August Friedrich Oelenhainz. Johann Kaspar Lavateri portree / Portrait of Johann Caspar Lavater
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1 hooaja peatoetajad August Friedrich Oelenhainz. Johann Kaspar Lavateri portree / Portrait of Johann Caspar Lavater Kunstiajaloolase sissejuhatus: Tiina-Mall Kreem / Introduction by art historian Tiina-Mall Kreem Peeter Sarapuu (baroque bassoon) Imbi Tarum (klavessiin / harpsichord) Tõnu Jõesaar (viola da gamba) P 18. oktoober kell 17 Kadrioru kunstimuuseum Sunday, October 18 th at 5 p.m. Tallinn, Kadriorg Palace Kontserdisari Helisevad šedöövrid Kadriorus / Concert series Sound of Masterpieces Koostöös Kadrioru kunstimuuseumiga / In collaboration with Kadriorg Art Museum Eesti Kontserdi suurtoetaja 2015
2 Michel Corrette ( ) Sonaat nr 1 F-duur op. 20 kogumikust Üksilduse võlu (publ 1739) / Sonata No. 1 in F major Op. 20 from Les Délices de la Solitude (publ 1739) Fuga. Allegro Aria. Affetuoso Allegro Joseph Bodin de Boismortier ( ) Sonaat nr 1 G-duur op. 14 kogumikust Kuus sonaati kahele fagotile (publ 1726) / Sonata No.1 in G major Op. 14 from Six Sonates pour deux Basses (publ 1726) Allegro Vivace Adagio Allegro Jacques Champion de Chambonnières (~1601/ ) Süit a-moll kogumikust Klavesiinipalad, I raamat (publ 1670) / Suite in A minor from Les pièces de clavecin, Livre Premier (publ 1670) Allemande. La Rare Courante Double de la Courante Sarabande Gaillarde Johann Ernst Galliard (~1666/ ) Sonaat nr 4 e-moll kogumikust Kuus fagotisonaati (publ 1733) / Sonata No. 4 in E minor from Six sonatas for bassoon (publ 1733) Adagio. Allegro é staccato Adagio Allemanda. A tempo giusto Corrente. Spiritoso Menuetto. Moderato V a h e a e g / I n t e r v a l 2
3 Michel Corrette Sonaat nr 5 G-duur op. 20 kogumikust Üksilduse võlu / Sonata No. 5 in G major Op. 20 from Les Délices de la Solitude Preludio. Presto Allemande Sarabande Presto La Sieur De Machy (17. saj II pool / second half of the 17 th century) Süit D-duur / Suite in D major Michel Corrette Sonaat nr 3 c-moll op. 20 kogumikust Üksilduse võlu / Sonata No. 3 in C minor Op. 20 from Les Délices de la Solitude Allemanda. Allegro Sarabanda Fuga da Capella. Allegro Joseph-Nicolas-Pancrace Royer ( ) Klavessiinipalade esimene raamat (1746) / Premier livre de pièces pour clavecin Sküütide marss nr 14 / La Marche des Scythes Joseph Bodin de Boismortier ( ) Sonaat nr 3 G-duur op. 26 kogumikust Seitse sonaati fagotile ja basso continuo le (1729) / Sonata No. 3 in G major Op. 26 from Cinq sonates pour le basson avec la basse continue (1729) Allegro ma non troppo Corrente Adagio Minuetto I, II 3
4 Viini koolkonda esindava August Friedrich Oelenhainzi ( ) loodud portreel on kuulus, põlatud ja taas avastatud valgustusajastu geenius Johann Caspar Lavater ( ). Tema omaaegset menuteost Füsiognoomilisi fragmente uurides saab selgeks, miks läks käibele fraas Ära kunagi mine seltskonda maskita!. Pildi allkiri: Friedrich August Oelenhainz. Johann Caspar Lavateri portree. Loodud ajavahemikus Õli lõuendil. Eesti Kunstimuuseum Kadrioru kunstimuuseum. The portrait painted by August Friedrich Oelenhainz ( ), a representative of the Viennese school of painting, depicts Johann Caspar Lavater ( ), a famous, disgraced and rediscovered genius of the Age of Enlightenment. When examining Essays on Physiognomy, his successful work from that era, it becomes clear why the phrase Never be seen in company without a mask! became popular. Annotation: Friedrich August Oelenhainz. Portrait of Johann Caspar Lavater. C Oil on canvas. Art Museum of Estonia Kadriorg Art Museum. Imbi Tarum on lõpetanud cum laude Eesti muusikaakadeemia ja täiendanud end Ton Koopmani ja Vaughan Schleppi Richard Egarri, Jacques Oggi jpt juhitud kursustel. Aastatel oli Imbi