raspored / Schedule petak, 31. srpnja Friday, 31st of July subota, 1. kolovoza Saturday, 1st of August ponedjeljak, 3. kolovoza Monday, 3rd of August

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2 raspored / Schedule petak, 31. srpnja Friday, 31st of July subota, 1. kolovoza Saturday, 1st of August koncert u Crkvi sv. Marije u Starom gradu Pagu u 21h / concert in St. Mary s Church in the Old Town Pag at 9p.m. Monika Leskovar&Giovanni Sollima, duo violončela / cello duo, nakon koncerta - otvorenje izložbe fotografija Josipa Portade u Crkvi sv. Jurja u Pagu / after the concert - opening of the photo exhibition by Josip Portada in St. George s Church in Pag koncert u Crkvi sv. Katarine u Novalji u 21h / concert in St. Catherine s Church in Novalja at 9p.m. Monika Leskovar&Giovanni Sollima, duo violončela/cello duo ponedjeljak, 3. kolovoza Monday, 3rd of August koncert u Crkvi sv. Frane u Pagu u 21h / concert in St. Francis Church in Pag at 9 p.m. Lovro Pogorelić, klavir / piano utorak, 4. kolovoza Tuesday, 4th of August koncert u Crkvi sv. Katarine u Novalji u 21h / concert in St. Catherine s Church in Novalja at 9p.m. Lovro Pogorelić, klavir / piano četvrtak, 6. kolovoza Thursday, 6th of August koncert u Crkvi sv. Marije u Starom gradu Pagu u 21h / concert in St. Mary s Church in the Old Town Pag at 9p.m Nikita Boriso-Glebsky, violina / violin & Krešimir Bedek, gitara / guitar petak, 7. kolovoza Friday, 7th of August nedjelja, 9. kolovoza Sunday, 9th of August koncert u Crkvi sv. Katarine u Novalji u 21h / concert in St. Catherine s Church in Novalja at 9p.m. Nikita Boriso-Glebsky, violina / violin & Krešimir Bedek, gitara / guitar, nakon koncerta - otvorenje izložbe fotografija Josipa Portade u Gradskoj vijećnici u Novalji / after the concert - opening of the photo exhibition by Josip Portada in the Novalja City Hall koncert u Crkvi sv. Frane u Pagu u 21h / concert in St. Francis Church in Pag at 9p.m. Darko Petrinjak, gitara / guitar ponedjeljak, 10. kolovoza Monday, 10th of August koncert u Crkvi Gospe Snježne u Mandrama u 21h / concert in the Church of Our Lady od the Snow in Mandre at 9p.m. Darko Petrinjak, gitara/guitar petak, 14. kolovoza Friday, 14th of August PagArtFestival predstavlja mlade glazbenice / PagArtFestival presents young musicians: koncert u crkvi sv. Frane u Pagu u 21h / concert in St. Francis Church in Pag at 9p.m. Anamarija Milić, violina / violin &Ana Lucić, klavir / piano program se odvija u suradnji s Centrom za kulturu i informacije Paga, Centrom za kulturu Novalje, Gradom Novalja i Općinom Kolan / the program takes place in co-operation with the Pag Center for Culture and Information, Novalja Center for Culture, Novalja City and Kolan Municipality

3 Opravdanje umjetnosti je unutarnje sagorijevanje koje pali u srcu čovjeka, a ne njegova vanjština, otkriveni, javni nastup. Svrha umjetnosti nije oslobađanje trenutne provale adrenalina nego, prije, postupna, doživotna izgradnja stanja propitivanja i pomirenja. Glenn Gould, pijanist The justification of art is the internal combustion ignited in the hearts of men and not its shallow, externalized, public manifestation. The purpose of art is not the release of a momentary ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity. Glenn Gould, pianist Poštovani! Naš i Vaš festival održavamo već sedamnaest godina, i najveće priznanje ostvarujemo upravo s ovim ljetom i pozivom u Novalju i Kolan. PagArtFestival se širi i donosi radost i ispunjenje sve većem broju ljudi koji nalaze opravdanje umjetnosti i spremni su posvetiti večer slušanju klasične, ozbiljne glazbe, u pregrijanoj crkvi s neudobnim klupama, bez razglasa, raznobojne rasvjete, dekoracija, i pokušati doživjeti nešto novo iz fotografija detalja otočkog kamena. S naše strane, puno je propitivanja i puno pomirenja, ali ne propitujemo smisao ni opravdanje umjetnosti jer ona za nas znači život. Esteemed! We have held our and your festival for seventeen years already and we obtain the greatest recognition exactly with this summer and the invitation to Novalja and Kolan. PagArtFestival is expanding and brings joy and fulfilment to ever increasing number of people that find the justification of art and are willing to spend an evening by listening to classical, serious music, in an overheated church with uncomfortable benches, without a sound system, colourful lighting and decorations, and try to experience something new from the photos of island stone details. On our part, there is a lot of questioning and a lot of reconciliation, but we question neither the meaning nor the justification of art because it means life to us. Lovro Pogorelić, umjetnički direktor/artistic Director foto/photo by Mio Vesović / MO

