) $31.95 Student books (with online play-along)** Flute Oboe Bassoon Bb Clarinet Eb Alto Clarinet Bb Bass Clarinet Eb Alto Saxophone Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet F Horn Trombone Baritone (B.C.) Baritone (T.C.) Tuba Electric Bass Percussion (incl Keyboard) Student Books (Book 3 with online Play-along)** Flute Oboe Bassoon Bb Clarinet Eb Alto Clarinet Bb Bass Clarinet Eb Alto Saxophone Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet F Horn Trombone Baritone (B.C.) Baritone (T.C.) Tuba Electric Bass Percussion (incl Keyboard) $31.95 Teacher Materials Conductor Score $ Teacher Resource Kit $ Band Director s Communication Kit $ Piano Accompaniment $25.95 Teacher Materials Conductor Score $ Piano Accompaniments $ $31.95 Teacher Materials Conductor Score Music Studio $83.95 *CD-ROM Mail-order option **Audio CD mail-order option 26 Calendar Communication Assignments Resources

12 Jazz Ensemble Jazz Ensemble DISCOVERY JAZZ GRADE 1.5 EASY JAZZ COMBO EASY JAZZ ENSEMBLE Written for full band, playable with three Saxes, two Trumpets, one Trombone, Rhythm Section Each arrangement includes optional parts for Flute, Clarinet, F Horn and Tuba Full length recordings available for each arrangement 130. BLUES BY FIVE Red Garland/ arr. John Berry Recorded on the 1956 album Cookin with the Miles Davis Quintet, this jazz standard composed by pianist Red Garland adapts beautifully for beginning jazzers. With a moderate tempo, riff-based melody, and non-threatening soloing on the blues progression, this is the perfect introduction to the music of Miles Davis for your students $ LOW RIDER Red Garland/ arr. John Berry With its unmistakable bass line and just plain cool rhythmic groove, here s a classic 74s hit that your young players are sure to enjoy. Arranged with moderate ranges and easy rhythms, this medium rock chart will go together quickly $ MY LITTLE SUEDE SHOES Charlie Parker/arr. Paul Murtha Using a moderate tempo and modest brass ranges, here is an easy arrangement of this Charlie Parker classic that alternates in style between Latin and swing. Saxes are featured in the beginning, later joined by the full ensemble with tutti rhythms. Short solo or soli sections are included for the trumpets and saxes $ SHAKE IT OFF Max Martin, Taylor Swift, Shellback/arr. John Berry Taylor Swift has successfully crossed into the pop music arena with this upbeat and infectious hit. In this easy arrangement the melody is smartly traded from section to section, and there are no solos required $ VIVA LA VIDA Chris Martin, Guy Berryman, Will Champion, Jon Buckland/ arr. John Berry Recorded by Coldplay in 2008, Viva La Vida has shown it has staying power with its strong rhythmic base and catchy melodies. This easy arrangement will sound great with limited rehearsal time $ COUNTING STARS Ryan Tedder/ arr.john Berry Recorded by rock band OneRepublic, this popular hard-driving hit is establishing a solid place in today s culture. With its driving pulse and quaver based rhythms, Counting Stars adapts nicely here for young jazz bands $ KILLER JOE Benny Golson/arr. Michael Sweeney Here is a very playable arrangement of this quintessential cool jazz swing tune that will work great with young players. Carefully scored to sound full with incomplete instrumentation this arrangement also features written or ad lib. solos for any sax and trumpet or trombone $ BLUE TRAIN (BLUE TRANE) John Coltrane/arr. Paul Murtha Composed and recorded by jazz legend John Coltrane, this medium tempo blues tune features an easy-to-play melody and solid tutti-style rhythms for the ensemble. In addition, the blues changes and moderate tempo make it a comfortable setting for developing soloists. (Includes CD) $74.00 All solo sections include sample written solos and chords All rhythm section parts completely written out Scored for 4 Horns with flexible instrumentation options Part 1 Trumpet or Alto Sax Part 2 Alto Sax or Trumpet Part 3 Tenor Sax, Alto Sax, or Trombone Part 4 Trombone or Tenor Sax THE PINK PANTHER Henry Mancini /arr. John Berry