BRAVO! A Pleasant Addition to an Evening of Fine Theatre. REALTORS East Stadium Blvd HALLOWEEN HAUNTED HOUSE NIELSEN'S

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2 BRAVO! Of Ann Arbor, Inc. REALTORS llm on \itllt'ij :\nlionnl n.uith 2349 East Stadium Blvd Luggage Shop J27 SOL!Ih Main $1. Ann Arbor. Mit higan Luggage. Leather Guocb. Hand Bags. Gifts DIAL 769 ~ 2000(1\ rca Code J IJ) NIELSEN'S AND NIELSEN'S OF BRIARWOOD FLOWER SHOP & GREENHOUSES Oistillcth c Floral Desi~tiS 1:or,Ill Occasions Plants a11j Accessories for Indoor & Outdoor (,"ardeniiik A Pleasant Addition to an Evening of Fine Theatre Maiden Lane Phone WATCH FOR OUR HALLOWEEN HAUNTED HOUSE THIS OCTOBER TO HELP CELEBRATE 50 YEARS OF 300 S Thayer Across from Hill Aud11onum AACT'ING!

3 ANN ARBOR CIVIC THEATRE PROUDLY PRESENTS Its Fiftieth Anniversary Season Encore Performance The Devil's Disciple by George Bernard Shaw Scenic Design by Robert Seeman Lighting Design by David Sheldon Artistic Direction by Max B. Elsey Costume Design by Cheryl Berteel Properties Kathyleen Genik Produced by Susan Morris Produced by special arrangement with Samuel French, Inc., New York

4 Act I Act II Setting: Websterbridge, New Hampshire Time: A dark winter night in Dudgeon's, in the morning (Intermission) --The home of Rev. Anderson, the evening of the same day (Intermission) Act Ill, Scene 1 --The anteroom, the next day Scene 2 --The courtroom later that day Scene 3 --The town square, later that day Ladies and Gentlemen: Welcome to this evening's performance of G. Bernard Shaw's The De viz's Disciple. Since this 50th year is comprised of shows which you have enjoyed in the past, we wanted to give this classic Melodrama a modern look. Although The Devil's Disciple is a bag of old Melodramatic tricks (the scapegrace with a better nature who protects an oppressed orphan, the reading of a will in his favor, the heroic sacrifice, the court-martial, scaffold and reprieve), they are used to drive home a deeper emotion and moral contrary to the ethics of Melodrama. Not only does the hero of this one disappoint the expectations excited by his romantic,role by repudiating the notion that he was sacrificing his life for the heroine's sake, but this heroism itself is finally exhibited to a disadvantage beside the really efficient though unself-sacrificing energy of a robust, entirely prosaic parson. Everything that had happened before had made us feel the superiority of Richard; but however keenly we had felt that, or the Author himself had sympathized with him, he was not going to permit us to exalt martyrdom above effective service in a cause... Max B. Elsey after the thea tre. HOURS: Monday -Saturday. 11 :30a.m. to 2:00a.m. Kitchen open 'lil Midnight Monday Thurs.. till:ooa.m. Fri. & Sat Sunday 4:00p.m. to I :00 a.m. Kitchenopen'tilmidnight.

5 THE CAST (in order of appearance). Jru5 / J<J<_z C\ ,._ ~~ 37th Season!lOth Season \ Carol Duffy... Mrs. Annie Dudgeon Bette Ellis Clea Finkle Essie Kathy Koso bud Bnan Philbin Christopher Dudgeon David Duboff Charles Sutherland Anthony Anderson Alfred R. Reilly Susan Dawson... Judith Anderson MariAnne Annis Christopher Flynn Lawyer Hawkins _{_... David Harbison Sheldon Lachman... Uncle William Dudgeon John W. Rae Joy Scarpuzza Mrs. William Dudgeon Cora Greenberg Ed Lesher Uncle Titus Dudgeon Warren C. Ev~land Margie Cohen Mrs. Titus Dudgeon Burnette Staebler William Cross Richard Dudgeon Beverley Pooley John D. Stevens Sergeant Allan Schreiber Dwight S. Smith..... Major Swindon Norman Shurmur Beverley Pooley General Burgoyne George Scrivener Mel Sinclair Soldiers Mike Gould Dave Gilbert Larry Harbison Bob Carr Bill Lavely Michael Plunkett Bill Rave Earl Gebott Paul Bamford Elvis Smith MacDonald Dick Len Reynolds Chaplain Brudenell Conrad Mason Larry Segal Townspeople of Townspeople Lois Aroian W ebs terbridge Fred Rico Mary Samarco Barbara Carron Dottie Pell Judith Thiel Mona Delitsky

