Bruno Ruviaro. Ventania (2004) for flute, clarinet in Bb, violin, violoncello, piano and percussion

Transcription

1 Bruno Ruviaro Ventania (2004) or lute, clarinet in Bb, violin, violoncello, iano and ercussion

2 NOTATION Resectively: /4-tone lat, 1/2-tone lat, 1/4-tone lat, natural, 1/4-shar, 1/2-tone shar, /4-tone shar. Accidentals are valid only or the note beore which they aear. Excetion: in assages with immediate reetitions o one same note, the irst accidental alies to all consecutive reetitions o that note. [Measures are an extended case o this excetion, alying the accident to a reeated igure]. Fermatas: long, regular, short, resectively. Dynamics: n = niente Play one o the highest notes ossible (layer s choice). Trills (tr) and tremolos (trm) are always made to the note indicated in arentheses. Traditional tremolo notation is ocasionally used in simler assages. Marimba and vibrahone: dead stroke. Percussion mallets: - sot - medium - hard (lus one bow or the vibrahone) Flute and clarinet: Flutter tongue (latterzunge) Glissandi u or down. When it occurs at the end o a hrase (irst examle above), it should be a very short glissando, starting only at the last moments o the indicated note (in other words, it should NOT start right ater the attack). Piano rearation (middle C = C4): Strings: izzicato behind the bridge ( x ) and izzicato Bartók * Highest three notes must be taed inside. Use a Duck tae to damen the strings on notes Bb7, B7 and C8. A very short ercussive sound is obtained. A7 and below should remain untouched. * A screw should be inserted between two o the Bb4 strings at aroximately hal the length. A tone close to a G natural, a tenth below Bb4 is exected. I this is hard to achieve in a seciic iano, the layer should look or a similar resonant low sounding eect.

3 Ventania Flute Clarinet in Bb Violin Fast q = 10 Enigmatic q = Bruno Ruviaro December 2004 Violoncello Vibrahone Marimba :2 meno sot yarn motor on: slow vibrato izz. ( ) 2: Fast q = 10 Enigmatic q = Piano deress silently (sostenuto)

4 2 6 2: m m m m :2h m sto note with violoncello; kee edal down m meno m

5 14 m m m sto with violoncello m :2h m meno 2: m 2: m

6 4 2 Very rhythmic q = 75 m sec izz. m 6 m Very rhythmic q = :8y m m m medium yarn m 6 7:8y m 7:8y 7:8y

7 28 5 s sub. 7:8y arco (ord.) s.. izz. (ord.) arco sub. 5 m 7:8y s

8 6 0 s.. izz. ord. dolce m 5 m arco ricochet..... Fluid, luent molto vibrato con sordina (medium yarn) legato (ord.) Fluid, luent... oco a oco meno vibrato... arco sul tasto, oco vibrato m slow vibrato m always m m m gliss. (clean u or every new chord)

9 2... meno vibrato... a little more breathy breath only n 7 m m s.t. s.. ord. s.t. n... oco a oco iù vibrato... m m esressivo :2q

10 8 7 Rhythmic again decresc. m :2q m sul C l.v. s senza sordina izz. ricochet hard mallets 5 dolce Rhythmic again arco s.. s s

11 9 4 m loco 7:8y reeze gesture or a moment! izz. arco s.. ord. trem. rit. izz. m arco reeze gesture or a moment! m m m 5 7:8y medium yarn reeze gesture or a moment and quickly change mallets

12 10 47 Oen, resonant static m 7:8y oco a oco sul onticello quasi Oen, resonant s m (static tremolo, no nuances) 7:8y static s m oco cresc.

13 11 51 sul ont. oco molto cresc. ord. (no cresc.) molto cresc. molto cresc. 7:8y 9:8y

14 12 54 Frenetic 10:8y 5:4y 10:8y 10:8y scratch tone :2q Frenetic

15 A bit slower (q = 65-70) 1 55 (F is shar throughout the hrase; same logic or ollowing hrases) 10:8y 11:8y 5:4y :2x n n (E is lat throughout the hrase; same logic or ollowing hrases) izz. ( ) "x" = luck arco behind the bridge (ord.) 5:4x izz. 5:4x arco (C is shar throughout the hrase; same logic or ollowing hrases) 9:8y n A bit slower (q = 65-70)

16 14 57 m 5:4y m n m n m Slowing down 5:4y 5:4y :2x rall. trill seed alternate D and D# as trill's uer note 6:4y ( ) sustain oen D, 6:4y m trill on low G n m 6:4y rall. trem. seed insert G in the middle o trill only once or twice Slowing down (sostenuto)

17 60 Fast q = 10 Moderate q = 75 (don't rush) 5:4y 5 m 15 medium yarn motor o (medium yarn) 5:4y damen with mallet m 5 Fast q = 10 (sost. edal) Moderate q = 75 (don't rush) 5 in loco 5

18 :8y 5:4x 7:8y m 7:8y 9:8y s :2e 5:4y :2e :2e 9:8y m 9:8y 9:8y subito, tremolo oco rit. 5:4x 5:4y 7:8y

19 Flowing molto vibrato m oco vibrato :2 iù vibrato m con sord. izz. arco m ( ) ( ) izz. m m arco ord. gliss. s.. ord. m Flowing (medium yarn) (no vibrato, motor o) imassively, "loating" over the others (no edal)

20 18 76 oco vibrato molto m m m senza vibrato molto vibrato gliss. :2e col legno battuto m izz. m arco col legno tratto (use some hair) izz. m :2e arco (martelé) (m) :2q gliss.