The familiar bass line and melody riffs from this Mancini classic adapt perfectly for jazz combo in this easy arrangement by John Berry $47.00 NOW S THE TIME Charlie Parker/arr. John Berry This medium swing standard by jazz master Charlie Parker gives even young players a great opportunity to learn style and an introduction to improvising $47.00 New titles all include optional parts for Flute, Clarinet, F Horn and Tuba Written for full band, playable with 4 Saxes, 3 Trumpets, 3 Trombones, Rhythm Section Full length recordings available for each arrangement 138. YOU ARE THE SUNSHINE OF MY LIFE Stevie Wonder /arr. Paul Murtha This was one of Stevie Wonder s signature hits from the 1974s, and here is a masterfully arranged easy version in a light bossa style. Trombones grab the spotlight in the beginning and again at the end. In between, the saxes and trumpets take turns with the melody, and there are short solos for trumpet and alto sax $ A FOGGY DAY (IN LONDON TOWN) George Gershwin, Ira Gershwin/arr. Mark Taylor If you are looking for a great-sounding medium swing tune that features tutti ensemble rhythms, this is the perfect chart for you! Even though there are short solos for trumpet and tenor, the primary focus is on the full ensemble $ ALL ABOUT THAT BASS Kevin Kadish, Meghan Trainor/ arr. Paul Murtha Meghan Trainor s #1 smash hit features a catchy melody, a strong rhythmic pulse, and a hint of doo wop. Arranged here in an easy setting for young players, this is great way to bring a taste of current pop to your next concert $ IMAGINE John Lennon/arr. John Berry Since being released in 1971, John Lennon s poignant and sensitive song remains relevant and popular today. John Berry s arrangement for young players is in the style of a rock ballad, with a contemporary feel and skilfully passing the melody from section to section. Requires no solos $ THE BLUES BROTHERS ROCKIN SOUL REVUE arr. Paul Murtha No one brought musical energy and excitement to the stage like the Blues Brothers! Here is a concise and easy medley of their biggest hits including; I Can t Turn You Loose, Soul Man, and Gimme Some Lovin $ MR. LUCKY Henry Mancini/arr. Rick Stitzel This steamy and sultry theme from Henry Mancini is instantly recognizable from just the opening phrase. Rick Stitzel s medium slow swing treatment is largely ensemble based, and will sound great with young players $ UPTOWN FUNK arr. Michael Sweeney From Mark Ronson and Bruno Mars, this monster hit is the perfect throwback to a funky R&B style. This arrangement for younger players features modest ranges and repetitive, yet authentic-sounding rhythms. No solos are required - just a little attitude! $

13 Jazz Ensemble Jazz Ensemble BARNHOUSE JAZZ.5 JAZZ COMBO YOUNG JAZZ ENSEMBLE JAZZ CLASSICS FOR THE ENSEMBLE 145. STRUTTIN WITH SOME BARBECUE Lillian Hardin Armstrong, Don Raye/arr.Rick Stitzel Here is a fresh take on one of the all-time standards of early jazz made famous by Louis Armstrong. There is a hint of old time jazz style mixed in with a more traditional straight ahead swing feel. A great way to introduce a bit of history with a chart that s also fun to play $ ROCK YOU LIKE A HURRICANE Herman Rarebell, Klaus Meine, Rudolf Schenker/arr. Paul Murtha Recorded in 1984 by the German rock group Scorpions, this classic hard rock hit remains popular in today s culture thanks to sporting events, video games, TV and film. This version for jazz ensemble is easy to learn, yet remains true to the original and will sound great with young players $ LOVE IS HERE TO STAY George Gershwin/arr. Rick Stitzel Using an ensemble-based scoring style, modest ranges, and rich harmonies, Rick Stitzel brings us a great-sounding arrangement of this Gershwin favourite for young bands. Written in a smooth, and moderately slow swing style it will provide the perfect change of pace for any program $ THE BIG BAND THEORY Larry Neeck This upbeat swinger kicks right from the start. Based on a blues form, this tune is a real crowd pleaser, as well as a great vehicle for teaching the swing style. Tasty