Articulation Guide. Metropolis Ark 1.

Transcription

1 Guide Metropolis Ark 1 1

2 OT Guide CONTENT I About this Guide 2 II Introduction 3 III Recording and Concept 4 IV Metropolis Ark Series 5 1 Metropolis Ark Instruments... 8 s Rev Orchestral Tools Schwarzer & Mantik GmbH

3 OT Guide I About this Guide The number of Orchestral Tools is constantly growing and covers all instrumental families of the orchestra, with some collections even branching out into non-orchestral instruments. This Guide describes all contained articulations as well as their technical properties (velocity layers, Round Robins, and many more). This document is a special version of the Guide that only contains features applicable to the collections listed below. You can download the full Guide that applies to all Orchestral Tools collections in our Helpdesk. The following table lists all collections covered by this Guide with their current Capsule version as well as the minimum Kontakt version. Collection Name MA1 Metropolis Ark 1 Collection 1.1 Capsule 2.5 Kontakt Player Important This Guide does not cover the general installation, usage and features of Orchestral Tools collections. These topics are explained step by step in the respective User Guides and Installation Guides, which you can find in your collection's Documentation folder. You can also find them in our Helpdesk. 2 About this Guide

4 OT Guide II Introduction Welcome to the Orchestral Tools Guide! Orchestral Tools provides high-quality sampled instruments for composers. Thanks to our Capsule Scripting Framework developed in-house, all Orchestral Tools collections look and work in a very similar way. names, labeling and all technical terms are identical in every collections, so you will find it easy to find your way around. This Guide describes all articulations as well as their technical features and is organized as follows: - The general Se r ie s Ov e r v ie w shows you all available Orchestral Tools Series', which group our collections into broader categories. - Following this is the respective Se r ie s Ov e r v ie w Page of one particular Series, which lists all available collections by name and gives suggestions for expansions options. - Each individual collection then has its own C ol l e ction Ov e r v ie w page, which describes the general content of the collection as well as its most important features at a glance. - This is followed by the Instr ume nts Section, which lists all instruments (or sections) contained in the collection with a short description of tone, scope or other pertinent information. - The Ar ticul ations Section finally lists all articulations in detail along with all their properties. 3 Introduction 2017 Orchestral Tools Schwarzer & Mantik GmbH

5 OT Guide III Recording and Concept We are happy to have found a sonic home for our collections at the Teldex Scoring Stage in Berlin. The large recording stage at Teldex looks back on a long tradition of many well known and Grammy award winning recordings. Famous orchestras, like the Berlin Philharmonics and great film composers from the USA and Europe trust and love the wide and clear acoustics of this room. One of the best sounding scoring stages in Europe, this room together with a fantastic complement of legendary microphones catapults our work to a new level of orchestral sampling. The quality of a sampled collection begins with the recording. Every Orchestral Tools collection is recorded at 96khz with state of the art equipment. The full editing and post-production process uses these 96khz recordings without downsampling. We very rarely denoise our recordings and never treat them in any other automated way. If tuning is needed, it is done by ear without resorting to tuning algorithms. Only at the very end, right before the samples are mapped into their instruments, the content is converted to 48khz for best use of resources. Our goal is to provide a set of tools that easily adapts to any workflow and creates a coherent sonic representation of the orchestra. The main way we achieved this is by recording every instrument in its orchestral position. All collections come pre-panned and pre-mixed with their respective volumes balanced. If there are multiple types of the same instrument, they are recorded in slightly different positions, yet still in their general section area. The different snare drums in Berlin Percussion, for example, have been recorded slightly spread over the general "snare drum area" within the percussion section. This allows you to have a very wide and full sound when combining multiple instruments. We deliberately choose to also record non-traditional instruments as belonging to a symphonic setup, like electric guitars and a drumset in our Metropolis Ark Series. Modern media scoring introduces a host of new instruments into the established orchestral lineup and we feel these instruments deserve the same care and precision in fitting them into the symphonic sound as their traditional counterparts. All collections feature a number of microphone positions commonly used in orchestral recording. The position of these microphones is identical in every collection, which means that for example the Tree is much nearer to the string section that it is to the percussion section (because the percussion section is situated at the back of the orchestra). This enabled lively acoustics that come pre-mixed for the respective stage position. The choice of mic positions also depends greatly on the instrument. Some instruments, especially in the percussion section, benefit greatly from a M/S position to enable accurately positioning the sound source. Wherever possible, similar instruments use the same mapping scheme so it is usually possible to transfer MIDI data from one instrument to another easily. This is especially important and useful for percussion. 4 Recording and Concept