21 81 senza vibrato m m m quasi solo m molto vibrato oco vibrato m m m molto All layers "reeze" or a moment with vibrahone's last chord, then attacca next section 19 s m gliss. m m izz. 5 gliss. m m m senza sord. arco :2q

22 20 85 Dry sub. s.. ricochet then trem. m.... ord. sub. kee edal down (i ossible) until resonances disaear Dry senza hard mallets :2x let hand m damen resonance with inger on strings shortly ater the attack.

23 89 Continuous, colorul, delicate q = 60 oco All glissandi as slow as ossible. 5:4y vibrato Overall texture as continuous as ossible. 9:8y 5:4y (sub tone) gliss. gliss. 5:4y 5:4y () m 9:8y 21 con sord. 6:4x oco vibrato con sord. arco sot yarn gliss. m sub. slow vibrato (Pedal down throughout this section) Continuous, colorul, delicate q = 60 loc. m (ord.) s.. ord. 5:4y highest notes taed inside; middle Bb with a screw (see instructions) loc. 5:4y damen with inger on string (not so strong) 5:4y 5:4y m 5:4y 5:4y (m) 5:4y (m) 9:8y (loc.) (loc.)

24 22 94 ( ) gliss. gliss. 7:8y gliss. more vibrato m less vibrato gliss. oco cresc. 5:4y oco a oco iù vibrato (aster and wider, but irregular) m m m with molto vibrato 5:4y 5:4y norm. breath arco 5:4y (ord.) s l.v. m m s.. ord. m vibrato m senza vibrato narrower vibrato (and not so ast) m m l.v.

25 2 99 Sudden q = 70 s :2x :2x s izz. col legno battuto s s :2x l.v. hard mallets cresc. molto Sudden q = 70 10:8y m sub. 10:8y molto s damen string with inger (l.v.)

26 :8y senza decresc. () molto

27 :8y 10:8y 10:8y 10:8y m sub. s

28 Frenetic q = :8y 5:4y 10:8y 10:8y senza sord. scratch tone :2q n Frenetic q = 70-75

29 106 (attacca) (attacca) Restless, with some urgency n cresc. oco a oco () n () n insert B in the middle o trill 1 or 2 times 27 izz. ( ) 5:4x arco (ord.) izz. 5:4x arco (attacca) cresc. oco a oco Restless, with some urgency

30 (attacca!) 10:8y s molto sub. alternate trill's uer note sub. Slowing down a bit m m 11:8y 5:4y :2x (attacca!) 9:8y m n (attacca!) n n Slowing down a bit

31 116 Quasi arlando I q = 75 izz. m m semre semre arco 5 molto (d) () (as sot as ossible) (as as ossible) (d) 29 izz. arco izz. Quasi arlando I q = 75 (senza edal) m m in loco

32 0 118 () (m) m sub. izz. sub. (semre ) (oco dim.) m m (kee A-Eb ressed while changing edals) (sost.)

33 121 Fast q = 10 arco sord. Quasi arlando II q = 75 izz. 5 m semre molto (a) m semre izz. semre (as sot as ossible) 1 Fast q = 10 Quasi arlando II q = 75 (sost.) senza ed.

34 2 124 () (g) m sub. izz. (oco dim.) sub. m arco con sordina arco izz. m (Bb still has the screw) m m in loco

35 127 Calm, sacious q = 46 A little slower (arco, sord.) m cedendo :2 gliss. m Calm, sacious q = 46 Silently remove the screw rom Bb strings A little slower

36 4 1 delicate, very legato, esressivo arco con sordina s.t. gliss. joining the solo very discreetly oen D, trill on G on G and D m

37 Unexectedly, q = Wandering q = 50 Somewhat obstinate q = 60 7:8y clarinetist leaves the stage (without the clarinet) ater the cello layer violinist leaves the stage (without the violin) 5 cellist leaves the stage hard mallets 7:8y :2e s (without the cello), ater the violinist ercussionist stays as i there is still more to lay ossia (small hand) Unexectedly, q = 75 9:8y 9:8y :2e :2e Wandering q = 50 meno oco dim. Somewhat obstinate q = 60 m m (m)

38 6 146 Un oco esante ercussionist "gives u" waiting and leaves the stage at this moment. Conductor may leave right ater the ercussion layer. crescendo oco a oco 5 loco (loco) (clean u hal edal or arox. each new chord; more mixture is better than too dry) Un oco esante

39 150 Slower, lexible loco Slower, lexible (C#) molto vibrato Nostalgic q = 46 Nostalgic q = 46 m ianist leaves the stage ater notes die out meno vibrato m molto vibrato senza vibrato Digression: agile (q 60) accel. 166 [] () [] gliss.: gradually "detune" tremolo hal-shar u gliss. [] ()

40 8 oco rit. A temo (jet) random, loud key clicks (no decresc.) 6:4y (breath only) short burst o air on this trill, connecting with breath-only continuation molto accel. 171 [] [t] [] [t] [] [t] 7:4e rit. izz. key clicks Nostalgic, disaearing (q 46) (whistle tones) distant (lautist may choose other itches or the whistle tones, as long as a similar descending shae is maintained; seciic intervals may be slightly altered) C# vibrato - - senza vib. END OF PIECE: Flute layer may walk o the stage while laying last ew measures. Or he/she can inish laying, ut the lute aside and leave the stage as the others did. I ossible, the lights should ade out as the lutist goes away. Bruno Ruviaro Setember-December Last revision: January 24th 2005