PRESENTATION OF THE INTERNATIONAL CONFEDERATION OF ART CINEMAS

Transcription

1 PRESENTATION OF THE INTERNATIONAL CONFEDERATION OF ART CINEMAS HISTORY The CICAE was founded in 1955 by the national art house cinema associations of Germany, France, the Netherlands and Switzerland. The collective and concerted action of these pioneers led to the emergence in each country of a real market for quality films, as well as national schemes aimed at supporting theatres that took a stand in favour of this "high-risk" cinematographic art form. The CICAE is recognized by the Council of Europe, has a seat in the Bureau of the International Council for Cinema, Television and Audiovisual communication (IFTC Unesco), and of Media Salles, and has been a member of the Coalition for Cultural Diversity since its inception in It collaborates with Europa Cinemas, receives support from UNESCO, the European Union's programmes : MEDIA and Euromed Audiovisual II, the CNC (France), the FFA (Germany), the DGC (Italy), to name but a few. Although our tastes and preferences draw us towards original and inventive works, our group is not encumbered by any preconceived aesthetics, recommends no model, adheres to no chapel, - nor depends on any school of thought or political party. It only wishes to promote quality in the cinema, quality in its genre without any discrimination. We do not want to work only for a socalled elite nor do we refuse to reach the general public. That would mean giving up the raising the level of that public, forcing it to return to the distractions for which we could hardly reproach it later. MISSION To be a network of networks, and a bridge between festivals and theatres. Today, the CICAE brings together about screens via 9 national structures (France, Germany, Italy, Switzerland, Hungary, Belgium, Venezuela, Canada, Senegal), independent cinemas in 24 other countries, about 20 festivals, as well as a number of art house film distributors. INSTITUTIONAL OBJECTIVES > To encourage art house cinemas to come together under a common umbrella at the national and international levels. > To obtain support for art house cinema from government and supranational bodies. > To foster the distribution of high quality films from all countries, in all countries. > Through targeted cultural initiatives, to promote the screening of art films in order to increase audiences and foster production. FIELDS OF ACTION > Training of future managers / programmers of art cinema theatres, in Europe and elsewhere ( : over 500 professionals trained) > Training of distributors and exhibitors wanting to focus on LA and EUr. > Promotion of art films from festivals to art cinemas : each year the CICAE award is given in a dozen festivals. Of the movies awarded by the CICAE in 2012, there are: Death for Sale (by Faouzi Bensaïdi), Our Homeland (by Yang Yonghi), No (by Pablo Larraín) THE ARTHOUSE CINEMA SECTOR : A 100-MILLION-STRONG AUDIENCE IN EUROPE In countries where the art cinema sector is well developed, art house films account for 10 to 25 percent of all tickets sold. Art cinema upholds "quality cinema without borders", although, de facto, the bulk is made up of European productions and co-productions. Statistics show that in several countries art house cinemas draw up to 80 percent of audiences for quality European films; they are also the most appropriate setting where moviegoers can discover African, Arab, Asian, Latin American and "independent" films from the USA. Thus, art house cinema sector is well and truly (also) a market, which provides quality filmmaking with its main outlets in the largest markets. We do, however, disapprove of that opposite pitfall into which consists of going against the public taste in ail circumstances and to recognise only that which is exceptional, rare or unusual, be it mediocre. We do recognise the need for a commercial cinema, a profitable cinema, and while we wish to be in the forefront, among the avant-garde of our colleagues, we do not wish to lose contact with them under any circumstances. Armand TALLIER First President of the C.I.C.A.E Opening speech of the 2 nd General Assembly in Cannes, the 6 th May EXECUTIVE BOARD 2013 / 2014 President: Detlef ROSSMANN (DE) Vice-Presidents: Alain BOUFFARTIGUE (FR) Domenico DINOIA (IT) Secretary: Marianne PIQUET Treasurer: Micheline GARDEZ (FR) Honorary Presidents: Gabriele RÖTHEMEYER (DE) Roland PROBST (CH) >>> If you are interested in joining the CICAE, please fill in the application form at the back! 1

2 SPONSORS PUBLIC AND PROFESSIONAL BODIES These 3 Major National Cinema Agencies are important co-founders of the training programme: Filmförderunganstalt / Germany Centre National du Cinéma et de l Image Animée / France Direzione Generale per Cinema / Italy With the support of local institutions: Associazione Generale Italiana dello Spettacolo - Tre Venezie Associazione Generale Italiana dello Spettacolo - Lombardia Venice International Film Festival 2

3 The Region of Veneto The Province of Venice hosts the Seminar in San Servolo, an island managed by its subsidiary: San Servolo Servizi. And of The Filmförderung Baden-Württemberg offers scholarships to trainees from the Baden-Württemberg land. The Syndicat Français des Théâtres Cinématographiques & the training centre AFOMAV are financial partners of the seminar. PARTNERS EDUCATIONAL PARTNERS & PROMOTING CINEUROPA.org is a free online web site for promoting European cinema MEDIA Salles promoted the course and will come to present its own training Film Europe Media Company is specialized in financing, development and production, distribution, exhibition, sales and publishing, consulting and broadcasting of European films. Europa Cinemas actively promoted the course and will come to present the organization. 3

4 Europa Distribution is the network of independent film distributors. Independent Cinema Office is the national organisation for the development and support of independent film exhibition in the UK. Rio Terà Dei Pensieri is the official supplier of CICAE bags and official partner of the Project Management Workshop. University Ca Foscari of Venice cooperates with CICAE by crediting students to participate in the seminar as cost-free trainees. The students will support the team in the logistical organisation and promotional video. Circuito Off Int. Short Film Festival / Venice A jury composed by three participants of the training will award the best short film with the CICAE OFF prize. Support Your Local Cinema is a pan-european project, funded by the European Union, to enhance audiences for independent cinema through digital and social media. Eventival is a European company in the entertainment, technology and media industry, the world s most widespread film festival production software CO-ORGANISED BY: AG KINO GILDE Germany FICE Italy AFCAE France DIAGONALE Belgium ARTMOZI EYSEGULE T Hungary SSV / ASCA Switzerland mobicin E Senegal / Mali ARTHOUSE CINEMA VLAANDEREN Belgium ASSCIATION QUEBECOISE DES CINEMAS D ART ET ESSAI Canada 4