unison riffs balance the powerfullyscored ensemble sections. The open solo section (along with the included suggested solos) provides an opportunity for individual band members to shine $ EVERY TIME I HEAR YOUR NAME Todd Phillips The lyrical melody in this rock ballad, featuring your flugelhorn (trumpet) soloist, transports listeners to a time and place where they met that special someone. Perhaps it was twirling across a dance floor or gazing at the stars. The soloist is beautifully showcased by a lilting harmony throughout the remainder of the ensemble $ GO TELL IT ON THE MOUNTAIN Paul Clark A creative combination of Go Tell It On The Mountain and Beethoven s Ode To Joy that s guaranteed to impress your listeners, Opening with a beautiful chorale, it switches to driving rock and steamrolls through the keys of Bb, Eb & F to a big finish. No improv, but lots of solis and solid ensemble sections. It won t take a lot of rehearsal time to work up this truly awesome addition to your holiday concerts $ GOIN VIRAL Larry Neeck This tasty little rocker gives your entire ensemble a chance to shine. The stop time theme creates interest and contrasts nicely with the full-out rock grooves. Basic solo section changes, and the included suggested solos, will help your younger players sound like the pros. Create excitement with your students and audience alike by Goin Viral $ IT S REALLY ALL ABOUT THAT GROOVE! Andy Clark Get your developing jazz ensemble into the groove with this funky rock tune. Includes an open solo section for the soloists of your choosing over easy chord changes. Ranges are very reasonable and the results will be great! $ NIGHT MIST Larry Neeck An easy rock ballad that features your promising Alto Saxophone or Trumpet star. The haunting theme, supported by a well-scored ensemble, provides solid support for your young soloist. The interplay between the solo and ensemble sections make this piece a perfect choice $ SCARBOROUGH FAIR Paul Clark The slow introduction allows you to feature tenor, alto, trumpet and/or trombone soloists in any combination. Then it switches to hard-driving rock with all sections of the band getting a chance to shine. Your band and audiences will love it! $ TOE TAPPER Paul Clark A wonderful, easy-to-play chart that practically swings by itself. Bands at any level will sound great playing this one. In addition to the well-crafted ensemble and soli section writing, the chord changes used in the open solo section allow any of your players to improvise by using notes just from the F concert scale $ TOMORROW IS ALWAYS A GOOD DAY Paul Clark Sensational ballad feature for solo trombone or tenor sax. Rhythm section and solo parts are completely written out. A truly impressive and memorable chart at this, or any grade level. Gorgeous! $ Scored for 3 Horns with flexible instrumentation, plus Rhythm Section Each Pak includes 4 complete arrangements Full length recordings available for each arrangement $84.00 JAZZ COMBO PAK #40 (Jaco Pastorius)/arr. Mark Taylor (Includes: Come On, Come On Over; Liberty City; Havona; Teen Town) JAZZ COMBO PAK #41 (GEORGE GERSHWIN) George Gershwin/arr. Mark Taylor (Includes: A Foggy Day, Love Is Here to Stay, Summertime, They Can t Take That Away from Me) $ HOOKED ON A FEELING Mark James/arr. Paul Murtha Recorded by Blue Swede in 1974, this familiar hit was featured prominently in the blockbuster movie Guardians of the Galaxy as a part of the film s Awesome Mix. Instantly recognisable with the ooga chaka jungle chant, the popularity of this tune is now reaching a new generation $ IN SUMMER (FROM FROZEN) Kristen Anderson-Lopez, Robert Lopez/arr. Rick Stitzel From Disney s animated hit movie Frozen and sung by Olaf the snowman, this entertaining song features a light soft shoe style that adapts quite naturally for jazz ensemble. With skilful trading of the melody and slipping into a straight ahead swing style, this is sure to be hit at your next concert $ EVERYBODY NEEDS SOMEBODY TO LOVE Bert Berns/arr. Paul Murtha Recorded in the 60s by artists such as Wilson