4 Monika Leskovar&Giovanni Sollima, duo violončela/cello duo M. Marais: izbor iz Suite u d-molu iz Skladbi za violu, 2. knjiga / selection from Suite in D minor from Pieces for Viola, 2nd book C. Debussy: Preludij za faunovo poslijepodne, obr. G. Sollima / Prelude to the Afternoon of a Faun, arr. by G. Sollima G. Sollima: Interpretacija snova / The Interpretation of Dreams Hrvatska violončelistica Monika Leskovar (rođena u Kreutzalu, Njemačka, 1981.) učila je kod D. Berković Magdalenić u glazbenom učilištu Elly Bašić u Zagrebu i kasnije kod V. Dešpalja postaje studentica D. Geringasa pri Visokoj glazbenoj školi Hanns Eisler u Berlinu, gdje je bila asistentica od do Od listopada predaje violončelo na Konzervatoriju Lugano. Na master classima je radila s M. Rostropovičem i B. Greenhousom. Osvojila je nagrade na međunarodnim violončelističkim natjecanjima Međunarodno natjecanje mladih glazbenika Čajkovski (Sendai, 1995.), Antonio Janigro (Zagreb, 1996.), Rostropovič (Pariz, 1997.), Eurovision Grand Prix (Vienna, 1998.), Roberto Caruana Stradivari (Milano, 1999.), ARD (München, 2001.), Adam (New Zealand, 2003.). S. Gubaidulin rekla je o njoj: Monika je perfektno izvela moje Preludije za violončelo solo Ona je zaista izvanredna, i jednostavno ju obožavam...monika je vrsta talenta koji se javlja jedino milošću Božjom. Nastupala je kao solistica s orkestrima kao što su Simfonijski orkestar Bavarskog radija, Moskovska filharmonija, Filharmonije Sendaija, Slovenije, Zagreba, Essena, Simfonijski orkestar St. Petersburga, Praški i Litvanski komorni orkestar, Kremerata Baltica, ansambl Zagrebački solisti, s dirigentima poput V. Gergijeva, T. Hengelbrocka, K. Pendereckog, i na recitalima, u komornim muzičkim projektima i istaknutim festivalima kao Lockenhaus, Schleswig-Holstein, Rheingau, Dubrovnik, Casals Festival (Tokyo), Rostropovič Festival (Riga), u suradnji s glazbenicima: G. Kremer, J. Bašmet, B. Berezovski, J. Rachlin, I. Golan, T. Zimmermann, S. Gubaidulina, M. Brunello, N. Zneider, J. Jansen i K. Blacher, među ostalima. Od godine surađuje s violončelistom i skladateljem G. Sollimom, s kojim je snimila album Bili smo drveće, za Sony/ BMG. U snimila je Stamitzov Koncert za violončelo u Croatian cellist Monika Leskovar (born in Kreutztal, Germany, 1981), studied with D. Berković Magdalenić at Elly Bašić Music School in Zagreb and later with Valter Dešpalj. In 1996 she became a student of D. Geringas at the Hanns Eisler Hochschule für Musik in Berlin, where she was an assistant from 2006 to From October 2012 she teaches cello at Lugano Conservatory of Music. In masterclasses she worked together with M. Rostropovitch and B. Greenhouse. Winner of several prizes at international cello competitions - International Tchaikovsky for Young Musicians (Sendai, 1995), Antonio Janigro (Zagreb, 1996), Rostropovich (Paris, 1997), Eurovision Grand Prix (Vienna, 1998), Roberto Caruana Stradivari (Milano, 1999), ARD (München 2001), 5th Adam (New Zealand, 2003). S. Gubaidulina says of her: Monika perfectly performed my Preludes for solo violoncello She is truly remarkable, and simply I adore her Monika is the sort of talent that only appears by the Grace of God. She performed as a soloist with orchestras such as Bavarian Radio Symphony Orchestra, Moscow Philharmonic, Sendai Philharmonic, Slovenian Philharmonic, St. Petersburg Symphony Orchestra, Zagreb Philharmonic, Essen Philharmonic, Prague Chamber Orchestra, Lithuanian Chamber Orchestra, Kremerata Baltica, ensemble Zagreb Soloists, with conductors such as V. Gergiev, T. Hengelbrock, K. Penderecki, and in solo recitals, chamber music projects and noted festivals like Lockenhaus, Schleswig-Holstein, Rheingau, Dubrovnik, Casals Festival (Tokyo), Rostropovich Festival (Riga), collaborating with G. Kremer, Y. Bashmet, B. Berezovsky, J. Rachlin, I. Golan, T. Zimmermann, S. Gubaidulina, M. Brunello, N. Zneider, J. Jansen and K. Blacher, among others. Since 2005, she has collaborated with the cellist and composer G. Sollima, with whom she recorded the album We Were Trees, recently published by Sony/BMG. In 2008, she recorded the G-major Cello Concerto by Stamitz and Varia-

5 G-duru i Danzijeve varijacije na temu iz Don Giovannija za Oemhs classics. Monika Leskovar svira na violončelu Mantegazza, Milano, iz 1765., koje joj je ustupila Akademija Kronberg. tions on a theme from Don Giovanni by Danzi for the label Oemhs Classics. Monika Leskovar plays a cello by Mantegazza, Milano from 1765, loaned to her by Kronberg Academy. Giovanni Sollima rođen je u Palermu u obitelji glazbenika. Studirao je violončelo kod G. Perriera i A. Janigra te kompoziciju sa svojim ocem Eliodorom Sollimom i M. Kelemenom. Od ranog doba radio je glazbenicima poput C. Abbada, G. Sinopolija, M. Argerich, R. Mutija, J. Bašmeta, K. i M. Labèque, R. Raimondija, B. Canina, DJ Scannera, V. Mullove, Patti Smith, Philipa Glassa i Yo-Yo Ma. Njegovi nastupi s orkestrima i raznim ansamblima (uključujući Giovanni Sollima Band koji je osnovao u New Yorku 1997.) razvijaju se među službenim i alternativnim lokacijama: Muzička akademija Brooklyna, Alice Tully Hall, Knitting Factory i Carnegie Hall (New York), Wigmore Hall i Queen Elizabeth Hall (London), Salle Gaveau (Pariz), Santa Cecilia, Romaeuropa festival Teatar San Carlo (Napulj), Kunstfest (Weimar), Violončelistički festival Kronberga, Time Zones Festival (Bari), Teatro Massimo, Teatro alla Scala (Milan), Međunarodni muzički festival u Istanbulu, Cello Biennale (Amsterdam), Ljetni festival Tokyja, venecijanski Biennale, Festival Ravenne, Zvuci Dolomita, Festival Ravelloa, Expo 2010 (Šangaj), Concertgebouw u Amsterdamu, Filharmonija Liverpoola... Paralelno s violončelom njegova ga je znatiželja povukla da istraži nove granice u polju skladanja kroz kontaminaciju između različitih žanrova, koristeći također orijentalne instrumente kao i električne te mnoge njegove invencije. Surađuje također s umjetnicima kao što su u plesu K. Armitage i C. Carlson, u teataru B. Wilson, A. Baricco i P. Stein i u filmu M. Tullio Giordana, P. Greenaway, L. Gjertsen (San otvorenih očiju, 2007.) i J. Turturro. Zajedno s violončelistom i skladateljem E. Melozzijem promovirao je projekt 100 violončela ostvaren u Teatru Valle Occupato u Rimu. Glazbenici svih uzrasta i usmjerenja okupili su se na tri dana i tri noći violončelističke glazbe, od baroka idući preko rock glazbe do suvremene pisane za vrijeme koncer- Giovanni Sollima was born in Palermo into a family of musicians. He studied cello with G. Perriera and A. Janigro and composition with his father Eliodoro Sollima and M. Kelemen. From an early age, he worked with musicians such as C. Abbado, G. Sinopoli, M. Argerich, R. Muti, Y. Bashmet, K. and M. Labèque, R. Raimondi, B. Canino, DJ Scanner, V. Mullova, Patti Smith, Philip Glass and Yo-Yo Ma. His works as a soloist with orchestra and various ensembles (including the Giovanni Sollima Band, which he founded in New York in 1997) unfolds between official and alternative locations: Brooklyn Academy of Music, Alice Tully Hall, Knitting Factory and Carnegie Hall (New York), Wigmore Hall and Queen Elizabeth Hall (London), Salle Gaveau (Paris), Santa Cecilia, RomaEuropaFestival (Roma), Teatro San Carlo (Naples), Kunstfest (Weimar), Kronberg Cello Festival, Time Zones Festival (Bari), Teatro Massimo, Teatro alla Scala (Milan), International Music Festival in Istanbul, Cello Biennale (Amsterdam), Tokyo Summer Festival, Venice Biennale, Ravenna Festival, The Sounds of the Dolomites, Ravello Festival, Expo 2010 (Shanghai), Concertgebouw in Amsterdam, Liverpool Philharmonic... Parallel with cello, his curiosity led him to explore new frontiers in the field of composition through contamination between different genres, also making use of oriental instruments, electrical and many of his inventions. He also collaborated with other artists such as K. Armitage and C. Carlson for dance, with B. Wilson, A. Baricco and P. Stein for theater and with M. Tullio Giordana, P. Greenaway, Lasse Gjertsen (DayDream, 2007) and J. Turturro for cinema. Together with the cellist and composer E. Melozzi, he promoted the project 100 Violoncelli created at the Teatro Valle Occupato in Rome. Musicians of all ages and formations got together for 3 days and 3 nights of cello music, from baroque over rock music to contemporary music written during the concerts - there were no limits. The project was repeated in

