Acknowledgements... xx SECTION 1: SCORE PREPARATION. Lesson 1 Picking the Score & the Correct Size...1. Lesson 2 Assigning the Instruments...

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2 Contents Acknowledgements... xx Introduction: Getting the Most Out of the Street Smart Guide TM to Sibelius 6...xxi SECTION 1: SCORE PREPARATION Lesson 1 Picking the Score & the Correct Size...1 Pick Your Score Template...1 Pick Your Page Size...2 Create Your Own Score Template...4 Lesson 2 Assigning the Instruments...5 Add an Instrument...5 Delete an Instrument...6 Lesson 3 Choosing the House Style...9 Choose the Style of Your Score...9 Change the Font...10 Lesson 4 Assigning the Time Signature & Tempo...11 Set Your Time Signature...12 Create a Pick-Up Bar...12 Set Your Tempo Text...13 Set a Metronome Mark...13 Lesson 5 Assigning the Key Signature...15 Lesson 6 Score Information...17 Add Title & Author Info...17 Add Additional Score Info...18

3 vi to SIBELIUS 6 Lesson 7 Adding More Bars to Your Score...21 Lesson 8 Allow a Cautionary Time Signature...23 Lesson 9 The Oversized Time Signature...27 Change the Size...27 Placement...28 Edit the Default Size...32 Reset Note Spacing...33 Lesson 10 Creating a Pick-Up Bar...35 Lesson 11 Bar Numbers for Film/TV Scores & Parts...39 Location of Bar Numbers in the Full Score...39 Make Bar 1 Visible...40 Display Multirest Bars...41 Position Your Bar Numbers...41 Create Boxed Bar Numbers...42 Location of Bar Numbers in Instrument Parts...43 Lesson 12 Removing Bar Numbering...47 Lesson 13 Assigning Rehearsal Letters or Numbers...49 Choose Your Format...49 Insert Your Rehearsal Mark...50 Snap to Bar Lines...51 Combine Letters & Numbers...52 Rehearsal Mark Numbering Options...53 Lesson 14 Creating & Saving a Score Template...55 Customize Your Score Template...55 Export Your Score Template...59 Rename or Delete a Score Template...60 Lesson 15 Creating a String Orchestra Sketch Pad...61 Choose Your Instruments...62 Add Additional Bars...63 Choose Bars Per System...64

4 CONTENTS vii Choose Systems Per Page...65 Remove Bar Rests & Numbers...67 Remove Page Numbers...69 Remove Unnecessary Pages...70 Conclusion...70 Lesson 16 Concert & Transposed Scores...71 Lesson 17 Viewing Instrument Parts...73 About Dynamic Parts...73 Switch Between Instrument Parts...73 Create Separate Windows Per Part...74 Change the Default Paper Used for Instrument Parts...75 Lesson 18 Extracting Parts...77 Lesson 19 Changing the Time Signature Size in Parts...81 Change the Size...81 Placement...84 Edit the Default Size...85 Reset Note Spacing...86 SECTION 2: SCORE INPUT Lesson 20 Inputting Notes...89 The Sibelius Keypad...89 Mouse Input...91 Repeat a Pitch...92 Input an Accidental...92 Input a Dotted Note...93 Input a Rest...93 Alphabetic & Step-time Input...94 Repeat a Pitch...94 Input an Accidental...95 Input a Dotted Note...95 Input a Rest...96 Additional Note Input Options...97

5 viii to SIBELIUS 6 Lesson 21 Inputting Notes Using the Keyboard or Fretboard Window...99 Input Notes Using the Keyboard Window...99 How to Input Notes Using the Virtual Keyboard Input Notes Using the Fretboard Window Dotted Notes & Rests Dotted Notes Rests Display Notes During Playback Keyboard Window Fretboard Window Lesson 22 Deleting Notes Lesson 23 Correcting Notes Correct a Pitch Re-Input Pitches Change the Enharmonic Spelling Lesson 24 Inputting Tied Notes Create a Single Tied Note Create a Tied Chord Lesson 25 Inputting Chords Chords Using Mouse Input Chords Using Alphabetic Input Quickly Create Intervals Above or Below an Initial Note Repeat a Chord Input Chords with Step-Time Input Mode Lesson 26 Creating Two Voices on the Same Stave Lesson 27 Flipping Notes & Other Objects Lesson 28 Inserting Bars in the Middle of the Score Insert a Single Bar Insert Multiple Bars...124

