Week 22, Unit 22: The French Sixth Chord and The Neapolitan Sixth Chord
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- Delphia Brooks
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1 Day 1 1. Discuss objectives for the week (p. 282). 2. Introduce Practicing Major Scales (Group 3 Keys): B-flat, E-flat and A-flat (p. 283). 3. Introduce The French Sixth Chord (p. 284). 4. Introduce Playing a Chord Progression That Uses a French Sixth Chord (p. 284). 5. Introduce Reading (p. 285). 6. Introduce Harmonization (p. 285). 7. Introduce Bagatelle in A Minor (p. 288). 8. Introduce Improvisation in Romantic Style (p. 289). 9. Introduce Harmonization with Two-Hand Accompaniment (p. 290). 10. Introduce Choral Score Reading for Soprano, Alto, Tenor and Bass (SATB) 1. Practicing Major Scales (Group 3 Keys): B-flat, E-flat and A-flat (p. 283) 2. Playing a Chord Progression That Uses a French Sixth Chord (p. 284) 3. Reading (p. 285) 4. Harmonization (p. 285) 5. Bagatelle in A Minor (p. 288) 6. Improvisation in Romantic Style (p. 289) 7. Harmonization with Two-Hand Accompaniment (p. 290) 8. Choral Score Reading for Soprano, Alto, Tenor and Bass (SATB) (p. 291) Page 1
2 Day 2 1. Introduce Practicing Major Arpeggios (Group 3 Keys): B-flat, E-flat and A-flat (p. 283). 2. Introduce Playing Diminished Seventh Arpeggios (p. 283). 3. Introduce The (p. 286). 4. Introduce Playing a Chord Progression That Uses a (p. 286). 5. Introduce Reading (p. 287). 6. Introduce Harmonization (p. 287). 7. Review Bagatelle in A Minor (p. 288). 8. Introduce Improvisation in Contemporary Style (Mixed Meter) (p. 289). 9. Review Harmonization with Two-Hand Accompaniment (p. 290). 10. Review Choral Score Reading for Soprano, Alto, Tenor and Bass (SATB) 11. Introduce Instrumental Accompaniment (p. 292). 12. Work on the individual student s solo repertoire from this unit, previous units or Supplementary Solo Repertoire section. Page 2
3 1. Practicing Major Arpeggios (Group 3 Keys): B-flat, E-flat and A-flat (p. 283) 2. Playing Diminished Seventh Arpeggios (p. 283) 3. Playing a Chord Progression That Uses a (p. 286) 4. Reading (p. 287) 5. Harmonization (p. 287) 6. Bagatelle in A Minor (p. 288) 7. Improvisation in Contemporary Style (Mixed Meter) (p. 289) 8. Harmonization with Two-Hand Accompaniment (p. 290) 9. Choral Score Reading for Soprano, Alto, Tenor and Bass (SATB) (p. 291) 10. Instrumental Accompaniment (p. 292) 11. Individual Solo Repertoire Page 3
4 Day 3 1. Review Practicing Major Scales and Arpeggios (Group 3 Keys): B-flat, E-flat and A-flat (p. 283). 2. Review Playing Diminished Seventh Arpeggios (p. 283). 3. Review Playing a Chord Progression That Uses a French Sixth Chord (p. 284). 4. Review Playing a Chord Progression That Uses a (p. 286). 5. Review Harmonization with Two-Hand Accompaniment (p. 290). 6. Review Choral Score Reading for Soprano, Alto, Tenor and Bass (SATB) 7. Review Instrumental Accompaniment (p. 292). 8. Work on the individual student s solo repertoire from this unit, previous units or Supplementary Solo Repertoire section. 1. Practicing Major Scales and Arpeggios (Group 3 Keys): B-flat, E-flat and A-flat (p. 283) 2. Playing Diminished Seventh Arpeggios (p. 283) 3. Playing a Chord Progression That Uses a French Sixth Chord (p. 284) 4. Playing a Chord Progression That Uses a (p. 286) 5. Harmonization with Two-Hand Accompaniment (p. 290) 6. Choral Score Reading for Soprano, Alto, Tenor and Bass (SATB) (p. 291) 7. Instrumental Accompaniment (p. 292) 8. Individual Solo Repertoire Page 4
5 Reading Focus Page 285: A minor, four-part chorale, French sixth chord Page 287: F minor, single line melody over broken chord accompaniment in LH, Neapolitan sixth chord Page 5
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