PACO PEÑA FLAMENCO VIVO RIDER TRAVEL, HOTEL AND HOSPITALITY REQUIREMENTS JULY 2011

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1 PACO PEÑA FAMENCO VIVO IDE TAVE, HOTE AND HOSPITAITY EQUIEMENTS JUY GOUND TANSPOTATION PUCHASE agrees to provide ATIST'S EPESENTATIVE with detailed directions to the place of performance. PUCHASE shall, at his sole cost and expense, provide GOUND TANSPOTATION for ATIST and entourage of eleven () people plus luggage and equipment, etc. between airport, hotel, concert venue, hotel and return to airport upon departure. HOTE ACCOMODATIONS If PUCHASE is providing HOTE ACCOMMODATIONS, a minimum of one () suite, one () double and eight (8) single rooms are required. The rooms shall be available until the day after the performance with the ATIST to comply with checkout times and hotel rules. The PUCHASE shall not be responsible for any extra charges during the stay of the ATIST. CATEING - Catering and dinner for people. - Coffee & Tea - Drinks small bottles or cans of cold Coke, Diet Coke, Sprite, Orange Juice & Bottled non-carbonated mineral water. - Deli platter (cold meats, cheeses & olives) with bread - Fruit basket (seasonal fruit) - Hot meal (After show or at a time to be agreed upon with tour manager) Paco Pena Flamenco Vivo ider

2 PACO PEÑA FAMENCO VIVO IDE TECHNICA EQUIEMENTS JUY STAGE: Width: Depth: Height: 8 FOO: The promoter will provide a dancing floor made out of resilient wood. If floor is concrete, there must be (ply)wood or masonite laid over it, completely leveled and free from any obstruction whatsoever. N.B. The minimum measurements for the dancing surface are wide and deep (into stage). Preferred floor surface color is black. If there is an adjustable orchestra pit, it should be lowered to auditorium level and seated whenever possible. The dancers will always work as close to the audience as possible. SET: On stage: matching black (or dark neutral color) chairs, horizontal gate back, no arms! HANGING POT: Please note that this is measured from the proscenium/ setting line of the stage and does not include most legs and borders. These should be hung in the best position to mask all lighting bars/ side booms and drapes. Please also note that the height of all lighting bars is feet from the stage. X 7 X X X4 4 X Black egs 8 Black Scrim 4 Black Border 4 8 White Cyclorama/ Black egs Black Curtain DAPES: White cyclorama minimum wide by high Black scrim minimum wide by high pairs of black legs and borders for masking Matching black back curtain House curtain will not be used All drapes need to be hung but not flown during the performance. The company does not tour any drapes. Paco Pena Flamenco Vivo ider

3 IGHTING: Please see lighting plan Please note that the company tours a minimal stock of colour. We request that the venue provide colour where possible, and inform us of any issues with providing colour. SOUND: Please see Sound ider NB: the sound has to be as acoustic as possible, and monitors are run from separate monitor desk onstage where possible (in-house sound operator will be used for this) or from the front of house console! BACK: A clear com type intercom system for all working positions DESSING OOM/ WADOBE FACIITIES: dressing rooms: Paco Peña person Female people Male people in each dressing room An iron and ironing board or steamer! CEW EQUIEMENTS: Get-In: Show call: Stage Manager Stage Manager X chief and Electricians X Chief Sound Operator and Technician Sound Operator Stage Hands stage hand N.B. Mr Peña's technician will call the show and operate the lighting board GENEA TIMES unning-time: approximately: minutes minute intermission - minutes Get-out: hour OTHES: The dancers and the musicians like to use the stage for their daily routines hour before the opening of the house if possible Paco Pena Flamenco Vivo ider