6 THE STAFF AD/Stage Manager Runelda Medrano Costume Crew Cheryl Berteel Set Builder Darlene Hartford Marina Wiedman Eunice Relyea Set Crew Michael Hochgreve Phyllis Valentine Marina Wiedman Jackie Gatz Dwight S. Smith Dianne Lloyd Dianna Barcy Lois Aroian Mona Delitsky Patsy Girnys Paul Couture Barb Couture Makeup Roberta Rizzardi head Charlie McCarthy Cindy Opal Connie McCarthy Head Usher Betsey Wells Roger Wertenberger Bob Pace Box Office Manager Gerry Briegel Susan Morris Ticket Agent Trudy Maglott Larry Gurtowsky Publicity Margie Cohen Barbara Carron Cathe Wright Prop Crew LoisAroian Irene Snow Dianna Barcy Margie Cohen Posters Alice Crawford Marilyn Kennedy Programs Barbara Carron Light Crew Susan Morris Photography Fred Beutler Don Stewart Sound Roy Schwartz Cherry! Loyd Roy Schwartz Mike Alexander Special thanks to all those who worked on the show but whose names are not included here.

7 ANN ARBOR CIVIC THEATRE PATRONS FRED & SUE BEUTLER JUDITH T. MANOS MARK & MINDY BOWLES MR. & MRS. JOHN McCOLLUM JANET & RAYMOND CRABTREE MR. & MRS. CRUSE W. MOSS MR. & MRS. JOHN R. DALE REV. & MRS. G. ALEXANDER MILLER WARREN & VIRGINIA EVELAND DEBORAH KAY MUELLER MARIE C. GILSON DON & EDIE PELZ HAROLD & ANNE HAUGH JOAN SCHEFFLER MR. & MRS. C. SAMBORSKI ANN ARBOR CIVIC THEATRE, INC. BOARD OF DIRECTORS Carol Deniston, President Joan Scheffler, Vice President Dave Gilbert, Treasurer Klaus Bergmann, Minor Productions Margie Cohen, Publicity Ted Heusel, Front of House Larry Hill, Membership Claudia Kerfoot, Social Chris Schwartz, Communications Bob Seeman, Building Supervisor Charles Sutherland, 50th Year Roger Wertenberger, Technical Coordinator Tickets** Trudy Maglott ** Membership** Larry Hill**

8 ABOUT THE CAST MARGIE COHEN (Mrs. Titus Dudgeon) has been a member of AACT for seven years, working backstage in many productions, including serving as Props Chairperson for Waltz of the Toreadors, Carousel and A Little Night Music. Margie appeared on stage last year as Rosa in You can't''take It With You, Miss Bennett in The Unexpected Guest and Therese in The Matj~oman of (Jhaillot. Margie is a board member of AACT, a homemaker and part-time secretary at I.S.R. \)'ILLIAM J. CROSS (Richard Dudgeon) first appeared on stage as the newsboy in A Streetcar Named Desire in 1959, and has since appeared in over 40 productions for AACT, U of M, EMU, Ell CamiJ;l<1 Cojlege, _in California and the Theatre Company of Ann Arbor. Bill's most t:ej!tol}t productions are The President in The Madwoman of Chaillot, Milo Tindle in Sleuth, Prince Boimine in Anastasia, Matt Stanton in Hogan's Goat, Paul Bratter in l3arefoot in the Park'an\:1 Thoreau in The Night Thoreau Spent in Jail for which he won the Best Actor Award. Bill is a twenty year veteran of Civic Theater, and spends his days working for the University School of Music. SUSAN DAWSON (Judith Anderson) has appeared in many AACT productions including Young Sally in Follies, Petra in A Little Night Music, for which she won the Cameo Award, Carousel and Little Mary Sunshine. She has also had many roles in productions of Kiss Me Kate, Cabaret, Ah Wilderness, Romeo and Juliet, Jacques Breland You Can't Take It With You, among others. Susan received her M.A. in Theatre at the U of M as a Professional Theatre Program Fellow. She is also the newest member of Misbehavin',a nostalgic singing trio. Susan works for the law firm of Forsythe, Vandenberg &Morris, P.C. I CAROL DUFFY (Mrs. Annie Dudgeon) is a writer, actress, director, and long time member of AACT. She was last seen on stage as Myra Arendel in AACT's Hay Fever. Carol might best be remembered as a playwright who has brought Ann Arbor audiences The Zoo Keeper, When I Grow Up, Ye Bloody Rebels and This is the Town That Was. She has finished another adult drama, and is currently working on a new children's play. As an actress, Carol has also been seen in several other AACT productions, including Delicate Balance, Man For All Seasons, I Never Sang For My,Father and Night of the Iyuana, Carol teaches elementary school, has three children and writes plays in her spare time.,,. CLEA FINKLE (Essie) is appearing on stage for the first time. An 11th grader at Huron High School, Clea still-has the opportunity to decide what she wants to do in the future. She enjoys drama and sports, especially gymnastics and football l. ~1 1 }' CHRISTOPHER FLYNN (Lawyer Hawkins) is appearing in his second production for AACT, having played Vincent in Follies. Prior to coming to Ann Arbor, he directed the Christopher Ballet, Flint Ballet Theatre and Lansing Festival Ballet. He was a member of the Vanguard Playhouse in Detroit, and appeared in plays, musicals and children's theatre. He has taught at various schools and colleges in Michigan and New York. Christopher has studied with Jose Limon, Pete Gennaro and Richard Joffrey, among others, and has choreographed numerous ballets, musicals and operas. Now he is a faculty member in Ballet at the Dance Department of Michigan.

