FULL SCORE. Unbound. SPS52 INSTRUMENTATION Full Score... 1 Piccolo... 1 Flute Flute Oboe... 2 Clarinet 3 in B... 4

Transcription

1 LL SCORE Symhonic Band Grade 5 CARL ISCHER SERIES nound Sean O Loughlin SS5 INSTRMENTATION ull Score iccolo lute lute Ooe Clarinet in B Clarinet in B Clarinet in B Bass Clarinet in B Bassoon Alto Saxohone in E Alto Saxohone in E Tenor Saxohone in B Baritone Saxohone in E Trumet in B Trumet in B Trumet in B Horn Horn Horn Horn Tromone Tromone Tromone Euhonium TC in B Euhonium BC Tua Mallet ercussion Chimes, Bells Timani ercussion Snare Drum, Bass Drum ercussion Crash Cymals, Susended Cymal, Tamourine, Triangle, Tam-tam, Whi

2 Aout the Comosition nound is an exciting comosition or the advanced ensemle With hirlind lourishes, rhythmic unctuations and road melodies, the music is sure to take your audience on a roller coaster ride Coming u ith titles or comositions can e a diicult task The title or nound is a result o a assion or ski-ing that my ie and I share, and nound haens to e the name o a ski trail at Mammoth Mountain in Caliornia illed ith challenges at reathtaking seeds The iece egins as advertised ith a hirlind lourish into the main rhythmic igure that serves as a oundation throughout the entire comosition Bring out the dynamic contrasts in mm -0 to rovide a rie solace rom the excitement The main melody arrives at m in a old resentation y the alto saxohones and horns Be mindul o the tutti rest on eat one o m Moments like that haen throughout the iece and are designed to create anticiation and drama eore maor arrival oints The oodinds take over at m 7 ith the melody harmonized Measure egins a rhythmic section that emodies the true sirit o nound One o my goals as to comose across ar lines and think in terms o asolute music There are comosite rhythms created y the various incarnations o a our note cell It is a challenge in counting and concentration Bring out the accents to create little os o color in this thick taestry o sound The music ulls ack at m 5 or a road ut sot resentation o the melody in the oodinds Make this sound like one voice desite the variety o instrumentation The rhythmic intensity returns courtesy o the rass at m This thick taestry is interruted y to moments o tutti silence: one at m and again eteen mm -5 Be conscious o these moments since it only takes one layer to lay in the silence to lose the eect This rhythmic intensity continues to uild into m 00, here the uer oodinds rovide a lurry o sound through the use o altering sixteenth note assages The lo voices (along ith the alto saxohones and horns) create a road melodic statement in canon ith each other The oodinds then ull together at m hile the canonic statement continues underneath The trumets inally oin at m to create our dierent counteroint elements simultaneously This is some o the most comlicated riting o the iece and should e handled ith care This converges into a return o the oening rhythmic idea at m The main melody makes a heroic return at m Cherish the silence at m to create anticiation or the shimmering and intense chords at m 50, hich use the oening rhythmic idea ut ith sustained notes instead o hits Bring out the π ursts at m 5 hich lead to a triumhant ending Aout the Comoser Sean O Loughlin (7) is a resh voice and a rising name in the music orld His music is characterized y virant rhythms, assionate melodies, and colorul scoring Commissions rom the Boston os Orchestra, the Los Angeles hilharmonic and the Hollyood Bol Orchestra highlight and shocase his diverse musical ailities As a conductor, he has led erormances ith the Boston os Orchestra, the Hollyood Bol Orchestra, the Minnesota Orchestra, the Vancouver Symhony, the Atlanta Symhony, the Baltimore Symhony, the Houston Symhony, and the Seattle Symhony amongst others He as the assistant conductor and arranger or a roduction o Sgt eer Live in Las Vegas eaturing the and Chea Trick Recent collaorations include such artists as Sarah McLachlan, Adele, Hall and Oates, Gloria Estean, Diana Krall, Itzhak erlman, Natalie Merchant, Chris Isaak, Blue Man Grou, ink Martini, Brandi Carlile, The Decemerists, Martina McBride, osh Ritter, Gloria Gaynor and others The Los Angeles Times calls his orchestrations colorul hile adding even more dimension to the comositions Daily Variety heralds Sean s riting as most imressive ith a ide range o coloring in the orchestra that adds het and rolling energy Groing u in Syracuse, NY, Sean dislayed a assion or music at an early age Sean eneited rom loving arents ho suorted his musical asirations and challenged him to exlore music as a career During his undergraduate years at Syracuse niversity, Sean s musical career egan to take shae ith the guidance o Larry Clark As Vice-resident at Carl ischer Music, Larry continues to e a maor inluence in Sean s roessional career as mentor and riend Through his groing numer o commissioned and ulished orks, Sean is excited to continue contriuting to the rich history o orchestral and ind and literature He is a requent guest conductor ith roessional orchestras and honor ands around the country An annual ASCA Secial Aards inner, Sean as a com-osition ello at the Henry Mancini Institute in Los Angeles, and holds comosition degrees rom Ne England Conservatory and Syracuse niversity Sean, his ie Dena and daughter Kate reside in Los Angeles or more inormation, lease visit seanoloughlincom SS5