6 ta nije bilo ograničenja. Projekt je ponovljen i u Teatru umjetnosti u Milanu. Održat će se i treće izdanje skladateljskog netjecanja i prvo izdanje libretističkog natjecanja. U bio je također koncertantni majstor u projektu Noć Tarante festival tradicionalne narodne glazbe Salenta (talijanska pokrajina Apulia) kojem je vrhunac bio koncert pred ljudi. Ovoga ljeta ponovit će to iskustvo 23. kolovoza. Među posljednjim albumima su Napolitanski violončelistički koncerti snimljen za Glossu i Caravaggio za Egeu. Prestižni Simfonijski orkestar Chicaga naručio je dvostruki koncert za njega i Yo-Yo Ma, s premijerom u Simfonijskoj dvorani u Chicagu u veljači Giovani Sollima poučava na Akademiji sv. Cecilije u Rimu i na Zakladi Romanini u Bresci. Svira na violončelu Francesca Ruggierija iz Cremone, iz 1679.godine and in 2014, taken place in Milan at the Teatro delle Arti. There will be the 3rd edition of the composition contest and the first edition of the libretto contest. In 2013, he was also the Maestro Concertatore of the project La Notte della Taranta - a festival of traditional popular music from the Salento (region of Apulia, Italy) that culminated in a big concert with audience of more then persons. This summer he will repeat the experience on the 23rd of August. Among the latest albums are Neapolitan Cello Concertos for Glossa and Caravaggio for Egea. The prestigious Chicago Symphony Orchestra commissioned a new double cello concerto for himself and Yo-Yo Ma, with the premiere at the Symphony Hall in Chicago in February Giovanni Sollima teaches at the Accademy of Santa Cecilia in Rome and at the Fondazione Romanini of Brescia. He plays on a cello by Francesco Ruggieri (1679, Cremona).

7 Josip Portada Kamen i snovi / Stones&Dreams, fotografije/photos Josip Portada bavi se umjetničkom djelatnošću od Rođen je u Pagu gdje je završio osnovnu školu i gimnaziju. Diplomirao je na Pravnom fakultetu u Zagrebu. Član je ULU- PUH-a, HND-a, Međunarodnog udruženja novinara i grupe Otočni fotografi. Imao je trideset dvije samostalne izložbe i sudjelovao je na brojnim skupnim izložbama. Izlagao je u eminentnim prostorima kao što su Muzej Mimara, Moderna galerija Josip Račić, Nacionalna sveučilišna knjižnica i Galerija ULUPUH-a u Zagrebu, Centar vizualnih umjetnosti u Lovranu, Galerija Principij i Narodna čitaonica te Galerija Državnog arhiva u Rijeci, Kneževa palača, Galerija HDLU-a i Galerija crkve sv. Petar i Andrija Stari u Zadru, Centar vizualnih umjetnosti u Rovinju, Narodni muzej u Labinu i crkva sv. Jurja u Pagu. Osim u spomenutim gradovima, izlagao je u Savudriji, Biogradu n/m, Kukljici i Pečuhu (Mađarska). Njegova serija fotografija Odore dio je stalne izložbe Grad Pag u srednjem vijeku u kapeli Sv. Trojstva u Pagu. Na 19. Međunarodnoj izložbi Otok i more u Zadru osvojio je Zlatnu plaketu za crnobijeli portret Otočanka. Dobio je Zahvalnicu Grada Paga za osobit doprinos u kulturi. Surađivao je s brojnim dnevnim novinama, tjednicima i magazinima. Od do objavio je nekoliko tisuća novinskih, dokumentarnih, reklamnih i umjetničkih fotografija u dnevnim listovima i magazinima Studio, Livingstone Magazine, Slobodna Dalmacija, Ragan, Naša Vila, Novaljski list, Zadarski tjednik, Narodni list, Dnevnik, Karlovački list, Glas Istre, Večernji list, Jutarnji list, Novi list i Zadarski list. Od fotografije objavljuje na brojnim internetskim portalima i internetskim stranicama u Hrvatskoj i inozemstvu. Fotografski je oblikovao i uredio naslovnice svojih knjiga Kameno postolje, Za tebe, Rod kamena, Frane Budak, Prošlost Paga u slikama i zapisima i Cvijet kamena-priča o paškoj čipki. Radio je na izradi grba, zastave i gonfalona Grada Paga, izrađivao je fotografije za plakate, nosače zvuka, za reklamne kampanje, kalendare te za press materijale raznih institucija. Josip Portada has been engaged in artistic activities since He was born in Pag where he finished elementary school and high school. He graduated from the Faculty of Law in Zagreb. He is a member of the Croatian Association of Artists of Applied Arts (ULUPUH), Croatian Journalists Association (HND), International Journalists Association and of Island Photographers Group. He has had thirty-two solo exhibitions and has participated in numerous group exhibitions. He has exhibited in eminent venues, such as Mimara Museum, Josip Račić Modern Gallery, National University Library and ULUPUH Gallery in Zagreb, Visual Arts Center in Lovran, Principij Gallery, National Library and State Archive Gallery in Rijeka, Ducal Palace, HDLU Gallery and the Gallery of Church of Peter and Andrew Senior in Zadar, Visual Arts Center in Rovinj, Labin National Museum and Church of St. George in Pag. In addition to the stated cities, he has also exhibited in Savudrija, Biograd n/m, Kukljica and Pecs (Hungary). His photo series of Uniforms is a part of the permanent exhibition of the City of Pag in the Middle Ages in the Chapel of St. Trinity in Pag. At the 19th International Exhibition Island and Sea in Zadar, he won a Golden Plaque for a black and white portrait Island Woman. He has also been given the Scroll of Honour Award of the Town of Pag for outstanding contribution to culture. He has worked with numerous daily newspapers, weeklies and magazines. From 1984 to 2014, he published several thousands of newspaper, documentary, advertising and artistic photographs in newspapers and magazines Studio, Livingstone Magazine, Slobodna Dalmacija, Ragan, Naša Vila, Novaljski list, Zadarski tjednik, Narodni list, Dnevnik, Karlovački list, Glas Istre, Večernji list, Jutarnji list, Novi list and Zadarski list. As of 2007, he has published his photos on various web portals and sites in Croatia and abroad. He has designed and arranged the covers of his books Stone Pedestal, For You, Stone Gender, Frane Budak, Pag s Past in Photos and Records and Stone Flower-Story of Pag Lace. He has worked on the development of the coat of arms, flag and gonfalon of the City of Pag, he has developed photos for posters, CDs, advertising campaigns, calendars and press materials of various institutions. He has donated a series of