6 OT Guide IV Metropolis Ark Series The Metropolis Ark Series brings Orchestral Tools into a new era: This series unites collections crafted to ease working on tight deadlines. Special sections made up of unconventional instrument combinations, the inclusion of non-orchestral instruments into the orchestral body and a focus on making ready to use tools available eminently playable out of the box make Metropolis Ark Series collections a great way to expand any sonic palette. The following table lists all Metropolis Ark Series Collections currently released - underlined names jump to a description of its content and unique features. You can download a version of this Guide that applies to all released Collections on our Helpdesk. When you load any Metropolis Ark Series patch inside Kontakt, the instrument slot will show an icon representing the series volume as shown below. Metropolis Ark Series Metropolis Ark 1 Metropolis Ark 2 5 Metropolis Ark Series 2017 Orchestral Tools Schwarzer & Mantik GmbH

7 OT Guide 4.1 Metropolis Ark 1 Metropolis Ark 1 not only marks Orchestral Tools' foray into the wonderful world of epic sampling, but also introduces a Choir into the Teldex ambience, completely positioned and ready to seamlessly blend into any arrangement. We deliberately chose to also record non-traditional instruments as belonging to a symphonic setup, like electric guitars and a drumset. Modern media scoring introduces a host of new instruments into the established orchestral lineup and we feel these instruments deserve the same care and precision in fitting them into the symphonic sound as their traditional counterparts. Metropolis Ark 1 is inspired by a cinematic monument from The first ever epic science fiction motion picture of our time. A Berlin original which inspired us to preserve all its strength, greatness and bold exceptionalism in a monumentally powerful collection to bring it back into the latest cinematic soundtrack productions. Metropolis Ark 1 contains a huge Orchestra, Choir, Electric Guitars, Percussion, a Grand Piano and a magnificent Drumset, all recorded with first call musicians at the Teldex Scoring Stage. Metropolis Ark 1 features the loudest imaginable dynamics starting from mf upwards to ffff. Everything is designed to be loud, to be bold and boundary-shatteringly epic. This Collection opens a whole new world for Orchestral Tools, who are well known for their Berlin Series, a virtual Orchestra that set a new standard and is used by many high-profile film composers in Hollywood and around the world. A unique sound There is one vision and everything is built around it: Special sections like 4 Contra Bassoons playing in unison, a Bass Trombone Ensemble, a Cimbasso Ensemble or 12 Basses + 6 Celli playing together in octaves. Metropolis Ark 1 includes different French Horn ensembles: A big 9 piece Horn Section for soaring, thick Horn melodies and a smaller 3 piece Horn Ensembles, specifically designed to play chords. Together with uncomparable Powerchords recorded wet at the scoring stage with two different Guitars and a sinister massive Choir singing at the highest dynamics, this Collection will raise your compositions to a whole new level. A flexible working tool Instead of pre-mixed sections, Metropolis Ark 1 offers pure and unprocessed instrument groups to give you all the flexibility to arrange your own orchestrations. Extensive Sets additionally offer Swells, Crescendos, Glissandos, 2 different lengths of Marcato, Shorts, etc. on more than 80GB of compressed sample material. Metropolis Ark 1 marks the next generation of Fortissimo and it is a Re v ol ution of E pic in one single box. 6

8 OT Guide Instrumentation and Recording Metropolis Ark 1 contains recorded sections grouped into four "Districts", which are divided into patches containing a single articulation as well as multi articulation patches. You will find all of these patches inside the Instruments folder. The collection contains the following sections, as they appear in your instruments folder: District I - Orchestra 01. Finkenstein Strings (High) 02. Wolfenstein Strings (Low) 03. Holbein Bassoons a4 04. Barnak Contrabassoons a4 05. Kommandanten Trumpets a4 06. Schwarzdorn Horns a9 07. Rotdorn Horns a3 08. Friedrich Bass Trombones a3 09. Koenigsberger Cimbassi a3 10. Hindenburg Tubas a3 District II - Choir 01. Viktoria Choir (High) 02. Aarauer Choir (Low) District III - Percussion 01. Kopernikus Percussion 02. Drake Piano District IV - Band 01. Kornmesser Guitar Ensemble 02. Kornmesser Guitar (L) 03. Kornmesser Guitar (R) 04. Troppauer Bass (Dry) 05. Gardeschützen Drumset Metropolis Ark 1 features Multi Patches in a separate folder for all sections and instruments. You have free choice between five microphone positions, Spot, Close, Tree, Surround and A/B. The Band patches have additional DI and Amp positions. These microphone positions are switchable in the GUI and can be controlled via MIDI CC. Additionally, all core articulations have been recorded with multiple velocity layers for realistic dynamics. All samples have their natural panning Orchestral Tools Schwarzer & Mantik GmbH