6 CONTENTS ix Lesson 29 Deleting a Bar(s) Delete a Single Bar Delete Multiple Bars Lesson 30 Transposing Up & Down an Octave (8ve) Transpose Using the Notes Menu Quick Octave Transpose Lesson 31 Transposing a Melody Transpose by Key Transpose by Interval Lesson 32 Selecting Single & Multiple Objects Single Selections (Just One Object Is Selected) Multiple Selections (Several Separate Objects Are Selected) Lesson 33 Selecting a Passage of Music Two Kinds of Passages Copying Deleting Select a Normal Passage Select a System Passage Lesson 34 Multi-Copying Objects & Passages Multi-Copy a Single Object Multi-Copy a Multiple Selection Multi-Copy a Passage Selection Repeat a Selection Lesson 35 Creating Triplets & Tuplets Create a Triplet Quick Triplet Creation Create a Tuplet Quick Tuplet Creation Adding Brackets to Tuplets Brackets & Ratios Tuplet Table...152

7 x to SIBELIUS 6 Lesson 36 Clef Change in the Middle of a Line Insert a Clef Change Using the Create Menu Insert a Clef Change Using the Mouse Change Clef Throughout Instrument Copy a Clef Change Delete a Clef Change Lesson 37 Creating a Key Change in the Score Insert a Key Change Using the Create Menu Insert a Key Change Using the Mouse Transpose Music With Key Changes Return to Original Key Move a Key Change Remove a Key Change Lesson 38 Adding Expression Marks (Dynamics) Add an Expression Mark Placement Edit an Expression Mark Remove an Expression Mark Copy an Expression Mark Lesson 39 Adding Hairpins for Dynamic Changes Placement Create a Hairpin Quick Hairpin Creation Reposition a Hairpin Remove a Hairpin Copy a Hairpin Lesson 40 Technique Instructions Like Pizz, Divisi, etc Create a Technique Instruction Reposition a Technique Instruction Edit a Technique Instruction Remove a Technique Instruction Copy a Technique Instruction...169

8 CONTENTS xi Lesson 41 Adding Articulations Like Staccato, etc Add an Articulation to a Single Note or Chord Add an Articulation to Multiple Notes or Chords Reposition an Articulation Remove an Articulation Jazz Articulations Lesson 42 Creating a Fermata (Bird s Eye) Add a Fermata Reposition a Fermata Remove a Fermata Add a Fermata Above or Below a Bar Line Lesson 43 Adding Slurs, Phrase Marks, Trills, etc Snap to Notes Create a Slur Edit a Slur Use Handles 1 or 2 to Lengthen or Shorten a Slur Use Handles 1, 2 or 3 to Vertically Adjust a Slur Use Handles 4, 5 or 6 to Change the Shape of a Slur Copy a Slur Remove a Slur Create a Trill, Octave, Glissando, or Other Special Line Quickly Create a Special Line Edit a Special Line Copy a Special Line Remove a Special Line Lesson 44 Adding Bar Lines, Repeat Marks, etc Create a Special Bar Line Copy a Special Bar Line Remove a Special Bar Line Lesson 45 Adding Words Like Accelerando, Ritenuto, etc Create a System Line Hide the Dotted Line Position the System Lines Adjust the Vertical Position...191

