Jukka Tiensuu. Tiet / Lots (2003) for flute or recorder, violin, viol or cello, and harpsichord

Transcription

1 Harpsichord / Score Performance note Tiet / Lots (00) for flute or recorder violin viol or cello and harpsichord notation: for the recorder: if necessary to take a breath do it here. For all: stop exactly at the same time.. normal staccato. For the clarity of writing used often as short-hand to indicate a shortish 6th-note. ' short sharp staccato (regardless of the written length of the note) col legno battuto; with x -noteheads: let the bow also hit the fingerboard. clt col legno tratto (or norm.) normal playing (after col legno sul pont. ¼-tone up/down etc.) + left hand piicato snap-piicato o open string. At the end of a diminuendo: al niente. ~ slow small glissandi (ca. a quarter-tone) up- and downwards glissando as even as possible. / A small note-head at the end of the glissando-sign only shows the approximate ending pitch it is not articulated. n.v. non vibrato. In general vibrato should be avoided and reserved only to emphasie the most passionated moments of the piece. l.v. let vibrate A quarter-tone higher/lower than the written note. All accidentals are valid till the end of the bar. x general: The piece would benefit from vivid tone painting. Jukka Tiensuu flute: The piece is playable on modern or baroque instruments. If modern flute is used one with open holes is required to allow smooth glissandi and quarter-tones. Alternatives for baroque flutes (missing the lowest C and C#) are indicated in Primrose path which is also playable on tenor recorder in D (transposed part available on request). viola da gamba: For slow glissandi and quarter-tones either use less pressure of the left hand on string to avoid contact with the frets or play on a lower string on a higher position above the frets. harpsichord: A full-sie double-manual harpsichord is preferred. However the piece is playable on a single-manual instrument with the minimum range of A -d"' (B b tuned to G # ). The + registration must then be ignored and "" would mean +4'. In any case a solo 4' stop is required and a harp stop (L) recommended. As for tuning the preference is given to an unequal (late baroque) temperament where A and D are tuned to match the tuning of the corresponding strings of the string instuments and where the major thirds A-C# and D-F# are pure.

2 Tiet / Lots for flute or alto recorder violin cello or viol and harpsichord. Opintie / Studydrome Jukka Tiensuu 00 fl. =88-96 ardente (sospirando) legato possibile vl. (sul D) sul pont. molto poco nat. 6 gm. (sospirando) clt legato possibile (sospirando) legato possibile legatissimo cm. + (sempre legato) (sempre legato) 6 cresc. x cresc. (sempre legato) (trillo accel.) x m.s. + l.v. 4 Copyright Jukka Tiensuu 0

3 4 freee!.....continue without any preparation freee! continue without any preparation play (a /4-tone) sharp (norm.) freee! continue without any preparation play (a /4-tone) flat pi. cresc freee!.....continue without any preparation x x x x pi. pi. pi. pi. 6 6 pi. pi. pi. pi. pi. 6 pi.. L (-L) 4 pi. sul pont. x x pi. L (-8 -C) legato espressivo 4' legato tranquillo

4 4. Mierontie / Beggary for flute or alto recorder violin cello or viol and harpsichord Jukka Tiensuu 00 fl. =6 stiito =6 con dolore (shaky) vl. m.s. pi. spicc. (bow vibrato) (sul A) vc. m.s. pi. 6 6 cm. 0 =6 stiito 6 6 ("echo") (sul D) m.s. pi. spicc. m.s. pi. ("echo") 6 6 ("echo") (-4') playfully limping 4 4 (+4') 4 4 4

5 66 (shaky) =6 (bow vibrato) (bow vibrato) l.v. poco 4 8 =0 andante mesto () () (put bow aside) pi. l.v. sempre (use open strings where possible) poco (arpeggiandi tranquilli) sonoro (l.v. poco) (gliss.) "pi." poco l.v. L m.s. poco l.v. 96 poco "pi."

6 6 09 =08 =6 (-L) =6 con dolore poco vibr. n.v. =40 stanco =6 portamento con dolore precipitando m.s. pi. poco vibr. n.v. precipitando spicc. m.s. pi. poco vibr. n.v. 6 6 (slow mordent) p. a p. rall... dolce intensivo pi. legatissimo legatissimo l.v. poco (l.v. poco) (l.v. poco) 6 (--) 4' 6

7 fl. =4-7 indolente ed insolente. Lavea tie / Primrose path for flute or tenor recorder violin cello or viol and harpsichord 7 Jukka Tiensuu 00 vl. vc. m.s. (m.s.) cm. + legato (sopra) (m.s.) 4 cresc. p. a p. pi pi pi cresc. p. a p. cresc. p. a p. + =ossia 0 piu piu piu arpeggiando rapidissimo

8 8 4 =ossia () () piu pi piu piu 7 pi. cresc. poco a poco m.s subito a /4-tone sharp (norm.) subito a /4-tone flat subito m.s. m.s arpeggiando rapidissimo 6 6 6

9 9 80 =6-66 piu insolente sul pont. pi. pi. sul pont. " " L (-8 -C) (sempre L) 9 =0 p. a p. rall... rassegnato legatissimo legatissimo pi. (no bow change on beat) legatissimo l.v. release keys gradually... 4'

10 0 4. Taiston tie / Battle for flute or alto recorder violin cello or viol and harpsichord Jukka Tiensuu 00 fl. vl. =80 (ca.) sinistro agitato sena tono ma ben articolato p. a p. cresc. p. a p. piu tono (airy sound no tongue but articulated) poco piu mosso poco piu mosso poco piu mosso pi. (like a drum. Tap and let ring) spicc. gm. pi. (like a drum. Tap and let ring) p. a p. cresc. p. a p. cresc. cm. L (ossia: while playing with right hand stop strings at bridge with your left hand to muffle the sound) (normal "L") 7 piu mosso ancora (sempre spicc.) (non spicc.) (natural harmonics sempre) (-L) +4' (etc.) 4 7 poco accel. al =08 (ca.) ad lib: double with left hand an octave lower but only if necessary for balance (till bar excluding clusters) concitato (sul tasto) (sul tasto) (natural harmonics sempre) (+C) (ad lib.) (etc.)

11 8 (quasi gliss. sul A) (sul A) 47 poco (sul D) (quasi gliss. sul D) poco poco 4 6 m.s. pi. spicc. m.s. pi

12 6 (echo) m.s. pi. (echo) spicc. m.s. pi. (echo) 4 (con 8ve ad lib.) 4 L -L eróico poco meno mosso poco meno mosso spicc. p. a p. dim. pi. (come prima) p. a p. meno tono non troppo spicc. (let ring) p. a p. dim. pi.(let ring) p. a p. dim. non troppo p. a p. dim. p. a p. cresc. *) ossia: if all low notes are not available keep playing an octave higher on harp stop (short notes) 4 L *) 8 meno mosso ancora =88 (ca.) accel. =08 (ca.) while playing with the right hand stop strings at bridge with your left hand to muffle the sound punto d' sul tasto spicc. sul tasto poco a poco al (sempre sul tasto) 4'