Rashtrasant Tukadoji Maharaj Nagpur University, Nagpur. Prospectus M. A. in Indian Classical Music
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1 Rashtrasant Tukadoji Maharaj Nagpur University, Nagpur. Prospectus M. A. in Indian Classical Music 1
2 Revised Syllabus of M. A. Examination for Semester Pattern Effective from progressively M. A. Music Semester I Paper I : Practical Test Paper II : Mazlis Performance Paper III : Theory Paper I Paper IV : Theory Paper II M. A. Music Semester II Paper I : Practical Test Paper II : Mazlis Performance Paper III : Theory Paper I Paper IV : Theory Paper II M. A. Music Semester III Paper I : Practical Test Paper II : Mazlis Performance Paper III : Theory Paper I Paper IV : Theory Paper II M. A. Music Semester IV Paper I : Practical Test Paper II : Mazlis Performance Paper III : Theory Paper I Paper IV : Theory Paper II 2
3 Absorption Scheme: Eligibility Criteria Paper Pattern Theory paper will be comprised of total 5 questions with one option, i. e. there will be 10 questions with equal marks. In case of short notes, there will be equal distribution of marks. Question paper will essentially contain questions from each unit. Passing Persentage: 3
4 M. A. INDIAN MUSIC Examination (Classical Vocal and Instrumental) (One practical period of 60 minutes in Music shall be counted equivalent to one lecture period.) Candidates offering instrumental music shall choose any one of the following instruments: 7. a) Sitar b) Sarod c) Violin d) Flute e) Dilruba f) Harmonium 4
5 There shall be two papers of theory, Practical Test (Viva) and Mazlis performance of one hour for each Semester examination. Marking Pattern for all Semesters: Practical Test (Viva) marks Mazlis Performance marks Theory Paper I marks Theory Paper II marks Total marks M. A. Indian Music will be comprised of 4 Semesters, and maximum marks for each Semester will be 400, hence total marks for the entire course will be
6 (Mazlis Performance) (Practical Test - Viva) (Practical Test - Viva): (Mazlis Performance) 6
7 M. A. INDIAN MUSIC Examination (Classical Vocal and Instrumental) SEMESTER I Practical Paper I (Viva) Maximum Marks: 100 7
8 Practical Paper II (Mazlis Performance) Maximum Marks: 100 Marks Distribution Theory Paper I Unit I: Unit II: 8
9 Unit III: Unit IV: Theory Paper II Unit I: Unit II: Unit III: 9
10 Unit IV: 10
11 M. A. INDIAN MUSIC Examination (Classical Vocal and Instrumental) SEMESTER II Practical Paper I (Viva) Maximum Marks:
12 Practical Paper II (Mazlis Performance) Maximum Marks: 100 Marks Distribution Theory Paper I 12
13 Unit I Unit II Unit III (Background Music), (Orchestra), Unit IV Theory Paper II Unit I Unit II 13
14 Unit III Unit IV 14
15 M. A. INDIAN MUSIC Examination (Classical Vocal and Instrumental) SEMESTER III Practical Paper I (Viva) Maximum Marks:
16 Practical Paper II (Mazlis Performance) Maximum Marks: 100 (Mazlis Perfomance): Semester III Marks Distribution 16
17 Theory Paper I Unit I Unit II Unit III Unit IV Theroy Paper II Unit I 17
18 Unit II Unit III Unit IV 18
19 M. A. INDIAN MUSIC Examination (Classical Vocal and Instrumental) SEMESTER IV Practical Paper I (Viva) Maximum Marks:
20 Practical Paper II (Mazlis Performance) Maximum Marks: 100 (Mazlis Performance) Theroy Paper I 20
21 Unit I Unit II Unit III Unit IV Theroy Paper II 21
22 Unit I Unit II Unit III Unit IV 22
23 M. A. (Indian Music) REFERENCE BOOKS:- 1. Sensation of Tone Helmlottz 2. Philosophy of Music William Pole Introduction of the study of the Music of Hindustan E. Clement 7. Music of Hindustan Fox Strangways Psychology of Music H. P. Krishnarao Indian Music Cap. Day Hindu Music and Rhythm Vishnu Das Shirali 19. A short historical survey of the Music of Upper India Pt. V. N. Bhatkhande Sangeet of India Atiya Begum 23
24 22. Hindusthani Music, its physics and aesthetics G. H. Ranade 23. Music of India H. H. Popely 24. Indian Music Today S. K. Choubey 25. Theory of Indian Music Bishan Swarup Raag and Raginis O. C. Ganguly Hindusthani Music - Bandopadhyay Music Journals Kala Vihar, Sangeet How to listen to good music K. B. Green, Part 1, History of Indian Music M. R. Shastri 24
25 History of Indian Music Swami Prajnananda 60. Historical study of Indian Music Swami Prajnananda 61. Indian Music Traditions Prof. V. C. Deshpande 62. Psycho-acoustics of music and speech Prof. B. C. Deva
26
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