Robin D. Moore. Education

Transcription

1 Robin D. Moore School of Music University of Texas at Austin 1 University Station E3100 Austin, TX USA Off. Tel.(512) Fax (512) Hm. Tel. (512) robin.moore@mail.utexas.edu Education 1995 Ph.D. in music (emphasis ethnomusicology), University of Texas at Austin Doctoral studies, University of Texas at Austin. Major field: ethnomusicology. Minor field: popular culture studies. Geographic specialization: Cuba and the Hispanic Caribbean MA in music (emphasis ethnomusicology), University of California, Santa Barbara BA cum laude in music (emphasis composition), March, 1987, University of California, Santa Barbara. Junior year at the Hochschule für Musik und Darstellende Kunst and Universität Wien in Vienna, Austria. Employment Professor, University of Texas at Austin Associate Professor, University of Texas at Austin Associate Professor, Temple University, Philadelphia Assistant Professor, Temple University, Philadelphia Adjunct Faculty for the Fall Semester, Swarthmore College Rockefeller Fellow, Center for Black Music Research, Columbia College Lecturer, Music Department, University of California, Santa Barbara. Recent Field Research 2008 Havana, Cuba (4 weeks): Research on the early history of the danzón Recife, Brazil (3 weeks): Research into candomblé drumming in the terreiro Xambá Havana, Cuba (3 weeks): Research into the artistic career of Afro-Cuban percussionist Pedro Izquierdo.

2 Vita, R. Moore, p Havana, Cuba (1 month): Interviews conducted on the formation of government musical institutions including state empresas and casas de cultura Cartagena, Colombia (2 weeks): Research on Afro-Colombian percussion rhythms including gaita, porro, mapalé, bullerengue, and cumbia Havana, Cuba (1 month): Research on socialist music education Cali, Colombia (2 months): African-derived musical styles of the Chocó region. Awards, Prizes 2008 Mellon Research Travel Grant for summer work in Havana, Cuba Big XII Faculty Fellowship Grant for lectures at the University of Kansas Library Research Grant from Florida International University for work with the Cristóbal Díaz Ayala music archive, Miami Residency Fellowship, The National Humanities Center, North Carolina 2003 Summer Research Grant, Temple University Spring Semester Sabbatical Leave (one of four granted to non-tenured faculty), Temple University Gustave O. Arlt Award, The Council of Graduate Schools, Washington, D.C. Given each year to a young scholar teaching in the humanities at an American university who...has published a book deemed to be of outstanding scholarly significance Rockefeller Foundation Post-Doctoral Residency and Travel Grant MacArthur Foundation Peace and Security Research Grant for dissertation research. Courses Taught Introduction to Ethnomusicology (graduate) Analytical Methods in Ethnomusicology (graduate) Ethnomusicology for Music Therapists (graduate) Music, Race, and Nationalism (graduate) Music and Cultural History (graduate) Studies in Popular Music (graduate) Music of Mexico and the Caribbean (undergraduate) Music of Central and South America (graduate/undergraduate) Music of the African Diaspora (undergraduate) Introduction to World Music (undergraduate) Popular Music in the United States (undergraduate) History of Rock n Roll (undergraduate) Music Appreciation (undergraduate) Music of the Twentieth Century (undergraduate)

3 Vita, R. Moore, p. 3 Current Professional Service Editor, Latin American Music Review/Revista de Música Latinoamericana Advisory Board, Journal of Black Music Research Co-Founder, Society For Ethnomusicology Southern Plains (with Eileen Hayes) Program Committee, Society For Ethnomusicology Conference 2008 Society for Ethnomusicology Council member Recent Manuscript Reviews Submitted To: Cuban Studies Ethnomusicology Journal of Black Music Research Journal of the Society for American Music Music of the United States of America Editions University of California Press Performance Director, The University of Texas Caribbean Ensemble Director, The University of Texas Mariachi Paredes de Tejastitlan Director, The Temple University Latin American Ensemble Refereed Publications Edited Books In press Musics of Latin America. New York: W.W. Norton. Books 2010 Music of the Hispanic Caribbean. New York: Oxford University Press. 256 pp Music and Revolution. Cultural Change in Socialist Cuba. Berkeley: University of California Press. 350 pp Música y Mestizaje. Revolución artística y cambio social en la Habana ( ). Madrid: Editorial Colibrí. 362 pp Nationalizing Blackness: afrocubanismo and artistic revolution in Havana, Pittsburgh: The University of Pittsburgh Press. 320 pp. Articles Under review The Teatro Bufo: Cuban Blackface Theater of the Nineteenth Century. In Thomas Turino and Donna Buchanan, eds., Performativity, Power, and the Poetics of Being: Soundscapes from the Americas. Austin: University of Texas Press.