5 ART CINEMA = ACTION + MANAGEMENT 26/08 > 01/ PROGRAMME Except contrary indications all the lectures will take place in 5

6 MORNING 9:30-12:30 AFTERNOON 14:30-17:30 EVENING Juniors + Executives : Mon 26/8 9:00-16:00 Check-in Juniors and Executives Room 8 (CICAE Office) 16:30-17:30 Welcome (Rossmann) Presentation of the training and the participants (Calvez, DT) 17:30-18:30 National Networks in Action: AG Kino, FICE, AFCAE 19:30 CICAE Opening Buffet Terrazza Basaglia San Servolo Tue 27/8 Juniors + Executives: 9:30-11:00 Economics of European cinema in the last 10 years (Creton) Juniors + Executives: Juniors + Executives: 11:15-12:30 The European and the US model : free trade and cultural exception (Creton) Juniors + Executives: Juniors + Executives: 14:30-16:00 EUROPEAN PUBLIC POLICIES EU Commission, MEDIA Programme, Cultural Exception, Free Trade and Creative Europe (Vivancos) Juniors + Executives: 18:30-19:30 Partners Words: San Servolo Servizi, Venice Film Festival, Venice Film Market, Agis Tre Venezie Juniors + Executives: NATIONAL PUBLIC POLICIES DGC (Borrelli) FFA (Dinges) UNIFRANCE (Lardoux) Juniors + Executives: 17:45-19:30 CICAE Cocktail San Servolo (trainers invited to Quattro Fontante Restaurant, Lido) Venice Film Festival opening Wed 28/8 Thu 29/8 9:30-11:00 The Chain of Rights: Production, International Sales, Distribution (Hürmer) Juniors: 9:30-11:00 Focus on Young Audience (Rockenfeller Romanelli, Clerici) Room 6 Executives: 9:30-11:00 Creative Management (Champeyrol) Juniors + Executives: 11:15-12:30 Debate The Chain of Rights: The Arthouse Circuit (Walravens, Barrenechea, Hronec moderator Hürmer) Juniors: 11:15-12:30 Focus on Classics (Astorga, Bludau) Room 6 Executives: 11:15-12:30 Team Management (Narburgh) Group 1 14:30-14:45 GOING DIGITAL Facts and Figures of digitalisation in Europe (Media Salles / Brunella) 14:45-16:00 GOING DIGITAL Technologies and new economic models (Villa) Juniors: 16:15-17:30 Fundraising (Astorga) 14:30-15:30 Audience Development (Walravens) 15:30-16:00 Focus on Short Films (Dörfle) 16:15-17:00 Europa Cinemas (Djoumer) Room 6 Executives: 14:30-15:30 VoD, windows, circulation of European films: the role of the art cinema exhibitor today (Morsch Kihn, Girre, Thiam) 15:45-17:00 Debate: The role of arthouse exhibitors today moderated by Rossmann Invited to join the debate: Bouffartigue, Rockenfeller, Romanelli, Clerici, Astorga, Bludau, Walravens, Caracappa Juniors: Juniors: Juniors + Executives: 17:15-17:30 Executives diploma consignment 17:30-18:00 Pictures Circuito Off Short FF opening (trainers invited to Valentino Restaurant, Lido) Venice Film Market Opening Trainers invited to the Market Party Venice FF Circuito Off Short FF Fri 30/8 9:30-11:00 Venice Film Market Promo Reels Projections 11:15-12:30 How to deal with distributors and sales agents: contracts, royalties (Hronec) Room 5, Sala Colonne Group 2 14:30-15:30 Marketing and Communication (Baumann) 15:30-16:30 Management of an arthouse cinema: tips and tricks (Barrenechea) Room 5 Executives 16:45-19:00 Workshop on Project Management (Walravens) Venice FF VFM Circuito Off FF (Trainers invited to Valentino Restaurant, Lido) Sat 31/8 Sun 1/09 Juniors: 11:15-12:30 Meeting the Sales Agents (upon appointment) 9:00-13:00 Workshop on Project Management (5 goups in:, Room 4, Sala Colonne) Juniors: 9:00 Room Check-Out 10:00-12:00 Debriefing 14:30-15:30 Debriefing Juniors: 15:00-17:30 Projects Presentation and Evaluations Juniors: 17:30-18:30 Projects Awards and Diploma Ceremony (Walravens, Astorga) check-out Venice FF VFM Circuito Off FF closing ceremony (Trainers invited to Rossopomodoro) Venice FF VFM LEGENDA: Split groups Leisure activities 6

7 MONDAY 26 / 08 Juniors + Executives > 9.00 > CHECK-IN (Room 8) > OPENING Official opening Detlef ROSSMANN, President of CICAE - DE Presentation of the training / Introductions Benoît CALVEZ, Project Manager of the CICAE - FR > NATIONAL NETWORKS IN ACTION The heads of the main European Arthouse Networks present their action Detlef ROSSMANN, AG Kino Gilde - DE Accursio CARACAPPA, FICE - IT Alain BOUFFARTIGUE, AFCAE - FR > PARTNERS WORD Fulvio LANDILLO, General Manager of San Servolo Servizi - IT Alberto BARBERA, Artistic Director Venice Film Festival - IT Pascal DIOT, Director Venice Film Market - FR Marco SARTORE, AGIS Tre Venezie - IT > on OPENING BUFFET - Terrazza Basaglia TUESDAY 27 / 08 Juniors + Executives > > ECONOMICS OF EUROPEAN CINEMA IN THE LAST 10 YEARS History, market and trends of the audiovisual industry in the last 10 years Laurent CRETON, Université Sorbonne Nouvelle FR > BREAK > THE EUROPEAN AND THE US MODEL: FREE TRADE AND CULTURAL EXCEPTION Laurent CRETON, Université Sorbonne Nouvelle FR > LUNCH > PUBLIC POLICIES - EU Public funding in Europe, Media Programme, Cultural Exception, Free Trade and Creative Europe Patrice VIVANCOS, Eacea/Media Programme - FR > BREAK > NATIONAL PUBLIC POLICIES Nicola BORELLI, DGC - IT 7