8 Seriju fotografija Kotule i fuštani-posljednji tragovi donirao je za projekt Vremenska kapsula-pag Od početka svojeg umjetničkog djelovanja do bavio se eksperimentalnom, novinskom, dokumentarnom i kolaž fotografijom. Od do izrađivao je i fotografije kao predloške za plakate. Od bavi se kombiniranjem raznih slikarskih tehnika i fotografije što je objedinio u projekt Gloria. Dio fotografija iz tog projekta prikazao je na izložbama u Kneževom dvoru u Pagu Svila (1998.) i Pag u boji (2008.). Snimanje fotografija digitalnom tehnikom počeo je 2000., a od izrađuje i makro fotografije. photographs Kotule i fuštani Last Traces for the project Time Capsule - Pag From the start of his artistic work to 2000, he has dealed with experimenting, newspaper, documentary and collage photographing. Since 1984 to 1987, he also made photos as poster templates. Since 1997, he has combined various painting techniques and photography, which he united in the Gloria Project. He exhibited a portion of photographies from this project in exhibitions in the Ducal Palace in Pag Lace (1998) and Pag in Colour (2008). He started doing photos in digital technique in 2000 and he has been making macro photographs since Josip Portada: Ogovaranje

9 Očima kamena / Through the Eyes of Stone Na prvi pogled izgleda da smo pustili predmete da nam govore, da smo nađenim kamenim oblutcima dali priliku da se vizualno oglase. Doista, poetika l object trouvée (nađeni predmet), koju su patentirali avangardisti vizualnih umjetnosti, omogućila nam je da s čuđenjem (i očuđenjem ) promatramo naizgled obične stvari, svijet oko sebe. Fotograf Josip Portada tražio je i nalazio zaobljene kamene oblike-oblutke, a posebno je rado selektirao one s okruglim perforacijama. S obzirom da je sferna ili, u svakom slučaju, zaobljena formacija okupljenih kamenih čestica nalik koštanim lubanjama, rupe i bušotine u njihovom tkivu izgledaju nam kao otvori usta ili, još bolje, kao očne duplje. Tako doživljujemo i inverziju: čini nam se da nas oblutci motre, da smo i mi sami viđeni očima kamena. Nakon izbora karakterističnih primjeraka kamenčića obrađenih morskim valovima, te svjestan da ih ne možemo ravnodušno gledati bez svojevrsne empatije, Josip Portada se odlučuje na intervencije u kojima predmetnome svijetu daje i oniričku dimenziju. Naime, učestalo ih stavlja u nove međusobne odnose, multiplicira ih, zrakasto organizira, zrcalno ih projicira ili člankovito niže, postižući dojam strukturalne povezanosti elemenata. Već i inače ekspresivan (katkad vrlo privlačan, a katkad gotovo odbojan) objekt umnažanjem i dekontekstualiziranjem postaje izvor novih sanjarija. Igra svjetla i sjene po glatkim i hrapavim površinama isto tako nas odvodi od obične realnosti prema nekim drugim, pa i onostranim protegama. Izdvojeni predmeti u beskraju tamne pozadine emaniraju gotovo magične učinke talismana, amajlije, a grupne kompozicije istovrsnih - ali proporcionalno ulančanih kamenih oblutaka uvlače nas u kadar svojim novim ritmovima. At the first glance it seems that we have let the objects speak to us, that we have given the found pebbles the opportunity to visually speak. Indeed, poetics of l object trouvée (found object), which was patented by visual art avant-gardists, enabled us to watch seemingly ordinary things, the world around us, with amazement (and estrangement ). Photographer Josip Portada sought and found the round stone shapes - pebbles, and was particularly happy to select the ones with round perforations. Since the spherical or, in any case, round formation of assembled stone particles looks like bony skulls, holes and bores in their tissues seem like mouth orifices or, even better, as eye sockets. We also experience inversion like this: it seems that the pebbles are watching, that we ourselves are also watched through the eyes of stone. After selecting characteristic examples of small stones processed by the sea waves, and knowing that we cannot watch them indifferently without peculiar empathy, Josip Portada chooses interventions in which he gives oneiric dimension to the world in question. Namely, he frequently places them in new mutual relationships, multiplies them, radially organizes them, projects them in the mirror or arranges them like segments, achieving the impression of structural connection of elements. By multiplication and decontextualization, an already expressive (sometimes very attractive and sometimes almost repellent) item becomes the source of new reveries. The play of light and shadow on smooth and rough surfaces also takes us from ordinary reality to some other, even otherworldly dimensions. Isolated items in the vastness of dark background emanate almost magic effects of talismans and amulets, while group compositions of equal - but proportionally chained pebbles draw us into the scene with their new rhythms. Tonko Maroević

10 Lovro Pogorelić, klavir/piano F. Schubert: Klavirska sonata u B-duru / Piano Sonata in B-flat major, D960 R. Schumann: Kreisleriana, op.16 Od svoje sedamnaeste godine Lovro Pogorelić redovito koncertira širom svijeta. Solistički ili s orkestrom, ostvaruje pijanističke kreacije uvjerljive snage i nepobitne individualnosti. Njegovu seriju recitala u Japanu (Osaka, Nagoya, Tokyo 2011.) kritika je popratila sljedećim riječima:...on je krupan čovjek i svira s punim udarom, ali nalazim profinjenost u njegovom zadivljujućem zvuku... K. Michishita, Let s Enjoy Tokyo, 5 najboljih koncerata u Njegova izvedba je ekstremno bogata i raznovrsna a vještina njegovih ruku je neiscrpna. Vizualno, kao blistavi kristali i moćno kao prašina u zraku. Potpuno sam zadivljena ogromnom širinom dinamičke skale i njegovim kapacitetom u okretnosti pokretne snage logičkog sklada. Njegov rad sadrži mnogo ekscentričnih faktora, ipak svaki djelić zvuka je gladak i blistav kao baršun... K. Fushhiya, www. jazztokyo.com, a prilikom turneje s Mađarskom filharmonijom pod ravnanjem Zoltána Kocsisa (2. Klavirski koncert S. Rahmanjinova; Miškolc, Szegedin, Pečuh, Debrecin, Budimpešta 2012.) zabilježeno je: Plemenitu eleganciju izvedbe Lovre Pogorelića, njegove suverene, ali ne pretjerane, individualne odabire tempa koje je orkestar uglavnom dosta fleksibilno pratio, - njegovu prirodnu virtuoznost auditorij je nagradio urnebesnim pljeskom, a glazbenik koji i svojom skromnošću pokazuje primjer svima, za to se zahvalio kratkim frapantnim preludijem Rahmanjinova. A. Kovács, Eozin magazine, Pécs. Francuska diskografska kuća Intrada (Pariz) prepoznala je umjetnost Lovre Pogorelića te je u proljeće izdala CD Liszt Lovro Pogorelić koji je izazvao divljenje kritike u rasponu od uzvika Wouah! u Francuskoj (A. Jourdain, www. pianobleu.com) do karakterizacije... pijanist izvjesne reputacije sa zadivljujućim muzičkim argumentima... (J. Hamada, From the age of seventeen, Lovro Pogorelich has been giving concerts throughout the world on a regularly basis. Solo or accompanied by the orchestra, he makes pianistic creations of convincing power and inarguable individuality. His recital tour in Japan (Osaka, Nagoya, Tokyo 2011) was commented by the critics as:...he is a big man in size and plays in full impact, but I myself felt refined delicacy in his astonishing sound... K. Michishita, Let s Enjoy Tokyo, 5 best concerts in He is extremely rich in performing music of a great variety and holds inexhaustible skills in his hands. Visually as sparkling crystal and powerfully as dust blown up in the air. I am utterly astonished by a great variety of dynamic range, and his capacity in a swift shifting power of sequence in tune. His work contains many eccentric factors, although every grain of tune is as smooth and brilliant as velvet K. Fushhiya, www. jazztokyo.com, and for Hungarian tour with the Hungarian Philharmonic under the direction of Mo. Zoltán Kocsis (2nd Piano Concerto by Rachmaninov; Miskolc, Szeged, Pecs, Debrecen, Budapest 2012): A noble elegance of Lovro Pogorelich s interpretation, his sovereign, yet not excessive, highly individual choices of the tempo which the orchestra followed quite flexibly his natural virtuosity was rewarded by the thundering applause, and the musician, whose modesty should serve as an example to all, thanked for it with a striking Rachmaninoff s prelude. A. Kovács, Eozin magazine, Pecs French recording company Intrada (Paris) has recognised the art of Lovro Pogorelich and, in spring 2007, it published a CD Liszt Lovro Pogorelich acclaimed by the critics, ranging from an exclamation of admiration Wouah! in France (A. Jourdain, to the following characterisation...a pianist of unquestionable reputation with fascinating musical arguments... (J. Hamada, The Record Geijutsu Disc Review, Japan). The French music TV channel Mezzo even produced a