4 Vita, R. Moore, p. 4 In press Havana in the nueva trova repertoire of Gerardo Alfonso. In Amanda Holmes and Richard Young, eds., Culture, the City and Identity in Latin America. Pittsburgh: University of Pittsburgh Press Música e crise ideológica em Cuba de 1990 em diante. ArtCultura vol. 9 no. 15 (July-December 2007), pp Black Music in a Raceless Society: Afrocuban Folklore and Socialism. Cuban Studies 37. Pittsburgh, University of Pittsburgh Press, pp Analysis of a tratado for Obatalá, King of the White Cloth. Michael Tenzer, ed., Analytical Studies in World Musics. New York: Oxford University Press, pp Co-written with Elizabeth Sayre Revolution and Religion: Yoruba Sacred Music in Socialist Cuba. Toyin Falola and Matt Childs, eds., The Yoruba Diaspora in the Atlantic World, pp Bloomington: Indiana University Press Transformations in Cuban Nueva Trova, Ethnomusicology vol. 47 no. 1 (Winter 2003), pp Échale salsita: el son y la revolución musical en La Habana. Estudios. Revista de Investigaciones Literarias y Culturales Año 10 vol. 19 (July, 2002), pp Caracas, Venezuela: Departamento de Lengua y Literatura, Universidad Simón Bolívar Salsa and Socialism: Dance Music in Cuba, In Situating Salsa: Global Markets and Local Meanings in Latin Popular Music, ed. Lise Waxer, pp New York: Routledge Revolución con pachanga?: Debates Over the Place of Fun in the Dance Music of Socialist Cuba. Canadian Journal of Latin American and Caribbean Studies vol. 26, No. 52, pp La fiebre de la rumba. Encuentro de la cultura cubana vol. 23 (Winter ), pp From the canción protesta to the nueva trova, International Journal of Qualitative Studies in Education vol. 14 no. 2, pp Nacionalizar la africanía: el auge del afrocubanismo en La Habana, Nueva época, Revista de ciencias sociales no. 8 (Jan 2000), pp Poetic, Visual, and Symphonic Interpretations of the Cuban Rumba: Towards a Model of Integrative Studies. Lenox Avenue, A Journal of Interartistic Inquiry vol. 4 pp The Commercial Rumba: Afrocuban Arts as International Popular Culture. Latin American Music Review vol. 16 no. 2 (Fall/Winter 1995) pp Representations of Afrocuban Expressive Culture in the Writings of Fernando Ortiz. Latin American Music Review vol. 15 no. 1 (Spring/Summer 1994), pp The Decline of Improvisation in Western Art Music Since 1840: An Interpretation of Change. The International Review of the Aesthetics and Sociology of Music vol. 23 no. 1 (June 1992), pp Primitivism and Afrocuban Music: Developmental Parallels The Caribbean Studies Journal vol. 7 nos. 2 and 3 (Winter 1989/Spring 1990), pp