8 Peter DINGES, FFA - DE Xavier LARDOUX, UNIFRANCE - FR WEDNESDAY 28 / 08 Juniors + Executives > > THE CHAIN OF RIGHTS: Production, International Sales, Distribution The life of a film from the script to the cinema theatre Alfred HÜRMER, Integral Film - DE > BREAK > DEBATE THE CHAIN OF RIGHTS: THE ARTHOUSE CIRCUIT Debate on the chain of rights and the circulation of art films in Europe: difficulties, opportunities, cultural diversity Participating: Raymond WALRAVENS, Jon BARRENECHEA, Ivan HRONEC Moderator: Alfred HÜRMER > LUNCH > GOING DIGITAL: MEDIA SALLES Facts and Figures of Digitalisation in Europe Elisabetta BRUNELLA Media Salles - IT > GOING DIGITAL: TECHNOLOGIES AND NEW ECONOMIC MODELS Jean-Pierre VILLA, SAGEC FR > BREAK > FUNDRAISING Tools and strategies for raising funds for arthouse cinemas Paula ASTORGA, Cineteca Nacional de Mexico - MX THURSDAY 29 / 08 Juniors > > FOCUS ON YOUNG AUDIENCE Know-how and practices for a successful work with young audiences > Kids and school Petra ROCKENFELLER, Lichtburg Filmpalast DE > Visual Media Literacy Alessandra ROMANELLI, La Lanterne Magique CH >Workshops Francesco CLERICI, Barz and Hippo IT > BREAK > FOCUS ON CLASSISC 8

9 How to present masterpieces of the past: methods and clues Paula ASTORGA, Cineteca Nacional de Mexico - MX Elke BLUDAU, Europe's Finest c/o reelport GmbH - DE > LUNCH > AUDIENCE DEVELOPMENT Tools and strategies for knowing your audience Raymond WALRAVENS, Rialto Cinema NL > FOCUS ON SHORT FILMS Presentation of Reelport, overview on the European short film market and circulation of short films in the cinema theatres Annie DÖRFLE, Reelport - DE > BREAK > EUROPA CINEMAS Objectives, achievements and expectations of Europa Cinema Fatima DJOUMER - FR > EXECUTIVES DIPLOMA CONSIGNEMENT > PICTURES Executives > Room > CREATIVE MANAGEMENT Operational Creativity: Agility and Pleasure in Building suitable, original and successful solutions Catherine CHAMPEYROL, Beautemps Strategie et Créativité - FR > BREAK > TEAM MANAGEMENT Managing and motivating your team and yourself Fiona NARBURGH, Wychavon and 3f consulting UK > LUNCH > VOD, WINDOWS, CIRCULATION OF EUROPEAN FILMS: THE ROLE OF THE ART CINEMA EXHIBITOR TODAY Eva MORSCH KIHN, ARCALT / EDEN - FR Lucie GIRRE, The Tide Experiment - FR Ousseynou THIAM mobicine Dakar - Senegal > BREAK > DEBATE: THE ROLE OF ARTCINEMA EXHIBITOR TODAY moderated by Detlef ROSSMANN Invited to join: Alain BOUFFARTIGUE, Petra ROCKENFELLER, Alessandra ROMANELLI, Francesco CLERICI, Paula ASTORGA, Elke BLUDAU, Raymond WALRAVENS, Accursio CARACAPPA > EXECUTIVES DIPLOMA CONSIGNMENT () > PICTURES 9

10 FRIDAY 30 / 08 Juniors + Executives > 9.30 > VENICE FILM MARKET PROMO REELS PROJECTIONS Group 1 > 11:15 > 12:30 HOW TO DEAL WITH DISTRIBUTORS AND SALES AGENTS: CONTRACTS, ROYALTIES How to get the films you want for your cinema: tips and tricks to deal with the sales agents and distributors, how to negotiate a contract, the copyrights, how to get the material Ivan HRONEC, Film Europe, Media Company - SK Group 2 > Room 5, Sala Colonne > MEETING THE SALES AGENT (Upon appointment) > LUNCH Juniors > > MARKETING AND COMMUNICATION Recognizing and communicating your cinema's identity: marketing and communication actions to improve your cinema impact on publics. Andreas BAUMANN > MANAGEMENT OF AN ARTHOUSE CINEMA The job of a cinema manager working with arthouse films : tips and tricks Jon BARRENECHEA > BREAK > WORKSHOP ON PROJECT MANAGEMENT How to delvelop a poject: concept, funding, development, team. Introduction to the Workshop on Project Management Raymond WALRAVENS Executives > Room > DEBRIEFING SATURDAY 31 / 08 Juniors >, Room 4, Sala Colonne 10

11 9.00 > WORKSHOP ON PROJECT MANAGEMENT Trainees split in 5 groups will work on their project in, Room 4, Room 5 and Sala Colonne > LUNCH > PROJECTS PRESENTATION AND EVALUATIONS The jury composed of Paula ASTORGA and Raymond WALRAVENS will read and evaluate the projects > PROJECTS AWARDS AND DIPLOMA CEREMONY With the presence of our sponsor Rio Terà dei Pensieri (Malefatte Project) SUNDAY 01 / 09 Juniors 9.00 > ROOM CHECK-OUT > DEBRIEFING 11