9 xii to SIBELIUS 6 Adjust the Horizontal Position Copy a System Line Remove a System Line Create a Custom System Line Change the Line Style Lesson 46 Adding Text to Your Score Choose Your Text Style Create and Insert a Text Style Case Study: How to Insert a Tempo Text & Metronome Mark Edit Appearance of Selected Text Create a New Text Style by Editing an Existing Style Edit an Existing Text Style Create a New Text Style Lesson 47 Adding Comments to Your Score Add a Comment Edit a Comment Re-Size or Re-Position a Comment Box Change the Comment Header Name Change the Comment Box Colour Delete a Comment Show Hidden Comments Print Comments SECTION 3: LEAD SHEETS, PIANO/VOCAL/GUITAR (PVG), HYMNS Lesson 48 Choosing the Lead Sheet Template Choose Your Lead Sheet Template Change the House Style Font Set Score Parameters Change Default Stave Name & Sound Add or Remove Initial Bar Line Want to See a Different Look? Lesson 49 Inputting a Song...219

10 CONTENTS xiii Lesson 50 Inputting Lyrics Direct Type Method Case Study: Input Lyrics from Psalm 23 Using the Direct Type Method Copy from External Document Method Import Single Words Import Sentences or Paragraphs Edit a Lyric Delete a Lyric Check Lyric Hyphenation Lesson 51 Adding Chord Progression Symbols Set Chord Symbol Parameters Create Chord Progression Symbols by Typing Suffix Elements for Complex Chord Symbols Create Chord Progression Symbols by Playing Make Changes to an Existing Chord Progression Symbol Edit a Chord Symbol Re-Position a Chord Symbol Copy a Chord Symbol Delete a Chord Symbol Legacy Chord Symbol Input Mix New & Legacy Chords Conclusion Lesson 52 Adding Guitar Finger Charts Set Chord Diagram Parameters Input a Chord Diagram Edit an Existing Chord Diagram Edit Chord Diagrams by Type Re-Position a Chord Diagram Copy a Chord Diagram Delete a Chord Diagram Conclusion Lesson 53 Hymns & Chorales Choose Your Chorale Template Replace Brackets With a Brace Re-Position Name of Stave...250

11 xiv to SIBELIUS 6 Add Extra Bars to the Template Delete Name of Stave Save Your Template Lesson 54 Inputting a Bach Chorale Lesson 55 Adding Figured Bass for School About Figured Bass Input Figured Bass Make Changes to Figured Bass Edit Figured Bass Re-Position Figured Bass Copy Figured Bass Delete Figured Bass SECTION 4: YOUR SCORE AS DOCUMENT Lesson 56 Document Setup Change Unit of Measurement Change Page Size Change Page Margins Change Stave Margins Page Preview Implement Changes Lesson 57 System & Page Breaks Lesson 58 Using Auto Breaks for Instrument Parts How to Use Auto Breaks Change Page Layout for Instrument Parts Set Up Auto Breaks System Breaks: Page Breaks: Multirests: Suppress a System or Page Break View Layout Marks Change Layout of Multiple Parts...274

12 CONTENTS xv Lesson 59 Adding a Title Page to Your Score Lesson 60 Adding a Blank Page in the Middle of a Score Lesson 61 Useful Formatting Commands Keep Bars Together Make Into System or Page Make Layout Uniform Lock & Unlock Format Lesson 62 Magnetic Layout About Magnetic Layout Intelligent Grouping Objects That Can Be Grouped Remove an Object from a Group Temporarily Disable Magnetic Layout Find Colliding Objects Resolve Collisions Collision Avoidance Override View Magnetic Layout Status by Object Disable Magnetic Layout Freeze Object Positions Re-Enable Magnetic Layout Magnetic Layout in Panorama View Mode Lesson 63 Aligning Objects in a Row/Column Align in a Row Align in a Column Lesson 64 Focus on Staves Lesson 65 Hide & Show Empty Staves Hide Selected Empty Staves Hide All Empty Staves Show Previously Hidden Staves Lesson 66 Adding/Removing Instruments & Staves How Sibelius Defines Instruments...303