5 Vita, R. Moore, p. 5 Other Publications In press Eight brief articles (approximately 300 words each) on Latin American and Latino music to appear in the Grove Dictionary of American Music, 2 nd edition. New York: Oxford University Press Liner notes for the CD Vuela by Reynaldo Fernández Pavón. Miami, FL: Enola Records Afrocubanismo. In Encyclopedia of African-American Culture and History: The Black Experience in the Americas, ed. Colin A. Palmer, vol. 1, 2 nd ed., pp Detroit, MI: Macmillan Ortiz Fernández, Fernando. Musik in Geschichte und Gegenwart (MGG) vol. 12 in Personenteil, columns Kassel: Bärenreiter-Verlag Afrocubanismo and Son. Aviva Chomsky, Barry Carr, and Pamela Maria Smorkaloff, eds., The Cuba Reader. History, Culture, Politics, pp Durham: Duke University Press Fifteen brief articles ( words) on Cuban music for Cuban Music from A to Z. Durham: Duke University Press Fourteen brief articles ( words) on Cuban music for the two-volume Encyclopedia of Cuba: People, History, Culture, ed. Luis Martínez-Fernández, J.H. Figueredo Jr., and Louis A. Pérez. New York: The Oryx Press pp. 381, 382, 384, 385, 391, 396, , , 410, , , Santiago de Cuba. New Grove's Dictionary of Music and Musicians, 2 nd edition vol. 22 pp New York: Grove s Dictionaries Cuba II: Traditional Music. New Grove's Dictionary of Music and Musicians, 2 nd edition vol. 6 pp New York: Grove s Dictionaries Sánchez de Fuentes y Peláez, Eduardo. New Grove's Dictionary of Music and Musicians, 2 nd edition vol. 22 pp New York: Grove s Dictionaries Reflections on 1990s Havana. Institute of Latin American Studies Newsletter vol. 27 #3 (Spring 1994), pp. 9, 16. Austin: The Univ. of Texas at Austin Directory of Latin American and Caribbean Music Theses and Dissertations Since Latin American Music Review 14 no. 1 (Spring/Summer 1993). Reviews 2010 Review of San Juan-New York: Discografía de la música puertorriqueña Latin American Music Review vol. 31 no. 2 (Fall/Winter 2010), pp Review of Creolizing the Contradance in the Caribbean by Peter Manuel. Latin American Music Review vol. 31 no. 2 (Fall/Winter 2010), pp Review of Los Contrapunteos de la música cubana by Cristóbal Díaz Ayala. Latin American Music Review vol. 29 no. 2 (Fall/Winter 2008), pp Review of Música, a documentary film by Gustavo Paredes on the history of Spanish Caribbean music in New York City. In Watching the Caribbean: Interdisciplinary

6 Vita, R. Moore, p. 6 Perspectives on Caribbean Cinema: Part I. Caribbean Studies, vol. 36 no. 2, pp Review of National Rhythms, African Roots. The Deep History of Latin American Popular Dance by John Charles Chasteen. Cuban Studies 37, pp Review of Blackface Cuba, , by Jill Lane. Latin American Music Review vol. 27 no. 1 (Spring/Summer 2006), pp Review of The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia by Lise Waxer. Ethnomusicology vol. 48 no. 3 (Fall 2004), pp Review of Culturas encontradas, ed. Rafael Hernández and John H. Coatsworth. The Americas: A Quarterly Review of Inter-American Cultural History Volume 60, Number 2 (October 2003), pp Review of Music in Cuba by Alejo Carpentier, translated by Alan West-Durán and edited by Timothy Brennan. Latin American Music Review vol. 22 no. 2 (Fall/ Winter 2001) pp Review of Music of the Warao of Venezuela: Song People of the Rainforest by Dale Olsen. Ethnomusicology (Spring/Summer 2001), pp Review of Music in Latin American Culture: Regional Traditions, ed. by John Schechter. Fontes Artis Musicae vol 47 #1 (Jan-Mar 2000) pp Review of Latin Jazz: The First of the Fusions, 1880 to Today by John Storm Roberts. Fontes Artis Musicae vol 47 #1 (Jan-Mar 2000) pp Review of the compact discs The Bahamas: Islands of Song and Cuba in Washington, both released by Smithsonian Folkways. Ethnomusicology vol. 44 no. 2 (Spring-Summer 2000), pp Review of Global Pop: World Music, World Markets by Timothy D. Taylor. Notes: Quarterly Journal of the Music Library Association vol. 55 no. 1 (September 1998), pp Review of Carnival Canboulay and Calypso: Traditions in the making by John Cowley. Notes: Quarterly Journal of the Music Library Association vol 54 no. 1 (September 1998), pp Review of Merengue: Dominican Music and Dominican Identity by Paul Austerlitz. Yearbook for Traditional Music vol. 29 (1997), pp Review of Cuando salí de la Habana, Cien años de música cubana por el Mundo by Cristóbal Díaz Ayala. Latin American Music Review vol. 20 no. 2 (Fall/Winter 1999), pp Review of Music is My Flag: Puerto Rican Musicians and Their New York Communities, by Ruth Glasser. Hispanic American Historical Review vol. 76 no.4 (November 1996), pp Review of Caribbean Currents: Caribbean Music From Rumba to Reggae, ed. Peter Manuel. Notes: Quarterly Journal of the Music Library Association vol. 53 #1 (September 1996), pp Review of Cuba canta y baila: Discografía de la música cubana vol. 1, 1898 a 1925 by Cristóbal Díaz Ayala. Latin American Music Review vol. 17 no. 1 (Spring-Summer 1996), pp. 78, 81.

