EARLY MUSIC THEORY AND PRACTICE

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1 Italian Ministry of Education, Universities and Research Higher Education in Music and Art ISTITUTO SUPERIORE DI STUDI MUSCALI «VECCHI - TONELLI», MODENA AND CARPI First Level Master's Degree EARLY MUSIC THEORY AND PRACTICE (Baroque and Classical Periods) Artistic Director: Alessandro Andriani Music Course and Syllabus Introduction The Este Dukedom of Modena and Reggio Emilia had its capital in the city of Modena. Thanks to the passion of Duke Francesco II of Este for the violin, music became an essential part of life at Court, especially during State receptions, weddings, and official visits by foreign dignitaries. It was on these occasions that the Duke could demonstrate his magnificence. That was during the 17 th century. However, music still occupies a prime position in Modena s cultural life. This is attested by the numerous festivals and concerts that take place in a city known worldwide as the capital of Italian bel canto. The Region of Emilia Romagna boasts many noted solo and ensemble musicians, professionals who have devoted their careers to the study of Baroque and Classical repertoire. Paradoxically, there is no Music Academy in this part of Emilia Romagna which offers advanced performance training in this repertoire. We are convinced that Modena is perfectly placed to become a pole of attraction for students from neighbouring areas like Bologna, Mantua and Verona. For all these reasons it would appear opportune to propose a specialist course in historically authentic performance practice in what are two of the richest periods in Italian music. A project of such distinction would greatly add to the prestige of the Vecchi-Tonelli, attracting music students from all over the world. This initiative would bring honour to the City and Court of Modena, which during the period in question provided European music with composers of renown. As testimony to its illustrious past, Modena still draws music scholars from all over the world to consult the collection of manuscripts in the Biblioteca Estense music archive. Course objectives This first level Master's Degree in Early Music Theory and Practice is designed to equip the professional musician for performing Baroque and Classical period repertoire. The course comprises:

2 THEORY: The study of period music treatises; temperament theory; ornamentation and counterpoint. Exegesis of sources and theories. PRACTICE: Techniques used in playing period string and keyboard instruments; performance practice as it relates to ornamentation and basso continuo style. Course objectives The purpose of this course is to prepare singers and instrumentalists for solo, ensemble and orchestral careers in Baroque and Classical period music. The course will focus on technique, interpretation and intercultural aspects of the repertoire in question, and will comprise: lectures on period treatises; musical rhetoric; vocal and instrumental technique; basso continuo and ensemble performance practice. This advanced specialist course equips participants to perform music from the Baroque and Classical repertoire. It will prepare students in all aspects of historically authentic performance style. Course Design The course is designed to: Transmit a comprehensive performance culture in Baroque and Classical repertoire Broaden the player s awareness of technical and functional issues involved Deepen the player s knowledge of repertoire, both for solo and ensemble work Put theory into practice by means of performance workshops and public concerts. Professional Opportunities The skills and knowledge acquired will qualify students to work as: solo or ensemble specialists in Early Music qualified teachers of period performance practice Who can apply for the course? Students seeking to deepen their professional skills in playing Early Music by undertaking a specialist course in musical philology and historically authentic performance practice. Throughout the academic year students will be given the chance to broaden all aspects of their music making by means of concerts, workshops, seminars and Master Classes. Admission Requirements To gain admission to the Master's degree students are required to possess one of the following qualifications: First or Second Degree or Diploma awarded by a European Conservatoire or University of Music attesting that they are qualified to attend the course; Degree or Diploma from a non EU music school or University equivalent to a Bachelor of Music (the Course Admissions Committee will examine its validity prior to admission; First level Degree from an Italian or foreign University