13 xvi to SIBELIUS 6 Add an Instrument Change Order of Instruments Remove an Instrument Lesson 67 Panorama View Enable Panorama View Disable Panorama View Use Panorama View With Focus on Staves Default Open to Panorama View Limitations in Panorama View Lesson 68 Moving Around Your Score Change Score Page Layout Navigate Your Score Useful Navigation Tips Go to Bar/Go to Page Zoom Level Lesson 69 Saving & Backing Up Your Score How to Save Your Score About Auto-Save How to Back Up Your Score Use the Backup Scores Folder to Retrieve Earlier Saved Files Good File Saving Practices Lesson 70 Saving Multiple Versions Automatically Save a New Version Manually Save a New Version Viewing Versions Managing & Editing Versions Lesson 71 Exporting As a Graphic About Graphic File Formats Export a Graphic File Export a Specific Area of Your Score Export to Subfolder Export Options Export to Clipboard...334

14 CONTENTS xvii Lesson 72 Exporting & Importing a MIDI File About MIDI Export a MIDI file MIDI Export Options Target Device: MIDI File Type: Instruments: Save Your MIDI File Import a MIDI File MIDI Import Options MIDI File Instruments: Timecode and Hit Points: Transcription: Document Setup: Notation Note Values: Keyboard Staves: Tuplets: MIDI Messages: Notation Tab Settings Guide Conclusion Lesson 73 Exporting as Audio What Will Be Exported Export Audio Stop Audio Export After Audio Export Lesson 74 Creating a PDF of Your Music About the Portable Document Format (PDF) Mac Platform Windows Platform Export Your Score as a PDF File Export Options View Your PDF File...355

15 xviii to SIBELIUS 6 Lesson 75 Printing Scores on a Desktop Printer Choose Your Printer Paper Sizes International Standard North American Standard Check Your Printer Settings Print Your Score Print Options Printer: Page Range: Add: Copies: Substitute: Format: Lesson 76 Printing Out Multiple Instrument Parts Lesson 77 Printing Out Multiple Copies With a Plug-in SECTION 5: SCORE PLAYBACK Lesson 78 Playing Back Your Score Sibelius Sound Libraries System Memory Requirements for Playback Channels Playback of Large Scores Playback Devices Playback Controls Score Position & the Playback Line During Play & Flexi-time Options Sound Selection With SoundWorld TM Change Your Sounds Using the Mixer Window Performance Style Options Espressivo Rubato Rhythmic Feel Reverb...387

16 CONTENTS xix Lesson 79 Using Virtual Instruments About Virtual Instruments Load Your Virtual Instrument Into Sibelius Virtual Instrument Setup Sound Sets Set Up Your Mixer Add a Second Instance of a Virtual Instrument Playback Configuration Saved With Score Final Thoughts Biography: About Max Tofone SECTION 6: MINI WORKBOOK God Save the Queen Sinfonia 15, by J.S. Bach First Arabesque, by C. Debussy Pièce Héroïque, by C. Franck Arietta, by E. Grieg Le Polichinelle, by H. Villa-Lobos Sonata, No. 5, by W. A. Mozart Siegfried Idyll, by R. Wagner Mother Goose Suite, II., by M. Ravel Mother Goose Suite, III., by M. Ravel...420

17 Lesson 10 Creating a Pick-Up Bar The easiest way to create a pick-up bar (or anacrusis) is when you are in the Time Signature and Tempo window during the initial score setup process (m Refer back to Lesson 4 for more details), but in the event you forgot or you changed your mind, you can still add a pick-up bar in the following way: HOT KEY! Go to the main menu at the top of the screen and choose Create>Time Signature or type the letter T on your computer keyboard.

18 36 to SIBELIUS 6 In the Time Signature window tick the box Start with bar of length and choose the desired bar length from the drop down list, then deselect the box where it says Rewrite bars up to the next time signature and click OK. Next point-click on your score at the beginning of the first full bar

19 Lesson 10: CREATING A PICK-UP BAR 37 and Sibelius will insert the pick-up bar. Now select the time signature in the first full bar of your score and type Delete on your computer keyboard.

