DEPARTMENT OF MUSIC & DANCE KURUKSHETRA UNIVERSITY KURUKSHETRA

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1 DEPRTMENT OF MUSIC & DNCE KURUKSHETR UNIVERSITY KURUKSHETR N 1. M(P) II II Music in Puran 2. M(P) III 3. M(F) III 4. M.Phil III III II Rag hir-hirve Rag Miyan ki Todi (Vilambit) Rag Gujari Todi (Vilambit) Historical sources for Research in Indian Music Prof. Shuchismita Classe Paper Unit Topic 1. M(P) II III Music in Daramas and Mahakavayas of Kalidass 2. MP(IV) II IV Contribution of harat and Dattil in Music Project 3. MP(V) II II Meaning and Definition of Recording Project 4. M(F) I I Raag Darbari Dr. shok Saini Yaman

2 Classe Paper Unit Topic 1. MP(II) Taals: da-chautal, Deepchandi Tivra, Chautal, Tilwara 2. MP(IV) I II Raag: gairava (Slow and Fast ) 3. MP(V) I IV,V 4. M(P) I I Raag Puria 5 M(F) I I Raag bhogi Kanda 6 M.Phil I I Raag Sur Malhar Raag: bhogi Kanada : Detailed description of the following instruments Guitar, Sartor etc Dr. Sanjiv Kumar N 1. MP (I) Prac. I Raga Yaman (Vilambit & Drut Khayal) 2. MP(III) I Raga asant (Drut Khayal) 3. MP(IV) I Raga Vrindavani Sarang (Vilambit & Drut Khyal) 4. M(P) I I Raag Devgiri ilawal (Drut Khyal) 5 MP(V) I I Raga ChanderkounsVilambit & Drut Khyal 6 M(F) I I Raga ChanderKouns Vilambit & Drut Khyal Dr. Sushil Kumar Lohat

3 N 1. M.Phil II I Raga Jog Kauns 2. M(F)Prac. Prac.III IISemIV IV III Raga Chandra Kauns Time theory of ragas 3. M(P) III Prac. I (ii) () 4. MP(V) I IV Sitar Prac. III I 5 MP (IV) I IV Sitar Prac. III I Raga Yamani ilawal Principle of Orchestration Raga Chandra Kauns Contribution to Indian Clasical Music of harat & Dattil Raga Yamani ilawal Dr. Lalit Kumar Kaushal N 1. M (F) Prac. Prac. III 3 Raga ilaskhani Todi (Maseet Khani Gat) 2. M (P) Prac. III I V Raga Madhumad-Sarang (Razakhani Gat) 3. MP(V)Prac. Prac. III I Raga ilaskhani Todi (Maseet Khani Gat) 4. MP(IV)Prac. Prac. III I RagaVrindavani Sarang (Maseet Khani Gat) 5 MP(III) Prac. Sec. Raga ahar (Razakhani Gat) Dr. Saloni Kaushal

4 N 1. MP-I II I Subject Verb greement (Rules and exercise) 2. MP-II II I (i)rule of ctive & Passive Voice and exercise (ii) Rules of Narrations & exercise 3. MP-III II II Letters & pplication (Personal, usiness, Corrrespondance) Ms. Vibha wasthi N 1. MP (I) Prac. Lecture Mohra Tigun Kayda in teen tal 2. MP(II) Prac. 3. MP(V) Prac. E D arilaya and Kuarilaya Kayda in Rupak Tal Lecture Kaku and Kutap 17 beats Rela Dr. Seema Johri

5 N 1. MP (I) Prac. 2. MP(II) Prac. 3. MP(IV) Paper (I) 4. MP(V) Paper (I) C I V Raga Kafi (Drut Khayal) The Rela of Music in national integration Raga hairav (Drut Khayal) Definition of Dhrupad, Dhamar Comparative study of Raga Shudha Sarang and Vrindavani Sarang Definition of Tal Dhamar Sool Tal Dr. Shalu Rani N 1. MP-I Prac. Time theory of Indian music Raga alhaiya bilawal (Fast gat) 2. MP-II Prac. C Detailed description of the following Instruments Sarod, Vilion etc. Raga hairavi (fast gat) 3. MP-III C Prac. 4. MP-IV Prac. Raga Yaman (Slow & fast gat) 5 MP-V I IV Prac. III -- 6 M (P) Prac. Raga Yaman (Slow & fast Gat) 7 M(F) Prac. Dhun in Raga Pahari Suggestion for popularizing classical music in society. Raga Kamod (fast gat) study of the following like lapti Sathya, Giti, Kuku etc. Dhun in raga puhari Dr. shu Gautam