11 The Record Geijutsu Disc Review, Japan). Francuski muzički kanal Mezzo snimio je dokumentarni film o nastanku ovog CD-a koji je višekratno emitiran. U prosincu Intrada izdaje novi CD Lovre Pogorelića, s djelima Musorgskog i Rahmanjinova. Pianobleu odabire ovaj CD kao CD mjeseca siječnja Hrvatski izdavač je Dancing Bear. Na Danima hrvatskog filma prikazan je glazbeni spot Slike s izložbe Lovre Pogorelića, autora Zorana Vuletića. HRT je snimila portret Lovre Pogorelića još 1993., a prošle godine intervjuirala ga je u emisiji Knjiga ili život. Lovro Pogorelić živi, radi i uživa u Mesničkoj ulici u Zagrebu. Izvanredni je profesor klavira na Muzičkoj akademiji u Zagrebu. documentary on the recording of the said CD that has been repeatedly aired. In December 2008, Intrada published a new Lovro Pogorelich CD with the works of Mussorgsky and Rachmaninoff. Pianobleu chose this CD as the CD of the Month in January CDs have been released in Croatia as well, by Dancing Bear record label. In spring 2012, Days of Croatian Film festival screened a music clip Pictures at an Exhibition by Lovro Pogorelich, made by Zoran Vuletić. Croatian Radio-TV portrayed Lovro Pogorelich back in 1993 and he was interviewed last year for a TV show Book or Life. Lovro Pogorelich lives, works and enjoys life at Mesnička Street in Zagreb. He teaches piano as an Associate Professor at the Music Academy of the University of Zagreb. foto / photo by Josip Portada

12 Nikita Boriso-Glebsky, violina/violin Krešimir Bedek, gitara/guitar N. Paganini: Sonata u a-molu / Sonata in A minor, MS 112A, br./no.1 M. de Falla/P. Kochanski: Španjolska suita / Suite Populaire Espagnole after Seven Spanish Folksongs M. Miletić: Sonatina Á. Piazzolla: Ples anđela/milonga del Angel* B. Bartók: Rumunjski narodni plesovi / Romanian Folk Dances** I. Albéniz: Mallorca op. 202* P. de Sarasate: Carmen fantazija / Carmen Fantasy, Op.25** * obr./arr by Th. Müller Pering ** obr. za gitaru/guitar arr. by K. Bedek Nikita Boriso-Glebskij rođen je na jugu Rusije. Diplomirao je violinu (2008.) na moskovskom Konzervatoriju Čajkovski pod vodstvom profesora E. Grača i T. Berkul i postao rezidentni umjetnik Dvorske kapele belgijske kraljice Elisabethe pod ravnanjem A. Dumaya. Od godine ekskluzivni je umjetnik Moskovske filharmonije. Njegov veliki uspjeh započinje u godini, pobjedom na međunarodnim violinističkim natjecanjima Jean Sibelius i Fritz Kreisler, nakon što je već nagrađivan na mnogim prestižnim natjecanjima uključujući natjecanja Čajkovski, Queen Elisabeth i Montreal. Godine uvjerljivo je pobijedio na Natjecanju majstora violine u Monte Carlu. Nastupao je s mnogim ruskim i evropskim orkestrima, uključujući orkestre Marinskij, Ruski državni orkestar, Simfonijski orkestar Sjevernonjemačke radiotelevizije, poljski Komorni orkestar Amadeus te Državni orkestar Litve, pod ravanjem dirigenata kao što su V. Gergiev, C. Poppen, J. Simonov, M. Vengerov i A. Duczmal. Redovito nastupa na mnogim značajnim euro-pskim festivalima među kojima su Salzburške svečanosti, Muzički festival Rheingaua, moskovske Decembarske noći posvećene S. Richteru, Beethovenfest u Bonnu i Zvijezde bijelih noći u St. Peterburgu. Pored solističkih nastupa svira i komornu glazbu te ističe suradnju s istaknutim glazbenicima - R. Nikita Boriso-Glebsky was born in 1985 in southern Russia. After graduating in 2008 from the Moscow Tchaikovsky Conservatory under the guidance of Professor E. Grach and T. Berkul, he became an artist-in-residence at Chapelle Musicale Reine Elisabeth in Belgium under the direction of A. Dumay. Since 2007, he has been an exclusive artist of Moscow Philharmonic Society. Nikita s rise to prominence came in 2010 when he won the International Jean Sibelius Violin Competition and the International Fritz Kreisler Violin Competition. He has also been awarded top prizes in many prestigious violin competitions including Tchaikovsky, Queen Elisabeth and the Montreal Music Competition. In 2013, he won a landslide victory at the Monte Carlo Violin Masters in Monaco. He has performed with many Russian and European orchestras, including the Mariinsky Orchestra, State Symphony Orchestra of Russia, NDR Symphony Orchestra (Hanover), Amadeus Chamber Orchestra (Poland), and the State Orchestra of Lithuania, with conductors as V. Gergiev, C. Poppen, Y. Simonov, M. Vengerov, A. Duczmal. He performs regularly at many of the major European festivals including the Salzburg Festspiele, Rheingau, S. Richter s December Nights in Moscow, Beethovenfest in Bonn and the Stars of the White Nights in Saint Petersburg. In addition to solo engagements, Nikita has enjoyed working in collaboration with renowned musicians including R. Shchedrin, N. Gutman, A. Dumay, B. Berezovsky, A. Kniazev,