20 38 to SIBELIUS 6 I would like to make you aware of the fact that if you are creating a pick-up bar on a score that already has music written on it, as soon as you type Delete, a warning message will appear on the screen saying: Do you want to rewrite the following bars? ; answer No and move on. Notice that Sibelius automatically numbers pick-up bars as bar 0 and the first complete bar as bar 1, rather than bar 2 as it would otherwise be in a normal situation.

21 Lesson 27 Flipping Notes & Other Objects HOT KEY! If you find yourself in a situation where you need to reverse a note(s) stem(s) to improve the look of your score, select the note(s) in question then go to the main menu at the top of the screen and choose Edit>Flip or type the letter X on your computer keyboard.

22 122 to SIBELIUS 6 HOT KEY! Besides being able to flip notes stems, you can also use the Flip function to reverse the position of other musical elements such as slurs, ties, staccato marks, tenuto marks and other articulations attached to a note(s); simply select the object in question and type the letter X to reverse its position. Be aware that some articulation marks (e.g. up/down bow, marcato, ordinary fermata, etc.) are not allowed to be flipped because by default they are set to always be positioned above the notes, regardless of their stem direction. HOT KEY! To change the articulations default positioning behaviour, go to the main menu at the top of the screen and choose House Style>Engraving Rules (Ctrl+Shift+E or Cmd+Shift+E on the Mac). In the Engraving Rules window select the Articulation page, then from the Always above row, deselect the articulation(s) that you want to be able to flip (e.g. ordinary fermata).

23 Lesson 35 Creating Triplets & Tuplets DEFINITION: A tuplet in Sibelius is referred to as a rhythm that is played at a fraction of its normal speed, such as a triplet. It is drawn as a single number or a ratio above or below the notes, often with a bracket to show which notes it applies to. The word tuplet is actually a music software jargon, in the real music world tuplets are usually called irrational rhythms or irregular divisions and occasionally referred to as poly-rhythms or counter-metric rhythms (definition taken from the glossary section of the Sibelius 6 manual). CREATE A TRIPLET To create a triplet, start by inputting or selecting only the first note then go to the main menu at the top of the screen and choose Create>Tuplet.

24 146 to SIBELIUS 6 For example, if you want a triplet with a total length of a dotted quarter note (dotted crotchet), the first note to input should be an eighth note (quaver). In the Tuplet window type the number 3 and choose from the left-hand side column whether you would like the triplet to be shown with a number (3), ratio (3:2), ratio+note or nothing at all; use the right-hand side column to choose the desired bracket option. By default Sibelius creates triplets and tuplets with the Auto-bracket option switched on; this means that when you create a triplet the bracket disappears if there is a beam joining exactly the same notes as the bracket would. In the case of a tuplet, the bracket will disappear if it is at the beam end of the notes. Click OK and the triplet will be created with the correct number of rests; add the other notes as normal (m Refer back to Lessons 20 & 21 for more details on how to input notes). QUICK TRIPLET CREATION HOT KEY! The quickest way to create a triplet is to input or select the first note then type Ctrl+3 on your computer keyboard (Cmd+3 on the Mac).

25 Lesson 35: HOW TO CREATE TRIPLETS & TUPLETS 147 CREATE A TUPLET To create a tuplet, input or select only the first note then go to the main menu at the top of the screen and choose Create>Tuplet. In the Tuplet window type a number and choose the desired tuplet options like you did before; add the other notes as normal. Sibelius will warn you if you create a tuplet that is too long to fit into the current bar.

