SOLO VOICE. Bärenreiter Urtext OPERA LIED. Opera Vocal Scores & Solo Voice Editions. A Selection. Your next performance is worth it.

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1 SOLO VOICE OPERA LIED Opera Vocal Scores & Solo Voice Editions A Selection Bärenreiter Urtext Your next performance is worth it.

George Frideric Hel Vocal Scores of Hel Operas Hel s operas are not historic

For more than 35 years composer dedicated himself to genre many of his stage works

Alcina HWV 34 (BA 4061-90) I Almira, Königin von Kastilien HWV 1 (BA 4050-90) I

Egitto HWV 17 (BA 4078-90) I Orlo HWV 31 (BA 4087-90) I Ottone HWV 15 (BA 4077-90)

4064-90) I Serse HWV 40 (BA 4076-90) I Tamerlano

Agrippina HWV 6 BA 4092-90 Arias, Duets, Trios Ensemble Movements from Hel s Operas

Mezzo-Soprano Contralto (BA 10253) I Tenor (BA 10254) I Bass (BA 10255) I Duets,

duets constitute a highlight of this genre.

2 George Frideric Hel Vocal Scores of Hel Operas Hel s operas are not historic monuments but alive thriving. For more than 35 years composer dedicated himself to genre many of his stage works have found ir way into repertoire are performed today. Alcina HWV 34 (BA ) I Almira, Königin von Kastilien HWV 1 (BA ) I Ariodante HWV 33 (BA ) I Arminio HWV 36 (BA ) I Giulio Cesare in Egitto HWV 17 (BA ) I Orlo HWV 31 (BA ) I Ottone HWV 15 (BA ) I Rinaldo (1711) HWV 7a (BA ) I Rodelinda, Regina de Longobardi HWV 19 (BA ) I Serse HWV 40 (BA ) I Tamerlano HWV 18 (BA ) I a.o. Agrippina HWV 6 BA Arias, Duets, Trios Ensemble Movements from Hel s Operas Female Roles for High Voice (BA 4295) I Male Roles for High Voice (BA 4296) I Mezzo-Soprano Contralto (BA 10253) I Tenor (BA 10254) I Bass (BA 10255) I Duets, Trios Ensemble Movements (BA 4297) Chamber Duets for Soprano, Alto Basso continuo HWV 178, 181, 185, 186, 190, 197 Ed. K. Musketa BA By means of ir high degree of consistency maturity, Hel s chamber duets constitute a highlight of this genre. They are musically deming structured contrapuntally: earlier works are stricter, more scholarly more elaborate in terms of counterpoint but masterly in ir craftsmanship. The later ones are composed somewhat freer, but more compact. Urtext edition based on Halle Hel Edition Clear, idiomatic realization of continuo part Includes a separate continuo part without realization

Wolfgang Amadeus Mozart Vocal Scores of Mozart Operas

Soprano (BA 9182) I for Low Soprano Contralto (BA 9183) I

Thomas Seedorf Notes suggestions on performance practice

Beyer Così fan tutte K. 588 (BA 4606-90) I Don Giovanni K.

366 (BA 4562-90) I La clemenza di Tito K.

s concert insert arias are based on New Mozart Edition.