7 Vita, R. Moore, p. 7 Recent Scholarly Presentations 2010 Music, Race, and Religion in Cuba: Reflections on the Career of Pedro Izquierdo. University of Florida, Gainesville (February 3 rd ) Music and Revolution. Cultural Change in Socialist Cuba. Grand Valley State University, Grand Rapids Michigan (December 7 th ). Reflections on the Representation of Latin American Music in the Classroom. Society for Ethnomusicology annual meeting, Mexico City (November 22 nd ). Music and Diaspora: Reflections on the Hispanic Caribbean. University of Puerto Rico Río Piedras, Center for Black Music Research conference (June 19 th ). The Transnational History of the Bolero. Trinity University Music Department, San Antonio (January 30 th ) Reflections on Representations of Indigeneity in Latin American Music. Society for Ethnomusicology annual meeting, Middleton CT (October 25 th ) Cuban Nueva Trova and the Left in Socialist Cuba. What s Left of the Latin American Left conference, LLILAS, UT Austin (April 28 th ). Music, Race, and Religion in Cuba: Reflections on the Career of Pedro Izquierdo. Vassar College (April 24 th ). Music, Race, and Religion in Cuba: Reflections on the Career of Pedro Izquierdo. Florida International University, Graham Center (March 10 th ). The Cultural Cold War Between Havana and Miami. Tulane University, Virtual Caribbeans conference (February 29 th ). Reflections on the Career of Pedro Izquierdo. Indiana University, Bloomington (April 2 nd ) Music and Revolution. Cultural Change in Socialist Cuba. UCLA History Department (November 19 th ). Reflections on the Career of Pedro Izquierdo. UC Riverside Music Department (November 21 st ). Musical Politics in Contemporary Argentina. Annual Society for Ethnomusicology Meeting, Columbus Ohio (October 26 th ). Reflections on Music and Politics in Contemporary Argentina. Society for Ethnomusicology meeting, Columbus Ohio (October 26 th ). Afro-Cuban Culture and Musical Nationalism. NEH Seminar, University of Wisconsin, Milwaukee (July 18 th ). Revolution, Folklore, and Transgression: Reflections on the career of Pedro Izquierdo. Institute of Latin American and Latino Studies, University of Illinois Chicago (April 23 rd ).

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9 Vita, R. Moore, p. 9 References Dr. Samuel Floyd. Center for Black Music Research, Columbia College Chicago. 600 S. Michigan Ave., Chicago IL Tel. (312) , ext saf946@att.net Dr. Peter Manuel. Professor, CUNY Graduate Center. 127 Park Ave., Leonia, NJ Office tel. (201) petermanuel3@aol.com Dr. Lester Monts. Professor. Office of the Provost, University of Michigan. Rm. 3084, Fleming Administration Building, Ann Arbor, MI (734) lmonts@umich.edu