13 Ščedrin, N. Gutman, A. Dumay, B. Berezovski, A. Knjazev, R. Wallfish, J. Wang, D. Geringas, L. Pogorelić i drugi primio je specijalnu nagradu Violinist godine Međunarodne zaklade Maje Pliseckaje i Rodiona Ščedrina (SAD). Svira na violini Mattea Goffrillera iz sredine XVIII stoljeća. R. Wallfish, J. Wang, D. Geringas, L. Pogorelich and many others. In 2009, he received a special award - Violinist of the Year from the International Maya Plisetskaya and Rodion Shchedrin Foundation (USA). He plays on a violin made by Matteo Goffriller from the mid 18th century. foto/photo by Redd Philmen

14 foto/photo by Redd Philmen Krešimir Bedek (Zagreb, 1981.) započinje učiti gitaru sa šest godina. Diplomirao je na Muzičkoj akademiji u Zagrebu u klasi D. Petrinjaka. Usavršavao se je na Kraljevskom konzervatoriju u Den Haagu u klasi proslavljenoga gitarista i pedagoga Z. Dukića te je magistrirao godine. Nastupao je u Hrvatskoj, Nizozemskoj, Belgiji, Njemačkoj, Sloveniji, Izraelu, Portugalu, Španjolskoj, Estoniji i Rusiji, solistički, uz orkestre i u različitim komornim sastavima. Dobitnik je brojnih nagrada i priznanja u Hrvatskoj i u inozemstvu. Na 42.Tribini mladih umjetnika Darko Lukić osvojio je glavnu nagradu te nagradu Koncertne dvorane Vatroslava Lisinskog. Dvostruki je laureat prestižnog međunarodnog natjecanja Printemps de la guitarre (Charleroi, Belgija, i 2008.) i pobjednik je međunarodnih gitarističkih natjecanja Certamen Internacional de Guitarra de Barcelona Miguel Llobet (2008.), Guitarmania (Almada, Portugal, 2007.) te Guitar and Chamber Music Festival Zwolle (Nizozemska) i Scharpach gitaar concours (Enschede, Nizozemska), oboje Zaposlen kao asistent na Muzičkoj akademiji u Zagrebu primio je Godišnju nagradu Društva sveučilišnih nastavnika i drugih znanstvenika u Zagrebu za godinu. Krešimir Bedek was born in 1981 in Zagreb, Croatia, where he started to play guitar at the age of six. He graduated from the Zagreb Music Academy in the class of D. Petrinjak and continued his studies at the Royal Conservatory in The Hague where he gained master degree in 2008 with Z. Dukić, one of the most prominent guitarists and pedagogues of the new generation. He has performed as a soloist, with orchestra and in various chamber music ensembles all over Croatia and in Spain, Portugal, Germany, Slovenia, Israel, Belgium, Netherlands, Estonia and Russia. He has been awarded many prizes in Croatia, among them the main prize at the 42nd Young Artists Podium Darko Lukić and Vatroslav Lisinski Hall Award. He is a double laureate of the prestigious international competition Printemps de la guitarre (Charleroi, Belgium, 2006 and 2008) and the winner of several international guitar competitions: Certamen Internacional de Guitarra de Barcelona Miguel Llobet 2008, Guitarmania (Almada, Portugal, 2007), Guitar and Chamber Music Festival Zwolle (Netherlands) and Scharpach gitaar concours (Enschede, Netherlands), both in As a teaching assistant of the Zagreb Music Academy, he received the annual award of the Society of University Teachers, Scholars and Other Scientists in Zagreb.

15 foto/photo by Ivan Posavec Darko Petrinjak, rođen u Zagrebu, diplomirao je kontrabas na Muzičkoj akademiji u Zagrebu (u klasi prof. J. Novosela 1975.) te gitaru (u klasi H. Quinea 1978.) i lutnju (u klasi R. Spencera 1980.) na Royal Academy of Music u Londonu. Kao kontrabasist svirao je u orkestru Zagrebačke filharmonije ( ) i u raznim komornim sastavima. Kao lutnjist nastupao je solistički, s pjevačima te u ansamblu The Elizabethan Consort. Najviše vremena posvjećuje ipak gitari, svom glavnom instrumentu. Solistički je nastupao u Europi i Kini. Snimio je dvadesetak nosača zvuka (solo, u duu s violinom, čelom, flautom, glasom, u gitarskom triju te s gudačkim kvartetom). Bio je član žirija međunarodnih gitarskih natjecanja i vodio je majstorske tečajeve na muzičkim akademijama i gitarskim festivalima. Vodeći hrvatski skladatelji za njega su napisali djela za gitaru, među kojima su i četiri koncerta za gitaru i orkestar. Urednik je više notnih izdanja među kojima su sabrane pjesme uz pratnju gitare Ivana Padovca, hrvatskog gitarista i skladatelja iz 19. stoljeća. Godine utemeljio je s I. Römerom i G. Listešom Zagrebački gitarski trio u kojem svira i kontrabas i koji postaje važan segment u njegovoj karijeri. Trio je ostvario bogatu diskografsku djelatnost, inspirirao brojne skladatelje i nastupio u mnogim europskim zemljama. Darko Petrnijak bio je gostujući učitelj na Birmingham School of Music u Engleskoj ( ), a od predaje na Muzičkoj akademiji u Zagrebu (od kao redoviti profesor). Kraljevska muzička akademija u Londonu imenovala ga je godine Pridruženim članom. U domovini je primio brojne nagrade. Darko Petrinjak, gitara/guitar J. S. Bach: Četvrta suita za violončelo solo / Fourth Suite for Cello Solo, BWV 1010, obr./arr. by V. Dešpalj I. Padovec: Uvod i varijacije na cavatinu iz opere Capuleti i Montecchi V. Bellinija / Introduction and Variations on a Cavatina from the opera The Capulets and the Montagues by V. Bellini, Op. 13 A. Ivanov-Kramskoj: Sjetno raspoloženje / Melancholy Mood Preludij u h-molu / Prelude in H minor Uspavanka / Lullaby Preludij u d-molu / Prelude in D minor Z. Juranić: Ciaccona iz Sonate za gitaru solo / Chaconne from Sonata for guitar solo S. Fumić: Nocturno A. Barrios: Valcer u d-molu op. 8, br. 3 / Waltz in D minor Op. 8, No. 3 B. Papandopulo: Igra br. 3 / Play No. 3 Darko Petrinjak, born in 1954 in Zagreb, Croatia, graduated in double-bass at the Zagreb Music Academy (J. Novosel class 1975), guitar (H. Quine class 1978) and lute (R. Spencer class 1980) at the Royal Academy of Music in London. As a double-bass player, he has played and toured within the Zagreb Philharmonic Orchestra and various chamber music groups for several seasons. As a lutenist, he has performed in solo recitals, with singers and with the Elizabethan Consort. Most of his time, however, Darko Petrinjak devotes to guitar, his main instrument. He has given solo guitar concerts in many European countries and in China. He has made many LPs and CDs; solo, in duos with violin, cello, flute and voice, and with string quartet. He has adjudicated at international guitar competitions and has given master-classes at music acedemies and guitar festivals. He has written many arrangements involving guitar, majority of which were recorded on CDs or for the Croatian Radio. Some of the leading Croatian composers have written works for him, including four concertos, most of which he has recorded. He is an editor of several guitar editions including the collected songs with guitar accompanied by the 19th century Croatian guitarist-composer Ivan Padovec. In 1984, together with I. Römer and G. Listeš, he founded the Zagreb Guitar Trio. This ensemble, in which he plays both guitar and double-bass, has become an important part of his career. The Trio has recorded extensively, played in numerous European countries and inspired many composers to write for it. Darko Petrinjak was a visiting scholar at the Birmingham School of Music in England ( ). Since 1982, he has been teaching at the Academy of Music in Zagreb, since 1997 as a full-time professor. In 1990, he was appointed an associate of the Royal Academy of Music in London. He has been given several awards and honours in his home country.