execution of appoggiaturas or performance practice

In addition, re are suggestions for performance of

segno passages, which are often found in early Mozart

Ballin High Voice BA 5330 Medium Voice BA 5328 Underlaid

3 Wolfgang Amadeus Mozart Vocal Scores of Mozart Operas Bärenreiter vocal scores of Mozart s operas are preferred editions by singers today. Mozart Concert Arias for High Soprano (BA 9181) I for Soprano (BA 9182) I for Low Soprano Contralto (BA 9183) I for Tenor (BA 9184) I for Bass (BA 9185) Compilation by Thomas Seedorf Notes suggestions on performance practice by Thomas Seedorf Uwe Kremp Piano reduction by Christian Beyer Così fan tutte K. 588 (BA ) I Don Giovanni K. 527 (BA ) I Idomeneo K. 366 (BA ) I La clemenza di Tito K. 621 (BA ) I The Abduction from Seraglio K. 384 (BA ) I The Magic Flute K. 620 (BA ) I The Marriage of Figaro K. 492 (BA ) I a.o. Mozart Lieder Soprano BA 9182 These vocal scores of Mozart s concert insert arias are based on New Mozart Edition. An accompanying booklet gives detailed explanations on execution of appoggiaturas or performance practice phenomena relevant to each aria. In addition, re are suggestions for performance of cadenzas lead-ins as well as for ornamentation of dal segno passages, which are often found in early Mozart arias. Complete Songs Ed. E. A. Ballin High Voice BA 5330 Medium Voice BA 5328 Underlaid text presented in original language only All aria texts translated into German English printed separately Idiomatic piano reduction to individual arias Clear legible layout of musical text Additional notes suggestions on performance practice in accompanying booklet Performance material available on hire to each aria

Franz Schubert Robert Schumann Lieder by Robert Schumann Dichterliebe op.

39 (BA 7853) Edited by Hansjörg Ewert All songs in ir original keys

also printed separately include English translations taken from Richard

closely connected with musical Romantic as accompanied solo song.

Franz Schubert s Complete Lieder Bärenreiter s performing Urtext editions

will offer composer s Lied œuvre in 13 volumes, each for high, medium,

The close collaboration between renowned Schubert scholar Walr Dürr

between musicology performance; a sound musical text of highest

turns Alternative versions are reproduced in an appendix An Introduction

each Lied provides solid information on performance practice The order is

chronological order Each volume is published in all three vocal registers

4 Franz Schubert Robert Schumann Lieder by Robert Schumann Dichterliebe op. 48 (BA 7851) I Frauenliebe und Leben op. 42 (BA 7854) I Liederkreis von H. Heine op. 24 (BA 7852) I Liederkreis von Joseph Freiherrn von Eichendorff op. 39 (BA 7853) Edited by Hansjörg Ewert All songs in ir original keys Bilingual Foreword (Ger/Eng) Critical Commentary (Ger) The song texts are also printed separately include English translations taken from Richard Stokes publication The Book of Lieder There is hardly anor genre so closely connected with musical Romantic as accompanied solo song. Franz Schubert s Lieder form centre of Bärenreiter s solo voice catalog. Franz Schubert s Complete Lieder Bärenreiter s performing Urtext editions of Schubert s Lieder are based on New Schubert Edition once completed will offer composer s Lied œuvre in 13 volumes, each for high, medium, low voice. The close collaboration between renowned Schubert scholar Walr Dürr equally renowned singer Christoph Prégardien ensures a happy union between musicology performance; a sound musical text of highest musicological stard meets practical dems with regard to transpositions for three vocal registers. Newly engraved with a spacious appearance, format 23cm x 30cm Ideal page turns Alternative versions are reproduced in an appendix An Introduction by Walr Dürr focuses on peculiarities in genesis performance history of each Lied provides solid information on performance practice The order is according to New Schubert Edition: first by opus number, n in chronological order Each volume is published in all three vocal registers Key relations within song cycles are maintained in all transpositions All song texts are also separately printed with an English translation by Richard Wigmore For transpositions see: franz-schubert/schubert-lieder/ rt-lie Frauenliebe und Leben BA 7854 Lieder, Volume 1 BA 9101

French Opera Song French Opera Song The French opera song

scholarly-critical editions, many based on our series L

Bärenreiter s catalog of French opera song is continuously

Charles Gounod Hector Berlioz Benvenuto Cellini (BA 5441-90)

7, High Voice (BA 5784-90) I Les nuits d été op.