Pickett and The Rolling Stones, this gospel-flavoured hit was then famously featured in the 1980 film The Blues Brothers. Paul Murtha s rockin arrangement for young jazz ensemble brings out all the excitement and rhythmic energy of a Blues Brothers performance $ ENTER SANDMAN James Hetfield, Lars Ulrich, Kirk Hammett/arr. Roger Holmes From heavy metal masters Metallica, this 1991 hit is one your players can really cut loose on. Arranged here as a feature for guitar, performance options are provided for bands without guitar. All of the signature lines are still here for a rockin good time! Cherry Lane Music $ WALKIN SHOES Gerry Mulligan/arr.Mark Taylor Using a band within a band format, Mark Taylor has crafted a great-sounding arrangement of this Gerry Mulligan jazz standard perfect for younger groups. The style is a relaxed medium swing, and there are written or ad lib solos for trumpet and tenor sax $ BACKATOWN Troy Andrews/ arr.john Wasson From Trombone Shorty s acclaimed CD Backatown, JOHN WASSON here is the hot title cut arranged for big band in a funky medium tempo. With a blend of catchy riffs, solid ensemble passages, and stoptime breaks, this chart exudes a spirited and unmistakable New Orleans swagger $ THE NEARNESS OF YOU (FLUGELHORN FEATURE) Hoagy Carmichael/arr. Mark Taylor Although the first hit recording of this enduring standard was by the Glenn Miller Orchestra in 1940, The Nearness of You has remained popular through the ages with recordings by countless artists. Arranged here as a solo feature for flugelhorn, the soft Latin stylings and lush accompaniment parts help make this one particularly attractive $

14 Jazz Ensemble String Orchestra Popular JAZZ CLASSICS FOR THE ENSEMBLE SMART CHART MUSIC VOCAL SOLO/JAZZ ENSEMBLE 4 EASY POP SPECIALS FOR STRINGS POP SPECIALS FOR STRING ROBBINS NEST Illinois Jacquet, Sir Charles Thompson/arr. Rick Stitzel Carefully utilising every section of the band, here is a skilfully arranged version of this jazz favourite recorded by Illinois Jacquet and also Count Basie. Featuring a medium swing style and phrases traded between sections, this is a very attainable swing tune for young players. Short solos are included for tenor, trumpet and trombone, along with a chorus for the full ensemble $ BIM-BOM Joao Gilberto/arr. Roger Holmes Composed in the mid 1950s, Bim-Bom is considered the very first bossa nova! Notably recorded by artists such as Sergio Mendes, Astrud Gilberto, and Stan Getz, Roger s version of this familiar standard features an upbeat, yet elegant Latin groove along with the smooth melodies and rich harmonies of the original. Solo space is provided for tenor sax and trumpet $ SALT PEANUTS Kenny Clarke, Dizzy Gillespie/ arr. Mark Taylor Playing jazz should be fun and this carefully constructed arrangement for young players will certainly help make this happen. Alto and trumpet take the melody at the top, then the rest of the band joins in for a lively romp! $ GROOVIN HIGH Dizzy Gillespie/arr. Rick Stitzel One of the bebop classics that defined an era, Groovin High is a great introduction to the music of Dizzy Gillespie for your younger players. With careful attention to ranges and tempo, this chart is very playable and features solos for trumpet and alto $ ALMOST THE BLUES Mike Carubia A moderate tempo rock groove with plenty of unison uses call & response passages stating the melody. Solos are based on two chords in the friendly key of Bb. Two eight measure ensemble sections follow the solos then to a big ending. Very upbeat and an easy play for your inexperienced group. Includes an optional flute part. Totally Cool! $ BARNHOUSE JAZZ ENSEMBLE 169. GOTTA BOUNCE Larry Barton This up-tempo funk tune is guaranteed to rock the first time and every time you play it! Gotta Bounce! kicks in with a catchy hook in the first measure and doesn t let up. Written solidly at the medium easy level, this tune features repetitive rhythms and patterns that guarantee you will be performance ready with a minimum of rehearsal time. Scored for limited instrumentation, with