9 More About the Cast SHELDON LACHMAN (Uncle William Dudgeon) is a newcomer to Civic Theatre and this is his first theatre experience. He is a Psychologist and Instructor at the University and writes technical articles. ED LESHER (Uncle Titus Dudgeon) has been involved with AACT for ten years, having appeared as a body in Arsenic and Old Lace, Bailey in The Night Thoreau Spent in Jai~ Pycraft in Spofford, Heavenly Friend in Carouse~ Paul in You Can 't Take It With You, Grandfather in The Good Person of S chezwan, and the bicycle riding Doorman in The Madwoman of Chaillot. Ed's profession as an Aerospace Engineer at U of M often pays off for AACT in his technical help backstage. BRIAN PHILBIN (Christy Dudgeon) is making his first appearance with AACT, but is not new to the stage. With Ypsilanti High School, Brian has played Dr. Johnson in I Remember Mama, Boris Kolenkhov in You Can't Take It With You, Harry Y. Esterbrook in Inherit the Wind, a baseball player in Out Town and a dancer in The Music Man. Presently he is involved at Ypsi High with theatre and choir and wishes to go to college to major in drama and/or voice. Brian wants to say a personal thanks to his mom, dad, Mr. Boggs, and his friends at school. BEV POOLEY (General Burgoyne) has been a favorite of Ann Arbor Civic Theatre audiences for over 20 years. He portrayed Richard Dudgeon in AACT's first production of The Devil's Disciple in 1967, Andrew Wyke in Sleuth for which he won the Best Actor Award, Lord Summerhayes in Misalliance and last season The Baron in The Madwoman of Chaillot and with The Gilbert and Sullivan Society he was Sir Joseph Porter in H. M.S. Pinafore. Bevis a Profes sor of Law and Director of the Law Library at the U of M. LEI\ REYNOLDS (Mr. Brudenell) is a newcomer to AACT, coming from the Kalamazoo Civic Player s where he was a member for a number of years, appearing in several plays. He teaches and enjoys sailing, golfing, tennis and bridge. JOY SC:\RPUZZA (Mrs. William Dudgeon) has appeared in several productions during her eleven years with AACT. She served a three-year term as a member of the Board of Directors, but perhaps her most important function has been in serving as Head Usher for six of them! D'WIGHT S. SMITH (Major Swindon) has worked on the set and stage crew for every' show since joining AACT in Dwight has performed in the studio productions of Pullman Car Hiawatha, Dark of the Moon, How He L ied To Her Husband, and Feiffer's People. He also appeared in the major productions of You Can't Take It With You as a G-Man, The Good Person of Schezwan as The Minister, and The Madwoman of Chaillot as the Sergeant. Known backstage as a whiz at special effects, Dwight is a Mechanical Engineer for the EPA, and enjoys building and flying airplanes.