26 148 to SIBELIUS 6 QUICK TUPLET CREATION HOT KEY! The quickest way to create a tuplet is to input or select the first note then type Ctrl+2 through 9 (depending on the rhythmic value needed) on your computer keyboard (Cmd+2 through 9 on the Mac). CMD/CTRL+2 = Duple CMD/CTRL+3 = Triple CMD/CTRL+4 = Fours (often used in 3/4 time) CMD/CTRL+5 = Five CMD/CTRL+6 = Six CMD/CTRL+7 = Seven CMD/CTRL+9 = Nine HOT KEY! If after creating a tuplet you decide that you want to change its appearance on the score, first select the number or bracket then go to the toolbar at the top of the screen and click the Properties icon (Ctrl+Alt+P or Cmd+Option+P on the Mac).

27 Lesson 35: HOW TO CREATE TRIPLETS & TUPLETS 149 In the Edit Tuplet window select the Notes tab and then use the two drop down menus to choose the desired tuplet properties (e.g. number and no bracket, ration+note and bracket, etc.). HOT KEY! HOT KEY! HOT KEY! After creating a tuplet you can edit the bracket s inclination by selecting the left or right end and dragging it up or down with the mouse; alternatively use the computer keyboard s Up and Down ( / ) arrows. If needed, use the left and right ( / ) arrows to extend the bracket s ends to the left or to the right. Remember that you can also use the letter X on your computer keyboard to flip the bracket position above or below the notes (m Refer back to Lesson 27 for more details). To delete a tuplet, simply select the number or bracket and type Delete on your computer keyboard; this will delete the number and bracket as well as all the notes, because without the tuplet the notes would no longer add up to the correct rhythm. To copy a tuplet, select the number or bracket and copy it to the Sibelius clipboard using Ctrl+C (Cmd+C on the Mac), then select a note or rest where you want to copy the tuplet to and type Ctrl+V (Cmd+V on the Mac) to paste it from the Sibelius clipboard onto the selected note/rest. This method only copies the tuplet s number and bracket without the actual notes.

28 150 to SIBELIUS 6 ADDING BRACKETS TO TUPLETS Now let s look at how you can change the look or appearance of an existing or new Tuplet (when I talk about tuplets I am referring to Triplets, Quintuplets, etc. Basically irregular note groups). Now, by default Sibelius creates Tuplets with the bracket set to auto bracket, this means that depending on the tuplet duration (in notes value) the bracket may or may not appear on the Tuplet. For example any time you create a triplet which contains three eight notes, the bracket automatically disappears and only the number 3 is shown. At this point, if I want to have a triplet with the number as well as the bracket, first I need to click on the triplet number (3) then go to the Sibelius toolbar at the top of the screen and choose the Properties icon (the Properties window is the place where you can edit and change the attributes of text styles, notes, playback lines and so on. During the course of the book I refer to this window quit a bit). On the Edit Tuplet dialogue window select the Notes tab and then use the Bracket drop down menu and choose Bracket.

29 Lesson 35: HOW TO CREATE TRIPLETS & TUPLETS 151 Now the Triplet displays with the number as well as the bracket. Be aware that whenever you click on the Properties icon on the toolbar, the dialog window that appears on screen (see screen shot on page previous) takes the name from the score object that was selected beforehand, in other words, if I select a piece of text and then open the Properties dialogue window, this will take the name of Edit Text because a text style was selected prior to opening this window. In the case of the Triplet this window will take the name of Edit Tuplet. The Number drop down menu (see bottom left-hand side of screen shot on page previous) allows you to have just the Tuplet number or ratio or even ratio plus note. BRACKETS & RATIOS To shed some light on the ratio option: This is actually very easy to understand. The ratio gives you two numbers like 3:2 (in a eight note Triplet which equals 1 quarter note), the number 3 indicates that there are 3 eight notes within the Triplet duration while the number 2 indicates that normally within the same duration (1 quarter note) there are only 2 eight notes. Basically a 3 over 2 ratio. In this other situation I have one quarter note Quintuplet for the duration of a complete 4/4 bar: The number 5 indicates that there are 5 quarter notes within this Tuplet duration (quintuplet) while the number 4 indicates that normally within the same duration (a full 4/4 bar) there are only 4 quarter notes. Basically a 5 over 4 ratio.