careful attention to instrument ranges, and includes written out solos over super easy changes, Gotta Bounce! will be accessible to the smallest and youngest ensembles, and its loaded with student and audience appeal! $ GUITAR CITY Scott Stanton A really great rock guitar feature. This up-tempo chart explodes from the first guitar power chord behind a rhythmic horn section introduction right into the melodic verse, verse, chorus, improv format. Your students will be sounding bigger and better right away! The easy Bb major pentatonic scale means there s no such thing as a wrong note for your rising star guitar player. The guitar part includes tablature for licks with appropriate slides, hammer-ons, pull-offs, and chord shape/ performance suggestions. Playable with 3 Saxes, 3 Brass and Rhythm. An outstanding chart for maturing bands who want to really rock the house! $ ALL OF ME (KEY: F) Seymour Simons, Gerald Marks/ arr. Rick Stitzel Reminiscent of the classic version by Count Basie, here is a terrific medium swing setting of this familiar standard for vocal solo and jazz ensemble $ SEPTEMBER (KEY: C) Maurice White, Al McKay, Allee Willis/arr. Mark Taylor You re sure to fill the dance floor with this vocal solo version of the funk classic by Earth, Wind and Fire! $ HERE S TO LIFE (KEY: C MINOR) Artie Butler, Phyllis Molinary/ arr. Mark Taylor From the recording by Shirley Horn in 1992, this wonderful ballad went on to become her signature song. Beautifully arranged here in a slow bossa style, this is a touching and sensitive tune for vocal soloist $ I CAN T GIVE YOU ANYTHING BUT LOVE (KEY: B-FLAT) Jimmy McHugh, Dorothy Fields/arr. Mark Taylor First introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady Gaga. This swingin version for vocal soloist will light up any occasion $93.00 THE HANGING TREE Jeremiah Fraites, Wesley Schultz, Suzanne Collins/arr. Robert Jennifer Lawrence s hit single, as heard in The Hunger Games $ GANGNAM STYLE arr. Robert Recorded by South Korean rapper PSY, this stylized smash hit has taken pop culture by storm with a viral video (almost 2 billion views!), TV appearances, parodies, and even flash mobs. Make room for exuberant audience behaviour $ HAPPY (FROM DESPICABLE ME 2) Pharrell Williams/arr. Robert The talent of Pharrell Williams is dominating the airwaves, the Grammys, and YouTube. This energetic, infectious tune from Despicable Me 2 mixes a little Motown sound with contemporary pop in a delicious blend that s irresistible $ LET IT GO (FROM FROZEN) Robert Lopez, Kristen Anderson-Lopez/arr. Robert The Oscar nominated song from Disney s mega-hit film is carefully crafted here for younger players, with minimal syncopation and solid tutti scoring for confident performances. Your students will be thrilled to play this worldwide pop hit $ POKER FACE RedOne, Stefani Germanotta/ arr. Robert Lady Gaga is still riding the wave of popularity with her infectious tunes and a stunning live performance style. Here is one of her signature hits in a terrific easy version for developing strings. Solidly scored and fun to play! $ SLOOP JOHN B arr. Larry Moore The classic folk song, a mid-tempo Caribbean calypso, has been recorded by many artists from Harry Belafonte to the Kingston Trio and the Beach Boys. Larry Moore s well-designed arrangement makes ideal teaching and programming for young players $74.00 YOU REALLY GOT ME Ray Davies/ arr.james Kazik This huge 60s rock hit from The Kinks has truly stood the test of time and remains an icon of the British Invasion, now celebrating its 50th year. From the hard-driving opening riff to the emphatic final chords, this rocker is way up on the energy meter $84.00 UPTOWN FUNK! Bruno Mars, Devon Gallaspy, Jeff Bhasker, Mark Ronson, Nicholaus Williams, Philip Lawrence/arr. Larry Moore As recorded by Bruno Mars $ ALL ABOUT THAT BASS Kevin Kadish, Meghan Trainor/arr. Larry Moore This mega-hit from recording artist Meghan Trainor features a catchy, upbeat melody along with a doo-wop flavour. This solid arrangement for string orchestra gives the bass section some moments to shine. Great fun for all! $93.00 SHAKE IT OFF Max Martin, Taylor Swift, Shellback/arr.Larry Moore The mega chart topper from Taylor Swift $93.00 THE HANGING TREE Jeremiah Fraites, Wesley Schultz, Suzanne Collins/arr. Larry Moore Jennifer Lawrence s hit single, as heard in The Hunger Games: Mockingjay Part $