12 WHO IS WHO 12

13 TEAM CICAE Detlef ROSSMANN President Benoît CALVEZ Project Manager Silvia CIBIEN Training Coordinator Tea STIFANIC Local Coordinator CICAE / Cinema Casablanca BERLIN/OLDENBURG, GERMANY detlef.rossmann@cicae.org Rankestrasse BERLIN - GERMANY benoit.calvez@cicae.org 42 rue Pitot MONTPELLIER - FRANCE silvia.cibien@cicae.org Castello VENICE - ITALY logistics@cicae.org DREAM TEAM TUTORS/REPORTERS Katriina MIOLA CICAE Project manager assistant/ International Tutor Julie MAGNIAT French Tutor Federica LODDO German Tutor / Italian Tutor Maureen PRINS Reporter Rankestrasse BERLIN - GERMANY info@cicae.org Projectionist, Production Assistant TOULOUSE/PARIS - FRANCE julie.magniat@hotmail.fr International Comedy Film Festival BERLIN, GERMANY loddo.federica@googl .com Solar World Cinema TILLBURG, THE NETHERLANDS solarcinema@gmail.com Cathleen TANTI Reporter Francesco CLERICI Photographer and Cameraman Oana DARIE Technical Department Arts Management and Culture Policy MA Student LONDON, UK cathleentanti@gmail.com Barz and Hippo CAVENAGO BRIANZA, ITALY ff.clerici@gmail.com INTERNS National University of Theater and Film I.L. Caragiale BUCAREST, ROMANIA oanadarie@gmail.com Laura LERRO University Ca Foscari Venice, Italy lerrolaura@gmail.com Silvia MASCIA University Ca Foscari Venice, Italy @stud.unive.it Pier Lorenzo PISANO University Ca Foscari Venice, Italy pierlorepisa@gmail.com 13

14 INTERPRETERS Milena Johanna BURKART German-French Rosella DI NIOLA Italian-French Delfina GENCHI Italian-French Odile MONTPETIT French-English Olivier PEAN French-English Birgit SCHRAMME German-French TRAINERS Paula ASTORGA Cineteca Nacional Mexico Mexico City, Mexico Alberto BARBERA Mostra Internazionale d Arte Cinematografica Venice, Italy angela.savoldi@labiennale.org Jon BARRENECHEA PictureHouses Cinema Brighton, United Kingdom jon.b@picturehouses.co.uk Andreas BAUMANN Lochmann Filmtheaterbetriebe Biberach, Germany baumann@cinewerkstatt.de Elke BLUDAU Europe's Finest c/o Reelport GmbH Cologne, Germany elke.bludau@finest-film.com Nicola BORRELLI DCG, Ministery of Culture Rome, Italy, dg-c@beniculturali.it Alain BOUFFARTIGUE AFCAE Paris, France alain.bouffartigue@orange.fr Elisabetta BRUNELLA MEDIA Salles Milano, Italy infocinema@mediasalles.it Accursio CARACAPPA Cinema Campidoglio / FICE Sicilia Sciacca, Italy sinocaracappa@tiscali.it Catherine CHAMPEYROL BEAUTEMPS Stratégies & Créativité Paris, France catherine@beautemps.com Francesco CLERICI Barz and Hippo Cavenago Brianza, Italy ff.clerici@gmail.com Laurent CRETON Sorbonne University Paris, France Laurent.Creton@univ-paris3.fr 14

15 TRAINERS Peter DINGES FFA Berlin, Germany Pascal DIOT Venice Fim Market Venice, Italy Fatima DJOUMER Europa Cinemas Paris, France Annie DÖRFLE Reelport Köln, Fulvio LANDILLO San Sevolo Servizi Venezia, Italy Lucie GIRRE The Tide Experiment, c/o ARP Paris, France Ivan HRONEC Film Europe Media Company Bratislava, Slovakia Alfred HÜRMER Integral Film GmbH Berg, Germany Xavier LARDOUX UniFrance Films Paris, France Eva MORSCH-KIHN ARCALT,/ EDEN, Toulouse, France Fiona NARBURGH Wychavon and 3f consulting Worcestershire, United Kingdom wychavon.gov.uk Ousseynou THIAM mobicine Dakar Dakar, Senegal Petra ROCKENFELLER Lichtburg Filmpalast Oberhausen, Germany Alessandra ROMANELLI La Lanterne Magique Neuchâtel, Switzerland Detlef ROSSMANN CICAE / Cinema Casablanca Berlin / Oldenburg, Germany rossmann@casablanca-kino.de Marco SARTORE AGIS - ANEC Tre Venezie Padova, Italy agis3ve@agistriveneto.it Jean-Piere VILLA SAGEC Egletons, France jp.villa@veocine.fr Patrice VIVANCOS EACEA/MEDIA Evere, Belgium patrice.vivancos@ec.europa.eu Raymond WALRAVENS Rialto Film Amsterdam, Netherlands raymond@rialtofilm.nl 15

16 MEDIA PARTICIPANTS ESTONIA FRANCE Kristel LIPAND Johannes LÕHMUS Kaarin PIISKOPPEL Laurent BARBE Kino Sõprus Tallinn, Estonia Tartu Elektriteater Tartu, Estonia Forum Cinemas Tallinn, Estonia forumcinemas.ee Atlas Cinema Les Anses d'arlet (Martinique FWI), France Luc CABASSOT ACREAMP Toulouse, France Julie COQUARD GRAC Villeurbanne, France Esther CUENOT ACPA Pessac, France Raphaëlle DE CACQUERAY ACREAMP Toulouse, France GERMANY Ioanna MANZANARES La Lanterne Magique Saint-Denis La Reunion, France magique.net Philippe RIGOLLIER Cinema Eden Ancenis, France Dieter BETZ Arsenal & Atelier Tübingen, Germany Simon ERASMUS Arthaus Filmtheater Stuttgart GmbH Stuttgart, Germany Frederike SCHERR Cineplex Planken Mannheim, Germany Nick Alexander JANSEN Elbe Kino, Studio Kino, Blankeneser Kino Hamburg, Germany Alexander LAUBER b-ware! Ladenkino Berlin, Germany Elisa ROSI Lichtblick - Kino / Stattkino Berlin e.v Berlin, Germany info@lichtblick-kino.org. 16