3 ull Score resto q = 5 iccolo lute Ooe Clarinet in B Bass Clarinet in B Bassoon Alto Saxohone in E Tenor Saxohone in B Baritone Saxohone in E resto q = 5 Trumet in B Horn Tromone Euhonium Tua Mallet Chimes ercussion (Chimes, Bells) Timani (Snare Drum, Bass Drum) ercussion Crash Cymals (Crash Cymals, æ Susended Cymal, Tamourine, Triangle, Tam-tam, Whi) SS5 Susended Cymal nound Coyright 0 y Carl ischer, LLC International Coyright Secured All rights reserved including erorming rights WARNING! This comosition is rotected y Coyright la To hotocoy or reroduce y any method is an inringement o the Coyright la Anyone ho reroduces coyrighted matter is suect to sustantial enalties and assessments or each inringement rinted in the SA SEAN O'LOGHLIN Tam-tam 5

4 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 7 Tamourine a a a 0 O æ Sus Cym

5 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 O æ a a a æ Whi

6 O in B B in B in E in B in E a a Tt in B Tn Euh Tua Tim SS5 Tam æ æ 0 Sus Cym Oæ O

7 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 a a æ π æ Oæ π a Tam

8 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS a a Sus Cym Oæ a O æ 5

9 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 æ Tam 7 æ æ T-tam æ 0

10 0 O in B B in B in E in B in E n Tt in B Tn Euh n n n Tua n n Tim SS5 T-tam /tri eaters 5 7

11 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim Tam SS5

12 O in B B in B in E in B in E Tt in B Tn 5 5 Euh Tua Tim æ æ SS5 5 T-tam /mallet Tam 5 5

13 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 0 n n n n n n n Oæ Sus Cym 5 5 5

14 O in B B in B in E in B in E Tt in B a a a Tn Euh Tua Tim Bells SS5 Triangle

15 O in B B in B in E in B 5 in E Tt in B Tn Euh Tua Tim SS5 7 Sus Cym Oæ 7 O

16 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 7 7 Sus Cym Oæ 0 ch Whi Chimes æ æ æ T-tam

17 7 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 5 Sus Cym Oæ Oæ Chimes Bells (i oss) 7 T-tam æ æ æ æ

18 O in B B in B in E in B in E Tt in B Tn Euh Tua ß ß ß ß ß ß Tim SS5 0 æ æ æ æ ß rim shot Whi ß 5

19 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 sim sim sim sim sim sim T-tam æ æ 00 a a 00 sim Tam 7 Cr Cym O 00 0

20 0 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim 0 0 Chimes only T-tam 0 a 05 a a 0 SS5

21 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS æ æ Sus Cym Oæ

22 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 O 5 Oæ 7

23 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 Cr Cym O O 0 T-tam

24 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 5 7

25 O in B B in B in E in B in E Tt in B Tn Euh 5 Tua Tim SS5 Sus Cym Oæ 0 Oæ æ Cr Cym

26 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 5 Tam

27 O in B B in B in E in B in E Tt in B Tn 7 ring out ring out Euh Tua Tim 0 Sus Cym Oæ O SS5

28 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 5 æ n n n n n n n æ n n n n n n n n n 7 n n n n n n n n n n n n n n n n

29 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS Cr Cym O± æ Tri Chimes Bells (i oss) all let ring æ ± æ 5 æ a a n n O T-tam