10 More About The Cast JOHN D. STEVENS (Sergeant) did seven major and several minor productions with AACT from , including Rhinoceros, The Visit, and The Odd Couple and was on the Board of Directors of AACT. He has also participated in Civic Theatre groups in Washington and Pennsylvania. John is a professor of Communications at the U of M, and has a hobby of collecting beer cans. He is one of the many people rejoining AACT for the grand 50th season. CHARLES SUTHERLAND (Anthony Anderson) has been a member of AACT for eight years, involving himself in directing Follies, You Never Can Tel~ Spofford, and Harvey and acting in A Little Night Music as one of the quintet, Little Mary Sunshine, Brigadoon, Misalliance and Tartuffe, among many others. He has been in dinner theatre productions of The Fantasticks and Dames at Sea, as well as several Gilbert & Sullivan operettas. A third grade teacher in Detroit, Charlie is a member of the AACT Board of Directors, has served as props chairman, directed minor productions and served on several other committees. ABOUT THE STAFF MAX B. ELSEY (Artistic Director) is joining Ann Arbor Civic Theatre for the first time. His educational background includes the Goodman School of Drama and Cornell College, where he received a B.A. in English, Theatre and Speech. He received his M.A. from Eastern Michigan University, writing his Master's Thesis on Mark Medoffs When You Com in' Back Red Ryder? which he directed and designed. Max has worked professionally as a Stage Manager at the Body Politic Theater in Chicago, and the WGN Continental Broadcasting Company in Chicago. Max would like to become an established stage director in the area and eventually open a professional theatre. ROBERT SEEMAN (Scenic Designer) is designing sets for the first time, after being set builder for many AACT shows and shop superintendent for the past year. Bob is probably more familiar with our scene shop than any set designer AACT has had. At one time Bob was making a career of "silent" roles, appearing as the mute King in Once Upon A Mattress for which he won The Best Supporting Actor Award, as Bill in Hogan's Goat, as the Boatman in Ten Little Indians, and as Bertrand, a Page, in A Little Night Music. He also has had speaking parts in several plays, including Darkness at Noon, Mr. Roberts, A Man For All Seasons and last season as the Manager, Francois in The Madwoman of Chaillot. When not on stage or in the scene shop, Bob is found behind the scenes at AACT. Active since 1960, he is now serving his fourth term on the Board of Directors. He was president of the group during the season. CHERYL BERTEEL (Costume Designer) joined AACT during our production of The Good Person of Schezwan and has worked on every major play since, being the Wardrobe Mistress for A Little Night Music and helping back stage for The Madwoman of Chaillot and Follies. Cheryl has built costumes for close to 40 shows, including Fiddler on the Roof, You Can't Take It With You, Oklahoma, Imaginary Invalid, and Hello Dolly for EMU Players and Grosse Pointe Theater. She won an award for costumes from Grosse Pointe Theatre for her design of Cabaret. Cheryl works as a buyer of children's clothes at Goodyear's.

11 More About The Staff DAVID SHELDON (Lighting Designer) is new to AACT and Ann Arbor. He had previously designed lights for the Kalamazoo Civic Players, and Schenectady Civic Ballet. Dave has designed and installed lighting control systems for Kalamazoo Civic Auditorium and for Carver Center. He works as an industrial purchasing agent, having spent the last several years in New York City and Boston. Dave was brought to AACT by his sister, Carol Duffy, who plays Mrs. Annie Dudgeon. ROBERTA RIZZARDI (Makeup Design) has worked on several AACT plays over the past three years in the make-up department (most recently Follies) and for many of the U of M School of Music Opera productions (most recently The Barber of Seville). Roberta received her Bachelor of Fine Arts degree from U of M, and has done some graduate work at U of M and Oakland University, majoring in painting and drawing. This is her tenth year of teaching art in the Dexter Community Schools. RUNELDA MEDRANO (Assistant Director and Stage Manager) has been backstage as A.D. and Stage Manager for the past 15 years doing at least one play a year. Her on-stage experience includes Oklahoma and Mame. Runelda has been a very active AACT member, serving on the Board of Directors in various capacities including Secretary and Treasurer. Other positions she has held include head usher, social chairman, Spotlight editor, and membership Chairman. Runelda works as a secretary/bookkeeper and enjoys showing St. Bernard dogs. KATHYLEEN GENIK (Properties) has been a member of AACT of 4 years and has worked backstage on many productions with both AACT and Saline Area Players. She played the role of Grandma Tzeitel in Saline Players' 1977 production of Fiddler on the Roof and was a dancer in Music Man. She was head of Properties for AACT's Little Mary Sunshine and The Madwoman of Chaillot, and worked on crews for Unexpected Guest and The Good Person of Schezwan and helped on costumes for Follies. Kathy works in Program Timing Launch at Ford-Dearborn, and is the Recording Secretary for the AACT Board of Directors. SUSAN MORRIS (Producer) is better known to Ann Arbor audiences as a director and actress. Susie was voted best actress for her performance as Martha in Arsenic and Old Lace. She played Alma in Summer and Smoke and Ghislaine in Waltz of the Toreadors. Last year Susie directed A Little Night Music and in the season she was the President of the AACT Board of Directors. She works as an Administrative Assistant in the Romance Languages Department at the University of Michigan.