17 MEDIA PARTICIPANT MEDIA PARTICIPANTS S HUNGARY Katharina RUNGE Mirjam ZIEGLER András HORVATH Orsolya FARKAS Eifel-Film-Bahne Hillesheim, Germany info@eifelfilmbuehne.de Arsenal and Atelier Tübingen, Germany info@arsenalkinos.de Toldi Cinema Budapest, Hungary horvath.andras@bpfilm.hu Budapest Film Zrt. Budapest, Hungary orsi.farkas@bpfilm.hu ICELAND ITALY Ása BALDURSDÓTTIR Bíó Paradís Reykjavík, Iceland asa@bioparadis.is Valeria CORREALE Filmstudio Rome, Italy _valeria@virgilio.it Gianluca CALCAGNINI Cinema Multisala Oxer Latina, Italy multisala.oxer@alice.it Daniele CANNIZZARO Multisala Badia Grande Sciacca, Italy Daniele.cannizzaro.sciacca@gmai l.com LATVIA Cecilia Irene MASSAGGIA Settimo Binario Cultural Association Mestre, Italy info@settimobinario.it Giuseppe PERICO Cinema Conca Verde Bergamo, Italy sas@sas.bg.it Silvia PROTTI Ariston Mantova, Italy silviaprotti@cinecitymantova.it Baiba BOZE Rija Films Riga, Latvia sales@rijafilms.lv LITHUANIA MALTA NETHERLANDS POLAND Kamilė JANULYTĖ Skalvija Cinema Centre Vilnius, Lithuania akademija@skalvija.lt Aidan CELESTE Saint James Cavalier's Cinema Valletta, Malta aidan.celeste@gmail.com Vanessa GROENEWEGEN Rialto Amsterdam, The Netherlands vanessa@rialtofilm.nl Olga BIENIEK Filmicon Gdańsk, Poland olga@filmicon.pl MEDIA PARTICIPANTS MEDIA PARTICIPANTS 17

18 ROMANIA Agata HOFELMAJER-ROS Kosmos Cinema Katowice, Poland Małgorzata MAŁYSA Filmicon Gdańsk, Poland Joanna ZAK Kino Nowe Horyzonty Wroclaw, Poland Ramona SARBU Romanian Film Promotion Bucharest, Romania SLOVENIA SWITZERLAND Florentina BRATFANOF RAPA Bucharest, Romania yahoo.com Ana Seta PUCIHAR Javni zavod Kinodvor Ljubljana, Slovenia Ana-Marija GRÖNDAHL Quinnie Cinemas Berne, Switzerland NON-MEDIA PARTICIPANTS EGYPT SENEGAL RUSSIA Youssef SHAZLI Misr International Films Cairo, Egypt Ousseynou THIAM mobicine Dakar Dakar, Senegal Mary NAZARI Pioner Cinema Moscow, Russia Tatiana SHUMILIVER Pioner Cinema Moscow, Russia SLOVAK REPUBLIC OBSERVERS Dominik HRONEC Film Europe Media Company Bratislava, Slovak Republic Veronika ZILINKOVA Film Europe Media Company Bratislava, Slovak Republic 18

19 Confédération Internationale des Cinémas d Art et Essai International Confederation of Art Cinemas ART CINEMA = ACTION + MANAGEMENT San Servolo Island, Venezia 26/08 > 01/ Your contacts BEFORE the training Benoît CALVEZ/ Project Manager benoit.calvez@cicae.org Silvia CIBIEN / Training Coordinator +33 (0) silvia.cibien@cicae.org Your contacts DURING the training The CICAE team will be equipped with Italian mobile phones, in use from Aug 25 th to Sept 1 st. LOGISTICS Tea STIFANIC (HR, IT, EN) GENERAL COORDINATION Silvia CIBIEN (IT, FR, EN) DEUTSCHSPRACHIG : Federica LODDO (DE, EN, IT) FRANCOPHONES : Julie MAGNIAT (FR, EN) OTHERS NATIONALITIES : Katriina MIOLA (EN, DE, IT) PROJECT MANAGER: Benoît CALVEZ (FR, DE, EN) SAN SERVOLO RECEPTION Tel : Fax : TAXI : Franco Vitturi Mob : ACTV BOATS (VAPORETTI) : Tel : USEFUL NUMBERS ON-SITE : Emergency Police / Carabinieri Operator International Calls Flight Information /