3 Further Conditions of Entry: Applicants must not be enrolled in other Higher Music Education Programs. They must demonstrate a clear aptitude for the repertoire under study Admission is granted on the basis of an audition. Academic Diploma Levels I or II from a State Conservatorio (or I.S.S.M. ) or Diploma from the Conservatorio Vecchio Ordinamento (in this case a Second Level High School Diploma must also be included). Completed applications must include: CV in English or Italian with all relevant data including: candidate s academic profile; formal qualifications; résumé of music career to date Copy of diploma or degree certificates (see requirements above) Applications for admission to the Master's Degree Course must be sent to the following address: Istituto Superiore di Studi Musicali Vecchi Tonelli di Modena Via C.Goldoni, 8 / Modena (Italy) or submitted (with the required documentation attached in PDF format) to the following e- mail address: istituto.oraziovecchi@comune.modena.it or faxed to this number: 059/ Applications from students who will obtain their First Level Degree or Diploma by the end of winter session may be considered at the discretion of the Academic Examining Board. Submission deadline: not later than 1 pm on 31 st August, 2017 Results will be published on the Institute s website ( within 7 working days from the date of the entry exam and audition. Auditions will be held September 14 th, 2017 All students applying for admission to the Master s Course must take two examinations one oral and one practical. Successful candidates to the audition will be notified by or phone-call. The audition is a performance 20 minutes in length max, structured as follows: Performance of one movement from a piece for solo instrument before 1750; Performance of a sonata from the 18 th century Italian or French repertoire; Performance of a piece (sonata or concerto) from the Classical Period before 1830; Performance of two arias and recitatives from the repertoire before 1750 and one aria and recitative after 1750 (for singers).

4 Auditions will be followed by an oral exam on the student s reasons for applying and on their knowledge of technique and analysis. Minimum number of students: 16. Course Duration - 14 September, 2017 admission tests; - the course commences in November 2017 and will end on 31 October, 2018; - lessons will take place in a series of monthly meetings (Fridays, Saturdays, Sundays) devoted to lessons on theory and ensemble performance practice. Structure of the courses The Master will last 2 semesters, with a total of 1500 hours divided as follows: 230 hours lectures 60 hours orchestra 36 hour special seminars and master classes 250 hours work placement experience and musical performances Total Credits: 60. Compulsory Attendance: 85% for each class. Final Exam The final exam comprises a concert program lasting 60 minutes. Academic Qualification To earn the I Level Master's Degree in Early Music Theory and Practice students must obtain 60 CFA. Therefore, attendance must not be below 85% of the total amount of class hours for each course. Location Lessons will take place at the Istituto Superiore di Studi Musicali Vecchi-Tonelli, Modena, via Goldoni 10, Modena (Italy) and at the Institute s site in Carpi, Via San Rocco, 5 / The teaching calendar will be published by mid-october, Language Teaching will be conducted in Italian and English (where necessary). Staff and Scientific Committee Course Director: Alessandro Andriani Academic Board: Alessandro Andriani, Mario Sollazzo, Tarcisio Balbo, Carlida Steffan, Enrico Bellei Tutor: Alessandro Andriani, Tarcisio Balbo Lecturers

5 Lectures and Masterclasses will be given by distinguished professional soloists, professors at the Conservatoire, scholars and researchers in the fields of musical philology and historically authentic performance practice. Conservatoire Professors Alessandro Andriani Cello Mario Sollazzo Harpsichord Tarcisio Balbo History of Music Carlida Steffan History of Music Giuseppe Calì Harmony and Counterpoint Guest Lecturers Andrea Rognoni Violin Europa Galante Claudio Andriani Violin and Viola Italico Splendore Gaetano Nasillo Cello Ensemble Aurora Giangiacomo Pinardi Lute Europa Galante Fabiano Merlante - Baroque Guitar and Period Guitar Italico Splendore Patxi Montero Bass Viol and Violone Europa Galante Marcello Gatti Flûte traversière Europa Galante Michele Barchi - Harpsichord Gloria Banditelli Singing Conservatoire of Ferrara Lisa Serafini Singing Conservatoire of Trento Alberto Allegrezza Movement and gesture Special Seminars Fabio Biondi Solo Violin Europa Galante and Conductor Diego Fasolis Director Barocchisti di Lugano and Italian Radio Swiss Choir Chiara Banchini Ensemble 415 Drora Bruck Jerusalem Academy of Music Roland Baldini Hochschule Für Musik und Theater Leipzig Work Placement Experience Musical performances will be possible thanks to the professional collaboration of: Europa Galante Orchestra Parma Ensemble Italico Splendore Modena Festival Grandezze & Meraviglie Modena Research Material for Students The library of the ISSM Vecchi-Tonelli has a wide variety of scores, documents, publications and encyclopedias available for consultation, as does the Estense University Library of Modena. Student Assistance The ISSM Vecchi-Tonelli provides general administration of the services at the Conservatoire and also operates as infopoint for accommodation and meals. Methods of Payment Annual tuition fees for the Master s Course: 1800 Euro First payment: 1000 Euro to be paid at enrolment and in all events no later than 31 October 2017

