Compositional Practices Spring Term Robert Morris, Instructor. Class Times: Tues. Thur., 8:30 10:00 am
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1 Compositional Practices Spring Term 2015 Robert Morris, Instructor Class Times: Tues. Thur., 8:30 10:00 am T (Jan 13) Generalized isomorphism of pitch and time; time point system. Babbitt String Quartet 3. Th-T (Jan 15, Jan 20) Early Concrete/Electronic Music. Varèse, Poem Electronique, Cage, Williams Mix, Stockhausen, Study II. Th-T (Jan 22, Jan 27) Stockhausen, Gesang der Jünglinge, Kontakte. Th (Feb 29) Davidowsky, Synchronisms 6. LISTENING QUIZ I T (Feb 3) Stockhausen, Gruppen. Th-T-Th (Feb 5, Feb 10, Feb 12) Cage, String Quartet, Lecture on Nothing, Concert for Piano and Orchestra, HSPCHD, late works. T (Feb 17) Browne, Available Forms I PROJECT I DUE (A short composition where rhythm, and possibly other temporal dimensions are subject to formal procedures.) Th-T (Feb 19, Feb 24) Feldman, graph pieces, Last Pieces, Madam Press Died Last Week at 90, Palais de Mari. Th-T (Feb 26, Mar 3) Xenakis, Pithoprakta, Herma. T (Mar 17) Penderecki, Tren. Th-T (Mar 19, Mar 24) Ligeti, Atmospheres, Aventures, Chamber Concerto. Apr 11: LISTENING QUIZ II page 1 Compositional Practices spring, 2015
2 Th (Mar 26) Notational Innovations: Karkoschka, Das Schriftbild der Neuen Musik, PNM (21/1 & 2), Stone, K., Music Notation in the Twentieth Century: A Practical Guide Book. T (Mar 31) New Instrumental Resources. Crumb, Vox Balaenae. Th (Apr 2) Minimalism. Glass, Music in Twelve Parts; Reich, Violin Phase, Piano Phase; PROJECT II DUE (A work for at least three players exploring new forms of notation, indeterminant procedures, and new instrumental resources). T (Apr 14) Reich, Music for 18 Musicians, Frederic Rzewski Les Moutons de Panurge. Last classes (Th-T-Th, Apr 16,Apr 28, Apr 30) devoted to student reports. Each student chooses a current composer not presently associated with the Eastman School (or recently deceased) and provides an overview of his/her contributions to new music. Score and recording of (portions of) significant works should form the backbone of the report. Place the composer in his/her life and times, but avoid or criticize PR hype. Provide a reference-list of works, recordings, and writings about the composer. Do some musical analysis on passages from representative works. Assume your audience is a group of interested and sophisticated composers. Your talk should be organized well use handouts and have any recordings ready to play, cued and last just about 30 minutes, no more or less. Within W-Th-F (May 6-8) FINAL EXAM (three hours) during Exam Period. page 2 Compositional Practices Spring 2013