Tarum klavessiinimängija ansamblis Hortus Musicus, kellega esines enamikus Euroopa maades, Iisraelis ja USA-s, samuti endise NL linnades. Alates aastast musitseerib Imbi Tarum ansamblis Tallinn Baroque, samuti Tallinna Barokkorkestri, Soome-Eesti Barokkorkestri ja ansambli Corelli Consort koosseisus continuo-mängija ja solistina. Ta on teinud koostööd mitme teise orkestri ja ansambliga. Soolokontsertidega ja orkestrisolistina on Imbi Tarum esinenud Saksamaal, Taanis, Austrias, Hollandis, Lätis, Soomes ja Eestis. Alates aastast õpetab Imbi Tarum Eesti muusikaakadeemias klavessiini ja basso continuo t ning on Eesti Klavessiinisõprade Tsunſti esimees. Aastail õpetas ta iga-aastastel suvekursustel Soomes Raudaskyläs. Ta on olnud kõikide siiani toimunud klavessiinipäevade kunstiline juht. Tarum on lindistanud muusikat Eesti Raadiole; plaadistanud lisaks Eestile Rootsis, Saksamaal ja Soomes, samuti on ta avaldanud artikleid ajalehes Sirp. Imbi Tarum graduated cum laude from the Estonian Academy of Music and Theatre and continued her studies with courses led by Ton Koopman, Vaughan Schlepp, Richard Egarr, Jacques Ogg, etc. During , Imbi Tarum was the harpsichordist of the ensemble Hortus Musicus, performing in most European countries, Israel and the US and also in the cities of the former Soviet Union. Since 1992, Imbi Tarum is a member of the ensemble Tallinn 4
5 Baroque, she also performs with Tallinn Baroque Orchestra, Finnish-Estonian Baroque Orchestra and the ensemble Corelli Consort as a continuo player and soloist. She has also cooperated with several other orchestras and ensembles. Imbi Tarum has given solo concerts and performed as an orchestra soloist in Germany, Denmark, Austria, the Netherlands, Latvia, Finland and Estonia. Since 1991, she teaches harpsichord and basso continuo at the Estonian Academy of Music and Theatre. During the years of , she taught at the annual summer courses in Raudaskylä, Finland. She has been the artistic director of all Harpsichord Days organized so far, she is also the chairman of the Estonian Guild of Harpsichord Friends. Imbi Tarum has recorded music for Estonian Radio and participated in various recording projects in Estonia, Sweden, Germany and Finland, she has also published articles in the newspaper Sirp. Tõnu Jõesaar on õppinud tšellomängu Tallinna muusikakeskkoolis (Laine Leichter) ja Eesti muusikaakadeemias (Toomas Velmet). Ta on end täiendanud rahvusvahelistel kammeransamblite kursustel Rootsis ja Hollandis. Tõnu Jõesaar on olnud ERSO ja Tallinna Kammerorkestri tšellorühma kontsertmeister, mänginud Tallinna Keelpillikvartetis, keelpillikvartetis Noobel Nelik ja ansamblites Tallinn Baroque, Rondellus ja Baltic Baroque. Continuo-mängijana osaleb ta aeg-ajalt Helsingi Barokkorkestris ja ansamblis Opus X (Soome) ning on olnud kaastegev Läti Rahvusooperi lavastatud Händeli ooperis Alcina ja Rahvusooper Estonias Händeli ooperis Julius Caesar. Tõnu Jõesaar töötab ERSO-s ja kuulub ansamblitesse Floridante, C-JAM, Uue Muusika Kvartett, Corelli Consort, Ars Revalia ja Klaaspärlimäng Sinfonietta. Ta õpetab Vanalinna Hariduskolleegiumis viola da gamba t ja tšellot. Tõnu Jõesaar studied cello at the Tallinn Music High School (Prof. Laine Leichter) and at the Estonian Academy of Music and Theatre (Prof. Toomas Velmet). He has continued his studied at the international courses for chamber ensembles in Sweden and the Netherlands. Tõnu Jõesaar has been concert master of cello group in Estonian National Symphony Orchestra and Tallinn Chamber Orchestra, he has performed with Tallinn String Quartet, a string quartet Noobel Nelik (Noble Four) and the ensembles Tallinn Baroque, Rondellus and Baltic Baroque. As a continuo player he occasionally performs with Helsinki Baroque Orchestra and the ensemble Opus X (Finland), also in the Latvian National Opera with Handel s opera Alcina and the Estonian National Opera with Handel s opera Julius Caesar. Tõnu Jõesaar works at the Estonian National Symphony Orchestra and is a member of the ensembles Floridante, C-JAM, New Music Quartet, Corelli Consort, Ars Revalia and Glasperlenspiel Sinfonietta. He also teaches viola da gamba and cello at the Tallinn Old Town Educational College. 5