12 Best Actor Best Actress, Best Supporting Actor Best Supporting Actress Cameo, Best Set Design Best Costume Design Best Play President's Award 49th Seas()n Award Winners John Stephens Connie Barron Alex Miller Nancy Heusel Susan Dawson Gary Smith Susan Alford You Can't Take It With You Liz Jelinek Merit Award Winners Virginia Eveland Darlene Hartford Joe Medrano Ed Lesher Mike Hochgreve Barb Carron Susan Morri~ You Can't Take It With You Good Person of Schezwan Good Person of Schezwan The Madwoman of Chaillot A L{ttle Night Music A Little Night Music The Madwoman of Chaillot Ted Heusel- Director Campus Inn is pleased to be a patron advertiser of Ann Arbor Civic Theater honoring their 50th Season of performances. East Huron at State, Ann Arbor, Michigan Phone: The Travel Professionals Plymouth Mall Wolverine To~~r j OJ CONUN TRAVEL l~"'r

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14 AACTANDGBS Ann Arbor Civic Theatre, now in its fiftieth season, managed to survive and prosper for the first thirty of those years without recourse to the works of George Bernard Shaw. Obviously, such abstemiousness could not go on forever. So, in January 1960, believing that we were ready for Mr. Shaw-and hoping that he was ready for us- we took the plunge with a sparkling production of Major Barbara. Jerry Sandler directed; prominent in the cast were Ann Arbor notables Zeke Jabbour, Winifred Pierce, Allan Schreiber, Jim-Bob Stephenson, Phyllis Wright, and a promising newcomer named Beverley J. Pooley. Alice Crawford designed the sets, which were described by a veteran theatre-goer of the time as the most adventurous and exciting sets so far designed for a Civic Theatre production. Having found this marriage of Playwright Shaw and the Players of AACT to be highly successful, the partners have been repeating their vows at somewhat irregular intervals ever since. In March 1965, the production was Candida, starring Aileen. Mengel as Candida and Dr. Robert Green as Reverend Morell. Also in the cast was a man who has since become one of the best-known people in Ann Arbor theatrical circles, Mr. Norman Gibson. Ted Heusel directed, and au of M student named John Haber played Marchbanks and designed the set. Two years later, in March 1967, we first brought The Devil's Disciple to Lydia Mendelssohn stage. Some familiar names reappeared: Allan Schreiber, directing this time, also playing the Sergeant; Alice Crawford as set designer; and the promising newcomer--now a seasoned leading man--beverley Pooley, as Richard Dudgeon. Bette Ellis was cast as Mrs. Dudgeon, Kathy Kosobud played Essie, the Reverend Anthony Anderson and his wife Judith were played by Alfred Reilly and Mari Anne Annis. Also in the cast were such AACT stalwarts as the father-and-son team of Dave and Larry Harbison, Warren Eveland, John Rae, Cora Greenberg, and Mike Gould. The dashing General Burgoyne was played by George Scrivener, an exchange teacher from Thaxted, England, who had given us generously of his talents in conducting our acting workshop during that season. The list of names on the production staff was a roster of the cream of AACT. The construction of the gallows on a wagon, to be wheeled Upstage Center at the proper moment, was a triumph of the technical crew headed by Bob Seeman. Call the Leader tbe Caldwell &: Reinhart Co., ~ ~~.. ~.. ~ Now serving Washtenaw, Wayne, & Livingston Counties Fine Indian Cuisine E. HURON ANN ARBOR, MICHIGAN at thecun eof Waslttenaw and Jluron (313) Open 5:30 9 :30 p.m.