9 OT Guide Instruments The sections and instruments* in Metropolis Ark 1 are designed to be LOUD and lend a massive foundation to any track. This section briefly explains the individual instruments and points out usage scenarios and expansion options. District I - Orchestra The Orchestra District forms the backbone of Metropolis Ark 1 and contains a number of big and epic ensembles that are designed to work well on their own, but especially as an addition and contrast to our other collections recorded at Teldex. Finkenstein Strings (High) The Finckenstein Strings are made of a massive 14 Violins and 10 Violas and feature full 8va Legato, Spiccato and Col Legno, complemented by Unison Sustains and Tremolo. Added to this come several foundation articulations and effects. Wolfenstein Strings (Low) The Wolfenstein String consist of 8 Celli and 10 Basses and continue the strings line-up with a generous complement of 8va articulations including Legato, Portato Long and Short and many more. Holbein Bassoons a4 The Holbein Bassoons are made of four bassoons and provide essential articulations. Setting the theme for all Orchestral District instruments, these articulations work well as a larger complement to other sections or solo instruments (for example from Berlin Woodwinds), but also on our own as one giant section. Barnak Contrabassoons a4 The four Barnak Contrabassoons provide the same articulations as the Holbein Bassoons. Kommandanten Trumpets a4 Four Trumpets are combined in the Kommandanten Trumpets and provide Staccatissimo Clusters in addition to standard articulations as well as some special ones. Schwarzdorn Horns a9 The Schwarzdorn Horns are made of nine French Horns and form a giant ensemble with full Legato, essential articulations and effects. They are best played monophonically for epic leading melodies. Rotdorn Horns a3 Complementing the Schwarzdorn Horn, the Rotdorn Horns feature three horns and are the perfect companion to the 9 Horn section when playing chords or more laid-back arrangements. Friedrich Bass Trombones a3 Three Bass Trombones provide a very unique timbre with essential articulations. Koenigsberger Cimbassi a3 The big three Cimbassi ensemble comes with the regular standard articulations and packs a punch, yet provides definition. Hindenburg Tubas a3 8

10 OT Guide For ultimate low end, the three Hindenburg Tubas feature essential articulations. District II - Choir Metropolis Ark 1 has two choirs, High and Low, each with Legato, Sustain and multi-syllable Staccato and Marcato as well as FX. Viktoria Choir (High) The Viktoria High Choir features five Sopranos and five Altos. Aarauer Choir (Low) The Aarauer Low Choir features five Tenors and five Basses. District III - Percussion District III contains orchestral and epic percussion and a special fff Piano. Kopernikus Percussion MA1's Kopernikus Percussion contains an Epic Percussion Ensemble patch with an assortment of percussion instruments as well as a processed Epic Percussion Hits patch with a lot of processed "hybrid" hits. Drake Piano The Drake Piano is a special piano patch with fff dynamics for percussive hits cutting through the densest orchestrations and is intended as a member of the Percussion, not a solo piano. District IV - Band The Band District brings Electric Guitars, Bass and a Drumset to the Teldex Stage and serves great for hybrid and crossover productions. Kornmesser Guitar Ensemble Put together from the Kornmesser Guitars and the Troppauer Bass, the Guitar Ensemble features pre-mixed and pre-panned L and R Guitars with the Bass layered, all controllable with various mic positions. Kornmesser Guitar Left and Right The Left and Right Guitars are intended to be used as a double-tracked pair. Troppauer Bass The Electric Bass is recorded dry wirth an extra overdrive mic position and two Amp positions for ultimate clarity and punch in the low end. Gardeschützen Drumset This GM-mapped drumset answers the question what happens when a drumset is put into the Teldex stage. *In case you did not know - All sections and instruments in Metropolis Ark 1 are named after street names near the Teldex Studio in Berlin/Germany. Now you know. Expansion Options: For those moments where some more restraint and a finer brush are in order, the Berlin Series collections Orchestral Tools Schwarzer & Mantik GmbH

11 OT Guide will nicely complement Metropolis Ark 1, being recorded in the same room and with identical microphone positioning. Metropolis Ark 2 brings very quiet instruments played in a LOUD way to the Metropolis Series. 10