30 0 O in B B in B in E in B in E Tt in B Tn Euh Tua Tim SS5 a T-tam æ 5 cresc cresc cresc cresc cresc cresc a æ æ π æ 57 n n n n n n n n æ æ 5 n n n n n n 5 nn ad li as ast as oss Cr Cym O 0

31 ull Score Commissioned y and ritten or the Colerain High School Wind Symhony, David Smith, director BRANT KARRICK Quirks layul q = a + n lute n (iccolo) a Ooe n n n n n Clarinet in B n n n Bass Clarinet in B Contralto Clarinet in E a Bassoon Sorano Saxohone in B n Alto n n n Saxohone in E Tenor Saxohone in B n AA n Baritone n Saxohone in E layul q = Solo n Trumet in B Horn Tromone Euhonium Tua Mallet ercussion (Bells, Xylohone, Chimes, Virahone) Timani (Shaker) (Snare Drum, Temle Blocks, Snare Drum Coell, Wind Chimes, Hi- Temle Hat, Ride Cymal, Bass Drum, inger Cymals, æ Tam-tam, Vira Sla) Bass Drum Blocks damen ercussion Triangle (Triangle, Virasla, Sla Stick, Tamourine, Crash Cymals, Tomtoms, Bongos, Vira Sla) ± SS5 Coyright 0 y Carl ischer, LLC International Coyright Secured All rights reserved including erorming rights WARNING! This comosition is rotected y Coyright la To hotocoy or reroduce y any method is an inringement o the Coyright la Anyone ho reroduces coyrighted matter is suect to sustantial enalties and assessments or each inringement O in B B in B C Alt in E S Sax in B in E in B B Sax in E Tt in B Tn Euh - Tua - Bells Tim SD æ π π SS5 5 n Vira Sla 7 + a n n n n N N Xylohone - - a - - inger Cymals O in B B in B S Sax in B in E in B B Sax in E Tt in B C Alt in E n n Tn n n n n Euh n Tua n n change A to G Tim 0 n n a n n n n one n layer a n n n n n n n n n Tutti n a n Sla Stick n n a 5 5 O in B B in B C Alt in E S Sax in B in E in B B Sax in E Tt in B Tn Euh Tua one layer n Tim n Euh n iccolo solo 7 ri ri ri ri Bells BD Tamourine æ ^ ^ ^ ^ ^ ^ - ^ + a n n Tutti n a div n n n 0 n n a n n n a unis n SS5 SS5 SS5

32 ull Score iccolo lute, Ooe Clarinet in B Clarinet, in B Bass Clarinet in B Bassoon Alto Saxohone, in E Tenor Saxohone in B Baritone Saxohone in E Trumet in B Trumet, in B Horn, Horn, Tromone, Bass Tromone Euhonium Tua Mallet ercussion (Virahone, Bells) Timani (B E A) ercussion (Drum Set) SS5 Dedicated to the Quincy ark Band, Quincy, IL, am otter, Conductor I m Alays Chasing Rainos Words y OSEH McCARTHY Music y HARRY CARROLL Arranged y erry Noak Moderato q = 0 rit n m a a n m n m m a n m m n m m m n m Moderato q = 0 rit a n n m n n n m n n n m m n n m m n m Coyright 0 y Carl ischer, LLC International Coyright Secured All rights reserved including erormance rights 5, O in B, in B B in B, in E in B in E Tt in B Tt, in B,, Tn, B Tn Euh Tua a temo m m m m m m m m m a temo a m n m Vi m Tim m Closed HH Rim Click m 7 0 SS5 m The Carl ischer erormance Series or Band has ive erormance levels to rovide you ith a highly ocused reertoire or your and Each level has een careully designed and graded, ithin seciic guidelines, so that each iece in a level ill ork ith your and hen it achieves that level Each level is also color coded or ease in inding the series that ill e aroriate or your and, as it develos Within each grade level, you ill ind selections in a variety o styles and genres designed to meet all o your erormance and teaching needs The Carl ischer comosers and arrangers are some o the most resected riters in the usiness Their music is dynamic, resh and eminently orthy o your attention Symhonic Band Standard concert and instrumentation Diiculty ithin reason or high school grous Exanded ercussion section, increased instrument otions Mature ieces o high musical value ISBN Bleecker Street, Ne York, NY 00 carlischercom SS5 $500 Set SS5 $500 ull Score SS5 $00 arts C