15 Our forty-second season opened with Misalliance, billed as "George Bernard Shaw at his wittiest and most outrageous, in a comedy about love and marriage, turn-of-the-century style." Produced in October 1971, it flourished under the inspired direction of John Reid Klein. The elegant Victorian set, designed by Jim Fisher, featured a huge, domed conservatory window upstage, a round love-seat, and a "new, portable Turkish bath." On the cast list were two names which also appear on your program tonight: Charles Sutherland and-beverley J. Pooley. Arms and the Man came next, in October Directed by Jan Stolarevsky, it was costumed in charming Old Bulgarian style by Marianna Hoad. The cast, in alphabetical order, included Erik Hansen, James Henriksen, Leo McNamara, Susan Morris, Ray Nieto as Bluntschli, Diane Pomerance, Beverley J. Pooley as Major Petkoff, and Cathe Wright. Our forty-eighth season included a production of You Never Can Tel~ the play described by G. K. Chesterton as the nearest approach of Shaw to the purely comic. Charles Sutherland directed, and the ingenious sets were designed by William L. Schiefer. A number of new names appeared in the cast list, along with such familiars as Marie Gilson, Sandra Hudson, and Father Alex Miller. And now, to open the season of our half-century birthday, we dip into our Shavian history to revive The Devil's Disciple. Noting in passing how often we have opened our season with a play by Mr. Shaw, you may well conclude that we hope you enjoy him as much as we do. Burnette Staebler DEVAUX'S STADIUM PHARMACY FREE DEUVERY - CHARGE ACCOUNTS Let u be your pharmacl t ARTHUR & ELIZABETH DEVAUX 1930 Weot Stadia, Aaa Arbor

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17 The First Ten Seasons of Ann Arbor Civic Theatre Season 1st-5th 6th 7th 8th 9th loth Years Title of Show & Date No Public Performances The Late Christopher Bean - March Her Master's Voice- January The Thing To Do - May Three Cornered Moon- December Ten Nights in a Barroom- April Call It A Day- March Aaron Slick From Punkin Crick-January Little Shot- November He and She - January Ann Arbor's Most Complete Bookstore 303 SOUTH STATE STREET ANN ARBOR COSTUME RENTALS MASKS MAKEUP MUCHMORE. Mon. Wed., Thurs., Fri. 3:30-8:00 p_m _ Saturday 11 :30 a.m. 5 :30p.m.

18 National Bank & Trust Company of Ann Arbor Since1893 Member FDIC JOHN LEIDY gifts E. Liberty Jacob sons

19 ANN ARBOR CIVIC THEATRE PROUDLY PRESENTS PEilFOilMA:'i('E NO. OF UOLLAil TICKETS AMOI,;:\T Wednesday $5.00 KISS ME KATE Thursday $5.00 by Cole Porter December 12-16, 1979 = Add Sunday 3:00 $5.00 S.;;Il rorpustal{t' & handling s.go TOTAL AMOUNT NAME ADDRESS PHONE CITY STATE ZIP Make checks payable to Ann Arbor Civic Theatre Mail orders to AACT Tickets, P. 0. Box 1242, Ann Arbor, Michigan I The University of Michigan PROFESSIONAL THEATRE PROGRAM ~nt is pleased to 6e amona IRe patrons of pt;p c!fre Jlnn Jlr6or Bivic c!frealre Ann Arbor Civic Theatre wishes to thank its advertisers for their patronage, and to encourage its program readers, in turn, to patronize our advertisers. If you wou ld lik e to help us to support the cost of the program by becoming an advertiser or program patron, please write to AACT, P.O. Box You w ill be contacted by our program editor. Thank you!

20 Ann ARBOR OVIC: THEATRE WHAT DOES OUR 50TH SEASON MEAN TO YOU? Community Involvement with Ann Arbor Civic Theatre! We are always looking for members, old and new, to join us creating theatrical productions. Find out what goes on behind the scenes, and what our plans are for the future. Membership fees are inexpensive, and can open the world to a whole new kind of hobby. Contact the membership booth in the lobby for further details about how you too can become a member, or write Ann Arbor Civic Theater-Membership, P.O. Box 1242, Ann Arbor, Michigan Discover the best! HASSELBLA D" The world s most prestigious camera system! The famous 500 C/M, the Super Wide C, the 500 EL/M Motor Drive camera, or the incom parable new 2000 FC. Superior lenses by Zeiss and a complete line of accessories... at Ann Arbor's Quality Photographic Center- BIG GEORGE'S FINE PHOTOGRAPHY DEPT W. STADIUM BLVD