16 Anamarija Milić, violina/violin Ana Lucić, klavir/piano P. Dešpalj: Guslački hir br.1 / Fiddle caprice No.1 R. Wagner: San iz Wesendonck pjesama / Dream from Wesendonck Songs, WWV 91 F. Schubert: Violinska sonata u A-duru / Violin Sonata in A major, Op. Posth. 162, D 574, Grand duo I. Lang: Ples sablasti / Ghost Dance N. Paganini: Capriccio br. 24/ No. 24, obr./arr. by L. Auer E. Ysaÿe: Capriccio prema Etidi u formi valcera op.52/6 C. Saint-Saënsa / Caprice after the Study in the form of a Waltz, Op. 52/6 by C. Saint-Saëns, arr. by Ysaÿe J. Brahms: izbor iz Mađarskih plesova br. 1, 4, 17 / selection from Hungarian Dances Nos. 1, 4, 17 Rođena u obitelji glazbenika 1998., Anamarija Milić počinje učiti violinu s pet godina, u klasi H. Žubrinić u Glazbenom učilištu Elly Bašić u Zagrebu. Učila je kod A. Sešeka i pohađala master class-e Z. Brona, A. Kouchner, M.i L. Sorokova, J. Korčinskoga, I. Petruševskoga i B. Belkina. Sa 16 godina upisala je studij violine na Muzičkoj akademiji u Zagrebu u klasi G. Končara. Od studira u klasi prof. Leonida Sorokowa. Akademsku godinu 2008/9. provela je na Univerzitetu za glazbu i izvođačku umjetnost u Beču gdje je pozvana u klasu prof. Stefana Kamilarova u sklopu programa razmjene studenata. U rujnu završila je dodiplomski studij kao drugi najbolji student generacije, a diplomirala je solistički smjer Master programa kao najbolji student generacije Muzičke Akademije Zagreb. Iste godine nastavlja postdiplomski studij u klasi uvaženog solista i pedagoga Borisa Belkina na Konzervatoriju Maastricht, Nizozemska, kojeg završava u travnju Nastupala je u najvećim muzičkim središtima Rusije, Italije, Francuske, Nizozemske, Češke, Poljske, Slovenije, Lihtenštajna, Srbije, Bosne i Hercegovine, Rumunjske i rodne Hrvatske. Pobjednica mnogih natjecanja i dobitnica brojnih nagrada širom Europe, osvojila je tri prve nagrade na državnim natjecanjima (2000., 2002., 2004.), dvije prve nagrade na Međunarodnom natjecanju Alpe-Adria Alfredo i Vanda Marcosig (Gorica, Italija, i 2002), prvu i drugu nagradu na Međunarodnom violinističkom natjecanju Petar Toškov (Beograd, i 2002.), prvu nagradu na Međunarodnom natjecanju Verdi Note u Rimu i treću nagradu na Međunarodnom violinističkom natjecanju glazbene mladeži u Bukureštu Nastupila je kao solistica uz Dubrovački simfonijski orkestar, Varaždinski komorni orkestar i Simfonijski orkestar HRT-a. Bila je Born into a family of musicians (1998), Anamarija Milić began her violin studies at the age of five in the class of H. Žubrinić at the Elly Bašić Music School in Zagreb. She has been working with A. Sešek and participated in master classes with Z. Bron, A. Kouchner, L. and M. Sorokow, Y. Korchinsky, I. Petrushevski and B. Belkin. At the age of 16, she enroled the Zagreb Music Academy in the class of G. Končar. As of 2007, she has studied in the class of Prof. Leonid Sorokow. She spent the academic year of 2008/2009 at the University of Music and Performing Arts in Vienna, where she was invited to the class of Prof. Stefan Kamilarov within the student exchange program. In September 2009, she finished undergraduate studies as the second best student of the generation, and in 2010 she finished the solo Master program as the best student of the generation of the Music Academy Zagreb. She continued with the graduate study in the class of a renown soloist and pedagogue Boris Belkin at the Conservatorium Maastricht, Netherlands, which she finished in April She has performed in major music capitals of Russia, Italy, France, Netherlands, Czech Republic, Poland, Slovenia, Liechtenstein, Serbia, Bosnia and Herzegovina, Romania, and her native Croatia. The winner of numerous competitions and awards throughout Europe, she has won three first prizes at national competitions (2000, 2002, 2004), two first prizes at the International Competition Alpe-Adria Alfredo e Vanda Marcosig (Gorizia, Italy, 2000 and 2002 ), as well as the first and second prizes at the International Violin Competition Petar Toškov (Belgrade, Serbia, 2001 and 2002), first prize at the International Competition Verdi Note in Rome in 2001, and the third prize at the International Violin Competition Jeunesses Musicales Bucharest She has performed as a soloist with the Dubrovnik Symphony Orchestra, Varaždin Chamber Orchestra and the Symphony

17 predstavnica Hrvatske na koncertu Međunarodne dobrotvorne fonadacije Vladimir Spivakov (2002.). Godine nastupila je u koncertnom ciklusu Audience u koncertnoj dvorani Vatroslava Lisinskog u Zagrebu, svirajući na violini King Giuseppea Guarnerija iz 1735., u vlasništvu HAZU. Od lipnja stalni je vanjski suradnik Simfonijskog orkestra HRT-a i redovito surađuje sa Hrvatskim komornim orkestrom. Profesorica je violine na Glazbenom učilištu Elly Bašić u Zagrebu od Aktivna je komorna glazbenica i osnivačica Hrvatskog komornog trija, s Petrom Gilming i Petrom Kušan. Orchestra of Croatian Radio and Television. She was a Croatian representitive at the Vladimir Spivakov International Charity Foundation Concert in Moscow (2002). In 2004 she has been featured in the concert cycle Audience at the Lisinski Hall in Zagreb, performing on the 1735 Giuseppe Guarneri King violin, currently owned by the Croatian Academy of Sciences and Arts. From June 2012, she has been a regular associate of the Croatian Radio Symphony Orchestra and has regularly co-operated with the Croatian Chamber Orchestra. She has been a violine teacher at the Elly Bašić Music School in Zagreb since An active chamber musician, she is a founding member of the Croatian Piano Trio.