15 String Orchestra Popular POP SPECIALS FOR STRING 4 String Orchestra Concert and Festival FJH BEGINNING STRINGS GRADE APPLAUSE arr. Larry Moore 180. ALL OF ME John Stephens, Toby Gad/arr. Larry Moore From pop sensation John Legend $93.00 Once again Lady Gaga has struck a nerve with this driving and catchy blockbuster hit. This up-tempo rock arrangement is characterized by a syncopated, rhythmic pulse and tuneful melody $ COUNTING STARS arr. Sean O Loughlin The band OneRepublic performs music that reflects many musical influences, from rock to pop to indie and more. This recent hit has a driving rhythm and unforgettable chorus $ GAME OF THRONES (THEME) Ramin Djawadi/arr. Larry Moore $93.00 THE PACIFIC (MAIN TITLE) Hans Zimmer/arr. James Kazik From the acclaimed HBO miniseries (whose production team included Steven Spielberg and Tom Hanks) comes this distinctive and poignant main theme. Apart from the series itself, this powerful music stands on its own and is beautifully adapted for string orchestra by James Kazik $ RADIOACTIVE arr. Larry Moore Imagine Dragons topped the charts with this pounding alternate rock hit, followed by pop violinist and YouTube sensation Lindsay Sterling. A pulsing pop groove make this a super showcase for string ensemble $ A THOUSAND YEARS Christina Perri, David Hodges/ arr. Larry Moore From the Twilight series of hit films, and recorded by Christina Perri $ TWO HORNPIPES Skip Henderson/arr. Larry Moore Based on the traditional tune Fisher s Hornpipe and heard in the blockbuster film Pirates of the Caribbean: Dead Man s Chest $ BOND... JAMES BOND arr. Robert Over the past five decades, music from the James Bond film franchise continues to attract new generations of fans. This medley spotlights some of the most memorable and classic Bond themes. Includes James Bond Theme, Live and Let Die, Nobody Does It Better, Goldfinger, Skyfall $ THE FOX (WHAT DOES THE FOX SAY?) arr. Larry Moore The fun-loving phenomenon that s been seen and re-created everywhere is now available in this clever version for strings by Larry Moore. A great chance to stage some clever ideas with your group $ MUSIC FROM FROZEN Robert Lopez, Kristen Anderson-Lopez/arr. Robert The music from Disney s newest film sensation has received critical acclaim and hit status from a worldwide audience. This new medley for strings includes three of the memorable songs (Do You Want to Build a Snowman?, Let It Go and For the First Time in Forever) combined into a terrific showcase for the concert stage $ HAPPY (FROM DESPICABLE ME 2) Pharrell Williams/arr. Larry Moore The talent of Pharrell Williams is dominating the airwaves, the Grammys and YouTube. This energetic, infectious tune from Despicable Me 2 mixes a little Motown sound with contemporary pop in a delicious blend that s irresistible $ LET IT GO (FROM FROZEN) Robert Lopez, Kristen Anderson-Lopez/arr. Larry Moore Disney has once again created a blockbuster film filled with memorable, engaging songs that students will love to perform. The Oscar nominated song Let It Go is re-created in this superb setting for strings by Larry Moore $ FOGGY MOUNTAIN BREAKDOWN Earl Scruggs/arr. Larry Moore Here s the iconic song from the dean of American bluegrass, Earl Scruggs. His banjo style set the musical path for all who followed him. Larry Moore has captured the infectious and driving rhythm that is sure to please any audience $ ROYALS arr. James Kazik The Grammy -winning hit from pop music s fresh new artist, Lorde. James Kazik s solid arrangement is designed for accessibility for most any group $93.00 TICKET TO RIDE John Lennon, Paul McCartney/ arr. Larry Moore $ LIBERTANGO Astor Piazzolla/arr. James Kazik One of the most well-known tangos throughout