20 PREPARING YOUR TRIP TRAVELLING FORMALITIES - PRECAUTIONS - GENERAL INFORMATION 1. Please note that further to the terrorist threat, Italy has stepped up ID requirements (even at the Venice Film Fest). You must have a valid passport (or ID card for EU members) at least until September 10 th You must check the ID & Visa formalities required for your nationality prior to your departure. 2. The currency used in Italy is the Euro 3. In Venice you walk a lot. Arriving from the railway station or airport you should allow several minutes walk and changes of transport: be sure to use a luggage easy to transport (backpacks or wheelie cases). Linens and towels are provided in San Servolo rooms and there is a launderette with washing machines and tumble-driers on the campus. 4. Bring your laptop!! It will be useful during the workshops, but also to stay connected with the rest of the world, as on San Servolo there is any internet point 5. Internet: on San Servolo island internet is free: we ll provide you a connection code. The Wi-fi is available only in the classrooms and in the bar. In the rooms you will need an Ethernet cable. San Servolo Reception has not enough Ethernet cables for everybody. 6. The weather in August in Venice is quite hot and wet: C + maybe some summer storms. 7. Venice lies into a Lagoon and during the summer season there are mosquitoes mainly during the nights. We advise you to bring good repellents to avoid bites! 8. Trainees and coordinators only : we suggest you to bring the following: a. 30 programmes/flyers from your cinema/festival to show your place to the other participants. If you need to send by post some materials, please notify San Servolo reception, and send the material at our attention: Address: San Servolo Servizi, Attn. CICAE Isola di San Servolo, Venezia ITALIA b. 1 film poster, if possible from your country, but not necessarily c. 1 bottle of your national drink for the opening party 9. As soon as you arrive on San Servolo and did the check-in at the reception, come to the CICAE office, Room 8, in the corridor after the bar 20

21 REIMBURSEMENTS OF EXPENSES - Trainers Will be refunded for their local travelling expenses, after the seminar, according the standards fixed by the European Union (vaporetto/bus tickets, but no taxis or shuttle). Please, remember to bring a copy of your ticket and boarding pass. - Trainees Only for the trainees who was accorded a travel grant. Look at your training convention. Please, remember to bring a copy of your tickets and boarding pass which will be necessary for reimbursement, and remember to give us your bank data (IBAN + SWIFT/BIC code + address and name of your bank). Reimbursement will be done in uro by bank transfer just after the seminar. ACCOMMODATION AND VENUE FOR THE TRAINING The training will be dispensed at the campus of San Servolo Island, where all participants will be accommodated. San Servolo is one of the islands of the City of Venice. The only public means of transport to get there is the vaporetto (water-bus) line 20, leaving from San Zaccaria M.V.E., located 200 m. from St Mark s square (Piazza San Marco). Pay attention to the last vaporetto timetable! From Venice to San Servolo The last 3 rides are at 1:30, 1:45 and 2:10 BUT: The rides of 1:30 and 2:10 have to be booked at least 20 min before, calling the number and the vaporetto leaves from the stop San Zaccaria Jolanda instead than San Zaccaria M.V.E. So, if possible, try to get the last normal vaporetto at 00:25 From Lido Casinò (Venice Film Festival) to San Servolo The last ride is at 1:10 If you miss it, you can take the ride of 1:40, which doesn t stop to San Servolo, but reaches San Zaccaria, from where you can take the last vaporetto to San Servolo at 2:10 (that has to be booked as said before) In the event of an emergency, it is possible to take a taxi. This are the prices of our taxis and has to be paid in CASH. Lido >< San Servolo / San Marco >< San Servolo : 50 until 4 persons, then 5 for every additional person San Servolo > < Airport : 90 until 4 persons, then 15 x every additional person Piazzale Roma (bus terminal)/ S. Lucia train station >< San Servolo : 60 until 4 person, then 10 for every additional person Night supplement from 10 pm to 7 am: 10 21

22 HOW TO GET TO SAN SERVOLO ISLAND All participants have to arrive at San Zaccaria first to get to San Servolo Island San Zaccaria is close to San Marco Square. There are 3 vaporetto (waterbus) landing docks, located to the right (looking from the sea) of piazza San Marco (St Mark s Square: 1. Danieli (in front of Danieli hotel) 2. Jolanda (in front of Savoia & Jolanda Hotel) 3. Monumento / M.V.E. (in front of the statue of Vittorio-Emanuele on horseback). Where vaporetto line 20 leaves to San Servolo island. ARRIVING FROM VENICE MARCO POLO AIRPORT 1. THE EASIEST WAY waterbus Alilaguna - 1h 30 mn- 19 Take the Alilaguna Linea Blu or Alilaguna Linea Arancio boat outside the airport, direction San Marco / San Zaccaria (your stop). Prices: 15 - tickets available from the ACTV counter in the airport or 14 if bought online. The journey takes 1hr 15min. Linea Blu timetable and tickets: Linea Arancio timetable and tickets : Then change dock and take vaporetto n.20 (see timetable below) to reach San Servolo. Price of the traghetto ticket to San Servolo : 4 Duration of the trip: 10 mn 2. THE MOST EXPENSIVE / QUICKEST WAY Take a taxi from the airport to San Servolo, 40mn of ride, 90 (if alone). Please call us (Tea Stifanic) to book a less expensive taxi.the taxi has to be paid to the driver in cash. 22

23 ARRIVING BY CAR Park in Mestre (main land) not in Venice Piazzale Roma or Tronchetto: too expensive, around 30 x day Parcheggio Stazione Mestre Viale Stazione 10 Tel: venezia.mestre@sabait.it 16 /day Garage Gregory 350 mt from the train station Piazzale della Stazione, 23 Tel : (+39) Cel / /day & 15 Sat-Sun Park Ca Marcello 550 mt from the Mestre train Station (Ferrovia or Stazione in Italian) Via Cà Marcello Tel: (+39) Monthly ticket of 18! Free on Sundays. 4 /day from Monday to Saturday You should walk 5/10 min to reach the train station, is the cheapest solution, not necessarily the more comfortable. To reach Venice (Piazzale Roma) take a train or a bus (n.2) - a ride every 5 / 10 mn Prices: 1.30 Duration 10 mn From Piazzale Roma to san Servolo, see Arriving by train 23