6 1. M(P) I Rag ihag-vilambit and lo ant 2. M(F) I IV Rol of media in the development of Indian classical music 3. MP(IV) I Rag ihag-vilambit and Drut khayal asic principle of stage performance 4. MP (V) I Rag Malkauns Vilambit and Drut Khyal, Sargam 5 M.Phil I Raga Jogkauns Vilambit and Drut Khyal Dr. shok Sharma 1. MP II III Sec Rag Jaijaiwanti Introduction and Drut andesh Test and Seminar 2. MP III III Sec Raga Miyab Ke Malhar, Vilambit andesh Seminar 3. MP(IV) I I Raga Marwa Introduction and asic Knowledge Test, Revision 4. M (P) III I Madhumad Sarang Vilambit and Drut andesh 5 M. (F) IV I Nayki Kanhara Drut andesh lap TaaL 6 MP V IV Nayki Kanhara Drut andesh lap TaaL Dr. Deepak Sharma

7 1. MP II Kayda in Jhaptal 2. MP III C Peshkar in Teen Taal 3. MP(V) I C nalytical study of Gharanas of Taal 4. MP (V) III F Type of Gat Dr. Gayan Sagar Singh E-lesson Plan) 1. MP I Sec Sec C Rag hupali with Todas (Fast Gat) Vadkon ke Gun and Dosh 2. MP IV PW III Important of Radio in popularizing the Indian Music Practice of Sound Gorge 3. MP(V) PW III Importance of print media Practice of Movie Maker 4. M (P) I Madhumad Sarang Vilambit and Drut andesh 5 M. (F) IV Rag Shyam Kalyan Dr. Purshotam

8 1. M (P) MP IV Practice of Rag himpalasi, Dhrupada with layakaries Dugun, Tigun, Chaugun 2. M. (F) MP V Practice of Rag Miyan ki Malhar, Dhrupada with layakaries Dugun, Tigun, Chaugun 3. M.Phil Practice of Rag Sur Malhar, 4. M (P) Take ssignment from Student and check it 5 M. (F) Take ssignment from Students and check it Dr. arti Shokend 1. M (P) MP IV Rag Puriya Kalyan, Drut khayal -Do- 2. M. (F) MP V Rag Madhu Kauns, Drut khayal Do- 3. M.Phil Thumari in Rag Kafi Dr. Munish 1. MP I a hatkhende Taal Lipi Dugun, Tigun layakaries on hand 2. MP III C h Life sketch of ustad Habibuddin khan Tukadas in da chauchal 3. MP V I b Development of Karnatak Taal system Tunning of Tabla Kayada in a beats Mr. Vivek Jain

9 E-lesson Plan) 1. MP I 2. MP II 3. MP III 4. MP IV 5 MP V C- C D Paper- I IV II III V (I) Survey and asseential characterstics of haratnatyam Jhaptaal (10Matra) in Tatkar-Thah, Dugan Chaugan Study of nayak heda. Teentall In Tatkar Thah Dugun Chaugan and That Knowledge of Indian Classical Dance- Oddissi shtmangal taals(11matra) Tatkar(1,2,3) amod & That Role of Lord Shiva (Nataraja) in Dance demonstration and padhant of Shikhar taal (17 matra) Tatkar :- Ekgun, Dugun, Chougun & That Total impact of the performance Ektaal Tatkar :- Ekgun, Dugun, Chougun & That & amod Project Work- II Composition of Kathak Dance in teentaal Mr. Santosh Kumar 1. MP I 2. MP II 3. MP III E E E demonstration of the Chakkardar Paran & Toda in Teentaal Definition of Taal Parichay of Dadra, Kehrwa taal with its thah, Dugun, Tigun, Chugun Laykaries. demonstration of Simple Puran & Ganesh Paran in Dhamar Taal Notation of the following Layakaries rh 3/2, Kuarh 5/4 Shiv Pran & One Paran amod in Pancham Sewai Taal Chautal & Raas Taal with theka dugun and chaugun Layakaries 4. MP IV II III V D Relationship between Performance and accomparrying artist Thumari in bhinaya Paksha Project work- composition of Katkak Nritya in teen taal 5 MP V I Viva- demonstration of Chakkardar toda and naghat Tukda Ms. marjeet Kaur

10 1. M.Phil 2. M.. (F) 3. M (P) Drut Gat of Rag Gujri Todi Rag and Ras Drut Gat of Rag Maru ihag The Popular folk Tunes of different States Drut Gat of Rag Rageswari Classification of Musical Instruments Prof Shakuntla Naagar