30 152 to SIBELIUS 6 Triplet (3) Ctrl/Cmd+3 Quintuplet (5) Ctrl/Cmd+5 Septuplet (7) Ctrl/Cmd+7 Nontuplet (9) Ctrl/Cmd+9 TUPLET TABLE Too long to fit into the bar 5 Too long to fit into the bar Too long to fit into the bar Too long to fit into the bar

31 Lesson 65 Hide & Show Empty Staves HIDE SELECTED EMPTY STAVES Sometimes you may find yourself in situations where you have a stave(s) containing only bar rests that you want to hide from a particular system; in order to achieve this do as follows: HOT KEY! Double-click on the stave to select it (single stave system selection) then go to the main menu at the top of the screen and choose Layout>Hide Empty Staves; alternatively use the computer keyboard shortcut Ctrl+Shift+Alt+H or Cmd+Shift+Option+H on the Mac. You can also do this to several staves, a passage lasting as many bars as you like or even to the whole score. The staves will be hidden only on systems where they have no music or where all the music is hidden (e.g. cue passages).

32 302 to SIBELIUS 6 HIDE ALL EMPTY STAVES HOT KEY! To hide empty staves throughout the score, go to the main menu and choose Edit>Select>Select All (Ctrl+A or Cmd+A on the Mac) then choose Layout>Hide Empty Staves; all the unused staves will disappear and the whole score will instantly reformat to fit on fewer pages. HOT KEY! HOT KEY! SHOW PREVIOUSLY HIDDEN STAVES To re-show a stave(s) that you have previously hidden, click on a bar where you want to show the stave(s) then go to the main menu at the top of the screen and choose Layout>Show Empty Staves; alternatively use the computer keyboard shortcut Ctrl+Shift+Alt+S or Cmd+Shift+Option+S on the Mac (refer to screen shot on page previous). In the Show Empty Staves window simply click OK to show all the hidden staves (all the staves are already selected by default) otherwise pick the desired one(s) you want to show and click OK (use Shift+click to select adjacent staves or Ctrl+click/Cmd+click for non-adjacent staves).

33 Mini Workbook The Street Smart Guide to Sibelius 6 Mini Workbook has been created to help you put to work all the concepts you ve learned from Max Tofone. Each piece selected, all engraved by Max in Sibelius, pull concepts together from the various lessons. GOD SAVE THE QUEEN This is a vocal score set up in lead sheet format. J.S. BACH SINFONIA #15 PIANO SCORE This piece builds your skill for creating a piano score, and two independent voices. But! Sometimes the second voice is in the top stave and other times it s in the lower one. FIRST ARABESQUE, BY C. DEBUSSY Piano Score builds skills for phrasing and two voices per stave. PIÈCE HÉROÏQUE, BY C. FRANCK Organ builds skills for 3-stave organ work. ARIETTA, BY E. GRIEG Piano Score two voices per stave, challenging phrasing. LE POLICHINELLE, BY H. VILLA-LOBOS Piano Score three voices per stave, piano pedaling. SONATA, NO. 5, BY W. A. MOZART String Ensemble full transcription with piano part at page bottom. SIEGFRIED IDYLL, BY R. WAGNER String Ensemble bowings for arpeggios. LITTLE TOM THUMB, BY MAURICE RAVEL Full orchestration with piano at page bottom, builds orchestral skills with bow markings and multiple time signature changes. LITTLE UGLY, EMPRESS OF THE PAGODAS, BY MAURICE RAVEL Full orchestration with piano at page bottom, builds orchestral skills, plus fingered tremolos, text in the score, and rehearsal numbers.

34 414 to SIBELIUS 6 Music Engraving by Max Tofone Music Engraving by Max Tofone

35 SECTION 6: MINI WORKBOOK 415 Music Engraving by Max Tofone Music Engraving by Max Tofone