24 ARRIVING BY TRAIN In front of the train station («Ferrovia» stop) take a vaporetto to San Zaccaria. Price: 7 for one ticket valid for 1 hour: Line 2: every 10 mn Line 5.1: every 20 min from 05:15 am to 00:15 arrives at San Zaccaria-Jolanda in 20 minutes. Line 4.1: every 20 min from 06:15 am to 08:15 pm arrives at San Zaccaria-Jolanda in 27 minutes. Line N: every 20 min. from midnight to 04:45 am linking Ferrovia or Piazzale Roma to San Zaccaria-Jolanda and San Zaccaria-Danieli (in 30 min). LOCAL TRANSPORTS Vaporetti / water buses are the common public transport in Venice s lagoon, the main company is ACTV ( You can access (and leave) San Servolo only with Vaporetto line 20 (or by taxi), which brings you to Lido where the Venice Film Festival takes place. Timetable UNTIL the 27 th August: 24

25 Timetable AFTER 27 th August To travel in Venice (except from an island to the other) vaporetti are not absolutely necessary: you will often make it by foot, with a good map. Local transportation is very expensive but economic passes exist (see below), and are sold almost everywhere, even in San Servolo. Line #20 (San Zaccaria - San Servolo - Lido Casinò) is FREE for holders of Venice Film Festival Official Passes, from 28/08 to 7/09! If you wish to take other vaporettos to move around Venice, you can buy tickets (ACTV company): - At the reception of San Servolo (only until 18:00) - in front of the main stops (from 7 am to 8:30 pm) - in tobacconists (indicated by a shop sign showing a big white T) - DON T but the tickets on the boat : they are more expensives All the tickets are electronic. PRICES 4 traghetto= from San Zaccaria to San Servolo 7 - water services ticket, 60 TOURIST TRAVEL CARDS: 18,00-12-HOUR TRAVELCARD 20,00-24-HOUR TRAVELCARD 25,00-36-HOUR TRAVELCARD 30,00-48-HOUR TRAVELCARD 35,00-72-HOUR TRAVELCARD 50,00-7 DAYS TRAVELCARD 18,00 3-DAY YOUTH CARD: ROLLING VENICE Allows unlimited travel and can be used on all ACTV vaporettos (not Alilaguna from/to the airport), and bor buses at Lido. The card is for people aged between 14 and

26 PAY ATTENTION / 1 ST SEPTEMBER - PROBLEMS WITH LOCAL TRANSPORTS Sunday September 1 will take place the REGATA STORICA (see Events and Festivities below), a traditional event that involves the typical and historical boats of Venice; it s the most famous and spectacular festivity on the lagoon waters and it takes place on the Grand Canal. The information on the condition of traffic is not available yet, but only a week before. However, the traffic in the Bacino San Marco (basin in front of San Marco Square) is very difficult. If you need to move to/from San Servolo Island, the vaporetto stop is usually displaced in Sant Elena, at the end of the city (20 min. walk from San Marco square) the other possibility is to take a taxi, shared with other people. The Regata Storica is the main event in the annual "Voga alla Veneta" rowing calendar. This unique sport has been practiced in the Venetian lagoon for thousands of years and today it is particularly well-known for the spectacular historical water pageant that precedes the race. Scores of typically 16th century-style boats with gondoliers in period costume carry the Doge, the Doge's wife and all the highest ranking Venetian officials up the Grand Canal in a brightly coloured parade. An unforgettable sight and a true reconstruction of the glorious past of one of most the powerful and influential Maritime Republics in the Mediterranean. 26

27 SAN SERVOLO ISLAND 27

28 San Servolo island is owned by the Province of Venice. First used for a convent, then a military hospital, it was also used for a Venetian men s asylum until It was then designated for artistic and academic activities. It now boasts the Venice International University campus, specialising in urbanism, sustainable development, cultural heritage etc. and additional summer courses and scientific seminaries. The main building houses offices and lecture halls, looking out onto a park in which are located the campus and canteen buildings. ACCOMMODATION All participants will be given a single or double room: - with bathroom : (shower + washbasin + toilets, not hair dry) - television - internet connexion (Lan, not Wi-Fi) - direct telephone. They will be given a key card on arrival at the reception for opening the residential hall and room. It is very important that you always keep the key with you. For any problem in your room please inform the reception. If you loose your key, you will be charged for a replacement. The check-out is at 11 am The Reception desk is open 24h/24h Please note that: - Rooms are cleaned every day - Linens and towels are provided - No outside guests are allowed in the residential halls - Smoking is strictly prohibited in the residential halls, including individual rooms - Noise levels should be kept to a minimum, especially after 10 pm. Most of Italian plugs/sockets are now the same as in all countries of Europe (except the United Kingdom and Ireland) but in some places, like in San Servolo rooms (or in hotels, especially in bathroom), there are still sockets with 3 holes. It would be good to bring your converter if you have one. MEALS The campus restaurant ( Mensa ) is open : Breakfast : 7:30 9:30 Lunch: 12:00 14:00 Dinner : 19:00 21:00 Trainees: the CICAE will offer your breakfast and lunch from 27 th to 1 st September morning (Junior), from 27 th to 30 th (Executive). You will be free to have dinner in Venice (see next page for restaurants ) or on-site at the Mensa (10 for complete dinner). 28