6 Peeter Sarapuu on suurema osa oma interpreedikarjäärist olnud seotud ERSO-ga. Töötanud seal aastail , jätkas ta seitsme hooaja vältel tööd fagotirühma kontsertmeistrina erinevates Soome orkestrites, et naasta ERSO koosseisus aastal; fagotirühma kontsertmeister alates aastast. Solistina debüteeris Peeter Sarapuu orkestri ees aastal Mozarti fagotikontserdis koos ERSO ja dirigent Peeter Liljega. Ta on korduvalt olnud fagotisolistiks Eino Tambergi Concerto grossos (1998 Arvo Volmeri ja 2010 Olari Eltsi juhatusel, ERSO), samuti Paul Hindemithi Kontserdis trompetile, fagotile ja keelpillidele (2008 Nikolai Aleksejevi juhatusel, ERSO) ja John Williamsi fagotikontserdis Five Sacred Trees (2012 Olari Elts ja ERSO); ta on soleerinud Lapi Kammerorkestri ja Vaasa Linnaorkestri ees Vivaldi, Mozarti ja Weberi fagotikontsertides. Sarapuu on mänginud NYYD Ensemble i, Drottingholmi Barokkorkestri, Helsingi Barokkorkestri, Kuudennen kerroksen orkesteri, Opus X Ensemble i, Corelli Consorti, Reval Ensemble i, Theatre of Voices (Inglismaa), Kesselberg Ensemble i (Šveits), Melomania (Holland) ja paljude teiste kollektiivide koosseisudes. Peeter Sarapuu repertuaaris on eelistatult varajane muusika originaalinstrumentidel ja nüüdismuusika. Erinevates koosseisudes on ta osalenud paljudel Eesti ja rahvusvahelistel muusikafestivalidel, sh NYYD, Märzmusik, Klangspuren, Brügge festival, Europamusicale, Viini Haydni festival, La Folle Journée Jaapanis jm. Ta on salvestanud muusikat ERR-i arhiivi ning soleerinud mitmel heliplaadil. Paralleelselt interpreeditegevusega on Peeter Sarapuu üle kahekümne aasta juhendanud noori muusikuid mitmes Soome muusikaõppeasutuses, Tallinna muusikakeskkoolis, EMTA-s ja meistrikursustel. 6
7 Peeter Sarapuu has been related to the Estonian National Symphony Orchestra for a major part of his interpreter s career, fi rst he worked there during the years of , and then aſter seven seasons as a bassoon group concert master in various orchestras in Finland, he returned to the Estonian National Symphony Orchestra in Since 2005, he works there as a bassoon group concert master. Peeter Sarapuu made his debut as a soloist in front of an orchestra in 1986, performing Mozart s Bassoon Concerto with Estonian National Symphony Orchestra and conductor Peeter Lilje, he has also performed as a soloist with Chamber Orchestra of Lapland and Vaasa City Orchestra. He has performed with NYYD Ensemble, Drottingholm Baroque Orchestra, Helsinki Baroque Orchestra, The Sixth Floor Orchestra, Opus X Ensemble, Corelli Consort, Reval Ensemble, The Theatre of Voices (England), Kesselberg Ensemble (Switzerland), Melomania (the Netherlands) and several other orchestras and ensembles. Peeter Sarapuu s repertoire includes preferably early music on original instruments and contemporary music. He has recorded music for the Estonian Public Broadcasting archives and appeared as a soloist on several records. Parallel to his activities as an interpreter, Peeter Sarapuu has supervised young musicians over twenty years already, he has given master classes and taught in the Tallinn Music High School, the Estonian Academy of Music and Theatre and several music schools in Finland. Kontserdi produtsent Neeme Punder Toimetaja Signe Kiis 7
8 concert.ee
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