4 SOUND: ATTENTION: EAD IT CAEFUY. ANYTHING THAT CANNOT BE SUPPIED MUST BE IMMEDIATEY COMMUNICATED SO THAT A SOUTION CAN BE FOUND AND THAT THEE WI BE NO POBEMS ON THE DAY OF THE CONCET. P.A. Mixer MIDAS, DIGICO H 4/, D EQ KAK TECHNIK DN7 O DN DIGITA NO Processors (for F.O.H. and Monitors) TC-EECTONIC EXICON or YAMAHA M PCM 8/ SPX Or VEY IMPOTANT Compressors DBX (X8) series Or similar Analyzer KAK TECHNIK DN CD recorder/player PA system For spectators* PA system For spectators* INE AAY INE AAY AXYS 7 X target mini top U- 4 X target sub B-, MEYE: Milo AXYS 7 X target mini top U- 4 X target sub B-, MEYE: Milo Or similar Or similar Fronfill UPM (X) Meyer Sound Or similar AMP CEST-AUDIO Or similar *For an audience of over spectators the P.A. system must be increased equivalently. Paco Pena Flamenco Vivo ider

5 MONITO Mixer FOM THE FOH pre aux MIXE EQ ( for each send) KAK TECHNIK DN X Or similar In-Ear systems Headphones Sennheiser Westone S UM- UPA P Or similar VEY IMPOTANT Side fills SYSTEM (4) Meyer sound VEY IMPOTANT THE SOUND EQUIPMENT MUST BE EADY TO TEST TWO HOUS BEFOE THE STAT OF THE SOUND CHECK WITH THE GOUP. THE P.A. SOUND DESK WI BE INSTAED IN THE CENTE OF THE CONCET HA, AT AOUND 8M FOM THE STAGE. THE SOUND DESK WI NEVE BE IN A SEPEATE OOM O BOOTH. IT WI AWAYS BE INSTAED IN THE AEA WHEE THE PUBIC IS SEATED. Channel ist CAJÓN- Sennheiser EW G Series or similar (wireless HH) VOX Sennheiser EW G Series or similar (wireless HH) VOX Sennheiser EW G Series or similar (wireless HH) 4 GUITA (P.Peña) - DPA 4 GT or DPA 4 (wireless) GUITA (P.Arriaga) - DPA 4 GT or DPA 4 (wireless) GUITA (Chaparro) - DPA 4 GT or DPA 4 (wireless) 7 Floor - PCC or similar 8 Floor C-- PCC or similar Floor C-- PCC or similar Floor - PCC or similar Shotgun microphone Shotgun microphone Feet - DPA 4 or similar (wireless) 4 Feet DPA 4 or similar (wireless) Spare vox SM 8 Spare vox SM 8 7 Spare guitar DPA 4 (wireless) 8 Spare guitar DPA 4 (wireless) In the console we split channels 4 and. Paco Pena Flamenco Vivo ider

6 Monitor Sends Aux Cajón (In ear) Aux Vox (In ear) Aux Vox (In ear) Aux 4 Guit. (In ear) Aux Guit. (In ear) Aux Guit. (In ear) Aux 7 Sidefill Back (Meyer UPA -P or similar) Aux 8 Sidefill Back (Meyer UPA -P or similar) Aux Sidefill Dancer (Meyer UPA -P or similar) Aux FX FOH Aux FX FOH Aux FX MONITO Aux FX MONITO Aux 4 FX MONITO FO TECHNICA QUESTIONS CONTACT: Elena Peña Tel: (Cell) Fax: elenapena@mpmlondon.com Paco Pena Flamenco Vivo ider

7 ighting Plan - Paco Peña 4 m White Cyclorama Black Gauze / / 4 / / 4 / / C KEY NB Distances in Metres FOH w Profile/ eko (number = angle) k Fresnel k Fresnel (NB All Fresnels should have barndoors) Par 4 k Soft Blacks Strand Pallas 4x groundrow Or equivalent cyc light Iris.m (4').8m (' 8").4m (' 4") Boom Heights amp Type (eg CP) CP: USA=MEDIUM, EUOPE=WIDE ee/ osco () Filter No Channel No PEASE NOTE: and are types of FOST Paco Pena Flamenco Vivo ider