the world, Libertango will give your young players a chance to learn this important and engaging musical style $ FJH BEGINNING STRINGS GRADE IMPULSE Brian Balmages For the very youngest musicians, this highly energetic piece does not use any quavers, is based on a one-octave D Major scale, and uses mostly stepwise motion throughout. Almost all string crossings involve an open string, and all instruments stay in 1st position. A great piece for first-year students! ST6389 $80.00 EASY MUSIC FOR STRINGS GRADE MARCH AND CANON FOR STRINGS Tom May Music educator and composer Tom May has penned a superb learning piece for beginning level players. Centred in the key of D, it features a good mix of crotchet rhythms and rests, repeated quaver figures, and a feature moment and entrance for each section $65.00 FJH BEGINNING STRINGS GRADE BOOGIE BLUES Deborah Baker Monday Written in the key of D using simple crotchet and repeated quaver patterns, Boogie Blues is a bundle of fun based on a blues progression. All instruments have interesting parts and will enjoy the easy, yet effective groove. Certain to become a student (and audience) favourite! ST6375 $ RAINDROP SERENADE Lauren Bernofsky This all-pizzicato work uses easy LAUREN BEROFSKY aleatoric devices to create the gentle sound of rainfall. Out of the rain emerges a simple accompaniment line that is soon joined by an endearing melody. A wonderful way to focus on good left-hand position while making great music! ST6380 $80.00 FJH BEGINNING STRINGS GRADE STORM Soon Hee Newbold This dynamic and riveting work depicts an ancient battle scene or ferocious SOON HEE NEWBOLD weather system. A lyrical melody contrasts with an intense rhythmic groove complete with optional percussion. A great work to expose younger players to programmatic music! ST6387 $ CARRIE LANE 200. A VIVALDI SCHOOL YEAR Antonio Vivaldi/arr. Carrie Lane Gruselle This remarkably clever arrangement introduces orchestras to each movement of Vivaldi s The Four Seasons as the work follows students through the school year. Hilarious, yet extremely educational and musical. Great Baroque bowing practice sprinkled with seasonal fun! ST6382 $90.00 EASY MUSIC FOR STRINGS 201. DANCE OF THE HOURS Amilcare Ponchielli/arr.Robert As heard in the Disney classic Fantasia where it served as accompaniment for ostriches, hippos, elephants, and alligators, Dance of the Hours continues as a staple of the of light classical repertoire taken from both opera and ballet. Now available in this superb, accessible version from string orchestra by Robert $ KALINKA Ivan Larionov/ arr. Robert Kalinka is a classic Russian folk-dance in the traditional bottledance format, carefully crafted here for developing string ensemble. A terrific opportunity to teach and perform music, style and tradition from another land $74.00

16 String Orchestra Concert and Festival String Orchestra Concert and Festival FJH DEVELOPING STRINGS FJH DEVELOPING STRINGS.5 FJH STRING ORCHESTRA MUSIC FOR STRING AND ORCHESTRA IT IS WELL WITH MY SOUL Carrie Lane Gruselle From the gentle beginning to the triumphant and powerful climax, this enduring arrangement allows students to study expression to the fullest. A beautiful way to move your audience and deliver the universal message that we can find peace within the most tumultuous circumstances. ST6376 $ LULLABY TO THE MOON Brian Balmages Many fictional works portray the moon as a living being, alone in space looking at the Earth. This lullaby honours this living moon, portraying various emotions including the loneliness of seeing us from space. It also includes moments of comfort as the moon proudly watches over us, much as a parent watches over a child. Simply stunning, whether you have a grade 2 or a grade 6 ensemble. ST6386 $ TWO ITALIAN DANCES Bernardo Pasquini/ arr. Deborah Baker Monday These two lively dances come from a collection of keyboard pieces by Italian composer Pasquini. The music is very rich and all instruments have melodically interesting roles. An excellent choice for concert or festival, and also