12 OT Guide s All Orchestral Tools collections focus on providing a versatile pallet of articulations to help you shape your sound. This section lists all articulations contained in Metropolis Ark 1. All Metropolis Ark 1 Patches have Close, Tree, AB and Surround microphone positions. As such these positions are not listed in the tables below. s Legend Symbol Name Description R Range The playable range of the instrument. L Layers Lists the number and musical dynamics of velocity layers the instrument uses. T Transition Range The interval range of recorded legato transitions. S Transition Styles If multiple legato styles are present, these are listed here by name V Vibrato Layers The number and type of vibrato layers M Microphone Positions Any special mic positions that deviate from the collection standard. TM Time Machine Denotes a patch that uses TimeMachine for tempo-sync. + Time M achine Patche s All patches marked with a "+" (plus sign) also exist as a TimeMachine patch. These patches allow you to adjust the length of the sample to your liking. For more Information refer to the User Guide. District I - Orchestra Finkenstein Strings (High) 01. Strings High Legato 8va R: C2-C5 L: 2 (mf, fff) T: 1st-8th 02. Strings High Sustains 8va R: C2-C5 L: 2 (mf, fff) 03. Strings High Sustains Unison R: C2-C5 L: 2 (mf, fff) 04. Strings High Tremolo Unison R: C2-C5 L: 2 (mf, fff) 05. Strings High Spiccato 8va R: C2-C5 L: 3 (mp, f, fff) RR: Strings High Spiccato Unison R: C2-C5 L: 3 (mf, f, fff) RR: Strings High Spiccato Blurred 8va R: C2-C5 L: 3 (p, mf, fff) RR: Orchestral Tools Schwarzer & Mantik GmbH

13 OT Guide 08. Strings High Portato Long Unison R: C2-C5 L: 2 (mf, fff) RR: Strings High Portato Short Unison R: C2-C5 L: 2 (mf, fff) RR: Strings High Bartok Pizzicato Col Legno 8va R: C2-F4 RR: Strings High Crescendo Long Unison R: C2-C5 RR: Strings High Crescendo Short Unison R: C2-C5 RR: Strings High Swell Unison R: C2-C5 RR: Strings High Tremolo Decrescendo Unison R: C2-C5 RR: Strings High Glissandi Up 8va Various Glissandi Strings High Glissandi Cluster 8va Two Cluster Glissandi + Wolfenstein Strings (Low) 01. Strings Low Legato 8va R: C1-C4 L: 2 (f, fff) T: 1st-8th RR: Strings Low Sustains 8va R: C1-C4 L: 2 (f, fff) RR: Strings Low Tremolo 8va R: C1-C4 L: 2 (f, fff) 04. Strings Low Spiccato 8va R: C1-C4 L: 3 (mp, f, fff) RR: Strings Low Portato Long 8va R: C1-C4 L: 2 (f, fff) RR: Strings Low Portato Short 8va R: C1-C4 L: 2 (f, fff) RR: Strings Low Bartok Pizzicato Col Legno 8va R: C1-F2 RR: Strings Low Crescendo Long 8va R: C1-C4 RR: Strings Low Crescendo Short 8va R: C1-C4 RR: Strings Low Swell 8va R: C1-C4 RR: Strings Low Tremolo Decrescendo 8va R: C1-C4 RR: Strings Low Glissandi 8va Various Glissandi + Holbein Bassoons a4 01. Bassoons a4 Sustains R: Bb0-D3 L: 2 (mf, fff) M: Spot 02. Bassoons a4 Staccato R: Bb0-D3 L: 2 (mf, fff) RR: 5 M: Spot Bassoons a4 Marcato Long R: Bb0-D3 RR: 3 M: Spot Bassoons a4 Marcato Short R: Bb0-D3 RR: 4 M: Spot Bassoons a4 Crescendo Long R: Bb0-E3 RR: 2 M: Spot Bassoons a4 Crescendo Short R: Bb0-D3 RR: 2 M: Spot Bassoons a4 Crescendo Fluttertongue R: Bb0-D3 RR: 2 M: Spot + 12