7, Medium Voice BA 5786-90 FRENCH OPERA Georges Bizet,

8708-90) I Christoph Willibald Gluck, Alceste, Paris Version

Euridice, Paris Version 1774 (BA 2282-90) I Fromental

preparation (BA 8706-90) I Jacques Offenbach, The Tales of

(AE 511-90) I Camille Saint-Saëns, Samson et Dalila, in

5 French Opera Song French Opera Song The French opera song repertoire of 19th century forms an important part of Bärenreiter catalog. Numerous works have already been published in new scholarly-critical editions, many based on our series L Opéra français. Bärenreiter s catalog of French opera song is continuously being exped. Charles Gounod Hector Berlioz Benvenuto Cellini (BA ) I Cléopâtre (BA ) I Les nuits d été op. 7, High Voice (BA ) I Les nuits d été op. 7, Medium Voice (BA ) I Les Troyens (BA ) I Songs for High Voice Piano, Vol. 1 (BA 5984) I Songs for High Voice Piano, Vol. 2 (BA 5985) Les nuits d été op. 7, Medium Voice BA FRENCH OPERA Georges Bizet, Carmen (AE ) I Emmanuel Chabrier, L Étoile (BA ) I Christoph Willibald Gluck, Alceste, Paris Version 1776 (BA ) I Christoph Willibald Gluck, Orphée et Euridice, Paris Version 1774 (BA ) I Fromental Halévy, La Juive (AE ) I Jules Massenet, Werr, in preparation (BA ) I Jacques Offenbach, The Tales of Hoffmann (AE /03) I Jacques Offenbach, La Belle Hélène (AE ) I Camille Saint-Saëns, Samson et Dalila, in preparation (BA ) I a.o. The opera Faust was instrumental in establishing Charles Gounod s reputation as a world famous composer. The Bärenreiter vocal score of this masterwork includes numerous well-known numbers such as Marguerite s Air des bijoux Chanson du roi de Thulé, Méphistophélès Ronde du veau d or Faust s Cavatina Salut! demeure chaste et pure. Faust BA (in preparation)

our next Yourperformance next performance is worth is it. worth it. performance is worth it.

(BA 9510-90) I Beethoven, Fidelio (BA 9011-90) I Dvorák, Rusalka (BA 9510-90) I ˇ ˇ I Osud (BA 9562-90) I Monteverdi, L Orfeo (BA 8793-90) I Janácek, OsudJanácek, (BA ˇ9562-90) Osud I Monteverdi, (BA

Fierabras Rossini, The Barber of Seville (BA 10506-92) I Schubert, Fierabras (BA 5557-90) I Schubert, (BA 5557-90) Rosamunde, I Schubert, Fürstin Rosamunde, von Cypern Fürstin von Cypern (BA 5557-90)

9534-90) SOLO SOLO VOICE VOICE OPERA OPERA LIED LIED Opera Vocal Opera Scores Vocal&Scores & Solo Voice Solo Editions Voice Editions A Selection A Selection Bärenreiter Bärenreiter Opera Kaleidoscope