ideal as a change of pace in your program. ST6377 $ WHAT THE ANGELS TELL ME Gustav Mahler/ arr. Carrie Lane Gruselle This angelic fanfare provides a unique opportunity for your students to study the music of Mahler in an approachable grade level! Optional hand bells add a glorious effect while students explore a wealth of articulations including accents, staccato, spiccato and tenuto. A fantastic arrangement that showcases the work of a musical genius! ST6379 $ FOREVER JOYFUL! Brian Balmages Inspired by pure joy, this BRIAN BALMAGES work explores uplifting and light-hearted emotions. The music has a constant rhythmic pulse that gently interacts with graceful melodic lines and countermelodies. Engaging harmonies create a complex tapestry without overtaxing any of the individual performers. Wonderful! ST6384 $ RUSTIC DANCE Chris Thomas Experience the lively spirit of this celebratory work that features an upbeat, infectious CHRIS THOMAS melody. Every section gets to shine when the melody is passed around the orchestra while students experience a range of articulations, easy doublestops, and energetic rhythms. Other features include hooked bowings, easy low 1 and 2 fingerings, and independent counterpoint. A lively addition to any concert program! ST6381 $ DANSE MACABRE Camille Saint-Saens/arr.Carrie Lane Gruselle The clock strikes midnight, a ghostly fiddler plays eerie tones, and skeletons dance until the rooster crows at dawn. Saint-Saëns brings the spooky to life in his Danse Macabre, which has been arranged here in an approachable E minor. Perfect for Halloween or as a change of pace for any time of year! ST6378 $ EL GAUCHO Bob Lipton Add a touch of Latin flair to your next program with this driving, rhythmic work. Infectious melodies combine with a touch of tango as every section gets a chance to dig in. Not for the faint of heart, yet much easier to play than it sounds! ST6372 $ SHENANDOAH arr. Erik Morales A simple, plaintive opening sets the stage for this remarkable arrangement of a classic folk song. Engaging and complex harmonies weave seamlessly with gorgeous countermelodies as the arrangement develops. A stunning and powerful work that will leave your audience breathless. ST6383 $ STRINGS CUT LOOSE Brian Balmages This nod to alternative styles centres around a funk groove that is loosely based on blues form and its harmonic progression. The entire groove is created organically in the strings alone (no percussion!). An option for audience participation in the middle (clapping on beats 2 and 4) really adds to the flair of the chart. A great way to bring the house down! ST6385 $ FINALE FROM FIREBIRD Igor Stravinsky/arr. Jamin Hoffman Jamin Hoffman brings a unique format to this iconic work, allowing multiple groups to be combined for a powerful concert finale. Parts for both intermediate and developing groups are carefully arranged to be used as a spectacular showcase for your string program $ PRAYER OF ST. GREGORY Alan Hovhaness/arr. Robert One of the most popular pieces from Alan Hovhaness, Prayer of St. Gregory is taken from the opera Etchmiadzin and is described as a prayer in darkness. The original edition for trumpet and orchestra is adapted here for string orchestra with solo options for violin, flute, oboe, alto saxophone, and trumpet $ ANI MA AMIN arr. John Leavitt Arranged now for string orchestra, the text of this traditional Hebrew song provided comfort to the victims and survivors of the Holocaust, serving as a beacon of hope for the future and for humankind. A powerful musical moment for the concert stage $93.00 FUGUE FROM STRING QUARTET NO. 1 Charles Ives/arr. Robert Superbly arranged for strings by Robert. Peermusic Classical $ SCHERZO FROM SYMPHONY NO. 2 Ludwig van Beethoven/arr. Jamin Hoffman Another skilled adaptation of a Beethoven scherzo comes from notable music educator and conductor, Jamin Hoffman. Once again, you can share the power and artistry of a Beethoven symphony with your intermediate or advanced string ensembles $

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