3 Recordings and Scores on Reserve (* items will be on the listening quizzes see below) *Adams Harmonielehre CD 2992 M1045.A214 H28 *Andriessen Da Staat CD 4115 M1528.A573 S77 *Babbitt Reflections for Piano and Tape CD 5250 Berio Sinfonia CD M1528.B52 SS 1972 *Berio Visage CD 7631 *Brown Available Forms I LP 9427 M1045.B877A No.1, Brown Four Systems FAC 6787 M22.B877F Cage String Quartet CD 8215 M452.C Cage Sonatas and Interludes CD 6016 M23.C131s CD 6899 * Cage Concert for Piano and Orchestra FAC 6787 CD 6016 M1010 C15 C *Carter String Quartet III CD 3030 M452.C323 no.3 * Carter Piano Concerto CD 445 M1010.C323 *Crumb Vox balaenae CD 13,337 M322.C956 V Crumb Black Angels CD 19,889 M452.C956B *Davidowsky Synchronism 6 CD 5250 M25.D2498 S9 No.6 Feldman Piece for four pianos FAC 2725 Feldman Piano and String Quartet CD 3587 F312.P * Feldman Madam Press died last week at ninety. CD 2334 M985.F3125 M1 Feldman Palais de Mari CD 5749 M25.F312 P Lansky Fantasies on a Poem by Thomas CD 4571 Campion Ligeti Aventures LP M1045.L723a * Ligeti Atmospheres CD 1866 M1045.L723 A8 H63 * Ligeti Chamber Concerto CD 5505 M947.L723 K Penderecki De Natura Sonoris CD 7669 M1045.P397 N2 * Penderecki Tren CD 1848 M1145.P397T page 3 Compositional Practices Spring 2013
4 *Reich Music for Eighteen Musicians CD 2953 M1528.R347 M * Reich Octet (Eight Lines) CD 4145 M1185.R347 O *Rzewski Les Moutons de Panurge CD 16,200 M1470.R999 M934 *Schuller Seven sketches on themes by Paul Klee LP 25,658 M1045.S386st *Stockhausen Gruppen CD 19,480 M1045.S864 G * Stockhausen Kontakte (with and without instruments) CD 7655 CD M342.S864K M175E4.S864K Stockhausen Mantra CD 3256 M214.s864 M29 * Stockhausen Gesang der Jünglinge CD ML96.5.S864 no.1 *Subotnick Sidewinder CD Takemitsu: November Steps CD 2652 M1040.T136 N 939 *Wolpe String Quartet CD 1658 M452.W866 *Wuorinen: String Quartet LP *Varèse Poeme Electronique CD 2115 *Xenakis: Herma CD 4635 M25.X5H * Xenakis: Pithoprakta CD 249 M1045.X5P6 *Xenakis: Mycenae-Alpha CD 2115 *Xenakis: Shaar CD 27,795 page 4 Compositional Practices Spring 2013
5 Listening Test I Babbitt Reflections for Piano and CD 5250 Tape Berio Visage CD 7631 Cage Concert for Piano and Orchestra FAC 6787 CD 6016 M1010 C15 C Carter String Quartet III CD 3030 M452.C323 no.3 Carter Piano Concerto CD 445 M1010.C323 Crumb Black Angels CD 19,889 M452.C956B Davidowsky Synchronism 6 CD 5250 M25.D2498 S9 No.6 Ligeti Chamber Concerto CD 5505 M947.L723 K Stockhausen Kontakte (with and without instruments) CD 7655 CD M342. S864K M175E4.S864K Stockhausen Gesang der Jünglinge CD ML96.5.S864 no.1 Subotnick Sidewinder CD Wolpe String Quartet CD 1658 M452.W866 Wuorinen: String Quartet LP Varèse Poeme Electronique CD 2115 Xenakis Mycenae-Alpha CD 2115 Xenakis Shaar CD 27,795 page 5 Compositional Practices Spring 2013
6 Listening test II Adams Harmonielehre CD 2992 M1045.A214 H28 Andriessen Da Staat CD 4115 M1528.A573 S77 Brown Available Forms I LP 9427 M1045.B877A No.1, Crumb Vox balaenae CD 13,337 M322.C956 V Feldman Madam Press died last week at ninety. CD 2334 M985.F3125 M1 Ligeti Atmospheres CD 1866 M1045.L723 A8 H63 Penderecki Tren CD 1848 M1145.P397T Reich Music for Eighteen Musicians CD 2953 M1528.R347 M Reich Octet (Eight Lines) CD 4145 M1185.R347 O Rzewski Les Moutons de Panurge CD 16,200 M1470.R999 M934 Schuller Seven sketches on themes by Paul Klee LP 25,658 M1045.S386st Stockhausen Gruppen CD 19,480 M1045.S864 G Xenakis: Herma CD 4635 M25.X5H Xenakis: Pithoprakta CD 249 M1045.X5P6 page 6 Compositional Practices Spring 2013
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