6 Additional expenses 10 Euro administrative expenses 5 Euro insurance Second payment: 800Euro to be paid by 31 March 2018 In order to register students must pay a fee of 100 Euro on enrolment. The payment should be made by credit transfer to the following bank account and made payable to ISSM Vecchi-Tonelli of Modena: IBAN: IT06F Please specify the reason for payment as: Registration Master s Degree in Early Music Theory and Practice Tesoreria Istituto Superiore di Studi Musica Vecchi-Tonelli di Modena at UNICREDIT BANCA S.P.A, registerd office Piazza Grande, 40. In the event of the student s withdrawal registration fees will not be refunded.

7 Course Program Discipline & Training Teaching Lecturer Typology Total hours Work & Study hours Credits Performance Practice: Instrumental and Vocal (Baroque) Voice/Instrument Teacher I Core Syllabus Interpretation: Early Music Performance Practice: Instrumental and Vocal (Classical) Ensemble Music for Voice and Period Instruments Voice/Instrument Teacher Alternating Teachers I C Basso Continuo: Performance Practice Mario Sollazzo G Stagecraft: Theory and Practice in Period Performance Style Alberto Allegrezza G Complementary Syllabus Analysis of Period Style: from Theory to Practice Period Harmony and Counterpoint Repertoire Analysis (Forms and Functions - Vocal Style) Giuseppe Calì C Carlida Steffan C Repertoire Analysis (Forms and Functions - Instrumental Style) Carlida Steffan C History of Forms and Repertoires (Exegesis of Musical Sources and Performing Editions) Tarcisio Balbo, Carlida Steffan C Further Studies History and Musicology History of Forms and Repertoires (17 th &18 th Century) Tarcisio Balbo C History of Forms and Repertoires (Performance Treatises and Methods) Tarcisio Balbo C Baroque Orchestra Alternating Teachers L Workshop Performance Seminars (6 encounters, 6 hours each) C Experience Final Exam Concert Performances in collaboration with Festival Grandezze & Meraviglie and the University of Modena Estense Library TOTAL

8 Sede Legale Via C. Goldoni Modena Tel fax Succursale di Carpi (Mo) Via San Rocco Carpi (Mo) Tel c.f First Level Master s Degree EARLY MUSIC THEORY AND PRACTICE (Baroque and Classical Period) Annex A APPLICATION FOR ADMISSION To the Director of the Istituto Superiore di Studi Musicali Vecchi Tonelli di Modena Via C. Goldoni, 8 I I, the undersigned, (name and surname) Modena born in State on the (date) resident in State, Province Post Code ( ) Address (street) no. Phone

9 (If different from place of residence) I declare my domicile: State, Province, Post Code. Address no. Phone No. (All communications should be forwarded to my domicile YES/NO) ASK to be entered for the admission exam for the Master's Course First Level TEORIA E PRATICA DELLA MUSICA ANTICA, to be held in Modena, in Via C. Goldoni 8, on 14 September 2017, in accordance with a calendar to be published on the Institute's website: To this end I declare, aware that making false statements is a legal offense under Italian law, to be in possession of one of the certificates required for entry to the admission exam and audition, and in particular, (title of the certification) taken from the State Conservatory/non state ISSM in the academic year with the final grade I attach as requested an authenticated copy of the certificate stated (Diploma in original, Diploma supplement or certification issued by the institution where the certificate was obtained) I Authorize l'istituto Vecchi Tonelli to use my personal data in accordance with Law D.Lgs. 196/2003 exclusively in connection with the selection procedures.

10 I attach the following documents on plain paper: Receipt in original for the transfer of 40 as contribution to administrative costs to: ISTITUTO SUPERIORE DI STUDI MUSICALI VECCHI TONELLI DI MODENA Codice IBAN: IT06F at UNICREDIT BANCA SpA, branch Piazza Grande, no. 40, Modena, specifying the reason for payment, in addition to applicant s full name, Contribution for administrative costs for admission exam for First Level Master s Course in Theory and Practice in Early Music, - Copy of ID (front and reverse side) - CV with all relevant data on the candidate (academic profile, musical training and professional experience). I certify that the information supplied is complete and correct to the best of my knowledge Signature (Place and Date),

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