6 our next Yourperformance next performance is worth is it. worth it. performance is worth it. Your next Opera in Opera all itsinvariety all its Variety Opera in all its Variety Beethoven, Fidelio Beethoven, (BA ) Fidelio I Dvorák, (BA ) Rusalka I Dvorák, (BA ) Rusalka I (BA ) I Beethoven, Fidelio (BA ) I Dvorák, Rusalka (BA ) I ˇ ˇ I Osud (BA ) I Monteverdi, L Orfeo (BA ) I Janácek, OsudJanácek, (BA ˇ ) Osud I Monteverdi, (BA ) I L Orfeo Monteverdi, (BA ) L Orfeo I (BA ) Janácek, Rossini, The Barber Rossini, ofthe Seville Barber (BA ) of SevilleI (BA Schubert, )Fierabras I Schubert, Fierabras Rossini, The Barber of Seville (BA ) I Schubert, Fierabras (BA ) I Schubert, (BA ) Rosamunde, I Schubert, Fürstin Rosamunde, von Cypern Fürstin von Cypern (BA ) I Schubert, Rosamunde, Fürstin von Cypern (BA ) I Smetana, (BA ) The I Smetana, Bartered The Bride Bartered (BA ) Bride (BA )(BA ) I Smetana, The Bartered Bride (BA ) SOLO SOLO VOICE VOICE OPERA OPERA LIED LIED Opera Vocal Opera Scores Vocal&Scores & Solo Voice Solo Editions Voice Editions A Selection A Selection Bärenreiter Bärenreiter Opera Kaleidoscope Opera Kaleidoscope Bärenreiter Opera Kaleidoscope BA 8828 BA 8828 BA 8828 This inexpensive This anthology inexpensive spans anthology gamut spans from gamut early Baroque from to early Baroque to anthology spans gamut from early Baroque to This inexpensive Romantic era Romantic includes erawell-known includes well-known much loved opera much arias loved arias era includes well-known much loved opera arias opera Romantic from masterworks from ofmasterworks repertoire, of suchrepertoire, as Hel s such famous as Hel s from famous masterworks of repertoire, such as Hel s famous Ombra mai fu Ombra Mozart s mai fuach ich Mozart s fühl s, es Ach ist ich verschwunden!. fühl s, es ist verschwunden!. Ombra mai fu Mozart s Ach ich fühl s, es ist verschwunden!. An appetizer for AnBärenreiter s appetizer forhighbärenreiter s quality Urtext high-opera qualityvocal Urtext scores! opera vocal scores! for Bärenreiter s high-quality Urtext opera vocal scores! An appetizer ER EXT? URTEXT? Why buy BÄRENREITER URTEXT? all xamination all Comprehensive Comprehensive foreword penned foreword a respected penned by musicologist a respected ofreliable musical text based onby a thorough examination of allmusicologist Comprehensive foreword penned by a respected musicologist on work s sources genesis, on work s reception genesis,history reception, in history case, of in caseonof work s genesis, reception history, in case of available operas, plot of operas, work plot of workconductors répétiteurs rs répétiteurs Piano reductions by experienced German Appendices alternative offering versions alternative versions ons for Appendices Singableoffering or English libretto translations for on operas, plot of work Appendices offering alternative versions Well-presented Well-presented layout satisfying highest satisfying aestic highest aestic Well-presented layout satisfying highest aestic performance as an aidlayout for comprehension dems in terms dems of spacing in terms of transparency spacing separately transparency eparately ed printed Solo voice editions include songs texts printed High-quality paper, High-quality print paper, binding binding man ongs, also German with English, in case ofprint Berlioz songs, also German dems in terms of spacing transparency High-quality paper, print binding translations Schütz-Allee KG I Heinrich-Schütz-Allee I Kassel I Kassel Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG I Heinrich-Schütz-Allee I Kassel nom Germany I Printed in Germany I info@baerenreiter.com I Printed in Germany otice nge withouterrors noticeexcepted; delivery terms subject to change without notice ospa I 1/1706/10 90 I SPA 90 Anicio Zorzi: RibaltaLuce Studio I 1/1706/10 I SPA 90 I SPA 90 Cover Photo: Zorzi Giustiniani: RibaltaLuce Studio I 1/1706/10 Bärenreiter Bärenreite Ur Please visit us on om/barenreiteruk twitter.com/barenreiteruk youtube.com/baerenreiterverlag youtube.com/baerenreiterverlag facebook.com/baerenreiter twitter.com/barenreiteruk bsite: aerenreiter.com You will find all of our editions on our website: youtube.com/baerenreiterverlag

Chamber Music. Guitar X NADAL: American Folk Songs for Guitar. 96pp. 9 x 12. $10.95

Chamber Music. Guitar X NADAL: American Folk Songs for Guitar. 96pp. 9 x 12. $10.95 Chamber Music 0-486-29901-5 SMETANA: String Quartets No. 1 ( From My Life ) & No. 2. Two frequently performed works. 96pp. 8 3/8 x 11 1/4. $8.95 0-486-41395-0 STRAVINSKY: Pribaoutki, Renard and Ragtime