18 Ana Lucić (1988.) završila je Glazbenu školu Ivana Lukačića i Gimnaziju Antuna Vrančića u rodnom Šibeniku i potom Muzičku akademiju Sveučilišta u Zagrebu gdje je magistrirala klavir u klasi V. Krpana, kod kojeg se trenutačno usavršava na poslijediplomskom studiju. Usavršavala se kod brojnih pedagoga i pijanista (Ch. Lee, F. Gianello, A. Dindo, K.-H. Kämmerling, J.-F. Antonioli). Članica je glasovirsko-udaraljkaškoga kvarteta KLANG, laureata 7. Međunarodnog natjecanja mladih glazbenika Ferdo Livadić u Samoboru. U ožujku Kvartet je u sklopu projekta Glazba danas prvi put u povijesti Muzičke akademije u Zagrebu izveo koncertnu verziju Bartókove Sonate za dva glasovira, udaraljke i orkestar, uz Simfonijski orkestar Muzičke akademije pod ravnanjem maestra M. Tarbuka. Nastupio je i na humanitarnom koncertnom ciklusu Koncert s Predsjednikom i u ciklusu Cantus ansambla u Maloj dvorani Lisinski te na festivalima poput Samoborskih glazbenih jeseni, Osorskih glazbenih večeri i Glazbene tribine u Opatiji. Kao solistica i u glasovirskom duu s Vlatkom Peko, Ana Lucić nastupa na Muzičkom biennalu, Glazbenoj tribini u Opatiji, studentskom ciklusu Virtuoso, ciklusu Mladi za mlade u Maloj dvorani Lisinski te na koncertima HR projekta u Samoboru, Zadru, Predsjedničkim dvorima i Vukovaru. Redovito surađuje sa Simfonijskim orkestrom Hrvatske radiotelevizije i Zagrebačkom filharmonijom. Dobitnica je dviju Rektorovih nagrada za godinu; kao članica kvarteta KLANG i kao sudionica nagrađivanog HR projekta, i osvojila je nekoliko nagrada na regionalnim muzičkim natjecanjima. Za koncert sa sopranisticom Nikolinom Pinko na tribini Darko Lukić (siječanj 2014.), nagrađena je nagradom Koncertne dvorane Vatroslava Lisinskog te nagradom Darko Lukić za najbolju umjetničku suradnju. Ana Lucić (1988) finished the Music School Ivan Lukačić and High School Antun Vrančić in her hometown of Šibenik and then the Music Academy of the University of Zagreb, where she obtained master s degree with piano in 2012 in the class of V. Krpan, with whom she is currently on the postgraduate study. She has studied with numerous pedagogues and pianists (Ch. Lee, F. Gianello, A. Dindo, K.-H. Kämmerling, J.-F. Antonioli). She is a member of a piano-percussion quartet KLANG, the laureate of the 7th International Competition of Young Musicians Ferdo Livadić in Samobor. In March 2010, the quartet performed, within the scope of the project Music Today, for the first time in the history of the Music Academy in Zagreb, the concert version of Bartók s Sonata for Two Pianos, Percussion and Orchestra, together with the Symphony Orchestra of the Music Academy under the direction of Mr. Tarbuk. It has also performed at the humanitarian concert cycle Concert with the President and in the cycle of Cantus Ensamble in the Small Concert Hall Lisinski and at the festivals such as Samobor Musical Evenings, Osor Musical Evenings and Musical Platforms in Opatija. As a soloist and in a piano duo with Vlatka Peko, Ana Lucić performs on the Musical Biennale, Musical Platform in Opatija, student cycle Virtuoso, cycle The Young for the Young at the Small Concert Hall Lisinski and on the concerts of HR Project in Samobor, Zadar, Presidential Palace and Vukovar. She regularly cooperates with the Croatian Radio Television Symphony Orchestra and the Zagreb Philharmonic Orchestra. She is the winner of two Rector s Awards for 2011; as a member of the quartet KLANG and as a participant of the awardwinning HR Project, and has won several awards at the regional musical competitions. For the concert with the soprano singer Nikolina Pinko on Darko Lukić Platform (January 2014), she received an award of the Concert Hall Vatroslav Lisinski and the award Darko Lukić for the best artistic collaboration.

19 PagArtFestival podržali/pagartfestival was supported by: Grad Novalja/Novalja City Ministarstvo kulture Republike Hrvatske /Ministry of Culture of the Republic of Croatia, Grad Pag/Pag City, Zadarska županija/zadar County Općina Kolan/Kolan Municipality Turistička zajednica grada Novalje, Turistička zajednica grada Paga i Turistička zajednica Zadarske županije /Novalja Tourist Board, Pag Tourist Board and Zadar County Tourist Board, Solana Pag, Pag91, Komunalno društvo Pag, Maricom Tourist Service, Restoran Dubrava, Hotel&Restaurant Tamaris, Trgovina Feniks/ Feniks Shop, Cvjećarna Fijok/Florist Fijok iz Paga/from Pag, Mandis d.o.o.,vina Jakob, Digitalprint i Printstudio iz Zagreba/from Zagreb zahvaljujemo/thanks to: gospodinu Željku Maržiću, gradonačelniku Paga i Gradskom vijeću Paga na odobrenju Festivala/ Mr. Željko Maržić, Mayor of Pag and Pag Municipal Authority for approving the Festival gospodinu Anti Dabu, gradonačelniku Novalje i gospodinu Josipu Zuboviću, načelniku Kolana na proširenju Festivala/ Mr. Ante Dabo, Mayor of Novalja and Mr. Josip Zubović, Mayor of Kolan, for extending the Festival Turističkom centru Paga i poduzeću PagII na pomoći/ Pag Tourist Centre and PagII Ltd. for assistance zahvaljujemo na suradnji/thanks for cooperation to: don Zdenku Miliću i župnom uredu Paga/don Zdenko Milić and Pag Parish Office, velečasnom Josipu Kosiću i župnom uredu Novalje/Reverend Josip Kosić and Novalja Parish Office, ocu Josipu Galiću i župnom uredu Kolana/Father Josip Galić and Kolan Parish Office Glazbenim večerima u Sv. Donatu/Music Evenings in St. Donat s Church Turističkoj zajednici Kolana/Kolan Tourist Board posebno zahvaljujemo/special thanks to: građanima i turistima otoka Paga na odazivu/citizens and visitors of the Island of Pag for attending the performances, pokojnom gospodinu Josipu Vičeviću na inicijativi i Društvu Pažana i prijatelja Paga u Zagrebu na pokretanju Festivala/ late Mr. Josip Vičević for his initiative and the Zagreb-based Association of Residents and Friends of Pag for launching the Festival, svim ljudima dobre volje koji su na bilo koji način pomogli u realizaciji naših programa/ all the people of good will that have somehow contributed in the realization of our programs pomoćnik umjetničkog ravnatelja/assistant Artistic Director: Krešimir Bedek produkcija, organizacija i odnosi s javnošću/production, Organization and Public Relations: Nina Pogorelić pomoćnice/assistants: Ivana Maržić, Ana Pogorelić fotografije na ovitcima/cover and back page photos by Josip Portada grafički dizajn/graphic design by Igor Balen/GTO, Osijek prijevod i lektura/translation and lecturing: Iva Špoljar Šarić Festival zadržava pravo promjene programa/festival reserves the right to modify the program Umjetnička organizacija/artistic Association Lovro&Nina, Zagreb, Mesnička 24, HR

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