14 OT Guide 08. Bassoons a4 Swell Short R: Bb0-D3 RR: 2 M: Spot Bassoons a4 Swell Long R: Bb0-D3 RR: 2 M: Spot + Barnak Contrabassoons a4 01. Contrabassoons a4 Sustains R: Bb-1-D2 L: 2 (mf, fff) M: Spot 02. Contrabassoons a4 Staccato R: Bb-1-D2 L: 2 (mf, fff) RR: 5 M: Spot Contrabassoons a4 Marcato Long R: Bb-1-D2 RR: 3 M: Spot Contrabassoons a4 Marcato Short R: Bb-1-D2 RR: 4 M: Spot Contrabassoons a4 Crescendo Long R: Bb-1-D2 RR: 2 M: Spot Contrabassoons a4 Crescendo Short R: Bb-1-D2 RR: 2 M: Spot Contrabassoons a4 Crescendo Fluttertongue R: Bb-1-D2 RR: 2 M: Spot Contrabassoons a4 Swell Long R: Bb-1-D2 RR: 2 M: Spot Contrabassoons a4 Swell Short R: Bb-1-D2 RR: 2 M: Spot + Kommandanten Trumpets a4 01. Trumpets a4 Sustains R: E2-D5 L: 2 (mf, fff) 02. Trumpets a4 Staccatissimo R: E2-D5 L: 2 (mf, fff) RR: Trumpets a4 Staccatissimo Cluster R: E2-D5 RR: Trumpets a4 Marcato Long R: E2-D5 L: 2 (f, fff) RR: Trumpets a4 Marcato Short R: E2-D5 L: 2 (f, fff) RR: Trumpets a4 Crescendo Long R: E2-D5 RR: Trumpets a4 Crescendo Short R: E2-D5 RR: Trumpets a4 Crescendo Fluttertongue R: E2-D5 RR: Trumpets a4 Crescendo Long Cluster R: E2-D5 RR: Trumpets a4 Crescendo Short Cluster R: E2-D5 RR: Trumpets a4 Swell R: E2-D5 RR: 2 + Schwarzdorn Horns a9 01. Horns a9 Legato R: G0-G4 L: 2 (f, fff) T: 1st-8th M: Spot 02. Horns a9 Sustains R: G0-G4 L: 2 (mf, fff) M: Spot 03. Horns a9 Staccato R: G0-G4 L: 2 (mf, fff) RR: 6 M: Spot Orchestral Tools Schwarzer & Mantik GmbH

15 OT Guide 04. Horns a9 Staccato Cluster 05. Horns a9 Marcato Long R: G0-G4 L: 2 (mf, fff) RR: 3 M: Spot Horns a9 Marcato Short R: G0-G4 L: 2 (mf, fff) RR: 4 M: Spot Horns a9 Crescendo Long 08. Horns a9 Crescendo Short 09. Horns a9 Crescendo Fluttertongue 10. Horns a9 Crescendo Long Cluster 11. Horns a9 Crescendo Short Cluster 12. Horns a9 Swell Long 13. Horns a9 Swell Short 14. Horns a9 Octave Rips R: G0-G4 M: Spot + Rotdorn Horns a3 01. Horns a3 Sustains R: G0-G4 L: 3 (mp, f, fff) M: Spot 02. Horns a3 Staccato R: G0-G4 L: 3 (mp, f, fff) RR: 6 M: Spot Horns a3 Marcato Long R: G0-G4 RR: 3 M: Spot Horns a3 Marcato Short R: G0-G4 RR: 4 M: Spot Horns a3 Crescendo Long 06. Horns a3 Crescendo Short 07. Horns a3 Crescendo Fluttertongue 08. Horns a3 Swell Long 09. Horns a3 Swell Short Friedrich Bass Trombones a3 01. Bass Trombones a3 Sustains R: C0-A#3 L: 2 (f, fff) 02. Bass Trombones a3 Staccato Short R: C0-A#3 L: 2 (f, fff) RR: Bass Trombones a3 Marcato Long R: C0-A#3 L: 2 (f, fff) RR: Bass Trombones a3 Marcato Short R: C0-A#3 L: 2 (f, fff) RR: Bass Trombones a3 Crescendo Long R: C0-A#3 RR: Bass Trombones a3 Crescendo Short R: C0-A#3 RR: Bass Trombones a3 Crescendo Fluttertongue R: C0-A#3 RR: Bass Trombones a3 Swell Long R: C0-A#3 RR:

16 OT Guide 09. Bass Trombones a3 Swell Short R: C0-A#3 RR: 2 + Koenigsberger Cimbassi a3 01. Cimbassi a3 Sustains R: C0-G#2 L: 2 (mf, fff) 02. Cimbassi a3 Staccato R: C0-G#2 L: 2 (f, fff) RR: Cimbassi a3 Marcato Long R: C0-G#2 L: 2 (mf, fff) RR: Cimbassi a3 Marcato Short R: C0-G#2 L: 2 (mf, fff) RR: Cimbassi a3 Crescendo Long R: C0-G# Cimbassi a3 Crescendo Short R: C0-G# Cimbassi a3 Crescendo Fluttertongue R: C0-G# Cimbassi a3 Swell R: C0-G#2 + Hindenburg Tubas a3 01. Tubas a3 Sustains R: Bb-1-D3 L: 2 (mf, fff) 02. Tubas a3 Staccato R: Bb-1-D3 L: 2 (f, fff) RR: Tubas a3 Marcato Long R: Bb-1-D3 L: 2 (f, fff) RR: Tubas a3 Marcato Short R: Bb-1-D3 L: 2 (f, fff) RR: Tubas a3 Crescendo Long R: Bb-1-D Tubas a3 Crescendo Short R: Bb-1-D Tubas a3 Crescendo Fluttertongue R: Bb-1-D Tubas a3 Swell R: Bb-1-D Orchestral Tools Schwarzer & Mantik GmbH

17 OT Guide District II - Choir Viktoria Choir (High) 01. Choir Women Legato R: F2-C5 L: 2 (mf, fff) T: 1st-8th M: Spot 02. Choir Women Sustains R: F2-C5 L: 2 (mf, fff) M: Spot 03. Choir Women Staccato R: F2-C5 L: 2 (mf, fff) Syllables: me tro so li shi tu ro qu re ta M: Spot Choir Women Marcato Long R: F2-C5 L: 2 (mf, fff) Syllables: fra tro se ti quo M: Spot Choir Women Marcato Short R: F2-C5 L: 2 (mf, fff) Syllables: met tro laq shi kus M: Spot Choir Women Glissandi & FX R: G2-G3 M: Spot + Aarauer Choir (Low) 01. Choir Men Legato R: D#1-C4 L: 2 (mf, fff) T: 1st-8th M: Spot 02. Choir Men Sustains R: D#1-C4 L: 2 (mf, fff) M: Spot 03. Choir Men Staccato R: D#1-C4 L: 2 (mf, fff) Syllables: me tro so li shi tu ro qu re ta M: Spot Choir Men Marcato Long R: D#1-C4 L: 2 (mf, fff) Syllables: fra tro se ti quo M: Spot Choir Men Marcato Short R: D#1-C4 L: 2 (mf, fff) Syllables: met tro laq shi kus M: Spot Choir Men Glissandi & FX R: F2-F3 M: Spot + District III - Percussion Kopernikus Percussion 01. Epic Percussion Ensemble Various Percussion RR: 10 M: Spot 02. Epic Percussion Hits Various Percussion RR: 5 M: Spot + Drake Piano 01. Piano R: A-1-C7 L: 2 (mf, fff) 16

18 OT Guide District IV - Band Kornmesser Guitar Ensemble All Kornmesser Guitar Ensemble patches have the following microphone positions: Left Close, Left Room, Right Close, Right Room, Amp 1, Amp Guitar Ensemble Power Chords 02. Guitar Ensemble Alternative Power Chords 03. Guitar Ensemble Double Power Chords R: A0-E3 + SFX below and above L: fff RR: 4 for 04. Guitar Ensemble Single Strokes Kornmesser Guitar L All Kornmesser Guitar L patches have the following microphone positions: DI, Spot I, Spot II, AB, Tree, Surround. 01. Guitar Left Power Chords 02. Guitar Left Single Strokes 03. Guitar Left Tremolo R: A0-B3 L: fff 04. Guitar Left Tremolo Muted R: A0-B3 L: fff Kornmesser Guitar R All Kornmesser Guitar R patches have the following microphone positions: DI, Spot I, Spot II, AB, Tree, Surround. 01. Guitar Right Power Chords 02. Guitar Right Alternative Power Chords 03. Guitar Right Double Power Chords R: A0-E3 + SFX below and above L: fff RR: 4 for 04. Guitar Right Single Strokes Orchestral Tools Schwarzer & Mantik GmbH

19 OT Guide 05. Guitar Right Tremolo R: A0-B3 L: fff RR: 4 for 06. Guitar Right Tremolo Muted R: A0-B3 L: fff RR: 4 for Troppauer Bass All Troppauer Bass patches have the following microphone positions: DI, Overdrive, Amp 1, Amp E-Bass Single Strokes 02. E-Bass Shorts Gardeschützen Drumset 01. Drumset R: GM Mapping L: 6 (pp, p, mf, f, ff, fff) RR: 8 M: Spot 18