29 Trainers can have all their lunches at the Mensa and are invited to have dinner with the CICAE team in Venice or Lido every evening. Should they wish so, the meeting point is at the vaporetto stop at 7.45 pm ; if they want to eat by themselves, the meals won t be reimbursed. All: To eat at the Mensa, you will need meal vouchers, which we will provide at your arrival in San Servolo, depending on the number of meals that you are offered by the CICAE. Pay attention NOT TO LOSE the vouchers, because we won t have extras vouchers to give you. Vegetarian meals are always proposed, but not other diets (kosher, hallal etc). If you are allergic to wheat of celiac, please inform us : the Mensa provides a special menu for you. Any accompanying persons shall pay 6,5 for breakfast and 10 for other meals at the mensa. Note that this is also the price you will pay if you loose your vouchers. There is also a bar on the ground floor in the area 6, in the main buildings. There, you can buy brioches and sandwiches. It is open from 8.30 am to 6 pm. LAUNDRY A self-service launderette (using coins) is available on the ground floor of Building Maestrale. SUPERMARKET The closest supermarket are: COOP VENICE: Castello 1797 / Castello, 5601/ Castello 5989 / Cannaregio 4612 LIDO: Via Malamocco 25 For any question about Venice and local shops please ask to our Local Coordinator Tea Stifanic TOBACCO From 2005 smoking is forbidden everywhere indoors, especially in bars and restaurants, but many of them have terraces where it is tolerated. Besides, smoking other things than tobacco is strictly forbidden, and the airport & station customs (+ their dogs) are very tough with travellers smuggling in drugs. In San Servolo is forbidden to smoke in the bedrooms, go outside! You ll cause an alarm on all the island, and we will be very disappointed.. There are no tobaccos machines / seller on San Servolo Island - prevent to buy it before arriving. Cigarettes are sold only at tobacconists (even at the airport), which are indicated by a shop sign showing a big white T. No other shops or bars sell tobacco. Tobacconists are open only during the day (approx. 9 am - 7pm). At night, you can find a very few automatic vending machines working with euro coins and notes. Venetians will help you find them. 29

30 RESTAURANTS In Venice it is usual to stop in small restaurants, called bacari, where you can have tastes of Venetian dishes cichéti (from latin, meaning small bites) served with a glass of wine. The cost for a cichéto goes from , while a glass of house wine has a cost between In most of them you can also have dinner. >>> Some of the most famous bacari are: Al Marca San Polo 213 (near the Rialto market) Al Ponte Cannaregio 6378, Calle Larga G. Gallina Al Bottegon Dorsoduro 1877 (Fondamenta Nani) Al Portego Castello 6015 (Calle della Malvasia) Antica Osteria Ruga San Polo 692 (Calle Rialto del Sturion) Al Paradiso Perduto Canaregio 2540 (Fondamenta della Misericordia) (closed on Sun) Tel PRICES: (Mon Sat); Tel PRICES: (Sun) TEL PRICES: Tel PRICES: Tel PRICES (Mon, Thu); (Fri, Sat, Sun) Tel PRICES: 5 25 Traditional Restaurants Alla Vedova Cannaregio :30 Mon>Sat 18:30 22:30 (Sun), Closed on Thursdays Nono risorto (very good pizza!) Osteria Corte Sconta La Mascaretta Al Mascaron Antico Forno - take away pizza Rossopomodoro Santa Croce 2238 (Sottoportego de Siora Brettina) Castello 3886 (Calle del Pestrin) Castello 5183 (Calle Lunga Santa Maria Formosa) Castello 5525 (Calle Longa Santa Maria Formosa) 12 14:30, (Closed on Wed) TEL: PRICES: TEL PRICES: (Tue Sat) PRICES: (closed on Mondays) 19:30 22 (closed on Sundays) TEL PRICES: TEL PRICES: San Polo 970/ TEL PRICES: Calle larga San Marco TEL PRICES: 9 16 Bakery and pastry stores: Da Tonolo Dorsoduro 3764, Crosera San Pantalon Rosa Salva San Marco 950 Calle Fubiera Mercerie S. Salvador Campo S. Giovanni e Paolo 8 20 (Tue Sat) 8 13 (Sun); Closed on Mondays TEL

31 EVENTS & FESTIVITIES 26 TH AUGUST > 1 NATION 1 BOTTLE you are all invited to our opening buffet on San Servolo terrasse from 19: 30 pm on. Remember to bring a bottle of your national drink! 27 TH AUGUST > CICAE COCKTAIL On San Servolo, from 17:45 to 19:30 28 TH AUGUST > VENICE FILM FESTIVAL OPENING 70. Mostra Internazionale d Arte Cinematografica 28/08 7/09 All participants are accredited to the Mostra with an Industry Professional badge (value: 150 ). The Mostra takes place at the Lido, a long strip of land that closes the lagoon of Venice from the Adriatic sea. It is directly linked to San Servolo by line 20. In case you attend late evening screenings, you will probably miss the last direct boat, which leaves the Casinò of the Lido at 1:10 31 ST AUGUST > CICAE OFF AWARD and CLOSING PARTY Consignment of the prize CICAE OFF AWARD at CIRCUITO OFF SHORT FILM FESTIVAL Teatrino di Palazzo Grassi Venice Historical Centre And unofficial CICAE closing party 1 ST JUNE > 24 TH NOVEMBER > ART BIENNALE The 55 th International Art exhibition, curated by Massimiliano Gioni, will host 55 National Participations organised at the Pavilions at the Giardini, at the Arsenale (both close to San Zaccaria) and around the city of Venice. Opening hours: Tue Sun; Closed on Monday. Prices: ful price 25 ; 22 / 20 / 14 discounted. The theme evokes the Italo-American self-taught artist Marino Auriti who on November 16, 1955 filed a design with the US Patent office depicting his Palazzo Enciclopedico (The Encyclopedic Palace), an imaginary museum that was meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite 31

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34 QUALITY PRODUCTS MADE IN VENICE, MADE IN JAIL Our cooperative bears the name of the street which runs along the male prison of Venice. From 1994 we deal with the work in jail, employing around 25 people, men and women from the inside and around 15 people outside. The main activities in the female jail are the organic gardening and cosmetics production, with two lines (traditional and organic), and a line of cosmetics products for hotels. Malefatte is the name that defines the male jail productions, like the hand-crafted serigraphy: every year we print a thousand cotton bags and T-shirt, original or custommade. The leather goods production is now joined by PVC recycled, reusing banner adverts, and a laboratory of glass cut for Mosaic (the only activity we have on behalf of a third party). How and where buy our products: You can find our products in the cooperative shop in Calle Zancani, Cannaregio 2433, (close to Campo S.Fosca) or you can order by info@riotera-ve.it 34